broadway in boston | The Sleepless Critic

REVIEW: Lexus Broadway in Boston presents sizzling and spectacular ‘Moulin Rouge the Musical’

Posted on February 4 by The Sleepless Critic

Moulin Rouge is sizzling, romantic and grand scale entertainment perfect just before Valentine’s Day.

Boasting Derek McLane’s lavish and sophisticated heart-shaped sets fueled by Justin Townsend’s vivid lighting so vibrant that could be its own character and Catherine Zuber’s edgy, timely and shimmering costumes, Moulin Rouge the Musical is a glorious spectacle right from the start blending its unique delivery of a multi-generational jukebox musical soundtrack as well as lively and athletic choreography that makes an immediate impact.

The cast of the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Nothing less could be expected from director Baz Luhrmann, who is not only behind the 1997 frenetic film of the same name in which the musical is based on starring Nicole Kidman and Ewan McGregor, but has a creative hand in the musical’s signature style. Filled with popular songs of its time, Moulin Rouge has always been a lavish and wild celebration of desire, the rigid social class divide and first love, but somehow Moulin Rouge the Musical harnesses these rich themes on a considerably larger scale and it is nothing short of a feast for the eyes.

Winner of ten Tony Awards including Best Musical and directed by Alex Timbers, Lexus Broadway in Boston presents Moulin Rouge the Musical live and in person at Citizens Bank Opera House through Sunday, February 4. The show is 2 hours and 35 minutes with one intermission and has some content not suitable for children. Click here for more information and for tickets. Click here for Moulin Rouge’s national tour schedule.

Not only does Moulin Rouge The Musical contain a wide range of sharp and slinky choreography by Sonya Tayah, but features distinct characters with powerful vocals that make lasting impressions. Robert Petkoff brings enthusiasm, poetic and flamboyant charisma to Moulin Rouge’s nightclub master of ceremonies Harold Zidler starting with an incredible first appearance in Welcome to the Moulin Rouge further embellished by a fierce foursome who sang Christina Aguilera, Pink, Lil Kim, and Mya’s Lady Marmalade first made famous combined with an even catchier and colorful Can Can Can.

Adéa Michelle-Sessoms and Jennifer Wolfe in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Sarah Bowden as Nini is a sensational dancer and alongside Danny Burgos as Santiago sure know how to turn up the heat. Burgos and Bowden make a sultry and flirtatious pair especially in the catchy and cathartic Backstage Romance with the cast featuring music from Lady Gaga, Britney Spears, and the Eurthymics.

Gabe MartInez as Santiago and Libby-Lloyd as Nini in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

In a top hat and thick mustache, Andrew Brewer is cunning as distinguished and wealthy businessman The Duke of Monroth. He seems good to be true and has an agenda all his own. Nick Rashad Borroughs as Toulouse-Lautrec performs a wonderful and moving rendition of Nature Boy and shares warm and humorous camaraderie with Christian Douglas as Christian and Danny Burgos as they advise Christian about life at the Moulin Rouge.

David Harris as The Duke of Monroth in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Christian Douglas is captivating as naïve, charming, and idealistic Christian. Christian is a promising American artist and songwriter longing for his big break. At the Moulin Rouge in Paris, he sets eyes on Moulin Rouge’s confident, complex, and ambitious main attraction Satine, portrayed splendidly by Gabrielle McClinton. McClinton, decked out in a black and diamond ensemble, proves herself a versatile showstopper in The Sparkling Diamond singing snippets from Beyonce, Madonna, Marilyn Monroe and Rihanna with over the top dramatic flair, sensuality, and commanding vocals. Douglas and McClinton bring gorgeous harmony together for Elephant Love Medley featuring Come What May and Silly Love Songs. Christian also performs a haunting and fiery rendition of El Tango de Roxanne.

Courtney Reed as Satine in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Moulin Rouge the Musical offers many exciting surprises that will not all be revealed here. The swift and complex orchestration by Music Director Andrew Graham and sound designer Peter Hylenski uniquely integrates a selection of hit songs with unpredictable humor and drama. It is a fast paced firecracker of a love story that is as edgy as it is moving. Don’t miss the chance to see Moulin Rouge The Musical.

Winner of ten Tony Awards including Best Musical and directed by Alex Timbers, Lexus Broadway in Boston presents Moulin Rouge the Musical live and in person at Citizens Bank Opera House through Sunday, February 4^th. The show is 2 hours and 35 minutes with one intermission and has some content not suitable for children. Click here for more information and for tickets. Click here for Moulin Rouge the Musical’s national tour schedule.

REVIEW: Lexus Broadway in Boston’s ‘Hamilton’ – history and the hype

Posted on February 22, 2023 by The Sleepless Critic

Having witnessed Lin Manuel Miranda’s dynamite, hip hop improvisational event Freestyle Love Supreme live in Boston prior to seeing Hamilton, it is easy to see some of the inspiration and contemporary influences on the renowned historical rap musical, Hamilton which centers around one of America’s founding fathers, Alexander Hamilton. As an illegitimate orphan immigrant from the West Indies, Hamilton created a legacy and became one of the forefathers of the constitution, but not without making enemies and causing scandal along the way.

