REVIEW: Company Theatre walks the line between love and rage with Green Day’s catchy punk musical, ‘American Idiot’

Rage. Love. Town. City are the themes emblazoned within the songs and tale of the Tony award-winning punk rock musical, Green Day’s American Idiot, presented by the Company Theatre and continuing through Sunday, February 17 at the Company Theatre in Norwell, Massachusetts.  It is an in-your-face journey of a group of young, unambitious city dwellers who occupy a portion of an angry, rebellious America.  Green Day’s American Idiot is a concert drama that contains mature themes and surprising moments.  Click here for more information and tickets.

Green Day American Idiot set

The set of Green Day’s ‘American Idiot’ Photo courtesy of Jeanne Denizard

This high energy musical is based on Green Day’s lauded album, American Idiot, a band known for their raw, catchy, guitar-tinged riffs, and uncensored lyrics.  With hits such as Holiday, Know Your Enemy, Boulevard of Broken Dreams, Wake Me Up When September Ends, and Good Riddance (Time of Your Life), Green Day’s American Idiot contains the music and vocal chops that would please Green Day fans while also considered a message-driven punk rock opera.

Sharing a bit of the mentality of Rent and the 90s film, Reality Bites, the characters in American Idiot wander into a realm of rebellious indifference, confusion, and perhaps laziness looking for their purpose in life as Green Day sings, “in the land of make believe.”  Some are unconcerned and others genuinely lost.  Partially set in a beat up apartment equipped with a blank, but lit tube TV and shabby couch which perhaps reflects a thinking but lost generation, American Idiot shows they have a hell of a lot to learn.  

The energetic, daring choreography by Corinne Mason, which includes moshing and head banging, reflects the anarchic nature of punk music.  The choreography in Holiday, which includes a group of characters packed into a wire cart, is a visual highlight.

Cast of Green Day's 'American Idiot'

(Back row, L-R ) Audrey Clark of Northboro as Whatsername, Jose Merlo of Attleboro as Jose, William Oliver of Weymouth as Will, Sarah Kelly of Braintree as Heather, John Crampton of Dedham as John, Jessica DePalo of Westboro as Extraordinary Girl, Brendan Duquette of North Attleboro as Tunny (Front row) Theo Victoria of Brockton as Theo, Evan Cole of Natick as Johnny, Aliyah Harris of Mansfield as Aliyah Photo courtesy of Zoe Bradford

This cast of jaded youths include a haunting performance by Chris Boyajian as Joshua/St. Jimmy, a role that Green Day lead singer Billy Joe Armstrong took over for 50 performances during the show’s run on Broadway.  Evan Cole hits all the right notes as Johnny, who also plays his own guitar for Boulevard of Broken Dreams, one of the show’s few quieter tunes.  He shares a natural camaraderie with Brendan Duquette as naive Tunny and William Oliver as oblivious Will, a trio of friends heading in different directions.  Sarah Kelly stands out as Heather as she develops her resolve during a heartfelt Last Night on Earth.  Aliyah Harris as Aliyah also lends her serious pipes to Favorite Son and Too Much Too Soon.

The Company Theatre presents Green Day’s American Idiot through Sunday, February 17, with a special event for Valentine’s Day.  All performances take place at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts  Click here to support the Company Theatre and here for more on their 2019 season.

 

 

 

Mark Morris Dance Group’s costume designer Elizabeth Kurtzman talks vibrant inspiration behind Beatles show, ‘Pepperland’

According to Rolling Stone, The Beatles hit album Sgt Pepper’s Lonely Hearts Club Band ranked #1 of The 500 Greatest Albums of All Time in 2003.  Not only is this groundbreaking album visually compelling, but songs on the album such as Lucy in the Sky with Diamonds, With a Little Help from My Friends, Penny Lane, When I’m Sixty-Four, and the album’s popular title track are considered rock and roll classics.

