Laurence Lesser shares music memories as New England Conservatory celebrates his 80th birthday and Leonard Bernstein’s centennial in free opening concert

‘You don’t choose music.  It chooses you.’  This is just one of renowned cellist and longtime New England Conservatory (NEC) President Emeritus Laurence Lesser’s thoughts on music as Lesser celebrates his 80th birthday in a big way with the New England Conservatory Philharmonic and acclaimed conductor Hugh Wolff on Wednesday, September 26 at 7:30 p.m.

Taking place at NEC’s Jordan Hall in Boston, Massachusetts, this free concert also pays tribute to Boston native, legendary composer, and NEC Prep alumnus Leonard Bernstein’s centennial with Symphonic Dances from West Side Story and much more.  Click here for more information and how to reserve seats to this extraordinary concert.

NEC’s Laurence Lesser, who will be performing at the concert, discusses his history with music, the cello, career surprises, and recording Hollywood soundtracks from films such as Rosemary’s Baby.

Sleepless Critic:  I understand you were invited to perform with the New England Conservatory Philharmonic and conductor Hugh Wolff for your 80th birthday celebration.  Were you able to choose your own music?

Laurence Lesser:  I asked to do Ernest Bloch’s  Schelomo because it is a wonderful piece full of personal meaning for me.

SC:  What first interested you in music, especially the cello?

LL:  My parents took me to LA Phil Children’s concerts when I was about 5.  I wanted to play the double bass, but they thought that was too big for a little guy and gave me a cello for my 6th birthday.

SC:  I understand you play a 1622 Italian-made cello.  There must be an amazing story behind how you obtained it.

LL:  I was looking for a great old Italian cello with a true solo voice and bigger dimension than what I was using.  I saw it in a shop in London, England, but I was second in line for it.  Fortunately very soon afterwards in 1972, it came my way.

Leonard Lesser

Photo credit to Carlin Ma Photography

SC:  What was it that encouraged you to pursue music as a career?

LL:  My mother was a pianist.  My two older brothers and I had music lessons from an early age.  When I went to college at Harvard to study mathematics, I soon knew that mathematics was the wrong path for me and it had to be music.  You don’t choose music, it chooses you.

SC:  Music afforded you a great deal of opportunities, just a couple of them recording Hollywood soundtracks such as Rosemary’s Baby and Finian’s Rainbow and traveling the world.  What kind of surprise opportunities have you experienced in your career or a moment where you couldn’t believe this is happening to you?

LL:  I played in chamber music concerts with Jascha Heifetz and my teacher Gregor Piatigorsky and we performed at Carnegie Hall.  Such a wonderful place and an amazing memory to be on stage with those musical giants!

SC:  How did you end up working at the New England Conservatory?  I understand during your tenure as President, you were part of the restoration of Jordan Hall and you curated ‘First Mondays at Jordan Hall.’  Please tell me about that.

LL:  I was invited to teach there by then President, Gunther Schuller.  Jordan Hall is one of the greatest ‘rooms’ for music in the world.  It had become shabby.  When I was President, my team joined me in focusing on the restoration.  ‘First Monday’ concerts were the outgrowth of ad hoc faculty chamber concerts.  I decided to put some structure into it and it’s now beginning its 34th season!

SC:  Congratulations!  Jordan Hall is a majestic venue.  You’ve enjoyed a wonderful career in music from teaching to performing.  What kind of music do you like to listen to?

LL:  I can listen to anything that ‘speaks’ to me.  Any medium suits me and I don’t simply listen to pieces I have heard over and over again.

SC:  What music goals are you pursuing now?

LL:  I think it’s too late in my life to go on a completely new road, but I intend to keep pursuing excellence in what I am currently doing.

SC:  For those pursing music as a career, what was the best piece of advice you were given?

LL:  My father, who was not a musician, said you should do what you love in life.  It’s not for personal glory or ego.  Simply keep remembering that you are doing this for listeners who want something.

Attend Leonard Lesser’s 80th birthday and celebrate the music of Leonard Bernstein on Wednesday, September 26 at 7:30 p.m.  New England Conservatory will pay tribute to Leonard Bernstein’s works all season, including the New England premiere of the exhibition, Leonard Bernstein at 100, unveiling on September 24 and continuing through November 11 at NEC’s Student and Performance Center.  Click here to learn how to support NEC and here for all of NEC’s upcoming concerts this season.