Directed by Thomas Kail and inspired by the book, Alexander Hamilton by Ron Chernow, Broadway in Boston presents Tony award-winning Hamilton live and in person at the Citizens Bank Opera House in Boston, Massachusetts through March 12. Click here for more information and for tickets.

Hamilton Joseph Morales and Nik Walker will lead the second national tour of Hamilton as Alexander Hamilton and Aaron Burr, respectively. Other principal roles in Hamilton will be played by Ta’Rea Campbell as Angelica Schuyler; Marcus Choi as George Washington; Elijah Malcomb as John Laurens/Phillip Schuyler; Shoba Narayan as Eliza Hamilton; Fergie L. Philippe as Hercules Mulligan/James Madison; Kyle Scatliffe as Marquis de Lafayette/Thomas Jefferson; Danielle Sostre as Peggy Schuyler/Maria Reynolds and Jon Patrick Walker as King George. The second national tour also includes Tia Altinay, Amber Ardolino, Conroe Brooks, Cameron Burke, Evan S. Cochran, Phil Colgan, Desmond Sean Eillington, Hope Endrenyi, Lili Froehlich, Daniel Gaymon, Camden Gonzales, Jennie Harney, Stephen Hernandez, Kristen Hoagland, Abby Jaros, Emily Jenda, Wonza Johnson, King David Jones, Carina-Kay Louchiey, Brandt Martinez, Taeko McCarroll, Tyler McKenzie, Justice Moore, Antuan Magic Raimone, Julian Ramos, Jen Sese, Willie Smith III, and Julius Thomas III. Photo by Joan Marcus

One of Hamilton’s most memorable lines reflected on legacy. It is defined as “planting seeds in a garden you never get to see.” Hamilton has an innate urgency as big as Hamilton’s persistent and risk taking drive. Having emigrated from the West Indies where life was short to New York, Alexander knew many in the West Indies at that time did not expect to live past 20 as he arrived in New York with big aspirations according to the musical at 19 years old.

Hamilton’s life was lived without a second to lose and the show emphasizes this with vigor, roaring cannons by sound designer Nevin Steinberg while Howell Binkley’s peak lighting blares in the distance for My Shot. In spite of a mountain of obstacles, Alexander knew this was his chance to rise up and bring the United States to freedom.

Quite the opposite is the leisurely sarcasm of King of England’s King George, an amusingly smug performance by Neil Haskell as he waits in the wings for his estranged renegades’ surefire defeat and return. Wearing a gleaming crown, Haskell’ s droll and intriguing remarks are so certain and so methodically threatening in You’ll Be Back as he drives his once followers into submission from a distance. In feigned loyalty and villainy, he remarks, “You were mine to subdue.”

One of the strongest and most fascinating aspects of the musical is Jared Dixon’s regal, sophisticated and reserved Aaron Burr to Pierre Jean Gonzalez’s impulsive and expedient Alexander Hamilton. Dixon is exceptional as Burr, emphasizing how these two greats are so alike and so incredibly different as is demonstrated in the stirring number, Dear Theodosia. Burr and Hamilton’s building tension, especially while working with an inspiring Marcus Choi as wise, firm, reasonable and commanding George Washington, is among the best parts of the production. Aaron Burr Sir, Non-Stop, and The Room Where it Happens emphasize this gripping tension while Choi makes a formidable Washington as he delivers soaring vocals in an exhilarating rendition of One Last Time.

Hamilton’s reflective number Hurricane is an indelible performance fueled by Andy Blankenbuehler’s intricate and purposeful choreography while contemporary meets vintage colonial flair in a stream of clever storytelling for the playful Helpless and then the discerning Satisfied. Hamilton’s colonial era setting hits the mark with costumes by Paul Tazewell ranging from bustiers to velvet suits to sweeping ball gowns in muted colors. Ta’Rea Campbell is extraordinary as conflicted Schuyler sister Angelica. Her silvery vocals depict her charisma, determination, but steadfast loyalty established in Helpless and Satisfied. She has intriguing chemistry with Hamilton as she deliberately matches her sister Eliza with him. Nikisha Williams is well suited for wide eyed, altruistic, and unwaveringly supportive Eliza as demonstrated in the touching duet That Would be Enough with Gonzalez and the complex and poignant It’s Quiet Uptown enhanced by Blankenbueher’s sweeping choreography.

Shoba Narayan, Ta’Rea Campbell, and Nyla Sostre – Hamilton National Tour Photo credit Joan Marcus 2018

Hamilton has had quite a sterling reputation over the years. Witnessing this musical the first time brought incredibly high expectations, so perhaps those high hopes was not fair to the musical itself. It was a unique and immersive experience featuring some fast paced and catchy numbers, but also a wealth of heady and historical dialogue delivered in rap libretto, which sometimes made the musical difficult to follow. Streaming it with subtitles certainly helped on Disney Plus and returning fans of Hamilton are already familiar with the story and soundtrack, but though the style is contemporary and innovative, it was a bit frustrating trying to capture every word. Perhaps it is wise to experience Hamilton through the soundtrack and/or streaming before watching it live.

