REVIEW: Company Theatre walks the line between love and rage with Green Day’s catchy punk musical, ‘American Idiot’

Rage. Love. Town. City are the themes emblazoned within the songs and tale of the Tony award-winning punk rock musical, Green Day’s American Idiot, presented by the Company Theatre and continuing through Sunday, February 17 at the Company Theatre in Norwell, Massachusetts.  It is an in-your-face journey of a group of young, unambitious city dwellers who occupy a portion of an angry, rebellious America.  Green Day’s American Idiot is a concert drama that contains mature themes and surprising moments.  Click here for more information and tickets.

Green Day American Idiot set

The set of Green Day’s ‘American Idiot’ Photo courtesy of Jeanne Denizard

This high energy musical is based on Green Day’s lauded album, American Idiot, a band known for their raw, catchy, guitar-tinged riffs, and uncensored lyrics.  With hits such as Holiday, Know Your Enemy, Boulevard of Broken Dreams, Wake Me Up When September Ends, and Good Riddance (Time of Your Life), Green Day’s American Idiot contains the music and vocal chops that would please Green Day fans while also considered a message-driven punk rock opera.

Sharing a bit of the mentality of Rent and the 90s film, Reality Bites, the characters in American Idiot wander into a realm of rebellious indifference, confusion, and perhaps laziness looking for their purpose in life as Green Day sings, “in the land of make believe.”  Some are unconcerned and others genuinely lost.  Partially set in a beat up apartment equipped with a blank, but lit tube TV and shabby couch which perhaps reflects a thinking but lost generation, American Idiot shows they have a hell of a lot to learn.  

The energetic, daring choreography by Corinne Mason, which includes moshing and head banging, reflects the anarchic nature of punk music.  The choreography in Holiday, which includes a group of characters packed into a wire cart, is a visual highlight.

Cast of Green Day's 'American Idiot'

(Back row, L-R ) Audrey Clark of Northboro as Whatsername, Jose Merlo of Attleboro as Jose, William Oliver of Weymouth as Will, Sarah Kelly of Braintree as Heather, John Crampton of Dedham as John, Jessica DePalo of Westboro as Extraordinary Girl, Brendan Duquette of North Attleboro as Tunny (Front row) Theo Victoria of Brockton as Theo, Evan Cole of Natick as Johnny, Aliyah Harris of Mansfield as Aliyah Photo courtesy of Zoe Bradford

This cast of jaded youths include a haunting performance by Chris Boyajian as Joshua/St. Jimmy, a role that Green Day lead singer Billy Joe Armstrong took over for 50 performances during the show’s run on Broadway.  Evan Cole hits all the right notes as Johnny, who also plays his own guitar for Boulevard of Broken Dreams, one of the show’s few quieter tunes.  He shares a natural camaraderie with Brendan Duquette as naive Tunny and William Oliver as oblivious Will, a trio of friends heading in different directions.  Sarah Kelly stands out as Heather as she develops her resolve during a heartfelt Last Night on Earth.  Aliyah Harris as Aliyah also lends her serious pipes to Favorite Son and Too Much Too Soon.

The Company Theatre presents Green Day’s American Idiot through Sunday, February 17, with a special event for Valentine’s Day.  All performances take place at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts  Click here to support the Company Theatre and here for more on their 2019 season.

 

 

 

Mark Morris Dance Group’s costume designer Elizabeth Kurtzman talks vibrant inspiration behind Beatles show, ‘Pepperland’

According to Rolling Stone, The Beatles hit album Sgt Pepper’s Lonely Hearts Club Band ranked #1 of The 500 Greatest Albums of All Time in 2003.  Not only is this groundbreaking album visually compelling, but songs on the album such as Lucy in the Sky with Diamonds, With a Little Help from My Friends, Penny Lane, When I’m Sixty-Four, and the album’s popular title track are considered rock and roll classics.