REVIEW: Despite boat’s limited view of the band, sold-out 70s funk and disco ‘Booty Vortex’ boat cruise still made waves

Taking off from Boston Harbor to Gilligan’s Island and Hawaii Five-O’s adventurous theme songs, this was one three hour tour that kept party cruisers on their feet.  Plenty of sun poured into the boat as fans wore their shiny, disco best boarding the Mass Bay Lines off of Rowes Wharf boat to witness the annual return of the nine piece 70s Funk and Disco band, Booty Vortex on their sold-out 21+ Booty Boat cruise Sunday, August 26 at 4 p.m.  The cruise offered a cash bar and various concessions.  Click here to find out Booty Vortex’s full schedule as well as a closer look at their talented band members.

This particular Mass Bay Lines boat was not ideal for a concert cruise.  The roof where the band played was completely covered and attendance at full capacity, which offered limited ways to see the band perform up close.  Booty Vortex’s past performance on the Provincetown II provided an open floor plan and dance floor so attendees had more room to move and witness the band take the stage.  However, the band’s upbeat tunes provided plenty of reasons why Booty Vortex has developed such a strong following.

Booty Vortex on Provincetown II

Past performance on Provincetown II for Rock and Blues concert cruises.

Calling themselves Boston’s finest funk and disco band, Booty Vortex is indeed unconventional, full of character, and possesses a bit of a wild side.  Their enthusiasm is infectious, their voices powerful, and their music, a collection of mostly 70s disco cover songs, are tailored for a truly devoted 70s and retro dance crowd.

From saxophone to keyboard player, Booty Vortex delivers a full retro, big band sound.  Some of their lively sense of humor is found in their self-proclaimed group member names composed of Huggy Bear Jeremy D. Valadez on saxophone, Brass Tornado Mark Coronado as Manager and Trumpet player, Gold Fingah James Tootle as MD/Keys and Vocals, Minty Fresh Dave Burnett on Bass, E-Bop Erik Barnes on Guitar, Tiger Lily Eva Davenport as Media and Vocals, Pixie Stix Maureen Medieros on Percussion, Rufus Russell Bogartz on Trombone, and Papi Erick B. Cifuentes on Drums.

Booty Vortex on Booty Boat Cruise

Full Booty Vortex band on Mass Bay Lines boat Photo credit Erin Frawley/Booty Vortex

The nine piece extravaganza has a unique style, their music not too hard or loud and songs range from danceable to at times, mellow.  They charmed audiences with pop tunes and disco hits such as Hues Corporation’s Rock the Boat, Lakeside’s Fantastic Voyage, Patti Labelle’s Lady Marmalade, Alicia Bridges’ I Love the Night Life, Tavares’s Heaven Must Be Missing an Angel, A Taste of Honey’s Boogie Oogie Oogie, George Benson’s Give Me the Night, Donna Summer’s Bad Girls, The Trammps’s Disco Inferno, Rose Royce’s Car Wash, Bee Gees’s You Should Be Dancing, Hot Chocolate’s You Sexy Thing, Chic’s Freak Out, Dee-lite’s Groove is in the Heart, KC and the Sunshine Band’s Get Down Tonight and Shake Your Booty, prompting the crowd to sing along.

Boston skyline view

Photo courtesy of Jeanne Denizard

Under sunny skies with no need for a jacket, the Booty Boat cruise provided some of Boston’s most beautiful sights including the Boston Harbor Islands and a lovely and hazy view of the city.  It was primarily a smooth ride, with just a few instances of rockiness.

Booty Vortex C Note

Booty Vortex will next appear at the C-Note in Hull on September 8. Photo credit to Erin Frawley/Booty Vortex

Easing their way back to Rowe’s Wharf, Booty Vortex closed out the evening with Sister Sledge and Jade’s We are Family and Journey’s hit Don’t Stop Believing.  Booty Vortex next takes the C-Note stage in Hull on September 8.  Click here for more of their future tour dates around Massachusetts and Rhode Island.  Follow them on Facebook and Twitter.

REVIEW: Billy Joel brought his A-game for his fifth year at Fenway Park

Grammy award-winning singer-songwriter Billy Joel will not be sharing new music any time soon.  Renowned for his library of hits in the 70s, 80s, and 90s, he stuck with the chart toppers and some lesser known singles at the Fenway Park field on Friday, August 10 as part of the Plainridge Park Casino Fenway Concert series.

Billy Joel Fenway Park

Photo credit to IheartMedia

‘I haven’t had a hit in 25 years,’ he muses, ‘but I have also not released an album in 25 years.’  Opening fittingly and dramatically with the theme song from The Natural, a beloved 1984 sports film starring Robert Redford, Billy Joel took the Fenway Park stage for his fifth year.  Click here to see where Billy Joel will perform next.