Much acclaim to Alexander Hamilton who literally picked himself up by his bootstraps and created such an incredible legacy. Hamilton is packed with some lesser known historical facts about United States history and history buffs will especially enjoy it as events unfold. Hamilton is full of patriotism and stands as a much needed reminder of the kind of timeless zealousness that originally established America’s independence and freedom as it pulses to its own contemporary beat.

Broadway in Boston presents Tony award-winning Hamilton live and in person at the Citizens Bank Opera House through March 12. Click here for more information and for tickets.

REVIEW: Lexus Broadway in Boston’s glitzy ‘Pretty Woman the Musical’ fluffy but fun

Posted on January 28, 2022 by The Sleepless Critic

Sure, it’s escapism, but isn’t that what Pretty Woman is all about?

Based on the hit film adaptation starring breakout star Julia Roberts and then megastar Richard Gere, Pretty Woman put a fairy tale spin on a story about a clever prostitute who charms a rich guy. The film is produced by Disney no less and solidly directed by the esteemed Gar r y Marshall. With natural elegance, pitch perfect comic timing, and tangible chemistry with Gere who she went on to star with in other film projects due to their thriving and bankable chemistry, Julia Roberts instantly became America’s Sweetheart at just 21 years old.

Adam Pascal as Edward and Olivia Valli as Vivian Photo credit to Lexus Broadway in Boston

A lot of big box office movies become musicals, so Pretty Woman was inevitable.

Directed and choreographed by Jerry Mitchell with music by award-winning singer-songwriters Bryan Adams and Jim Vallance, Lexus Broadway in Boston’s Pretty Woman the Musical continues live and in person at the Citizens Bank Opera House in Boston, Massachusetts through Sunday, January 30. Click here for more information and for tickets.

While the musical lacks Roberts and Gere’s tangible chemistry, Pretty Woman the Musical is still a fun adaptation with a few memorable musical numbers and includes the beloved and iconic moments that charged the 90s rom com classic. However, I do wish the show took its time a little more. The scenes and dialogue at times seem rushed, but with a show already two plus hours, that can be understandable. There is a great deal to cover from the music to the wealth of the film’s signature moments, but perhaps subtracting the more forgettable reprises might make up for the patches of rushed pacing.

Olivia Valli and Saleswomen on Rodeo Drive Photo credit to Lexus Broadway in Boston

From colorful street clothes to flowing, runway fashion to majestic gowns that include Vivian’s iconic red dress, costume designer Gregg Barnes exacts the splashy nature and 80s/90s vibe of this fantasy fairy tale. Fashion bursts onto the scene in the flashy number, Rodeo Drive oozing in the elegance of many shoppers’ fondest dreams and can’t help but notice Jessica Crouch as Kit’s amazing and glittery red and gold heels.

Kyle Taylor Parker as Happy Man Photo credit to Lexus Broadway in Boston

One performer who does more of the heavy lifting in this version is Kyle Taylor Parker as Happy Man. He not only carries his excellent and fun-loving charisma to the neon glow of Hollywood Boulevard for What’s Your Dream, a catchy opening number with a tropic tinge, but keep an eye out for Parker to pop up unexpectedly and delightedly in various sequences throughout the production boasting sharp comic wit and dynamic spontaneity.

Olivia Valli, the granddaughter of Frankie Valli, has a lot to live up to and does not do a Julia Roberts impression even through those signature red curls, but she makes the part her own as a goofier free spirit and an even faster-talking Vivian than in Roberts’s memorable performance. Julia Roberts had more of an established elegance in her role, even when she is trying to look tough. Valli has her own unique and bubbly comic timing. She performs a charming rendition of This is My Life, created from one of Vivian’s monologues to Edward. She also delivers a heightened and powerful solo for I Can’t Go Back.

An iconic Rodeo Drive moment in Pretty Woman Photo credit to Lexus Broadway in Boston

Adam Pascal as quiet, powerful, and observant Edward lacks Richard Gere’s subtle charm though he sounds a lot like Gere. His character is developed further than in the film, especially during his insightful solo, Freedom which is a nice addition drawn from Edward’s monologue in the film to Vivian.

Jessica Crouch’s vocal gymnastics with a rock edge as Kit uplifted Luckiest Girl in the World alongside Olivia Valli as Vivian and in the bright and catchy number, Never Give Up on a Dream. Kit’s spitfire persona and shoot-from-the hip attitude is a heightened version of Laura San Giocomo’s benchmark performance, but here Kit is a more established character and given a larger arc than in the film. She and Olivia Valli have a warm camaraderie evident from Kit’s first scene.

