REVIEW: Led by powerhouse vocals, SpeakEasy Stage Company’s engaging ‘Songs for a New World’ a memorable musical experience

We are all hearing soon.  Soon we will be back together in the theatre for a wonderful live theatrical experience.  How it has been missed! 

However convenient it is sitting in front of a computer for a virtual show, there is nothing quite like the anticipation of live theatre in person with an audience in a shared experience.  SpeakEasy Stage Company’s remarkable concert musical benefit show, Songs for a New World, accomplishes quite a bit in its hour and a half runtime.  Through clever cinematography that still adheres to Covid guidelines, SpeakEasy Stage Company recreates the thrill of seeing actors together onstage and it is easy to see each cast member’s excitement through their own extraordinary performances.  We’re not quite there yet, but this is getting ever closer.

‘A New World’ featuring the entire company Video courtesy of SpeakEasy Stage Company

Directed by Paul Daigneault and musically-directed by Jose Delgado, SpeakEasy Stage Company continues their 30th anniversary season with John Robert Brown’s Songs for a New World streaming through June 8.  The show was filmed onstage at the Calderwood Pavilion in Boston, Massachusetts.  Click here for more information and tickets.  Discount tickets are also available.  Click here for more information on SpeakEasy Stage Company’s recently announced 2021-22 season.

It is difficult to describe the anticipation of seeing SpeakEasy Stage Company’s concert musical benefit, Jason Robert Brown’s Songs for a New World.   The last Jason Robert Brown musical I witnessed was a film adaptation of The Last Five Years.  It was a glorious, resonating tear jerker featuring reliable talents Jeremy Jordan and Anna Kendrick

Songs for a New World explores a variety of characters that are faced with the ultimate, sometimes humorous and other times harrowing life-changing decisions and deciding what to do next.  With simple staging and an onstage band conducted by Jose Delgado, Songs for a New World has humor and heartache enhanced by some of Boston’s most recognizable vocal powerhouses.

Rashed Al Nuaimi sings ‘She Cries” Video courtesy of SpeakEasy Stage Company

From the inspiring, tremendous, and relatable opening number, A New World featuring powerful, upbeat harmonies between Dwayne P. Mitchell, Davron S Monroe, Mikayla Myers, Rebekah Rae Robles, Alexander Tan, Victor Carillo Tracey, Laura Marie Duncan and Rached Al Nuaimi, this production proves to be something to behold.  A New World/Time to Fly gives the audience a glimpse into the shared experience of what each character is feeling and the hope their decisions will turn out right.

Songs for a New World is full of powerful performances and each song is as strong as the last, but here are a few highlights.  One standout performance is a tender and stirring rendition of On the Deck of a Spanish Ship, 1492 as Monroe exclaims, “Have Mercy Lord” while the cast embarks on a harrowing, life-changing journey.  Dressed in a long fur coat, Laura Marie Duncan is wildly entertaining as a scorned woman in an extreme situation in Just One Step.  Duncan’s expressive personality and her sheer energy drive this amazing performance. 

‘I’d Give it All for You’ Jennifer Ellis and Dwayne P Mitchell Video courtesy of SpeakEasy Stage Company

Jennifer Ellis performs some vocal gymnastics as Mrs. Claus for Sweabaya Santa, reimagining Santa as an absent, judgmental husband whose love is as fleeting as his sleigh.  Dwayne P Mitchell literally rises from the ashes of his childhood in this boastful, self-assured rendition of The Steam Train.  Ellis and Mitchell have sweet chemistry in a beautiful duet about the complexity of love in I’d Give it All for You.

Rached Al Nuaimi demonstrates zany, emotional turmoil and building frustration in She Cries and Jennifer Ellis delivers a bold and anguished performance in The Flagmaster, 1776.

SpeakEasy Stage Company’s Songs for a New World also boasts an incredible finale not to be missed with Hear My Song.  Glad to add John Robert Brown’s Songs for a New World as another memorable musical experience. 

SpeakEasy Stage Company continues streaming Songs for a New World through June 8. Click here for more information, tickets, and how to support the SpeakEasy Stage Company.

REVIEW: Boston Children’s Chorus’ free virtual concert “Lift Every Voice: At the Table” ends season on a vibrant and hopeful note

Transitions have been a strong theme over the past year and a half and with that brings forth a tumult of emotions.  Staying true to this season’s theme, “Waves of Change,” the Boston Children’s Chorus depict a vibrant range of emotions through songs of comfort, pressing contemporary issues and dreams of hope of everyone together again in their final concert of the season, Lift Every Voice:  At the Table.

