REVIEW: PTP/NYC presents enthralling family mystery, ‘The House in Scarsdale’

Dan has a complicated relationship with his estranged family.

Director Christian Parker of ‘The House in Scarsdale’ Photo courtesy of PTC/NYC

Directed by Christian Parker and written by playwright and actor Dan O’Brien, Dan embarks on more than just a spiritual journey in The House in Scarsdale: a memoir for the stageThe House in Scarsdale is the third play within Potomac Theatre Project(PTP/NYC’s) virtual series that has been running each weekend from September 24 through Sunday, October 18.

 Dan O’Brien’s The House in Scarsdale streamed from Thursday, October 8 through Sunday, October 11 and Caryl Churchill’s Far Away continues through Sunday, October 18 on PTC/NYC’s YouTube channel.   Viewings are free, but donations are welcome to support PTC/NYC with ten percent of the proceeds supporting The National Black Theatre.  Click here for the complete list of productions in PTP/NYC’s virtual series.

 In what can be described as a play within a prospective play, The House in Scarsdale visits the darkest of dysfunction as Dan, a journalist, visits various family members and others to learn more about his family’s past for his upcoming autobiographical play.  Audiences travel alongside Dan on his journey from the Garden State Parkway to as far as Europe as he investigates a possible family secret. What makes this show unique is not only is it a mystery, but as the details unfold, how much of the truth do you really want to know about your family?  Every family has their problems, but some secrets cannot be fathomed. 

The House in Scarsdale stars the show’s own playwright Dan O’Brien as Dan and Alex Draper portrays several dynamic characters throughout the production.  Draper seamlessly sinks right into each role, navigating an assortment of colorful characters from Dan’s resentful grandmother to his eccentric uncle.  Draper is expressive and spirited, clearly enjoying each transition.  His conversations with O’Brien have moments of dark humor, relatable family banter, and a good dose of stark, stirring honesty. 

The show is figuratively and literally on a journey to learn more about Dan’s troubled family, a family so dysfunctional that poor Dan has been cast out of his family circle hence its ironic opening quote by John Cheever, ‘Come back, come back, my wretched, feeble and unwanted child.’ Dan understandably wants to know why. As Dan’s extended family recall his family’s wild tendencies and various psychoses, Dan’s low key and unassuming demeanor makes one think that perhaps he has been through much more than he lets on. 

Dan is a quiet, inquisitive soul and depicts his emotional detachment with a skilled subtlety.  His conflicted nature between trepidation and yearning is fascinating as he ventures deeper into his family history becoming so invested and anxious about what he might find, he even visits a psychic.  Some of his family recollections are universal and lighthearted and every family has a degree of unhealthy dysfunction, but other memories are dreadfully concerning. 

So, as some answers come to light and more questions arise, how much is Dan like his family and how much of the story can be trusted?  The House in Scarsdale lures you in and leaves you engrossed in its outcome, hoping for a light at the end of this tunnel.

Potomac Theatre Project or PTC/NYC is located at 330 West 16th Street in New York City. Click here for more information and how to support PTP/NYC’s current and upcoming productions.

REVIEW: With flawless artistic wizardry, Disney’s ‘The Lion King’ musical, presented by Lexus Broadway in Boston, remains a magnificent theatrical experience

Over the years as a critic, taking notes during the show has been a ritual and now pretty much a reflex these days.  When Disney’s The Lion King musical amazed audiences over 20 years ago on Broadway at the Nederlander Theatre, it was a larger than life spectacle that was as impressive to the eyes as it was to the heartstrings.   Seeing it for the first time back then, it was probably one of the most glorious theatre experiences in memory.

One would think that as time passed, the technology and the sheer artistry of the show would become a bit dated.  However, it hasn’t aged a bit unveiling richer interpretations of songs from the film such as I Just Can’t Wait to Be King and The Circle of Life and including additional songs such as Shadowland and They Live in You not included in the film. It is also the one show that was too enthralling to take notes.

Directed by Julie Taymor, Lexus Broadway in Boston presents Disney’s Tony award-winning musical, The Lion King through Sunday, October 27 at Citizens Bank Opera House in Boston, Massachusetts.  Click here for more information and tickets and click here to see where the show is touring next.