Jessica Crouch as Kit and Olivia Valli as Vivian Photo credit to Lexus Broadway in Boston

Jason Alexander has said that his opportunity for George from Seinfeld came from Pretty Woman and it was a hard fought battle for him to play the role of Edward’s lawyer and friend, Phillip Stuckey. However, in this version, Brent Thiessen filling for Matthew Stocke, is more of what director Garry Marshall originally had in mind for Stuckey’s intimidating, slimy, and snarky persona (imagine if Bradley Cooper took this role) and Olivia Valli as Vivian’s updated interactions with him are a little different this time around and more welcoming.

Amma Osei as Violetta and cast Photo credit to Lexus Broadway in Boston

Whether it’s the astounding vocals from Amma Osei as Violetta or the scene’s up close and personal delivery or even Pascal’s beautiful rendition of You and I, which has an unmistakable Bryan Adams influence, the iconic opera scene between Vivian and Edward stands out as is one of the best scenes in the musical.

Lexus Broadway in Boston’s Pretty Woman the Musical continues live and in person at the Citizens Bank Opera House in Boston, Massachusetts through Sunday, January 30. Click here for more information and for tickets.

REVIEW: With flawless artistic wizardry, Disney’s ‘The Lion King’ musical, presented by Lexus Broadway in Boston, remains a magnificent theatrical experience

Posted on October 27, 2019 by The Sleepless Critic

Over the years as a critic, taking notes during the show has been a ritual and now pretty much a reflex these days. When Disney’s The Lion King musical amazed audiences over 20 years ago on Broadway at the Nederlander Theatre, it was a larger than life spectacle that was as impressive to the eyes as it was to the heartstrings. Seeing it for the first time back then, it was probably one of the most glorious theatre experiences in memory.

One would think that as time passed, the technology and the sheer artistry of the show would become a bit dated. However, it hasn’t aged a bit unveiling richer interpretations of songs from the film such as I Just Can’t Wait to Be King and The Circle of Life and including additional songs such as Shadowland and They Live in You not included in the film. It is also the one show that was too enthralling to take notes.

Directed by Julie Taymor, Lexus Broadway in Boston presents Disney’s Tony award-winning musical, The Lion King through Sunday, October 27 at Citizens Bank Opera House in Boston, Massachusetts. Click here for more information and tickets and click here to see where the show is touring next.

The Lion King is based on Disney’s 1994 Academy award-winning film of the same name which is also an adaptation of Shakespeare’s Hamlet. It is about a cub prince named Simba who must grow up fast after being exiled from his home by his scheming uncle. Bursting with color, comedy, jaw dropping special effects, a classic soundtrack by Elton John and Tim Rice with important lessons about growing up, it puts an entirely new spin and depth into in this extraordinary tale, giving this musical new dimension and heart.

With scenic design by Richard Hudson, lighting by Donald Holder, and Steve Canyon Kennedy on sound, it brilliantly navigates Citizens Bank Opera House’s space to stage some of the film’s vast landscapes which includes the breathtaking and encompassing opening sequence. The show manipulates movement and height with strategically placed moving props and the Julie Taymor and Michael Curry’s mask and puppet design representing members of the animal kingdom are visionary marvels.

The entire cast is as impressive as their visually stunning surroundings. Bursting with color, I Just Can’t Wait to be King is a celebration with zany, eye popping color and wild shapes combined with Walter Russell the III’s enthusiastic vocals as Young Simba. Buyi Zama is intense and hilarious as the wise Rafiki, her mesmerizing interactions with the cast unpredictable and endlessly amusing while delivering the emotional impact that the part entails. She stands out in the stirring number, Nao Tse Tsa and every scene at Rafiki’s Tree. Gerald Ramsey has a commanding, yet nurturing presence as Mufasa as he interacts with energetic and adorable Walter Russell III.

Spencer Plachy is a masterful, manipulative Scar the likes of the original Scar voiced by Jeremy Irons, haunting in the number, Be Prepared and with kooky and creepy performances by Keith Bennett as Banzai, Martina Sykes as Shenzi, and Robbie Swift as Ed, they form a group more menacing than in the film.

Adding a wealth of comic relief is Nick Cordileone as Timon, his compelling puppetry bringing the character to life in a new way. With Ben Lipitz as a wild haired Pumbaa whose expressions channel John Belushi, the two make a sidesplitting pair as they deliver the catchy classic, Hakuna Matata. Greg Jackson is impressive as he navigates Zazu’s jittery angst in a sprawling bird.

Lexus Broadway in Boston presents The Lion King musical through Sunday, October 27 at Citizens Bank Opera House, 539 Washington Street in Boston, Massachusetts. Click here for tickets and here to see where The Lion King will perform next on their national tour. This mesmerizing hit musical continues to reign on Broadway at the Minskoff Theatre in New York City.

Lexus Broadway in Boston has an amazing lineup in store as they continue their 2019-2020 season which includes Disney’s Anastasia, Mean Girls, and their next musical, Come From Away. Click here for their entire lineup and follow them on Facebook for updates and much more.

REVIEW: Lexus Broadway in Boston’s ‘Beautiful: The Carole King Musical’ some kind of wonderful triumph

Posted on February 20, 2019 by The Sleepless Critic

Triumph she does. Carole King, one of the most successful songwriters of the latter part of the 20^th century, had talent from the first time she walked in the studio at age 16. This is not the average biopic where the protagonist has to overcome some sort of terrible tragedy or failure, but a woman on the move from the very start.