Photo courtesy of Boston Children’s Chorus

Featuring special guest composers Sydney Guillaume, Omar Shahryar, and Layth Sidiq, Lift Every Voice:  At the Table was live streamed for free on Sunday, May 30, but is still available to watch on their Facebook page, and YouTube channel.  The concert also delivers information about their upcoming summer outdoor concert series, We Sing as well as information about the Kiser Scholarship, a memorial scholarship focused on community building and social healing.    

Though each song offers its own message of hope and change, Natalie Hemby, Lori McKenna, and Brandi Carlile’s uplifting Crowded Table and Omar Shahryar’s The Journey of Feelings portrays the dream of unity while reflecting on uncertainty and the exhaustion of the journey through this pandemic from a child’s point of view.  Crowded Table brings to life the dream and comfort of finally being together again at the table without worry by a roaring fire.  It’s a sweet, joyous, and memorable song that you may never want to end.

The Boston Children’s Chorus Virtual Choir Photo courtesy of the Boston Children’s Chorus

Omar Shahryar’s catchy The Journey of Feelings has its amusing moments, but underneath the beat paints a startlingly perfect expression of what kids are feeling from day-to-day over the course of the pandemic.  It’s an upbeat and urgent song providing insight into intense and overwhelming feelings and yet delivers a precocious sense of maturity expressing hope of life returning to normal.  Omar Shahyar’s There’s a Change A-Coming further enhances this sense of gradual change as they navigate through these uncertain times. 

Moving backdrops and colorful, innovative zoom cinematography enhance each song and it is wonderful to hear from Boston Children’s Chorus members from all levels and their reflections on the world.  It is also a treat to see the chorus outdoors from bridge to beach to city singing together at various times over the concert’s duration, but this is especially wonderful to watch for Mavis Staples’s inspiring Build a Bridge and Layth Sidiq’s spiritual, haunting, and rhythmic Reflection.

John Mayer’s popular song, Waiting on the World to Change brings its signature insightful flair but BCC enhances this poignant song with a moving dedication to emergency workers and glimpses of the state of the world during the pandemic such as the closure of theatres, empty trains, and elbow bumps instead of hugs.  Mayer’s timeless lyrics resonate profoundly while the world is in transition.

Photo courtesy of Boston Children’s Chorus

Delving into multiple languages and a unique, moving open, The Boston Children’s Chorus also reflects hope and uncertainty through the eyes of Migrants with Joel Thompson’s America Will Be as the BCC proclaims, “I lift my lamp beside the golden door.”  Dany Rivera’s charismatic and powerful vocals depict struggle and determination with Gregory Porter’s Running (Refugee Song).

The Boston Children’s Chorus encapsulates distinctly what many are feeling at this time through their evocative vocals and strong messages while leaving this season on a hopeful note. 

Click here for more information on how to join and support the Boston Children’s Chorus, their upcoming events, and digital offerings.

REVIEW: Merrimack Repertory Theatre’s quintessentially local ‘A Woman of the World’ fascinating and full of surprises

Scandalous secrets unfold and things are not what they seem in Merrimack Repertory Theatre’s  (MRT) quintessentially local and fascinating production of A Woman of the World by Rebecca Gilman streaming on demand through Sunday, May 30.  Partnering with the Emily Dickinson Museum and directed cleverly by Courtney Sale, this one-woman show led by Massachusetts native Denise Cormier lights up the stage with natural charisma as enigmatic lecturer and historical figure Mabel Loomis Todd. She claims to bring insight into the real life of the late, renowned poet Emily Dickinson, but what she unveils is so much more. 

It was wonderful to see another production from MRT filmed onstage.  A Woman of the World also offers plenty of local references such as Harvard, MIT, the New England Conservatory, Boston, Amherst and the surrounding areas.  The show contains some hinted adult themes.  Click here for more information and for tickets.

Denise Cormier in MRT’s ‘A Woman of the World.’ Photo: Kathy Wittman/Merrimack Repertory Theatre

Scenic designer Bill Clarke and Original Music/Sound Designer David Remedios seamlessly combine the inviting comforts of home with the sights and sounds of a serene Maine setting.  However, don’t let the serenity of this island home fool you.   Mabel gears up for a quiet storm as the sound of the wind and crickets fill the air.