What is it like to bring that album to life in vibrant color in its 50th anniversary year?  New York costume designer Elizabeth Kurtzman talks about what it was like to bring Mark Morris Group, Pepperland to the stage.  Celebrity Series of Boston presents Mark Morris Dance Group’s Pepperland, a tribute to Sgt Pepper’s Lonely Hearts Club Band, to the Boch Center Shubert Theatre in Boston February 8-10.  Click here for more information and for tickets.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

Sleepless Critic:  It must be exciting to portray the essence of this classic Beatles album, Sgt Pepper’s Lonely Hearts Club Band in its 50th anniversary year.  Please tell me what your initial thoughts were in taking on this project.

Elizabeth Kurtzman:  I read the email inviting me to work on a project that involved music by the Beatles. I thought I was dreaming and was really intrigued.  Mark Morris and the Beatles are two of my favorite things.  I could not imagine how it would all look and sound. I knew it would not be by-the-book –Beatles and it had to be turned around pretty quickly.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

The 60s brought rapidly changing style. There is a lot of information in the years the Beatles made all that music, so there were a lot of possibilities.

SC:  You have worked with the Mark Morris Dance Group numerous times.  How was this project a unique experience for you and what do you like most about working with them? I know it might have been a challenge to tie in a contemporary feel to such an iconic time period.

EK:  They look great in these clothes/costumes and wish the guys wore these suits all the time.  They are a dream and it isn’t easy to dance in layers made out of corduroy.

Some of Mark’s pieces require more research than others. I spent hours looking up fashion and color from 1960-69. Mark was not interested in dressing the dancers in satin and feathers a la the album cover. It was more about trying to send the message of the early sixties. Simple shapes, but those shapes looked new, fresh, and young. Colored tights were so futuristic and men’s suits got smaller and cuter. I was a kid mid-sixties, but was completely mesmerized by those clothes.

Color was just as important as shape. Colors were new, synthetic fabrics made bolder, brighter fabrics available. The color palette was loosely based on a photo of a mural painted on a corner on Carnaby Street in London.

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‘Pepperland’ performance in Seattle Images by Mat Hayward/Celebrity Series of Boston

SC:  Songs like With A Little Help From My Friends, When I’m Sixty-Four, and the title track are just a few of the songs portrayed visually onstage.  What was that process like and can you offer a hint of the vibe audiences can expect when they see the show?

EK:  I think the show is about the energy of the time which offers a lot of happiness with a little melancholy thrown in.

SC:  From what I have seen of your work, you seem to add a vibrant personality to the performers that take the stage.  The colors and designs really pop.

The dancers are so game and energetic, the color and design only enhance their skill.  I love working with fabric and color and am fortunate to be able to attend rehearsals, which is where I get to see the personality of the dance and how the dancers move.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

 SC:  What has been the most challenging work you have done in New York or otherwise?

EK:  I can’t say there is one thing I’ve worked on that stands out as most challenging. There are always a few little challenges, but always a way to overcome them. It is more challenging working with small theatre companies that have tiny budgets and lots of costume changes or working with opera singers who hate the way they look in any and everything.  The biggest challenge is sewing it myself.

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‘Pepperland’ performance in Liverpool Images by Robbie Jack/Celebrity Series of Boston

SC:  You also provide art and music for programs for children in New York City.  Please tell me more about that and how you got involved.

Several years ago, I was involved with the Children’s Museum of the Arts downtown. I was determined to get kids to design and repurpose their clothes. Most of the adults I know do not know how to sew on a button.

I helped put together a program for children on the autism spectrum and their families that provided a place for making great art and music.  I also spent many hours designing and making costumes for the theatre department at my daughter’s high school who graduated in 2017.

Celebrity Series of Boston presents Mark Morris Group, Pepperland, at the Boch Center Shubert Theatre in Boston from February 8-10.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

After a night out, enjoy MET Bar and Grill’s ‘Boston Hot Chocolate Experience’

The holidays may be over, but any time during the winter is a good time for hot chocolate.  The MET Grill and Bar brings back their popular refreshment, ‘Boston Hot Chocolate Experience’ through Valentine’s Day.  With a wide variety of hot chocolate available in ‘adult versions’ topped with extra large marshmallows, whipped cream, and more, it is a special treat at the end of a concert or a great night out.