Boasting a library of hits before Carole even considers taking the stage to perform her own music, this show brings on the nostalgia of passing generations from the chic retro clothes to the distinctive music style. It is a sweeping musical from a songwriter’s perspective with few low notes and anyway, why not pack a show with hits and a lighter story that just might leave you smiling?

Sarah Bockel as Carole King Photo credit to Lexus Broadway in Boston

Lexus Broadway in Boston concluded Beautiful: The Carole King Musical‘s run on Sunday, February 10. Beautiful: The Carole King Musical recently celebrated five years on Broadway. Click here to see where this captivating show will be next. Click here more on Broadway in Boston’s stellar season.

From the moment Carole makes contact with that baby grand piano for a lively rendition of I Feel the Earth Move, impressive, rolling sets transport her into her Brooklyn home where she first started writing. Portrayed by Elise Vannerson throughout the show, Carole is introspective yet dreamy, seemingly more than ready for her life to take off. Vannerson captures the essence of her ambition, shyness, and tenacity. Her soaring vocals is an impressive tribute to Carole’s trademark voice. Suzanne Grodner portrays Genie Klein, Carole King’s mother, with humorous, cynical sass and sensibility as she cuts Carole a deal.

The Drifters: Darius Delk, Dimitri Joseph Moise, Deon Releford-Lee, and Nathan Andrew Riley Photo credit to Lexus Broadway in Boston

The Shirelles: Harper Miles, DeAnne Stewart, Danielle J. Summons, and Alexis Tidwell Photo credit to Lexus Broadway in Boston

Dominating this tale is some of the most popular music of the 20^th century and Beautiful offers a peek into how some of these songs hit the charts. A rollicking mix of hits including There Goes My Baby and Yakety Yak encompasses the sensational 1650 Broadway Medley as a glittering display of guitars, scripts, music sheets, and sound systems hang in the background. From shimmering gowns to some of the era’s most popular, colorful fashion trends, Allejo Vietti’s costume design blends perfectly with Joyce Chittick’s lively choreography, a compelling spectrum of classic dance moves and crazes of each era. It’s an era so influenced by Carole King’s songwriting and that of her peers.

From Left to right: James Clow as Don Kirshner, Dylan S. Wallach as Gerry Goffin, Sarah Bockel as Carole King, Jacob Heimer as Barry Mann, and Alison Whitehurst as Cythia Weil Photo credit to Lexus Broadway in Boston

Beautiful: The Carole King Musical is full of moments of light humor and endearing chemistry among the cast. With smooth, pliable vocals, Dylan S. Wallach portrays idealistic, sharp, and a bit macho Gerry Goffin. He and Elise Vannerson as Carole have charming chemistry and moments of cute awkwardness. They complement each other and their duets are particularly memorable. Alison Whitehurst as confident and driven Cynthia Weil and Jacob Heimer as hypochondriac Barry Mann make a fascinating comic duo. James Clow is also impressive as warm, inventive, and open minded Don Kirshner, who always knows talent when he sees it.

Click here to see where Beautiful: The Carole King Musical will be next. Lexus Broadway in Boston’s upcoming performances include A Bronx Tale, Hello Dolly, Dear Evan Hanson, as well as the return of The Illusionists, Miss Saigon, Les Miserables. Click here for a closer look at their season and follow them on Facebook and Twitter.

REVIEW: Lexus Broadway in Boston’s ‘On Your Feet’ a riveting, musical sensation

Posted on May 12, 2018 by The Sleepless Critic

Leave it to music trailblazers Gloria and Emilio Estefan to make even folding laundry an exhilarating event. A glimmering purple curtain provided just a hint of the radiance behind it as Lexus Broadway in Boston presented On Your Feet through Sunday, April 29 at the Boston Opera House at 529 Washington Street in Boston, Massachusetts. Direct from Broadway and featuring five of the original members of Gloria Estefan’s band, Miami Sound Machine, On Your Feet is currently on a national tour. Click here to find out where they will take the stage next.

BIB On Your Feet Gloria Estefan and National Tour

Christie Prades as Gloria Estefan and the company of the national tour of ‘On Your Feet’.

From its first few powerful notes and flowing, multicolored club lights, On Your Feet is a party from the start. After real life superstar couple, Gloria and Emilio Estefan playfully introduce the show, Cuban dancers emerge pounding drums as a full, onstage band, Miami Sound Machine, flood the stage and greet the audience. Award-winning Sergio Trujillo’s thrilling choreography frames every aspect of this international, true story with flair and gusto. It has an equal share of wild, quick, and intense music with complex, fancy foot work as well as poignant, inspiring moments within a few of Gloria Estefan’s famous ballads. Gloria and Emilio Estefan are behind the Latin rhythms, touching original compositions, and the orchestrations of some of Gloria Estefan’s biggest hits. This captivating production not only showcases Latin culture and a peek into its history, but Gloria and Emilio’s tenacious struggle to fit it into American music scene.