From welcoming to haunting, Carolina Ortiz Herrera’s soft, dynamic lighting not only transforms each mood in an instant, but does more so with Cormier.  At first Denise Cormier as Mabel seems a lively, well-to-do speaker with well coiffed blond hair, but as the show progresses, the subtle lighting reveal tinges of gray. 

Denise Cormier in MRT’s ‘A Woman of the World’. Photo: Kathy Wittman/Merrimack Repertory Theatre

Though it is a one-woman show, other “cast members” such as Mabel’s daughter Millicent is addressed offstage.  Delivering a multi-layered performance, Mabel’s charm to win over her audience first comes off as egotistical, but gradually becomes earnestness and she soon seems like an old friend.  Nothing short of a captivating showman, a warm and inviting presence, but the guarded moments intertwined in her storytelling is the stuff that keeps you hooked and her drifting reflections are when the show truly hits its stride.  Having had a stroke, Mabel is also somewhat an unreliable narrator in more ways than one. 

Denise Cormier in MRT’s ‘A Woman of the World’. Photo: Kathy Wittman/Merrimack Repertory Theatre

The show tackles relatable issues on feminism and Cormier as Mabel may make you root for her one moment and against her the next.   However, she’s a survivor and an enigma ahead of her time. 

Merrimack Repertory Theatre’s production of A Woman of the World by Rebecca Gilman is streaming on demand through Sunday, May 30.  Following the production is a short interview between director Courtney Sale and Denise Cormier on the inspiration behind the show.  Click here for more information, tickets, and for more about the Merrimack’s Repertory Theatre’s season.

REVIEW: SpeakEasy Stage Company’s ‘TJ Loves Sally 4 Ever’ a striking satire

It’s hard to miss the message behind TJ Loves Sally 4 Ever, a bold, semi-interactive satire that takes a deep dive into prominent social issues such as racism and sexual harassment by putting a contemporary spin into troubling pieces of history.  Taking cues from Dear White People, TJ and Sally 4 Ever is anything but a love story and highlights the frustration evident within each of its characters as they attempt to convey their own point of view.

Directed by Pascale Florestal, SpeakEasy Stage Company presents TJ Loves Sally 4 Ever virtually through Thursday, May 13.  The show run 1 hour and 35 minutes without an intermission and is not suitable for children. Viewer discretion is advised.  Click here for more information and tickets.  Resources for this production can also be found on speakeasystage.com and a panel discussion is available here after seeing the production.

Jared Troilo and Tah-Janay Shayone in ‘TJ Loves Sally 4 Ever’ Photo courtesy of SpeakEasy Stage Company

Speakeasy Stage Company’s TJ Loves Sally 4 Ever heeds social distancing guidelines through some careful blocking and innovative technology.  Though a couple of frames look a little awkward, the majority of the show flows naturally.

Sally, portrayed with levelheaded wit by Tah-Janay Shayone, portrays a college student who is starting a job under obnoxious, egotistical, controlling (and much more) Dean Jefferson.  Flailing about with a subversive glint in his eye, Jared Troilo delivers an unabashed, grimly humorous performance as Dean Jefferson.  Dru Sky Berrian as Pam and Sadiyah Dyce Stephens portray Sally’s caring, protective, and partying sorority sisters and Jordan Pearson as blunt and tenacious Harold will do just about anything for change.

Jared Troilo and Jordan Pearson in ‘TJ Loves Sally 4 Ever’ Photo courtesy of SpeakEasy Stage Company

Though this satire at times misses its mark, TJ Loves Sally 4 Ever’s unconventional premise and delivery distinctively portrays Sally and the cast’s exasperation as they bring to light the hypocrisies and arrogance within our society as each try to forge a path toward a brighter future.  Choreographed cleverly by Kira Cowan Troilo, a particular highlight involves a dance sequence between Pearson and Troilo that quite literally drives home the scene’s inherent message.  Rachel Padula-Shufelt’s colorful and detailed costume design from Sally’s symbolic outfit to a scene featuring colonial gowns enhances the production’s strong and serious subject matter.