The Lion King is based on Disney’s 1994 Academy award-winning film of the same name which is also an adaptation of Shakespeare’s Hamlet.  It is about a cub prince named Simba who must grow up fast after being exiled from his home by his scheming uncle.  Bursting with color, comedy, jaw dropping special effects, a classic soundtrack by Elton John and Tim Rice with important lessons about growing up, it puts an entirely new spin and depth into in this extraordinary tale, giving this musical new dimension and heart.

With scenic design by Richard Hudson, lighting by Donald Holder, and Steve Canyon Kennedy on sound, it brilliantly navigates Citizens Bank Opera House’s space to stage some of the film’s vast landscapes which includes the breathtaking and encompassing opening sequence.  The show manipulates movement and height with strategically placed moving props and the Julie Taymor and Michael Curry’s mask and puppet design representing members of the animal kingdom are visionary marvels.

The entire cast is as impressive as their visually stunning surroundings.  Bursting with color, I Just Can’t Wait to be King is a celebration with zany, eye popping color and wild shapes combined with Walter Russell the III’s enthusiastic vocals as Young Simba.  Buyi Zama is intense and hilarious as the wise Rafiki, her mesmerizing interactions with the cast unpredictable and endlessly amusing while delivering the emotional impact that the part entails.  She stands out in the stirring number, Nao Tse Tsa and every scene at Rafiki’s Tree.  Gerald Ramsey has a commanding, yet nurturing presence as Mufasa as he interacts with energetic and adorable Walter Russell III.

Spencer Plachy is a masterful, manipulative Scar the likes of the original Scar voiced by Jeremy Irons, haunting in the number, Be Prepared and with kooky and creepy performances by Keith Bennett as Banzai, Martina Sykes as Shenzi, and Robbie Swift as Ed, they form a group more menacing than in the film.

Adding a wealth of comic relief is Nick Cordileone as Timon, his compelling puppetry bringing the character to life in a new way.  With Ben Lipitz as a wild haired Pumbaa whose expressions channel John Belushi, the two make a sidesplitting pair as they deliver the catchy classic, Hakuna Matata.  Greg Jackson is impressive as he navigates Zazu’s jittery angst in a sprawling bird.

Lexus Broadway in Boston presents The Lion King musical through Sunday, October 27 at Citizens Bank Opera House, 539 Washington Street in Boston, Massachusetts.  Click here for tickets and here to see where The Lion King will perform next on their national tour.  This mesmerizing hit musical continues to reign on Broadway at the Minskoff Theatre in New York City.

Lexus Broadway in Boston has an amazing lineup in store as they continue their 2019-2020 season which includes Disney’s Anastasia, Mean Girls, and their next musical, Come From Away.  Click here for their entire lineup and follow them on Facebook for updates and much more.

 

 

 

 

REVIEW: Magic, mischief, and classic romantic comedy rule Company Theatre’s wondrous ‘A Midsummer Night’s Dream’

It is not difficult to see why A Midsummer Night’s Dream is one of Shakespeare’s most performed and beloved plays.  It is everything but tragic.  It features magic, mischief, romantic comedy, action, and under a harvest moon, a haunting twist perfect for October and Halloween.

This particular play holds historical significance to the Company Theatre because it was the first show they ever produced 40 years ago when they were working with very little money.  Company Theatre’s A Midsummer Night’s Dream is an opportunity to transform the production into what they have always hoped it to be and what a dream it is.

Cleverly directed by Steve Dooner, Company Theatre’s A Midsummer Night’s Dream continues through Sunday, October 20 at the Company Theatre in Norwell, Massachusetts.  Click here for a closer look at show and here for more information and tickets.

Company Theatres A Midsummer Nights Dream set and cast

Samantha McMahon as Queen Titania and fairies Photo courtesy of the Company Theatre

Under a gigantic moon, Ryan Barrow’s enchanting set design and Zoe Bradford’s beautiful art design unleash a picturesque, woodland world full of frolicking fairies, sword fights, romance, and more surrounded by a moving and glittering landscape.  The show’s fanciful Ravel and Mendelssohn-infused soundtrack, some high flying special effects, Paula Ninestein and Anna Splitz’s authentic costumes with a bit of a contemporary edge, and Ethan R. Jones’s stirring lighting design seamlessly combine to enhance this captivating work.

Company Theatre A Midsummer Nights Dream Theseus and Hippolyta

Dan Kelly as Theseus and Sarah Dewey as Hippolyta Photo courtesy of the Company Theatre

A Midsummer Night’s Dream has multiple story lines, but the cast translates Shakespeare’s work with gravitas and humor.   For those hesitant about understanding Shakespeare’s work, this production is lively, lighthearted, and manageable to follow.