The company of the national tour of ‘On Your Feet’.

Costume designer Emilio Sosa skillfully replicated Gloria’s sparkling, iconic outfits featured in her memorable concert appearances, the Estefan’s worldwide travel, brought together the colorful styles of the 60s, 80s, and 90s from casual, colorful floral summer wear of Cuba and Miami to elegant, nightclub attire. David Rockwell’s often romantic scenic design and dim lighting depict Miami’s palm tree silhouettes as well as the particular vibe in their worldwide travels.

BIB On Your Feet Gloria Adriel and Company

Christie Prades as Gloria Estefan, Adriel Flete and the company of the national tour of ‘On Your Feet’.

On Your Feet not only explores Gloria and Emilio’s budding romance and their mutual dreams, but their aspirations to pursue music as Latin performers. What is most fascinating about the show is Mauricio Martinez as Emilio and Christine Prades as Gloria’s sheer dogged determination to thrive. Martinez offers a charming, yet serious performance as Emilio, business minded and determined with smooth and angelic vocals. He delivers a touching rendition of Gloria Estefan’s hit, Don’t Want to Lose You Now and original song written by Gloria Estefan’s daughter, If I Never Got To Tell You, a duet with Nancy Ticotin as Gloria Estefan’s mother, Gloria Fajardo. Martinez is intense, charismatic, and always planning one step ahead.

BIB On Your Feet Gloria Emilio and Company

Christie Prades as Gloria Estefan, Mauricio Martinez as Emilio Estefan, and the company of the national tour of ‘On Your Feet.’

It is easy to see why Christine Prades as Gloria has such natural, crackling chemistry with Martinez. Prades as Gloria complements Emilio’s drive through her vibrant, shy, and creative personality. Curly haired and slim with inflections of Gloria Estefan’s distinctive voice, it is hard to imagine another person portraying the award-winning singer-songwriter. She engages the audience with her glowing, infectious smile while skillfully handling the quick pacing and complex choreography of this production, often breaking out into song and dance on a dime. From a ‘can’t-help-but-sing’ child doing chores in Cuba, portrayed sweetly by Ana-Sofia Rodriguez, to a timid woman taking the stage, Gloria’s charismatic stage presence in undeniable. Together, Gloria and Emilio are a force to be reckoned with in their uphill battle to become a music sensation. The tender song, Here We Are is a particular highlight, showing off their sweet chemistry.

BIB On Your Feet Gloria and national tour

Nancy Ticotin as Gloria Fajardo and the company of the national tour of On Your Feet.

Nancy Ticotin delivers a powerful performance as Gloria Fajardo, Gloria’s mother. Ticotin portrayed strong willed Fajardo with a passion and a powerful voice, especially portrayed with the flirtatious number Mi Tierra, sung in a Havana nightclub. Ticotin is stubborn and hard on Gloria, but with a giving spirit toward Jason Martinez as Gloria’s loving war veteran father, Jose.

BIB On Your Feet Gloria Kevin and Emilio

Christie Prades as Gloria Estefan, Kevin Tellez, Mauricio Martinez as Emilio Estefan and the company of the national tour of ‘On Your Feet’.

On Your Feet not only quite literally encourages the audience to dance with some of Gloria’s most riveting songs such as 1-2-3, Rhythm is Gonna Get You, Conga and Dr. Beat, but also depicts the journey and sorrows of following a dream. It has its share of humorous moments in Debra Cardona as Gloria’s charming grandmother, Consuelo, in her unwavering support of her granddaughter and delivering a few sharp one liners. Carlos Carreras as Jeremy wows as an enthusiastic Gloria Estefan fan that can’t help but dance. In such an uplifting, spectacular musical celebration, it is easy to understand why.

The company of the national tour of ‘On Your Feet.’

On Your Feet is currently on a national tour. Click here to find out where they will take the stage next. Click here for more of Lexus Broadway in Boston’s upcoming performances and follow them on Facebook.

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REVIEW: Lexus Broadway in Boston’s ‘Waitress the Musical’ proves the best things in life come from the kitchen

Posted on March 18, 2018 by The Sleepless Critic

Lexus Broadway in Boston’s heartwarming and meaningful musical, Waitress the Musical, shows that life’s most important answers can be found in a pie. Currently on a national tour, Waitress, with book by Jessie Nelson, music and lyrics by Tony and Grammy-nominated singer-songwriter Sara Bareilles and featuring an all female production team, oozes with southern charm as baker Jenna, portrayed passionately by Desi Oakley, finds herself pregnant and falling in love with her doctor.

Desi Oakley as Jenna in the national tour of Waitress, photo by Joan Marcus and courtesy of Broadway in Boston

With a cast of colorful and comical characters and based on the 2007 film of the same name starring Keri Russell, Waitress served its best in Boston from February 20 through March 4 at the Boston Opera House. Click here to see where Waitress will be taking the stage next and here for more on Lexus Broadway in Boston.