Left to Right: Dru Sky Berrian, Tah-Janay Shayone and Sadiyah Dyce Stevens in ‘TJ Loves Sally 4 Ever’ Photo courtesy of SpeakEasy Stage Company

The show effectively takes a hard, long look tying in the past, present, and is ultimately optimistic for a compassionate future.  Speakeasy Stage Company’s TJ Loves Sally 4 Ever continues virtually through Thursday, May 13.  Click here for more information, tickets, and how to support the SpeakEasy Stage Company.

REVIEW: Merrimack Repertory Theatre’s ‘Until the Flood’ a raw, complex, and gripping docu-drama

Until the Flood begs the question, “How do you want to be remembered?”

Director Timothy Douglas frames a poignant, moving portrait of a community in pain with Merrimack Repertory Theatre’s virtual docu-drama Until the Flood continuing through Wednesday, May 5. The content of this program is not recommended for youth under age 16.  This program was originally commissioned by The Repertory Theatre of Saint Louis.  Click here for more information on Merrimack Repertory Theatre and how to stream the show.

Based on real life accounts gathered in 2014 by Pulitzer prize-winning finalist Dael Orlandersmith, Until the Flood delves deep into the emotional and complicated perspectives and recollections of this community and how it affected each person following the shooting of Michael Brown in Ferguson, Missouri. 

Maiesha McQueen in one person show ‘Until the Flood’ Photo courtesy of Kathy Wittman/MRT

A colorful, makeshift memorial is strewn on a chain link fence shrouded in a blue, haunting darkness.  Sirens ring out in the distance amid tingling and powerful music.  Merrimack Repertory Theatre’s Until the Flood sets a foreboding undertone through Lindsay Jones’s chilling sound design and Bill Clarke’s haunting and true-to-life set pieces.

Encapsulating all the anguish, uncertainty, doubt, fears, and hope is Maiesha McQueen in a tour-de-force performance onstage as she takes on eight individual composites drawn from real life interviews in this one person show.  From a 17 year-old teenager to a 75 year-old retired police officer, McQueen digs into the heart of each individual and delivers the kind of multi-layered performance that flows with each individual.  From a subtle head tilt and a tumult of emotion brewing in her eyes to the careful movements and creaking in her bones as she takes on the persona of an ailing senior to the confident swagger of a teenager that feels like he can take on the world, McQueen writhes and broods with each character.  Dressed in colorful and consistent street clothes by Yao Chen, each perspective and recollection made by each individual is fleshed out and brought together by McQueen as she pours herself into each character and makes each stand on their own.  Her pliability transforms her stature, stance, rage, compassion, sadness, and anger “like the flood” over the state of the world. 

Until the Flood provides not only each individual account of what they heard, saw, or experienced of the Michael Brown shooting, but a deeper look into how each person lived their life before and after this harrowing incident within this community.  It is a raw, gripping look at how ugly and how beautiful a society can be and how easily friendships can change when people do not see eye-to-eye.  It delves into anger that can be unleashed too easily, anguish, sadness, harrowing fear, and unbridled hope in fellow human beings in spite of life’s sorrowful circumstances.  Most of all, it presents a fairly even handed, but complex account of what truly motivates human nature and how fear and hope takes shape.

Merrimack Repertory Theatre, located in Lowell, Massachusetts continues streaming Until the Flood through Wednesday, May 5.  Click here for more information and tickets.

REVIEW: Isolation and reflection drives Theatre Kapow’s ‘Room’

What does “Room” mean to you?

An unusual walk, a wordless journey spoken in song, a hollow room, and bittersweet scenes from the past is just a peek into ROOM, a series of three one-act plays by two Irish playwrights.  It explores three people who see the world through their isolated circumstances yet share so much.

Directed by Rachael Chapin and Matt Cahoon, New Hampshire’s Theatre Kapow embarks on their final virtual show of their 13th season themed ‘We will get through this’ with ROOM,  a poignant and meaningful journey into loss, isolation, regret, and hope continuing to live stream through Sunday, May 2.  Click here for more information and tickets.

Through Edna Walsh’s Room 303 and A Girl’s Bedroom as well as Ailis Ni Riain’s I Used to Feel, each actor take in their surroundings, reflect on happier and more sorrowful times, and take in what they can of the present while depicting the meaning behind their “room.”

