REVIEWS: Harbor Stage Company’s striking ‘Northside Hollow’ and Liv at Sea Productions presents absorbing ‘Liv at Sea’
The thrill of feeling engulfed in a theatrical experience is just what Harbor Stage Company delivered when disaster struck as part of their tense drama Northside Hollow in an already intimate setting. Harbor Stage Company’s Northside Hollow brought fascinating and immersive storytelling to the stage with authenticity and occasional humor.
Grippingly directed and written by Jonathan Fielding and Brenda Withers, Harbor Stage Company presented Northside Hollow from Tuesday, January 11 through Saturday, January 20 live and in person at Boston Center of the Arts (BCA) Plaza Black Box Theatre in Boston, Massachusetts. The production was 1 hour 20 minutes with no intermission and had some mature language. Click here for more information and Liv at Sea Productions with Harbor Stage Company presents Liv at Sea currently running through Sunday, January 28.
Industrial lights and mysterious headlamps play a crucial role in the production’s immersive authenticity as well as the feeling of sheer engulfment in a catastrophic event. Strewn metal, wooden pieces and tight passages create a realistic pit and an arduous challenge to overcome.
The chilling tension took hold minutes into the production and the audience becomes a part in Gene’s mutual distress. Injured Gene portrayed with frank cynicism, humorous likability, and a wonderful drawl by Robert Kropf, is a miner in peril. He is trapped in a collapse and is too injured to climb out alone. Volunteer EMT Marshall, depicted with insightful practicality by Alex Pollock, arrives to rescue him, but can they escape and how did this collapse happen in the first place?
The twists and odd turns are quite compelling and though the show is mildly predictable, the execution is extraordinary. With grime caked on his face, Kropf captures Gene’s stubbornness, worn demeanor, sardonic humor, and sheer exhaustion as he helplessly asks for the impossible – a burger. Gene shares fascinating camaraderie with spiritually centered, focused and sensible Pollack as Marshall. Brimming with emotion and perspective, both actors deliver powerful performances as they contemplate faith, relationships, mortality, music, morality, and life’s intricacies while merging their skills in an attempt to conquer the loneliness and fear of this moment.
Harbor Stage Company presented Northside Hollow from Thursday, January 11 through Saturday, January 20 live and in person at Boston Center for the Arts (BCA) Plaza Black Box Theatre in Boston, Massachusetts. The production was 1 hour 20 minutes with no intermission. Click here for more information and Liv at Sea Productions with Harbor Stage Company presents Liv at Sea is running through Sunday, January 28.
REVIEW: Liv at Sea Productions presents absorbing ‘Liv at Sea’
It is the kind of silence that could only mean that something has changed.
Two people in metaphorically two different places in their relationship stand in a stark and bare room. One is at the precipice while the other is helpless witnessing it. Both are in agony and one is longing for water.
Affectively written and directed by Robert Kropf, Liv at Sea continues live and in person at Boston Center for the Arts (BCA) Plaza Black Box Theatre in Boston, Massachusetts through Sunday, January 28. The production has some mature language, runs 90 minutes with no intermission, and contains a brief strobe light sequence. Click here for more information and for tickets.
With bare feet on sand colored carpet, introspective indie music weaves cleverly in and out of this production by sound designer Joe Kenehan as Liv hesitates to share her true feelings. With cheerful lighting in unexpected places by John Malinowski, the unembellished staging features an at first blank canvas that comes to life mixing cinematography by Adam Foster and art to illustrate metropolitan and creation while the symbolic black and white costumes add a single splash of color for renewal.
The audience is arranged in the center while the action is refreshingly not limited to this stage. A dramatic tale told out of sequence and largely unconventional which includes the quirky, romantic, artistic, and brooding dreamer Liv, depicted with nonconformist charm by Paige O’Connor. While O’Connor’s long gazes and deep and contemplative silences can weigh down a room, anxiety-laden and chatty Nick, portrayed by Nick Wilson, bends over backwards to lighten it with humor. Many of their exchanges are strained and tense and yet both characters are distinctive and likable. Wilson is particularly funny as he delves into an uninvited guessing game with Liv. In charming glasses and a beard, Wilson is sympathetic and earnest as he struggles to understand his restless and distant live-in girlfriend.
A mysterious stranger, depicted by Jack Aschenbach, appears to provide a complicated bright spot in this production. Serious, romantic and perceptive, Ashenbach unleashes a new side in O’Connor’s Liv that comes with risk in what the future holds.
Liv at Sea is an absorbing journey that explores the nature of relationships at its root and bloom as well as its endings, beginnings, and the restless uncertainty in-between with hope and ruefulness.
Affectively written and directed by Robert Kropf, Liv at Sea continues live and in person at Boston Center for the Arts (BCA) Plaza Black Box Theatre in Boston, Massachusetts through Sunday, January 28. The production has some mature language, runs 90 minutes with no intermission, and contains a brief strobe light sequence. Click here for more information and for tickets.