From a bright neon sign and red chrome booths to clever choreography that gives diner dancing a fresh, new meaning, the majority of Waitress is set inside the vintage and picturesque Joe’s Pie Diner. Impressive songs range from catchy to reflective and numbers like When He Sees Me and Opening Up are sure to stay with the audience long after the show is over.

Full of heart, what Waitress the Musical achieves is a delicate balance of the sweetness and realism of life, delving into the lives of a group of dynamic characters who dream of a better life. Jenna expresses her thoughts on life through the humorous titles she deems to Joe’s Diner Pie of the Day.

Nick Bailey & Desi Oakley in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Desi Oakley delivers a powerful, inspiring performance as Jenna. She depicts Jenna’s complex web of emotions with a blend of dark humor and a note of hope. Her voice is as versatile as the pies she bakes and her intense rendition of She Used to Be Mine is one of the show’s greatest highlights. Her irresistible chemistry and beautiful harmony with compassionate and mysterious Bryan Fenkart as Dr. Pomatter are engaging in the playful Bad Idea and the tender You Matter to Me. Dressed in a plaid shirt, worn jeans, and tied back hair, Nick Bailey as Earl is manipulative and gruff with a rich, rock n roll voice.

Maiesha McQueen, Desi Oakley & Bryan Fenkart in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

With big earrings and wild hair, Charity Angel Dawson offers a great deal of comic relief as outspoken and wise cracking waitress Becky. Passionate and direct, Becky is captivating in the number, I Didn’t Plan It and her onstage charisma will have the audience hanging on her every word.

Charity Angel Dawson, Desi Oakley & Lenne Klingaman in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

In bright, red glasses, Lenne Klingaman portrays Dawn with her own, magnetic, comedic timing. Dreamy and shy, Dawn calls herself “a woman of many passions.” She is unforgettable singing the yearning number, When He Sees Me. With Jeremy Morse as scene stealing Ogie, they are a comedic force to be reckoned with. Gleeful and goofy with a habit of over sharing, Jeremy Morse has even the cast trying to keep a straight face. Morse’s comic timing is a bungle of flawless, unsuppressed energy.

Lenne Klingaman & Jeremy Morse in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Larry Marshall, with a wonderful laugh and a curmudgeonly personality, portrays difficult customer and diner owner, Joe. A complicated storyteller with more insight than he seems, his conversations with Jenna is full of humor and openness. Speaking to the uplifting spirit of this charming show, Joe proclaims, “Baking a pie is a magical experience.”

Desi Oakley & Larry Marshall in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Click here to see where Waitress the Musical arrives next. Lexus Broadway in Boston announces their new season on Monday, March 18 and is just getting started with popular musicals, On Your Feet, Disney’s Aladdin, Hamilton, and more. Click here for more information, tickets, and upcoming news. Follow Lexus Broadway in Boston on Twitter, Instagram, and Facebook.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

Lexus Broadway in Boston boasts sizzling season including ‘Hamilton,’ ‘Waitress,’ Disney’s ‘Aladdin,’ and more

Posted on April 18, 2017 by The Sleepless Critic

Rodgers and Hammerstein’s ‘The King and I’ continues through April 23. Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens Photo courtesy of Matthew Murphy

‘Wicked’ returns June 7 through July 23. Photo courtesy of Joan Marcus

‘Finding Neverland’ debuts at Boston Opera House August 8 through 20. Photo courtesy of Broadway in Boston

The magic of Disney’s ‘Aladdin’ debuts July 3 through August 18, 2018. Photo courtesy of Broadway in Boston

Tony award-winning ‘Fun Home’ debuts October 17 and continues through October 29. Photo courtesy of Broadway in Boston

The highly-anticipated ‘Hamilton’ debuts September 18 and continues through November 18. Photo courtesy of Broadway in Boston

Phantom of the Opera’s sequel, ‘Love Never Dies’ debuts January 30 and continues through February 11, 2018. Photo courtesy of Broadway in Boston

‘On Your Feet’ debuts April 17 and continues through April 29. Photo courtesy of Broadway in Boston

Andrew Lloyd Webber’s ‘Phantom of the Opera’ returns September 13 through October 1. Photo courtesy of Broadway in Boston

‘Waitress’ debuts February 20 and continues through March 4, 2018. Photo courtesy of Broadway in Boston

As the beloved Rodgers and Hammerstein’s classic musical The King and I hits the Boston Opera House stage, Lexus Broadway in Boston recently offered a peek into its upcoming 2017-18 season. From Andrew Lloyd Webber’s masterpiece and its stirring sequel to arguably the most sought after show in the world right now, Lexus Broadway in Boston has a phenomenal season ahead full of magic, family connections, unstoppable dance, and topping it off a serving of delicious pie. All productions take place at the Boston Opera House in Boston, Massachusetts. Subscriptions for the upcoming season are available now. Click here for tickets and more information.