Heidi Kranz in ‘A Girl’s Bedroom’ Photo courtesy of Matthew Lomanno Photography/Theatre Kapow

In A Girl’s Bedroom, ethereal special effects portray a rich countryside and more as Emily Karel reflects on a significant childhood memory.  Karel offers a captivating portrayal as the girl as her world becomes vast in her small, colorful bedroom.  Her bright inflections, enthusiasm, and surety are also tinged in sadness and loneliness as she reminisces on her young life.

Heidi Krantz embraces an emotional journey of loss and misunderstanding in I Used to Feel.  In this brief musical portrait, Krantz evokes the frustration and heartache of misunderstanding due to a disability and the longing for connection again in any way possible.  The visual imagery tied into a solitary clarinet makes this piece particularly poignant.

Peter Josephson in ‘Room 303’ Photo courtesy of Matthew Lomanno Photography/Theatre Kapow

Perhaps the most powerful piece is in Room 303Peter Josephson delivers a raw and moving portrayal of a bedridden man reflecting on his past and his future in his current circumstances.  His journey calls to mind those who have been sick and alone with only the comfort and betrayal of their thoughts and imagination in these uncertain times.  Anxious and bitter through his steely and weakening eyes, Josephson struggles with his recollections as his world becomes smaller.

Theatre Kapow’s ROOM continues live streaming through Sunday, May 2.  Click here for more information and for tickets.

REVIEW: Company Theatre presents interactive and charming ‘Wonderland: Alice’s Immersive Adventure’

Ever wonder what the Mad Hatter would say if you were welcome to tea or imagining a nonsense word to get you out of a fix or how the guards paint the roses red?

This is just a glimpse into Company Theatre’s Wonderland:  Alice’s Immersive Adventure, a magical, unique and most curious tour with some of Alice in Wonderland’s most iconic characters continuing through Saturday, May 1 at The Company Theatre, 30 Accord Park Drive in Norwell, MA.  Directed by Corey Cadigan, this family-friendly tour, based on the Academy of the Company Theatre’s Theatre Workshop, takes place entirely outdoors on Company Theatre’s surrounding grounds following Covid guidelines.  Click here for more information.

Alice with Dweedle Dum and Tweedle Dee Photo courtesy of Zoe Bradford/Company Theatre

Drawing inspiration from the famous Lewis Carroll tales such as Alice’s Adventures in Wonderland and its film adaptations, Wonderland:  Alice’s Immersive Adventure with Alice as your guide, you follow the White Rabbit while interacting with some of Carroll’s most iconic characters on a wacky journey to defeat the Red Queen.  The colorful characters’ costumes by John Crampton and the sets by Ryan Barrow are fun, detailed and imaginative featuring twinkling lights to guide your way and the enthusiastic, engaging cast make every tour a unique experience. 

Each character may ask you questions and you may ask them according to the rules of Wonderland.   At journey’s end, enjoy a tea party featuring cookies and other goodies.

The Company Theatre presents Wonderland:  Alice’s Immersive Adventure through Saturday, May 1.  Click here for more information, tickets, and how to support The Company Theatre.

REVIEW: Tensions run high at sea in Moliere in the Park’s searing ‘pen/man/ship’

Aboard a whaling ship in 1896, two powerful forces cross paths that could cause a disaster of their own doing.  Christina Anderson’s pen/man/ship is a rich, quietly tense production that deepens within the intriguing script’s discourse and reflections and flows into the production’s dark setting.  Self-righteousness, dominance, and trust carry heavy weight as Anderson’s multi-faceted characters become more complex as the plot thickens.

Skillfully directed by Lucie Tiberghien in English with French subtitles, Moliere in the Park’s theatrical film, pen/man/ship continues live streaming for free through April 24.  RSVP is required and the show is two hours with a five-minute intermission.  Click here for more information and how to stream the show.

Aboard the Ship in ‘pen/man/ship’ Photo courtesy of Moliere in the Park

Capturing the illusion of being on a ship without the cast actually being on one is no easy feat, but attractive visual illustrations by Rocco DeSanti and effective sound effects by Daniel Williams depict large groups and cast members sitting side-by-side do not look out of place or jarring to the flow of the story.  Subtle technical details such as the gentle sway of the ship seem natural with the cast aboard.  One particularly innovative moment shows Jacob reflected in a mirror next to Ruby to make it appear as if he is standing in front of her.  The film flows so well from scene to scene without the quirks that zoom can sometimes cause. 