What is it like to bring that album to life in vibrant color in its 50th anniversary year?  New York costume designer Elizabeth Kurtzman talks about what it was like to bring Mark Morris Group, Pepperland to the stage.  Celebrity Series of Boston presents Mark Morris Dance Group’s Pepperland, a tribute to Sgt Pepper’s Lonely Hearts Club Band, to the Boch Center Shubert Theatre in Boston February 8-10.  Click here for more information and for tickets.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

Sleepless Critic:  It must be exciting to portray the essence of this classic Beatles album, Sgt Pepper’s Lonely Hearts Club Band in its 50th anniversary year.  Please tell me what your initial thoughts were in taking on this project.

Elizabeth Kurtzman:  I read the email inviting me to work on a project that involved music by the Beatles. I thought I was dreaming and was really intrigued.  Mark Morris and the Beatles are two of my favorite things.  I could not imagine how it would all look and sound. I knew it would not be by-the-book –Beatles and it had to be turned around pretty quickly.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

The 60s brought rapidly changing style. There is a lot of information in the years the Beatles made all that music, so there were a lot of possibilities.

SC:  You have worked with the Mark Morris Dance Group numerous times.  How was this project a unique experience for you and what do you like most about working with them? I know it might have been a challenge to tie in a contemporary feel to such an iconic time period.

EK:  They look great in these clothes/costumes and wish the guys wore these suits all the time.  They are a dream and it isn’t easy to dance in layers made out of corduroy.

Some of Mark’s pieces require more research than others. I spent hours looking up fashion and color from 1960-69. Mark was not interested in dressing the dancers in satin and feathers a la the album cover. It was more about trying to send the message of the early sixties. Simple shapes, but those shapes looked new, fresh, and young. Colored tights were so futuristic and men’s suits got smaller and cuter. I was a kid mid-sixties, but was completely mesmerized by those clothes.

Color was just as important as shape. Colors were new, synthetic fabrics made bolder, brighter fabrics available. The color palette was loosely based on a photo of a mural painted on a corner on Carnaby Street in London.

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‘Pepperland’ performance in Seattle Images by Mat Hayward/Celebrity Series of Boston

SC:  Songs like With A Little Help From My Friends, When I’m Sixty-Four, and the title track are just a few of the songs portrayed visually onstage.  What was that process like and can you offer a hint of the vibe audiences can expect when they see the show?

EK:  I think the show is about the energy of the time which offers a lot of happiness with a little melancholy thrown in.

SC:  From what I have seen of your work, you seem to add a vibrant personality to the performers that take the stage.  The colors and designs really pop.

The dancers are so game and energetic, the color and design only enhance their skill.  I love working with fabric and color and am fortunate to be able to attend rehearsals, which is where I get to see the personality of the dance and how the dancers move.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

 SC:  What has been the most challenging work you have done in New York or otherwise?

EK:  I can’t say there is one thing I’ve worked on that stands out as most challenging. There are always a few little challenges, but always a way to overcome them. It is more challenging working with small theatre companies that have tiny budgets and lots of costume changes or working with opera singers who hate the way they look in any and everything.  The biggest challenge is sewing it myself.

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‘Pepperland’ performance in Liverpool Images by Robbie Jack/Celebrity Series of Boston

SC:  You also provide art and music for programs for children in New York City.  Please tell me more about that and how you got involved.

Several years ago, I was involved with the Children’s Museum of the Arts downtown. I was determined to get kids to design and repurpose their clothes. Most of the adults I know do not know how to sew on a button.

I helped put together a program for children on the autism spectrum and their families that provided a place for making great art and music.  I also spent many hours designing and making costumes for the theatre department at my daughter’s high school who graduated in 2017.