Showcasing his biggest hits along with a few of his lesser known ones, Billy Joel brought his A-game.  Kicking off shortly after eight in the evening as fans were still filing into the park, he arrived behind his piano for his straight-talking hit Big Shot, a song that was said to have been inspired by a dinner he had with Mick and Bianca Jagger.  Under multicolored lights and an infectious beat, from the start Billy Joel proved his ceaseless energy at 69 years old.

On a cloudy, but rainless night in Fenway, Joel referred to Boston as the birthplace of freedom where he wrote the song, My Life.  He also mentioned the Red Sox, though he’s an avid NY Mets fan, before a stirring rendition of NY State of Mind, which featured shots of New York City’s famous landmarks.  He even playfully sang Boston’s More than a Feeling before jokingly “forgetting the words.”

Billy Joel Fenway

Photo courtesy of Jeanne Denizard

Sharply dressed in a dark suit and tie, Billy Joel spoke with humor and frankness, sharing personal details behind his music, his voice matured into a deeper, grittier growl with all the same power behind it.  He treated the enthusiastic full house to a spectrum of his famous and lesser known songs as he reflected, ‘I worked just as hard on the lesser known songs as the hits.’  Some of those lesser known songs included Summer, Highland Falls, Zanzibar, The Downeaster Alexa, and Vienna, a sweet, quiet tune from his album The Stranger and was also featured on the 13 Going on 30 film with Jennifer Garner.

Accompanied by a robust rock, jazz, and horn-infused big band, Joel performed upbeat number, Movin’ Out (Anthony’s Song), a hit song that inspired a 2002 Tony award-winning Broadway musical of the same name.  The musical highlighted a number of Billy Joel’s greatest hits.  Dedicating a song to his three year-old daughter, Joel performed Don’t Ask Me Why as well as many of his signature hits including a resonant Only the Good Die Young, Scenes from an Italian Restaurant, a colorful, extended version of River of Dreams, and It’s Still Rock and Roll to Me.

The award-winning singer-songwriter kept the crowd on their feet with surprise guests from two vastly different genres.  Peter Wolf, lead singer of the J.Geils Band, a group Billy Joel opened for early in his career.  Wolf performed the band’s 80s hit, Centerfold before calling Joel one of the nicest in the business.  Def Leppard’s Joe Elliott, who was to perform with the band at Fenway the following night, also joined Joel.  Accompanied by powerful guitar, Elliott’s deep, throaty vocals delivered their audacious hit, Pour Some Sugar on Me.  As welcome as their appearances were, it couldn’t beat their return to the stage later to sing with Joel for You May Be Right.

Joel also had his share of quiet moments as he silenced the crowd with the emotional, heartfelt number, And So it Goes and She’s Always a Woman.  Sitting behind the baby grand piano most of the evening with a brief stint humming on the harmonica for Piano Man before taking to the guitar during an epic, four-song encore, Billy Joel still has a seasoned passion for the stage and left with hardly a voice, delivering short of a three hour performance.

REVIEW: Lexus Broadway in Boston’s ‘On Your Feet’ a riveting, musical sensation

Leave it to music trailblazers Gloria and Emilio Estefan to make even folding laundry an exhilarating event.  A glimmering purple curtain provided just a hint of the radiance behind it as Lexus Broadway in Boston presented On Your Feet through Sunday, April 29 at the Boston Opera House at 529 Washington Street in Boston, Massachusetts.  Direct from Broadway and featuring five of the original members of Gloria Estefan’s band, Miami Sound Machine, On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.

BIB On Your Feet Gloria Estefan and National Tour

Christie Prades as Gloria Estefan and the company of the national tour of ‘On Your Feet’.

From its first few powerful notes and flowing, multicolored club lights, On Your Feet is a party from the start.  After real life superstar couple, Gloria and Emilio Estefan playfully introduce the show, Cuban dancers emerge pounding drums as a full, onstage band, Miami Sound Machine, flood the stage and greet the audience.  Award-winning Sergio Trujillo’s thrilling choreography frames every aspect of this international, true story with flair and gusto.  It has an equal share of wild, quick, and intense music with complex, fancy foot work as well as poignant, inspiring moments within a few of Gloria Estefan’s famous ballads.   Gloria and Emilio Estefan are behind the Latin rhythms, touching original compositions, and the orchestrations of some of Gloria Estefan’s biggest hits.  This captivating production not only showcases Latin culture and a peek into its history, but Gloria and Emilio’s tenacious struggle to fit it into American music scene.