Part play within a play, part intrigue, part comedy, and part mystery, A Midsummer Night’s Dream essentially explores love in all of its forms from unrequited to true love to romantic comedy to love potions.  This production is the source of some of Shakespeare’s most famous reflections on love such as “True love does not see with the eyes, but the mind,” and “The course of true love never did run smooth.”  The show’s witty dialogue is a wonderful reminder that Shakespeare’s story lines are timeless and can translate into any contemporary story line.

Though A Midsummer Night’s Dream boasts a dignified and dynamic cast, it also excels at improvisation, hilarity, and absurdity.  Dan Kelly is a regal and charismatic Theseus and Sarah Dewey a radiant Hippolyta.  They glide onstage like today’s royal family.  Declan Dunn delivers a remarkable performance as wild, mischievous, and mighty Puck and his conspiring moments with Jermaine Murray as King Oberon make for a clever and cunning pair.

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The women in this production are strong, beautiful, and fierce.  Ariel Wigfall portrays sympathetic, yet courageous Hermia while raven-haired Joan Raube-Wilson is virtuous and stunning as Helena.  Samantha McMahon is as glamorous as she is amusing as Queen Titania.

‘A Midsummer Night’s Dream’ also has a wealth of wonderful, improvisational moments.  Suraj Ranhbhat as headstrong Demetrius, Bryant Marshall as Lysander, and especially Marco Zenelli as the energetic, bombastic, yet benevolent Nick Bottom along with his group of madcap, merry Mechanicals all demonstrate some excellent physical humor, improvisation, and zany comic relief.  Where would today’s humor be without these classic comedic moments which stand as the foundation of what we are all laughing about today.

Company Theatre A Midsummer Nights Dream Mechanicals

From L to R: Marco Zanelli as Nick Bottom, Declan Dunn as Puck and Caroline Kautsire as Peter Quince

Company Theatre’s classic A Midsummer Night’s Dream continues through Sunday, October 20 at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.  Click here for more information, tickets, and how to support Company Theatre’s future.  Also follow Company Theatre on FacebookInstagram and Twitter to learn all about their upcoming events.

REVIEW:  Hub Theatre Company of Boston’s ‘Peter and the Starcatcher’ is funny, fascinating, but its best moments shine quietly

How did Peter Pan get his name?  What exactly is Pixie dust?  How did Peter become Hook’s sworn enemy?

The premise is promising.  From pirate to prawn, every cast member is a dynamic storyteller in Hub Theatre of Boston’s imaginative musical, Peter and the Starcatcher, a prequel of sorts to Peter Pan.  Featuring an energetic cast taking on multiple roles, a wealth of physical humor, and no shortage of wild comedy, Rick Elice’s Peter and the Starcatcher strings together the adventures that lead up to the legend of Peter Pan.

Hub Theatre of Boston Peter and the Starcatcher cast

Peter and the Starcatcher cast Photo courtesy of Hub Theatre Company of Boston

Directed by Sarah Gazdowicz with music direction by Bethany Aiken, Hub Theatre of Boston presents Peter and the Starcatcher, the final production of its sixth season, with recently added performances through Sunday, November 18 at First Church of Boston in Boston, Massachusetts.  Tickets are available at a pay-what-you-can basis.  Click here for more information.

Cassie Chapados’s detailed London set harbors clues from the classic Peter Pan story, but the actual performance seems to spring out of a child’s imagination.  The cast emerges from every side and each seat has a good view at First Church of Boston.  Peter and the Starcatcher is action-packed and respect is due for the sheer physical nature of this piece as this animated cast frequently and skillfully form human structures such as a ship and various scenarios as the story unfolds.

Peter and the Starcatcher group shot

L to R: Joey C. Pelletier as Black Stache and Michael John Ciszewski and the cast Photo courtesy of Hub Theatre Company of Boston

Dominated by dastardly pirates, Peter and the Star Catcher is full of captures, double crosses, commandeering ships, and overseas adventure.   Molly Kimmerling portrays Bill Slank with a sneer and a strut, a charismatic double crosser with a rock n roll edge.  Michael John Ciszewski as dimwitted, somewhat unhinged Smee and Joey C. Pelletier as swaggering Black Stache work well together in silly, over the top fun.