Kevin Mambo as Charles Photo courtesy of Moliere in the Park

Widow Charles Boyd (Kevin Mambo) and his son Jacob (Jared McNeill) embark on their first maritime voyage to Liberia when Jacob meets seasick Ruby Heard (Crystal Lucas-Perry) and is immediately attracted to her mysterious ways.  Mambo as Charles pens reflections on his voyage by candlelight but his real motivations are unwritten. 

Pen/man/ship boasts an impressive cast including Kevin Mambo as obstinate, domineering, and manipulative Charles and Crystal Lucas-Perry as mysterious, headstrong, blunt, and stubborn Ruby sterling in their portrayals.   Both of these strong characters are more alike than they care to admit.  Mambo and Lucas-Perry are eloquent in their discourse and both have a commanding presence in their own unique way.  Their slights and verbal exchanges become riveting as the show progresses.  One is persuaded by faith and the other by facts, but both seem too emotionally invested for that to be entirely true.

Jared McNeill as Jacob Photo courtesy of Moliere in the Park

Jared McNeill delivers an amiable performance as modest, shrewd, loyal, and sympathetic Jacob who struggles with his heart and his head.  McNeil and Lucas-Perry’s chemistry is earnest, yet complex and McNeill and Mambo have a warm and wary father and son camaraderie.  McNeill is particularly shrewd at seamlessly evoking his inner conflict with Mambo, evident right across McNeill’s face.

Bearded and dressed as a crew member faithful to the period, Postell Pringle portrays humble, fair-minded, and altruistic crew member Cecil.  Pringle has a welcoming presence as Cecil who often defuses tension as the show progresses.  Forthright, experienced, and respectful, he is well-spoken and has the discernment to navigate each character just as well as any ship.

Postell Pringle as Cecil and Crystal Lucas-Perry as Ruby Photo courtesy of Moliere in the Park

Pen/man/ship is a thought-provoking exploration of what motivates people who have the best intentions and how stubbornness, isolation, and fear can wield an ugly course and a stunning revelation. 

Moliere in the Park’s theatrical film, pen/man/ship continues live streaming for free through April 24.  Click here for more information and how to stream this free show.

REVIEW: Celebrity Series of Boston @home presents mesmerizing musical trio Dreamers Circus

One of the main attractions of virtual concerts is being able to discover new music anywhere in the world.

Inside Copenhagen’s iconic Round Tower that houses a church, library, and an astronomical observatory, three musicians deliver a mesmerizing musical experience as Dreamers Circus.  Warmly introduced by violinist Rune Tonsgaard Sorensen, this performance was filmed in Round Tower’s immaculate library as Swarm, a floating exhibit created by female Denmark artists Baskets4Life, contributes to the concert’s surreal setting.

Celebrity Series of Boston welcomes award-winning musical trio Dreamers Circus streaming through Thursday, April 15.  The concert premiered as a live streamed concert on Friday, April 9 and includes a Q & A with the group.  Click here for more information and for tickets. 

Comprised of violinist Rune Tonsgaard Sorensen, pianist and accordionist Nikolaj Busk, and Ale Carr on Nordic Cittern, Dreamers Circus draws from classical, Swedish, and Nordic rhythms to weave a collection of playful, breezy, and mesmerizing selections well suited to the band’s name while providing a haven in this dark time.

Among the many highlights of this performance is the quirky originality and chipper rhythms in their telling song, The World is Waiting from their latest album, White Gold.  The sunny piano and whistling medley exudes a lighthearted anticipation of what’s to come.  Pentamime delves into hypnotic rhythms, suspense, and building intensity while City Gardens, from their album Rooftop Sessions, offers a fascinating and intricate mix of soothing rhythms, bright notes, as well as haunting, eclectic, and electronic sounds that brings out the song’s unique vibrancy.

Busk introduces Kitchen Stories, a rich number that fluctuates between lively and tranquil while showcasing Sorensen’s nimble artistry with the violin and Busk’s switch to an accordion before joining together for a memorable folk reel.  

Hjerter To/Fangden Og Hans Pumpestok has a bright, catchy, and fanciful medley as Busk pulls double duty performing on the piano and the accordion.  Introducing what Carr calls “a poor man’s viola,” Carr duets with Sorensen for traditional Swedish song, Folkrothvalsen.

The concert builds to a thrilling finale with A Room in Paris and Prelude to a Song.  While A Room in Paris delivers an upbeat and joyful urgency, Prelude to the Sun provides a perfect blend of sonic and dreamlike harmony.