‘Boston Hot Chocolate Experience’ is offered at MET Bar and Grill locations in Natick and Back Bay in Boston, Massachusetts.  Click here for more information.

Hot chocolate options include Classic Hot Chocolate featuring vanilla chocolate and whipped cream, Spiced Mexican with chili and grated Mexican chocolate, Dolce De Leche with marshmallows and salted caramel, and Peppermint White Hot Chocolate featuring candy cane flavors and whipped cream.  Each treat can be enhanced with Peppermint Liquor, Caramel Vodka, Bailey’s, and more.

Enjoy them as ‘A Flight of Four’ experience featuring four miniature glasses or attendees can order one flavor as ‘One Big One’ presentation.

Visit MET Back Bay in Boston and in Natick, Massachusetts.  MET offers breakfast, lunch, and dinner as well as Saturday and Sunday Brunch. They also are available for private events and gift cards are available online for the perfect gift.

REVIEW: WGBH’s ‘Tis the Night with Ben Folds and Friends’ holiday music special offers some impressive, lighthearted cheer

Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public TelevisionNew Hampshire PBS, and WGBH 2 this month.  Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer.  He is also known for performing with many orchestras throughout the world.  Take a closer look at Tis the Night here,  click here to find out when WGBH will broadcast this show next, or here to stream it online.

In this WGBH holiday special, Ben hosts for the most part, leaving it to renowned Boston choruses such as the Boston Children’s Chorus, Handel and Haydn Society, the Harvard- Radcliffe Collegium Musicum, and students from the New England Conservatory to bring in the good cheer.  However, in the few times he collaborated with the artists, this concert special became that much more engaging.

Ben Folds and Caleb Teicher perform on Tis the Night (Meredith Nierman - WGBH)

Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways.  Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.

Handel and Haydn orchestra and chorus perform on Tis the Night (Meredith Nierman - WGBH)2

Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH 

Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version.  It was refreshing to hear, though I prefer the classic interpretation.  However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.

Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth.  They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner.  Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.

Harvard Radcliffe Collegium Musicum performs in Tis the Night (Sam Brewer - WGBH) (1)

Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2

Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight.  Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.

New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.

vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on Tis the Night (Sam Brewer - WGBH)2

Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 

Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.

soprano Saori Erickson and pianist Bethany Pietroniro performing Ave Maria (Sam Brewer - WGBH)

Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH

Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.

REVIEW: Grammy award-winning Soweto Gospel Choir makes a mesmerizing and festive Celebrity Series of Boston return

It was a special evening for the Soweto Gospel Choir having recently learned that their latest album, Freedom has been nominated for a Grammy on December 7.   Marking their 15th anniversary as a group, this Grammy award-winning South African Gospel group has toured all over the world and shared the stage with legendary performers such as Bono and Queen.

Celebrity Series of Boston presents Soweto Gospel Choir 'Songs of the Free'

Soweto Gospel Choir Photo courtesy of Celebrity Series of Boston

Marking their sixth appearance since 2005, Celebrity Series of Boston welcomed back this renowned group to the Berklee Performance Center in Boston, MA for one night only to pay special tribute to the late Nelson Mandela who would have celebrated his centenary this year, Aretha Franklin, and perform a bit of James Brown’s fancy footwork.  Combining African Gospel, reggae, and American pop music and sung in six of South Africa’s eleven official languages, The Soweto Gospel Choir’s expressive rhythms, mesmerizing harmony and lively choreography is amazing to behold.  Click here to find out where the Soweto Gospel Choir will perform next and here for more information on Celebrity Series of Boston’s 80th season and more.

Accompanied by a keyboardist, slide whistle, and a drummer who performed a captivating drum solo, the concert’s first half was dedicated to depicting the realities of apartheid as well as perform songs from their latest album.  Dressed in colorful, coordinating traditional garb, The Soweto Gospel Choir’s energy is contagious whether they are sharing a powerful message or joyfully ringing in the Christmas season.