With inquisitive eyes and a star-crossed dress, Lauren Elias is no damsel in distress as eloquent, logical, and determined Molly Aster.  Much like her father Lord Aster in a commanding performance by Liz Adams, Molly’s plucky personality is a good match for Claire Koenig as lonely, forthright and naïve orphan known only as Boy.

Peter and the Starcatcher Boy

Claire Koenig as Boy with the cast Photo courtesy of Hub Theatre Company of Boston

The exploration of loneliness, faith, dreams of flying, and finding one’s place in the world is part of what inspires writers to expand and retell this timeless tale.  The improvisational, local, and at times, self referential humor ranges from what an older child would appreciate and features some adult humor as the show progresses.  The audience is so close to the action, it is also somewhat interactive at times.  Peter and the Starcatcher is packed with comedy and yet, it is the sweeter, quieter moments that give the production true heart.

Hub Theatre Company of Boston presents Peter and the Starcatcher through Sunday, November 18 at First Church of Boston in Boston, Massachusetts.  Click here for more information and tickets.  Get all of Hub Theatre Company of Boston’s upcoming events and more on Facebook.

Jars of Clay, TobyMac, and For King and Country part of ‘Soulfest’s’ 20th anniversary concert celebration

Soulfest Full lineup

Credit to Gunstock Mountain Resort and Soulfest

Nestled in the White Mountains is a concert experience unlike any other.  Beautiful and uplifting, Soulfest is celebrating its 20th anniversary as a haven for fellowship and the Christian music scene in the stunning mountain setting from Thursday, August 3 through Saturday, August 5 at Gunstock Mountain in Gilford, NH.  In addition, this anniversary concert weekend will also include the Soulfest Kickoff Concert as well as the late night screening of the film, Priceless on Wednesday, August 2.  Click here for an inside look at this anniversary concert experience.

Soulfest Revolution

Soulfest concert scene Photo credit to Soulfest

Co-founded by Dan Russell in 1998, Soulfest annually features an incredible repertoire on multiple stages, featuring 80 musical guests and inspirational speakers over a three day weekend in August.  With this year’s theme entitled ‘Music, Love, Action,’ the Soulfest Kickoff Concert includes performances by Grammy and Dove Award winners Jars of Clay, The Violet Burning, Rachel Taylor, and Dan Russell.  A few highlights spread out over the Inside Out, Mercy Street, and Revival stages are For King and Country, TobyMac, Crowder, Derek Minor, Moriah Peters, Lacey Sturm, Kardia, Project 86, Epic Season, The Light of Hope, as well as acoustic performances on the Mountain Top stage from Chasing the Light, Christopher Williams, Big Kettle Drum, and more.  Click here for this year’s milestone lineup and for tickets.

Soulfest Kickoff Concert

Kickoff concert lineup Photo courtesy of Soulfest

Not only is Soulfest a monumental musical event, it is also packed with exciting and informative workshops by Grammy-winning singer-songwriters, professors, New York bestselling authors, and much more.  This year, the Justice Center stage includes Morning Worship hosted by The Salvation Army and Soulfest Open Mic, the Inside Out stage features Musician’s Workshop with Paul Colman as well as Catholic Mass with Matt Maher, and the Mercy Street stage features a few performers in The Songwriters Circle.  Soulfest also offers an opportunity to meet some of the acclaimed performers in the Meet and Greet/VIP Lounge.

Soulfest performers 2

Photo credit to Soulfest

Soulfest performers

Photo credit to Soulfest

Attendees are also invited to participate in activities onsite including Zip Line, Mini Golf, Paddleboats, Hiking, Mountain Biking, Kayaking, and more.  Kids’ activities zone includes an archery tent, video game hub, and there will also be a children’s ministry in front of a campfire.  Click here for more information.

Soulfest candlelight service

Candlelight service, part of Soulfest’s 20th anniversary celebration Photo credit to Soulfest

Soulfest is always looking for volunteers and are in need of 500 in order to run this three day festival.  Benefits of volunteering include free admission, free camping in volunteer section, and one free meal a day.   To learn about requirements and to register, click here.

Click here for full three day tickets, day passes, and evening passes.  Follow Soulfest on Twitter and Facebook for more details.