Not to be left out is the engaging and laid back camaraderie between the musicians as they take the audience on an intriguing and inviting musical journey that could suit any musical taste. Celebrity Series of Boston @home presents Dreamers Circus on demand through Thursday, April 15. Click here for more information and tickets.

Celebrity Series of Boston will present their annual Stave Sessions kicking off on Wednesday, April 21. Click here for a closer look at their season and ways to support Celebrity Series of Boston.

REVIEW: Featuring virtual world premiere in studio, Boston Ballet presents luminous and vibrant ‘Celebrating Jorma Elo’

Since last August’s inventive Carmen, Boston Ballet has not brought new work to BB@Your Home until now.

Celebrating Jorma Elo not only introduces highly-anticipated new dance back in studio including a Jorma Elo World premiere, but launches a luminous montage of Elo’s innovative and exciting work over a fifteen-year history as Boston Ballet’s Resident Choreographer.  Introduced by Artistic Director Mikko Nissenen and Jorma Elo, Boston Ballet took to the studio to record Jorma Elo’s Plan to B, excerpts from Bach Cello Suites, and the world premiere of Story of Memory before presenting a vibrant montage of Jorma Elo’s brilliant past work. 

The Boston Ballet’s BB@Your Home’s Celebrating Jorma Elo continues streaming through Sunday, March 7.  Click here for more information.

Resident Boston Ballet Chorographer Jorma Elo on right with Boston Ballet dancers Photo courtesy of Brooke Trisolini/Boston Ballet

In masks and filmed under one studio light designed by Jon Gonda, Heinrich Ignaz Franz von Biber’s fiddle-laden score lays the groundwork for this joyful and intense dance in Elo’s Plan to B filmed in February 2021.  Concise, surefooted, and sharp moves dominate this urgent and sweeping performance that feature Lia Cirio, Ji Young Chae, John Lam, Patric Palkens, Tyson Clark and an impressive solo by Tigran Mkrtchyan.

It is an upbeat, contemporary performance with pulsing movement as dancers slice the air and form seemingly impossible forms and shapes.  In purple coordinated leotard, Cirio and Palkens perform a duet with building intensity as Palkens carries and spins Cirio romantically before she hastens forward.

Lia Cirio and Patric Palkens Photo courtesy of Patric Palkens

A more intimate performance blooms with excerpts from Bach Cello Suites also taking place in studio February 2021 featuring music from Johann Sebastian Bach performed by cellist Ron Lowry.  Lia Cirio and Paolo Arrais dance romantically in shadow as an opaque backdrop softly burgeons into light.  This beautiful dance is further enhanced by the nature in which the two perform.  Arrais spins and handles her delicately in each movement before they embrace. 

Dialogue is rarely introduced into dance and it was fascinating to witness the world premiere of Elo’s Story of Memory and the sheer beauty of this piece’s compelling cinematography filmed in February 2021.  Dressed in alternately black and white, Viktorina Kapitanova and Tigran Mkrtchyan depict two people who struggle to understand one another.  It has moments of discovery, passion, fury, and mystery wrapped in Pyotr Ilyich Tchaikovsky, Johann Sebastian Bach, and Nancy Euverink’s captivating scores.  Kapitanova and Mkrtchayan depict two struggling, determined people in an increasingly intense dance longing for understanding before coming to a stunning realization.

Tigran Mkrtchyan in ‘Story of Memory’ Photo courtesy of Brooke Trisolini

Surely it was quite a challenge to choose the highlights of Jorma Elo’s 15-year tenure of rich and revolutionary dance into one luminous montage.  It was about as monumental as it was writing about it having experienced only excerpts of some pieces in its one and a half hour timeframe.

A photo montage prefaces these particular highlights from Sacre du Printemps featuring James Whiteside and Kathleen Breen Combes to the most recent production of Carmen with Lia Cirio and Victorina Kapitanova taken by renowned photographers Rosalie O’Connor, Gene Schiavone,  and Liza Voll.

Too many standout moments to count in this wide spectrum of work including various approaches to the same work at different times in the ballet’s history.  Each impressive interpretation brings a new dynamic to the performance.