BIB On Your Feet National Tour of show

The company of the national tour of ‘On Your Feet’.

Costume designer Emilio Sosa skillfully replicated Gloria’s sparkling, iconic outfits featured in her memorable concert appearances, the Estefan’s worldwide travel, brought together the colorful styles of the 60s, 80s, and 90s from casual, colorful floral summer wear of Cuba and Miami to elegant, nightclub attire.  David Rockwell’s often romantic scenic design and dim lighting depict Miami’s palm tree silhouettes as well as the particular vibe in their worldwide travels.

BIB On Your Feet Gloria Adriel and Company

Christie Prades as Gloria Estefan, Adriel Flete and the company of the national tour of ‘On Your Feet’.

On Your Feet not only explores Gloria and Emilio’s budding romance and their mutual dreams, but their aspirations to pursue music as Latin performers.  What is most fascinating about the show is Mauricio Martinez as Emilio and Christine Prades as Gloria’s sheer dogged determination to thrive.  Martinez offers a charming, yet serious performance as Emilio, business minded and determined with smooth and angelic vocals.  He delivers a touching rendition of Gloria Estefan’s hit, Don’t Want to Lose You Now and original song written by Gloria Estefan’s daughter, If I Never Got To Tell You, a duet with Nancy Ticotin as Gloria Estefan’s mother, Gloria Fajardo.  Martinez is intense, charismatic, and always planning one step ahead.

BIB On Your Feet Gloria Emilio and Company

Christie Prades as Gloria Estefan, Mauricio Martinez as Emilio Estefan, and the company of the national tour of ‘On Your Feet.’

It is easy to see why Christine Prades as Gloria has such natural, crackling chemistry with Martinez.  Prades as Gloria complements Emilio’s drive through her vibrant, shy, and creative personality.  Curly haired and slim with inflections of Gloria Estefan’s distinctive voice, it is hard to imagine another person portraying the award-winning singer-songwriter.  She engages the audience with her glowing, infectious smile while skillfully handling the quick pacing and complex choreography of this production, often breaking out into song and dance on a dime.   From a ‘can’t-help-but-sing’ child doing chores in Cuba, portrayed sweetly by Ana-Sofia Rodriguez, to a timid woman taking the stage, Gloria’s charismatic stage presence in undeniable. Together, Gloria and Emilio are a force to be reckoned with in their uphill battle to become a music sensation.  The tender song, Here We Are is a particular highlight, showing off their sweet chemistry.

BIB On Your Feet Gloria and national tour

Nancy Ticotin as Gloria Fajardo and the company of the national tour of On Your Feet.

Nancy Ticotin delivers a powerful performance as Gloria Fajardo, Gloria’s mother.  Ticotin portrayed strong willed Fajardo with a passion and a powerful voice, especially portrayed with the flirtatious number Mi Tierra, sung in a Havana nightclub.  Ticotin is stubborn and hard on Gloria, but with a giving spirit toward Jason Martinez as Gloria’s loving war veteran father, Jose.

BIB On Your Feet Gloria Kevin and Emilio

Christie Prades as Gloria Estefan, Kevin Tellez, Mauricio Martinez as Emilio Estefan and the company of the national tour of ‘On Your Feet’.

On Your Feet not only quite literally encourages the audience to dance with some of Gloria’s most riveting songs such as 1-2-3, Rhythm is Gonna Get You, Conga and Dr. Beat, but also depicts the journey and sorrows of following a dream.  It has its share of humorous moments in Debra Cardona as Gloria’s charming grandmother, Consuelo, in her unwavering support of her granddaughter and delivering a few sharp one liners.  Carlos Carreras as Jeremy wows as an enthusiastic Gloria Estefan fan that can’t help but dance.  In such an uplifting, spectacular musical celebration, it is easy to understand why.

BIB On Your Feet Concert stage

The company of the national tour of ‘On Your Feet.’

On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.  Click here for more of Lexus Broadway in Boston’s upcoming performances and follow them on Facebook.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

REVIEW: NPR’s Rob Kapilow’s engaging ‘What Makes It Great? The Songs of Leonard Bernstein’ hit all the right notes

NPR’s famous composer, conductor, and music commentator Rob Kapilow certainly knows his way around a baby grand piano.  Under soft lights and in front of a full house, he is once again ready to transform the way the audience hears and understands some classic tunes.