Beehive of Boston’s 10th annual ‘Erin Go Beehive’ features Irish comfort food, live Celtic music, and more

St. Patrick’s Day is almost here, and the Beehive is encouraging revelers to start celebrating a day early with their 10th annual celebration, ‘Erin Go Beehive’ on Thursday, March 16 at the Beehive of Boston at 5 p.m.  ‘Erin Go Beehive’ will last into the early morning hours and boasts a special menu of authentic Irish comfort food by Executive Chef Gregory Torrech, holiday festivities, cocktails, live music, and much more.  Click here for further details!

Hailing from Galway and residing in Boston, the Beehive once again welcomes Celtic singer-songstress Katie McD and other special guests.  Katie McD’s soothing Celtic vocals and insightful lyrics have captivated audiences from Boston Symphony Hall to the Guinness Fleadh and she’ll perform selections from her debut album, I Know You Know and her sophomore release, Angel Baby.

The Beehive of Boston, 541 Tremont Street in Boston, Massachusetts, will offer a wide range of festive entrées by Executive Chef Gregory Torrech including traditional Corned Beef and Cabbage, Fish and Ships with tartar sauce, and Shepherd’s Pie along with their usual fare. Sponsored by the Harpoon Brewery, pair the meal with a festive cocktail.

Listed as one of the “100 Jazz Clubs in the World” by Downbeat Magazine, The Beehive boasts nightly live entertainment featuring a dynamic array of music genres throughout the year with an extensive menu. Dinner reservations are highly recommended and there is no cover charge. Call 1-617-423-0069 or click here to reserve a table! Click here for more information and follow the Beehive on Facebook.

 

Massasoit Theatre Company presents the insightful, award-winning play, ‘A Raisin in the Sun’

Sometimes waiting for a new life to start can be the most important thing in the world.  Massasoit Theatre Company proudly presents A Raisin in the Sun, an award-winning, insightful play, and chosen for its poignant themes that speak to today’s society.  Adapted into the 1961 film starring Sydney Poitier, a musical, a TV movie, and revived on Broadway in 2014, Raisin in the Sun by Lorraine Hansberry has made a significant impact over the years since its Broadway debut in 1959.

Massasoit Theatre Company’s A Raisin in the Sun will take the stage for one weekend only from Thursday, March 9 through Saturday, March 11 at Buckley Performing Arts Center in Brockton, Massachusetts.  A talk back will take place after the performances on Saturdays.  Click here for more information and for tickets.

A Raisin in the Sun is hailed for its gripping insight on poverty, racism, and inner turmoil.  Directed by Corinne Mason and produced by Mark Rocheteau, ‘Raisin in the Sun’ focuses on the Youngers, an African-American family who are struggling to survive, but dreams of better things to come.  With the entire family living in a tiny apartment, Amber Smith as Ruth, Keion Lugay as Walter Lee, Kadisha Harris as Travis, and Arial Wigfall as Beneatha all have their own individual dreams of making a new start.  However, life has its unexpected turns.

See A Raisin in the Sun for four performances only on March 9, 10, and 11 at 8 p.m.  One Saturday matinee performance takes place on March 11 at 3 p.m.  All performances will be held at Buckley Performing Arts Center, One Massasoit Boulevard in Brockton, Massachusetts.  Discounted student, senior, and group rates are all available.  Call 508-427-1234 or click here for tickets and further information.  Follow Massasoit Theatre Company on Facebook for upcoming events and more.

Cohasset Dramatic Club will welcome 4th annual play festival, ‘Briefs’

Why follow one story when Cohasset Dramatic Club offers several stories in two consecutive evenings?  Cohasset Dramatic Club proudly presents their fourth annual show, Briefs a variety of ten-minute plays on February 3 and 4 at 7:30 p.m.  Briefs takes place every February with different directors that include drama, comedy, and much more.  Click here for the full list of plays and for tickets.

Directed by Lisa Pratt, Brian Chamberlain, Kelly Hines, Andrew Lemieux, and Barbara Baumgarten, Briefs features a large cast of characters and audiences can enjoy cabaret-style seating serving snacks and beverages included in the ticket price.  All performances are held at Cohasset Town Hall, 41 Highland Ave in Cohasset, Massachusetts.  Call 617-922-0280 or click here for tickets, which will also be available at the door.

The Cohasset Dramatic Club’s debut of the innovative, romantic musical, If/Then is coming in March.  Follow Cohasset Dramatic Club on Facebook for more information and updates.