The magic begins this summer with the return to Oz and Neverland. Get an inside look of how Glinda and the Wicked Witch of the West became two of the most iconic characters in literary history. Visually-stunning with a rich, inventive story line that integrates some of Oz’s most memorable characters, see the spectacular musical, Wicked from June 7 through July 23. Behold the extraordinary story behind J.M. Barrie’s Peter Pan and the family that inspired that magical vision. Integrating Peter Pan’s beloved characters in a unique way, seek Finding Neverland for a limited time from August 7 through 20.

A promising talent, a veteran singer, a ghost dwelling in an opera house, and two bewildered businessmen are part of Andrew Lloyd Webber’s haunting and phenomenally-successful musical, Phantom of the Opera, returns from September 13 through October 1. Also arriving in Boston is Andrew Lloyd’s Webber’s Love Never Dies, the highly-anticipated sequel to Phantom of the Opera from January 30 through February 11.

A number of productions are making their debut in Boston. Topping off the list is arguably the most sought after tickets in the world right now. Hamilton is a contemporary retelling of America’s history arriving at the Boston Opera House September 18 through November 18, 2018.

Take a look inside Fun Home, 2015’s Tony award-winning Best Picture musical. Fun Home is an auto-biographical tale about the joy and challenges of growing up. Not recommended for children under 13, Fun Home debuts in Boston from October 17 through October 29.

Also making its Boston debut is On Your Feet! The Story of Emilio and Gloria Estefan, a meaningful and uplifting musical about the extraordinary life of Emilio and Gloria Estefan. On Your Feet is filled with lively music which includes an array of hits songs from the title track, Get On Your Feet to Coming Out of the Dark. On Your Feet! debuts on April 17, 2018 to Sunday, April 29, 2018.

Waitress is saving the best for last. Currently on Broadway starring Grammy award-winning singer-songwriter Sara Bareilles who also wrote Waitress’s music and lyrics, Waitress is a romantic comedy musical about a waitress gifted at baking pies. She is unhappy in her small town existence until a surprise helps her to put her life into perspective. Waitress serves up its own delights from February 20 through March 4.

All musicals take place at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for the full list and for tickets. Follow Lexus Broadway in Boston on Facebook and Twitter.

‘Wicked,’ ‘Something Rotten,’ & ‘Finding Neverland’ part of Lexus Broadway in Boston’s new season

Posted on January 8, 2017 by The Sleepless Critic

Rolling in the New Year with a comedy behind the birth of the first musical, Lexus Broadway in Boston blends beloved, Tony award-winning classics and enthralling, contemporary musicals full of mystery and magic. Lexus Broadway in Boston offers a sensational, dynamic combination of shows kicking off with a humorous look at the birth of the musical with Something Rotten to the stage adaptation of J.M. Barrie’s birth of Peter Pan with Finding Neverland. All productions are held at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for a closer look at upcoming shows, tickets, and how to become a season subscriber. Like Broadway in Boston on Facebook for updates.

Alternating from the 90s to the 1590s, the musical comedy, Something Rotten, delves into the height of Shakespeare’s time as two brothers discover the key to success may be a musical. Songs include Welcome to the Renaissance, Hard to Be the Bard, and It’s Eggs. Something Rotten will take place from Monday, January 16 through Sunday, January 29.

Touring cast of musical comedy, ‘Something Rotten’

Set in tumultuous pre-World War II Germany and with classic numbers such as Maybe This Time and Willkommen, enter the Kit Kat Club for the classic musical, Cabaret. Full of raucous songs and outrageous choreography, The Roundabout Theatre Company presents this musical classic to celebrate their 50^th anniversary from Tuesday, January 31 through Sunday, February 12. Cabaret contains mature content.

The cast of Roundabout Theatre Company’s national tour of ‘Cabaret’

A murder-mystery set around a brilliant fifteen year-old boy, The Curious Incident of the Dog in the Night-Time is a Tony award-winning play based on Mark Haddon’s bestselling novel of the same name. The Curious Incident of the Dog in the Night-Time takes place from Tuesday, March 7 through Sunday, March 19. This show contains adult language and themes.

Adam Langdon as Christopher Boone & the cast of the touring production of ‘The Curious Incident of the Dog in the Night-Time’

Tony award-winner of 2015’s ‘Best Revival of the Musical,’ revisit Rodgers and Hammerstein’s sweeping, romantic musical classic, The King and I. This captivating musical explores the extraordinary relationship between the King of Siam and a British schoolteacher featuring the classic numbers, Hello Young Lovers, I Have Dreamed, and Shall We Dance. See The King and I on Tuesday, April 11 through Sunday, April 23.

Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens in ‘The King and I’ tour.

This summer, embark on a magical journey into Peter Pan author, J.M. Barrie’s imagination with Finding Neverland. Set in London, struggling playwright J.M. Barrie is looking for inspiration for a big hit when he meets a family so rich in creativity and make-believe, it may change his entire life. Full of visually-stunning effects and touching drama, Finding Neverland arrives on Tuesday, August 8 and continues through Sunday, August 20.

The cast of ‘Finding Neverland’ tour

Broadway in Boston also proudly presents season options Wicked, The Illusionists, and the farewell tour of Mamma Mia. Click here for tickets to Lexus Broadway in Boston’s new season.