Celebrity Series Soweto Gospel Choir Dance

Photo courtesy of Celebrity Series of Boston

Though each song delivered flawless harmony and the captured the spirit of their message, a few of the particular highlights were Sabashiya a Abuzai, Sabela, Thua Mtanami Medley, Johnny Clegg and Peter Gabriel’s Asimbonanga/Biko, and Letta Mbulu and Mbongeni Ngema’s Freedom Songs Medley:  Jikiela, Rolihlahla Mandela.  They also sang a heartfelt Amazing Grace in smooth harmony and beautiful baritone.

The second half delivered a wide range of Christmas Carols including an enthralling version of Go Tell in On the Mountain/He’s Got the Whole World in His Hands and a partially acapella version of Silent Night.  Soweto Gospel Choir delivered a spiritual Wade in the Water which included a drumming dance competition.  What makes this group unique is the joy and power they evoke though their music, their compelling rhythms, and their freestyle, free spirited choreography that will make you get on your feet.

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Soweto Gospel Choir Photo courtesy of Celebrity Series of Boston

Ending the evening is was a grateful, heartening version of Leonard Cohen’s Hallelujah, dedicating the song to their latest Grammy nomination.  With talent like this, Soweto Gospel Choir has a lot to be grateful for.

Celebrity Series of Boston is currently offering big savings for the holiday season, which expires on December 28.  Click here for information about that special offer.

A few of the Celebrity Series of Boston’s 2019 highlights include the debut of guitarist Pablo Sainz Villegas in January, Mark Morris Dance Group and Mnozil Brass, Cirque in February, Voci Angelica, and Castle of Our Skins in February, and the return of NPR’s Rob Kapilow’s What Makes it Great on Bands of the Swing Era in March.  Click here to see all that Celebrity Series of Boston has in store.

REVIEW: Captivating and lighthearted, Boston’s annual Holiday Pops as festive as ever

In its 23rd year, The Holiday Pops are in full swing and as festive as ever!  Illustration and illumination dominated this year’s performances woven into a wide spectrum of Christmas carols, spiritual hymns, and holiday traditions.  Whether it’s the excitement of the all-volunteer Tanglewood Festival Chorus, the Boston Pops adding their own unique, personal flair, or their highly anticipated sing-along, The Holiday Pops makes it easy to alleviate the stress of the season and happily embrace what truly matters.  Sponsored by Fidelity Investments and led by Keith Lockhart, The Holiday Pops at Boston Symphony Hall continues through Christmas Eve.  Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies are twinkling lights on thick, festive wreaths, just a sampling of the stunning surroundings inside Symphony Hall.  During the show, the stage spontaneously came to life with a variety of scenery illuminated above the stage from flickering candles to colorful, dancing snowflakes.

This beautiful performance of Holiday Pops delivered equal doses of reflective material and lightheartedness, the first half playful and spiritual.  Leroy Anderson’s A Christmas Festival which included Deck the Halls, God Rest Ye Merry Gentlemen, and Silent Night kicked off a memorable first half. The Boston Pops orchestra performed a harmonious and airy rendition of Parade of the Wooden Soldiers accompanied by a bright, festive short film created with original artwork and animation by FableVision Studios.

The Holidays Pops reflected on the revelation of Jesus during Shepherd’s Chorus as well as The Festival of Lights in an increasingly uplifting Songs of Freedom:  A Celebration of Chanukah featuring detailed portraits illustrated by children’s book artist, Judith Clark.  With stirring excerpts from O Little Town of Bethlehem, What Child is This, Go Tell it On the Mountain, and more, acclaimed baritone David McFerrin narrated The Christmas Story illustrated with Tomie dePaola’s original artwork.

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle.  While bulbs glowing to the beat, the jolly Tanglewood Festival Chorus delivered a string of Christmas waltzes, singalongs, and more including the annual reading of Clement Charke Moore’s Twas The Night Before Christmas, read enthusiastically by special guest, Boston journalist Janet Wu.