Celebrity Series of Boston presents Mark Morris Group, Pepperland, at the Boch Center Shubert Theatre in Boston from February 8-10.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

REVIEW: Lively and insightful, Lyric Stage Company’s award-winning play, ‘The Wolves’ howls

Woven into the lush, green indoor turf is a unique narrative with the clever earmarks of adolescence in Sara DeLappe’s Pulitzer Prize-winning play finalist, The Wolves.  Framed as a soccer match, this unconventional ensemble drama kicks off like a rocket, luring the audience into the tumultuous chattering of a competitive, all-girls soccer team who are about to learn a few valuable lessons about life and themselves in and out of the game.

Directed by A. Nora Long, Lyric Stage Company’s The Wolves continues through Sunday, February 3 at 140 Clarendon Street in Boston.  The show is 90 minutes with no intermission and contains some mature themes.    Click here for more information and tickets.

The Wolves play

Photo courtesy of The Lyric Stage Company of Boston

Taking place entirely in an indoor soccer arena, Shelley Barish and Elizabeth Cahill’s exciting setting fits into the team’s boundless energy.  Sports fans take note:  Trained by soccer consultant Olivia Levine, The Wolves are the real deal, showing off authentic as well as physically complex moves throughout the performance.

What makes this show particularly interesting is the remarkable way the story is told.  With a 90 minute running time matching the length of an average soccer match, a horn blaring not only kicks off the latest match within the performance, but sometimes humorously ties in to interrupt a heated conversation.  As the audience as spectators peek into this team’s lives, the progressive nature in which they learn discipline, tolerance, and how to listen to each other is subtle, yet one of the most powerful parts of this compelling narrative.

The Wolves with orange slices

Cast consists of Lydia Barnett-Mulligan, Sarah Elizabeth Bedard, Simone Black, Olivia Z. Cote, Chelsea Evered, Grace Experience, Julia Lennon, Valerie Terranova, and Jurielle Whitney Photo courtesy of Lyric Stage Company

These teammates have a natural and at times, rumbling chemistry in their uninhibited conversations.  Whether they are delving into gossip around school, technology, getting their driver’s permits or scandalized by their maturing bodies, their viewpoints stay consistent with their level of maturity (right down to the abuse of the word, “like”) which can sometimes be insightful and other times, hilarious.

Though each cast member exhibits their own distinct personality in their matching uniforms, Valerie Terranova, who is making her debut on the Lyric Stage with this show, is a particular highlight as serious, optimistic player #25.  The wise, unassuming way she leads the team shows that while the other girls may only see what is right in front of them, #25 sees where the game might take them, united, one victory at a time.

 

The Wolves may even serve as a nostalgic trip down memory lane, when you were a teenager and everything was the best thing in the world or the worst, the raging excitement of life.  It may even leave you scratching your head, trying to recall if being a teenager girl was really like this.  The undeniable answer, for the most part, was yes.

The Lyric Stage Company continues Sara DeLappe’s The Wolves through Sunday, February 3 at 140 Clarendon Street in Boston, Massachusetts.  Click here for tickets and more information.  Subscriptions and dinner packages are also available.  Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.

Sleepless Beyond the Stage: Building a dream with Richard Bento, President of South Shore Theatre Works

Building a dream always has its share of surprises and challenges. However, with determination, hard work, and more than a touch of luck, those sought after dreams can become a reality.  Sleepless Beyond the Stage explores the reality of making that dream come true, whether by building an organization, finally bringing that dream production to life, or starting a group that makes a difference.

Richard Bento, Executive Director and President of South Shore Theatre Works (SSTW) checked in with Sleepless Critic a few years ago as the theater was just getting on its feet.  Boasting a successful run of Seussical in December, SSTW’s upcoming productions include Blithe Spirit, Ordinary Days, and Chicago.  Richard Bento talks about how this Massachusetts theater has grown in a short time.  Click here for more information, auditions, and for tickets.

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Past performances of ‘Seussical the Musical’ December 2018

Sleepless Critic: Please tell me about your background and what inspired you to start South Shore Theatre Works?