An excerpt of Elo’s 2004 Plan to B kicks off this collection of works at the Wang Theatre featuring Sarah Lamb, Larissa Ponomarenko, Joel Pronty, Jared Redick, Raul Salamanca, and Sabi Varga drawing comparisons from its most recent interpretation.  Though both are impressive, but the newest version seems a bit more intense with sharper, more concise choreography.

Whitney Jensen, Bo Busby, and Jeffrey Cirio in Jorma Elo’s Plan to B, photo by Gene Schaivone; courtesy of Boston Ballet

Featuring solo pianist Bruce Livingston, excerpts from Jorma Elo’s C to C (Close to Chuck) Reborn filmed in February 2014 takes the audience into a dark, mysterious, and transcendent world.  C to C showcases the dancers’ athleticism and the human form as they move about in shadow to pulsing rhythms featuring Kathleen Breen Combes, Lia Cirio, Jeffery Cirio, Whitney Jenson, John Lam and Sabi Varga. 

Many of Jorma Elo’s chorography and works have a unique spirit, liveliness, and a seemingly freestyle nature.  In this Avant Garde piece, Kathleen Breen Combes, Lia Cirio, and Whitney Jenson’s swing like pendulums.  Certain moves seem to play with time as the dancers move swiftly in fast forward, rewind, repetition, slow motion, and then wild intonations to the music’s runaway urgency.  Similar unconventional moves are performed in Elo Experience.

Lia Cirio and Paulo Arrais in Jorma Elo’s ‘Bach Cello Suites’, photo by Rosalie O’Connor; courtesy of Boston Ballet

Elo Experience filmed in March 2011 opens with an audible laugh and dialogue.  It also has elements of avant garde work as a large group of dancers gather all in black.  Elo’s innovative choreography showcases freestyle, unconventional moves in an upbeat, lively setting featuring a compelling solo by Jeffrey Cirio.

Excerpts from Elo’s Brake the Eye from March 2012 is part of Elo Experience.  It is a playful and vibrant piece as dancers swing in angular movements while others remain still.  Dressed in purple and crème and performing to the divine works of Mozart, it is a bustling and upbeat performance featuring Larissa Ponomarenko, Jeffrey Cirio, Robert Krenz, John Lam, Sabi Varga, James Whiteside, Lia Cirio, Kathleen Breen Combes, Whitney Jensen, and Dalay Parrondo.

Humming is integrated into excerpts of Elo’s Sharp(er) Side of Dark filmed in February 2012, showcasing different dancers performing in what seems like heaven.  Accompanied by a string trio composed of violinist Michael Rosenbloom, Jean Haig on viola, and cellist Ronald Lowry, Lia Cirio and Sabi Varga, lights hover above them as they playfully glide and frolic in bodysuits to lively, urgent, and joyful music by Bach before seeing excerpts of the same dance performed by duos Kathleen Breen Combes and James Whiteside, Corina Gill and Paulo Arrai, and Whitney Jenson and Jeffrey Cirio. 

Lia Cirio and Paul Craig in Jorma Elo’s Fifth Symphony of Jean Sibelius, photo by Rosalie O’Connor; courtesy of Boston Ballet

The Boston Ballet revisits excerpts of a past performance of Bach Cello Suites from March 2018 featuring cellist Sergey Antonov and dancers Maria Baranova, Junxiong Zhao, Lia Cirio, Paolo Arrais, Kathleen Breen Combes, Derek Dunn, Misa Kuranga, John Lam, Addie Tapp, and Lasha Khaozashvili.  Dressed in black leotard, this lively performance shows a wide range of moods including pain, love, and passion.  A particular highlight showed the dancers briefly interacting with the onstage cellist, leaning in as the cellist plays.

Boston Ballet in Jorma Elo’s Creatures of Egmont, photo by Liza Voll; courtesy of Boston Ballet

The final two performances are on a larger scale exploring the sheer dynamic nature of Elo’s work from the traditional to the contemporary culminating into a jubilant finale.  The sheer athleticism in excerpts of Elo’s Creatures of Egmont as dancers form angular, symmetrical shapes under a twilight sky and then Fifth Symphony of Jean Sibelius filmed in November 2017 a joyous and uplifting grand scale finale that reflects Jorma Elo’s continuing luminous, inventive, and astonishing work with the Boston Ballet.

BB@Your Home continues with The Art of the Classical Ballet from March 25 through April 4 which includes excerpts from Swan Lake and Sleeping Beauty.  Click here for more information and a look at Boston Ballet’s full season.