Boston’s charming signature versions of Sleigh Ride and the always clever and amusing 12 Days of Christmas were welcome additions to the mix as Santa Claus made his grand entrance.  Holiday Pops concluded with Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveyed the quiet hope for the coming New Year.

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The Boston Pops presents the beloved holiday film, ‘Home Alone in Concert’ with live orchestra December 29 and 30. Photo credit to Twentieth Century Fox/Boston Pops

Before ringing in the New Year, The Boston Pops will offer special presentations of Christmas film favorite, Home Alone featuring the music of John Williams with live orchestra at Symphony Hall on December 29 and 30.  The Boston Pops will cap off the year with their annual New Year’s Eve concert led by actor, animator, singer, and filmmaker, Seth McFarlane.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.  The Holiday Pops are also available at home with A Boston Pops Christmas: Live from Symphony Hall album through ITunes, Amazon, and Amazon MP3.

 

Childsplay’s Artistic Director Bob Childs talks new album, ‘The Bloom of Youth’ and how one violin changed his life

It all started with a fiddle.  Childsplay’s Artistic Director Bob Childs didn’t realize over 40 years ago when he entered a shop in Maine to have his violin fixed, it would be the start of something that would change his entire life.  Featuring a long list of award-winning musicians from across the country and beyond, internationally-touring Childsplay recently released their latest album The Bloom of Youth.  Click here for more information and for tickets.

Artistic Director and violin maker Bob Childs talks about creating Childsplay’s unique sound, making 160 violins, their latest album, and the lasting friendships he has made through music.  He has a shop in Cambridge, Massachusetts.

Sleepless Critic:  What is it about the fiddle that appeal so much to you?

Bob Childs:  I worked my way through college as a carpenter and my first job out of college was in Maine selling furniture.  In 1976, I took my violin for repair to an old violin maker, Ivy Mann, because I thought about playing Irish fiddle music.

When he repaired my instrument, he asked me when I was coming back.  I had no concept of what he was saying so I said I wasn’t sure.  He pointed at this wood he put on his bench and said that he would love to teach me violin making because he was in his 70s and was ready to pass on information before he stopped working.  I was 22 and I decided why not.

Training as a violin maker involved six years of apprenticeships and some journeymen work since it is a European instrument.  I worked with two violin makers who were training in Germany and then ended my journeyman work in Philadelphia, Pennsylvania where I worked for a shop that mainly worked with the Philadelphia Orchestra.

SC:  With the band and everything, Maine seems to be a center point in your life.

BC:  Maine is an incredible place not just for the land’s beauty, but for the great music.  I really cut my teeth on music and got to know a lot of the old musicians there.  We always sell out the shows in Maine and the audiences are incredibly enthusiastic.  Even though I am down in the Boston area, some family members still live there and I think at least three or four of the musicians also have Maine roots.

When I left Philadelphia, I came here in 1986 and the band has been together since 1988.  When Childsplay first started playing together, a woman in Washington D.C. wanted me to play in a fiddle concert when I was working in a shop in Philadelphia.  I said yes and she said that the name of the band is Childsplay because everyone in the band is going to be playing one of your instruments.  We had an amazing time and it’s been over thirty years of playing music together.

SC:  Childsplay also features many performers.

BC:  Yes and I have made over 160 violins.  Most of my instruments have gone to classical musicians and I’ve always built an instrument for somebody with them in mind.  So, I’ve gotten to know so many incredible musicians and they are great friends.

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Childsplay’s latest album Photo courtesy of Childsplay

SC:  The Bloom of Youth is your latest album and features some beautiful music.  Big acts like U2 and Bruce Springsteen have snuck right through to perform there.  One of your DVD sets features a live performance at the Somerville Theatre.

BC:  Yes, the first DVD set was filmed at the Somerville Theatre in the late ‘90s.  The second one was made at the Zeiterion Theatre in New Bedford, Massachusetts in 2013.  That film in particular had great success and was picked up by NPR, PBS, and has been shown on pretty much every station in the country.