Richard Bento:  I’ve participated in community and semi-professional theater throughout Massachusetts, Rhode Island, Georgia, and San Francisco.  One of my goals was to have a group of my own who share the same mission and passion I had for the arts.

A few years ago, I decided to participate in theater here and assist another community theater group.  I fell in love with the people.  We shared the same passion.  When we were at a crossroads needing to decide whether we were going to bring this other group to another level or start our own with other people who shared that same drive, I decided to put together South Shore Theatre Works.

SSTW Blithe Spirit

South Shore Theatre Works presents ‘Blithe Spirit’ February 15-17 in Randolph, MA Photo courtesy of South Shore Theatre Works

JD:  What would you say to those who are considering starting a community theater?

Film review: Vice packs great performances, but a less than fascinating story line

Though The Sleepless Critic does not usually tackle films, since awards season is here and Sleepless Critic is associated with the Screen Actors Guild Awards, a review will pop up here and there about a nominee.

The hype about the political satire film, Vice has been mounting.  With Christian Bale’s recent Golden Globe win for his portrayal as Vice President Dick Cheney, it seems that this film has its sights set on the Academy Awards.  Christian Bale and Amy Adams have been nominated for Screen Actors Guild Awards for Outstanding Male Actor in a Motion Picture and Outstanding Female Actor in a Motion Picture, respectively. The performances are definitely worth seeing and this biting satire has a lot to say, if it only the actual story line was that good.

Vice has its clever moments, but those moments were much more interesting in Adam McKay’s far superior film, The Big Short.  Narrated by a mystery man who plays a significant role in Dick Cheney’s life, this satirical tale is slow and a bit muddled from the start as it describes Cheney’s path into politics.

The second half picks up quite a bit as Cheney rises to power, but not enough to make up for the first half.  Accentuated by a crooked sneer, Bale is almost unrecognizable as the former Vice President, his performance quiet and calculating.  As the film warns, “Beware the quiet man.”  However, I was waiting to see how brazen he truly was and with the exception of a brilliant monologue toward the end, I was left waiting for the payoff.  His motivation is never really clear other than desire for power.

Underneath that plastered smile, Amy Adams is ruthless, power hungry Lynn Cheney.  Although it becomes clear why Lynn Cheney is with Dick Chaney, it is unclear why Dick seemingly will give anything to impress Lynn.  Steve Carell offers a steely and momentarily sympathetic portrayal of Donald RumsfeldSam Rockwell delivers an amusing performance as ill-prepared for the presidency, George W. Bush, but sadly, is not in the film nearly as much as he should be.

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Screen Actors Guild Awards will be broadcast on Sunday, January 27! Photo credit to SAG

The 25th annual Screen Actors Guild Awards, hosted by Megan Mullally, will be broadcast on Sunday, January 27.  Click here for more information.

Vice is still in theatres now.

 

REVIEW: Featuring John Williams’s multi-faceted score, ‘Home Alone in Concert’ made a bustling, merry return to Symphony Hall

Kicking off with the familiar drumbeat of the 20th Century Fox fanfare performed live before the film’s opening credits, The Boston Pops presented Home Alone in Concert with style and a few surprises as this popular 1990 Christmas comedy film returned to Symphony Hall from December 29 and 30. Much like the Boston Pops’ ‘in concert’ predecessors featuring classic films such as West Side Story, Raiders of the Lost Ark, Nosferatu, Singin’ in the Rain, and Psycho, the Boston Pops enhances the unique tone of each film from score to sound effects, making it an unforgettable cinematic experience.  Led by Keith Lockhart, it doesn’t get much better than watching a feature film on the big screen alongside the Boston Pops’ clever orchestration.  Click here for more information on the Boston Pops.

It was a particular treat to be greeted by the Wellesley High School Keynote Singers and Rice Street Singers who performed a few lighthearted a capella holiday hits as the audience filed into the Symphony Hall lobby before the film started.  The anticipation of Home Alone in Concert was palpable, heightened by an uproarious applause as the film started and enthusiasm that continued throughout the performance.