In honor of the legendary composer and playwright Leonard Bernstein and the centennial of his birth, Rob Kapilow took his popular, 22nd annual What Makes It Great series to Harvard University’s Sanders Theatre, which is Bernstein’s alma mater on Friday, March 9 for one night only.  Celebrity Series of Boston presented What Makes it Great? with Rob Kapilow and Jessica Rivera:  The Songs of Leonard Bernstein featuring an array of legendary Broadway songs during Leonard Bernstein’s time, delving into its brilliant, emotional quality and style through its carefully selected musical notes. Part teacher, humorist, and historian, Rob Kapilow proved once again that this engaging series is as fascinating as ever.  Click here for more on What Makes it Great and here for more on Celebrity Series of Boston.

Celebrity Series 1830-Jessica-Rivera

Renowned soprano Jessica Rivera Photo courtesy of Celebrity Series of Boston

Calling on a few of Broadway’s most enchanting and classic love songs, Rob was accompanied by renowned soprano Jessica Rivera.  Adorned in a shimmering black dress, Jessica’s versatile, impressive vocals ranged from lighthearted to passionate yearning as Rob had Jessica peel back the layers of each song, revealing what makes each tune shine.  With humor and grace, Rob and Jessica also revealed what each song might have sounded like without its individuality.  What Makes It Great never fails as an eye-opening experience.

Delving into the musical atmosphere and history of Leonard Bernstein’s time, Rob chose a selection of powerful, yet dreamy classic Broadway songs reflective of this era while showing how they are also vastly ahead of their time.  From dreamy songs such as, A Little Bit in Love from Bernstein’s Wonderful Town to the high-spirited I Could Have Danced All Night from Lerner and Loewe’s My Fair Lady to the powerful Somewhere from Bernstein’s West Side Story, Rob shows how the composer ties the musical elements together to enhance the listener’s musical experience.  For example, he describes how Leonard Bernstein’s wildly successful West Side Story is a perfect fusion of classical technique to popular theatre.

Evan Kinnane, a renowned Boston tenor, joined Rob and Jessica for a special stage performance of Tonight after Rob described what makes this song so special.  Full of passion and excitement, Evan and Jessica have a mesmerizing rapport and their marvelous blend of vocals demonstrates the song’s and Bernstein’s timeless appeal.

Celebrity Series 1830-WMIG-Rob-Kapilow

NPR’s Rob Kapilow and his piano Photo courtesy of Celebrity Series of Boston

After 22 years, Rob Kapilow continues to captivate audiences with his vast musical knowledge, sense of humor, and his careful analysis of what makes music such a rich, fulfilling experience.  Capping off the evening, Jessica Rivera poignantly sang Some Other Time from the Leonard Bernstein’s musical, On the Town, about how quickly time passes by.  It’s a fond farewell until next time.

Celebrity Series of Boston continues its stellar season with the 50th Anniversary of Alvin Ailey Dance Theatre, acclaimed soprano and Broadway star Audra McDonald, Ira Glass, Los Angeles Philharmonic, and much more.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on Facebook, Twitter, and Instagram.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

Acrobat Nathan Knowles talks circus and inspiration as Celebrity Series of Boston presents award-winning show, Circa ‘S’

With sensational feats sure to cause the audience to look twice in amazement, the award-winning, animal free Australian circus, Circa is not only fun for the whole family, but has been enchanting audiences all over the world since 2004.  With a revamped cast making its third thrilling return to Boston, Celebrity Series of Boston proudly presents Circa ‘S’ for three performances only from Friday, March 2 through Sunday, March 4 with a post- performance artist talk on March 3 at Boch Center Shubert Theatre in Boston, Massachusetts.  Click here for more information and for tickets.

Joining the circus was a fire that burned the brightest for young Canadian acrobat, Nathan Knowles. Having been with Circa ‘S’ for 18 months, he learns something new and exciting every day.  Nathan talks about discovering the circus, what it takes to become an acrobat, and his future.

Circa - S - Image by Darcy-Grant6

Acrobats Photo courtesy of Darcy Grant

Sleepless Critic:  What first inspired you to become an acrobat and when did you decide it was your calling?

Nathan Knowles:  In my hometown of Maple Ridge, British Columbia, a clown first introduced me to the circus at age six during an extra-curricular program at my primary school. I went home from school that day and told my parents that one day I’ll be running away with the circus. They laughed it off thinking, ‘What kid doesn’t joke about that?’ I actually manifested it.