I think if people attend a Childsplay concert, they really get into the spirit!  The musicianship is unsurpassed featuring All-Ireland Fleadh champions, two national Scottish fiddle champions, and Boston Symphony players, but the best part is the band’s energy.  You can feel it live, on the DVDs, and Bloom of Youth because it is dynamite.

SC:  I understand your latest album, The Bloom of Youth is also your final album.

BC:  It’s our seventh album and our last album because after next year, we are going to stop touring as a band for a number of reasons.  One is because tour costs are incredibly high.  There’s 21 musicians, five on the production team plus all the other expenses.  Next year will probably be our last year of touring and I hope people will come out and honor the incredible musicians that have been part of the band and the music we have created together.

SC:  I’ve listened to the album and I really like the joyous rhythms of Buddy Strathspey and Noodle Vendor’s plucking rhythm.

BC:  Shannon Heaton, an amazing composer and flute player who we get to perform with, put together The Noodle Vendor.  She lived in Thailand for awhile and the music she created was a unique cross between Irish and Thai music.  Hanneke Cassell put together Buddy Strathspey.   We both play two other tunes together on the album.  When you hear Childsplay, you hear interesting rhythmic elements and these great harmony layers create a unique sound.

SC:  What is the inspiration behind this new material and what do you think sets this album apart from previous albums?

BC:  We share the stage and the CD with Karan Casey, the most amazing singer from Ireland.  When we first started making our CDs and playing music, we didn’t have a vocalist with the band and it became clear to me when someone made the comment, ‘Out of all the instruments, the violin is the one that sounds most like the human voice.’  I realized that we should add vocals.

In Bloom of Youth, Karan came over from Ireland and she’s touring with us.  We cover some of her songs, what she’s written, and others that she’s brought to the band.  All the arrangements were done by Childsplay members Hanneke Cassel, Keith Murphy, and Bonnie Bewick so we had a lot of fun in making this last album.

SC:  One of the tracks with Karan’s vocals, Where are You Tonight I Wonder is lovely.  It’s like a little lost love song.

BC:  Andy Stewart from Silly Wizard wrote it in Scotland shortly before he passed away.  It’s a beautiful song and Karan’s voice is absolutely stunning.  The song is meant for a lost lover and her singing in the band really conveys that blue feeling you get when a relationship ends.

Award-winning Mastering Engineer Bob Ludwig has mastered so many great albums such as U2 and Springsteen.  He mastered our album as well and he played Karan’s voice right in the center of the sound.  It is absolutely magical to hear that and understand how he really had the ear to make that happen.

We also offer free fiddle lessons.  Different members of the band give fiddle lessons and people can go to the website and download them.  We’ve had a half million people do that over the years.

SC:  You guarantee we’ll be experts at it in the end.

BC:  I’ll do my best to help you.

SC:  The band has evolved so much over the years.  How do you feel about how the band has come along?

BC:  It’s an inter-generational band with the youngest member 17 and the oldest person in their 70s.  More than that, there is a maturity that comes from years of playing together.  The band members have been together over 20 years and there is a sound that emerges over time.  I started making violins in ‘83 and I first started in ‘76.  Not until ‘83 did the violins start sounding like how I made them.  It takes several years of playing together to develop an ear for each other and a real sense of creating our sound and that has happened.  I’m so proud of the band!  It’s remarkable to be onstage and see the audience receiving and reacting to the music.

SC:  What do you hope people will take away from your music or when they attend a live show?

BC:  The one thing I hope to convey to people through our music that it’s possible to create things yourself.  As Karan Casey wrote in her liner notes, ‘Childsplay is an exercise in democracy.  There’s no one leader in the band and everyone takes turns leading and it’s a real creative process.’

I’m hoping when people are moved by our music and its creativity, they’ll be inspired to make their own music or do something creative to add to the world. The world is in very difficult times right now and I’d rather have a legacy making beautiful things and connecting people.

Click here to learn more about Childsplay, their tour schedule and how to get The Bloom of Youth which is also available on ITunes and CDBaby. Follow Childsplay on Facebook or all their latest updates.