A heartwarming film full of high jinks and relatable family humor, Home Alone features the McAllister family as they prepare to embark on a Christmas trip to Paris and through a series of unforeseeable circumstances, leave their youngest child, Kevin, portrayed by Macaulay Culkin, home alone.  Directed by Christopher Columbus, Home Alone features a hilarious cast that includes the late, great John Candy, Joe Pesci, Daniel Stern, Catherine O’Hara, and John Heard.

From heartwarming to hectic to haunting, Academy award-winning composer John Williams offers a bit of everything in Home Alone’s multi-faceted score.  Songs from the film’s soundtrack such as Run Run Rudolph by Chuck Berry and I’m Dreaming of a White Christmas by the Drifters are left to the original artists, but John Williams’s compelling score featuring the Academy Award-nominated song, Somewhere in My Memory were performed by the orchestra.

Home Alone writer John Hughes was gifted with the ability to capture the voice of a young generation and he does a remarkable job depicting the perspective of mischievous and utterly adorable Kevin McAllister as he attempts to fend for himself.  Though some of the movie is a bit far-fetched, it remains as enjoyable as it was close to 30 years ago before cell phones were a daily part of life.

Home Alone in Concert

Holiday Pops presents ‘Home Alone in Concert’ Photo courtesy of Jeanne Denizard

Not only is Home Alone on the verge of celebrating its 30th anniversary since its release, but Macauley Culkin is all grown up and has reemerged recently in a reenactment of pivotal scenes from the original film to demonstrate the magic of Google Assistant.  With the same twinkle in his eye, Culkin adds a new dimension to those film scenes while keeping the spirit of the original film intact.

Home Alone in Concert was produced by Film Concerts Live!  In August, Keith Lockhart will conduct the Boston Pops to perform Star Wars:  A New Hope in Concert at Tanglewood.  Click here for more information on the Boston Pops and upcoming Boston Symphony Orchestra events.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.

FILM REVIEW: A nail-biting, clever, and mostly unpredictable ‘A Quiet Place’

Talk about bone-chilling.

Though The Sleepless Critic does not usually tackle films, since awards season is here and Sleepless Critic is associated with the Screen Actors Guild Awards, a review will pop up here and there about a nominee.   Emily Blunt has been nominated for Screen Actor’s Guild Award for Outstanding Performance by a Female Actress in a Supporting Role for the post-apocalyptic horror film, A Quiet Place.

The Abbots are embarking on a quiet journey.  Not by choice, but in fear for their lives.  Every moment of this nail biting PG-13 horror flick will keep you at the edge of your seat.  John Krasinski makes his directorial debut in A Quiet Place starring alongside his beautiful, IRL Emily Blunt, who has had a strong presence this awards season and was pregnant IRL during its filming.  See the trailer here.

It may seem like too simple a premise that just might put you to sleep.  Not a word is spoken for the majority of the film, but Krasinski makes some clever and bold choices to build the film’s tension to hair raising suspense.  It’s a mostly unpredictable movie about the Abbot family trying to survive in a post-apocalyptic world.  Everyday tasks are harrowing under the threat of being attacked at the hint of any noise.

John Krasinki brings this world to life and is likable as a courageous father and husband.  Emily Blunt is quite the warrior (especially in a perilous scene not to be revealed here), but it is Millicent Simmonds as Regan who is the real standout in this film, a young actress deaf in real life.

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Screen Actors Guild Awards will be broadcast on Sunday, January 27.  Photo credit to SAG

The 25th annual Screen Actors Guild Awards, hosted by Megan Mullally, will be broadcast on Sunday, January 27.  Click here for more information.

A Quiet Place is available for streaming on ITunes, OnDemand, on Blu-Ray, DVD, and where I found it – at my local library.