SC:  Was there something you wanted to be first, or was it always an acrobat?

NK:  As per a normal childhood, I had a few fleeting ideas of what I would do professionally one day, but the circus was always the fire that burned the brightest.

SC:  What kind of skills do you think it takes to become an acrobat?

NK:  It takes motivation, hunger, discipline, a healthy dose of insanity, and natural or developed physical talent.

Circa - S

Photo courtesy of Steve Eggelton

SC:  How did you get involved with Circa?

NK:  My involvement with Circa began at a workshop in Montréal with our Artistic Director, Yaron Lifschitz during my graduating year from National Circus School. A few months later, I had a signed contract and was hopping on a plane to Brisbane to start the adventure!

SC:  What is your favorite act to perform?

NK:  My acrobatic specialties are hand balancing and contortion, but in terms of the company’s repertoire, I’d have to say ‘Snap’. ‘Snap’ is a scene from our show Il Ritorno where the rest of the ensemble manipulates my body into seemingly impossible shapes and leaves me to sort myself out and bring my body back to normal.

SC:  Wow, that is wild.  Aside from excluding animals, in what way is Circa a unique experience?  I understand that ‘S’ stands for sinuous, seductive, sophisticated, sensual and savage.

Circa - S - Image by Steve-Eggelton6

Photo courtesy of Steve Eggelton

NK:  Circa, a show for all ages, is a stand out company based on our artistic approach to the simply physical and spectacular nature that circus is known for. The company is known for not only demonstrating extreme physical prowess but also our storytelling and capabilities to strike a nerve emotionally and reflectively in the souls of our audiences.

SC:  Circa has been established since 2004. How has this production evolved over the years?

NK:  Circa has grown immensely and has doubled, if not tripled in size. Our reputation for high quality work and innovation has been acclaimed and recognized in 36 different countries. We live up to our reputation without being elitist. We’re a group of fun loving, curious, and professional people from all walks of life.

SC:  What does Circa ‘S’ have in store for Boston? Does the act change a bit with each destination?

NK:  Boston is in for an exciting treat! Although ‘S’ has been performed in many venues around the world, it’s an almost completely revamped cast this time around, yet still holds true to the original concept and structure of the show.

SC:  What do you think makes Circa different from other circuses around the world?

NK:  What makes us different is our hunger and fearless drive to continue chipping away at the future of the circus. Our work is an honest extension of our own humanity, not simply physical prowess coated in fancy costuming, booming budgets, and heavy makeup.

Circa - S - Image by Justin-Nicholas1

Photo Courtesy of Justin Nicholas

SC:  I understand Circa also has a training center for young people from age 3 to 16. Please tell me more about that.

NK:  Circa Zoo, our training program, is an after school program for young people who either are looking for a fun way to stay active or develop the tools to one day break out into the professional market. They also do outreach and external projects in regional Australian towns.

SC:  What do you hope to accomplish with Circa in the future and in your career as an acrobat?

NK:  I prefer to view it as taking it one day at a time. I’ve worked for the company for 18 months now and there hasn’t been a day where I leave the studio or theatre without having learned something new. I’m unable to say at this point whether my career will extend to other companies apart from Circa. I’m happy where I am and have no intention of leaving any time soon. I am also highly interested in making my own work later in life, hopefully in the form of a solo show.

Circa - S -

Photo courtesy of Justin Nicholas

 

SC:  What is the best reason people should see Circa as it makes its third return to Boston with Celebrity Series?

NK:  We’ll have you on the edge of your seats, full to the brim with wonder and questioning!  We aim for you to walk away from the show with a sense of being changed or even a new flame of inspiration to take with you into your life.

Celebrity Series of Boston presents Circa ‘S’ from Friday, March 2 through Sunday, March 4 at Boch Center Shubert Theatre.  Click here for tickets and more about Celebrity Series of Boston as well as their upcoming events.  Follow them on Facebook and Twitter.

 

 

 

 

REVIEW: Reagle Music Theatre’s 35th anniversary of ‘ChristmasTime’ is most wonderful

Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before.  Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years.  These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin.  ChristmasTime continues through Sunday, December 10.  Click here for more information and for tickets.

Christmas Time Photo 4

Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston

Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels.  Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.

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ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston

From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments.  During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz.  Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.

Christmas Time Photo 7 - Fred Van Ness Soloist

Renowned Tenor Fred C. VanNess Jr in The Living Nativity

The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals.  Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way.  Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more.  ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.

As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic.  Click here for further details.

This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now.  Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10.  Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever:  An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.