Centastage’s Joe Antoun directs Shakespeare with a comedic, twist-filled spin in new play, ‘Noir Hamlet’

Picture a dark night in 1949 Los Angeles, a mysterious death, a new take on a classic, twist-filled tale, and a play within a…comedy?  That’s what happens when playwright John Minigan melds key elements of Shakespeare’s classic tale while throwing in a doll, a dame, and a detective in Centastage’s Noir Hamlet continuing through Saturday, June 30 at Boston Center for the Arts in Boston, Massachusetts.  Even for those familiar with Hamlet, this tale is full of surprises.  Click here for more information and tickets.

Noir Hamlet Paul Melendy

Paul Melendy as Hamlet in Noir Hamlet

Centastage’s Executive Director, founding member, and Noir Hamlet’s director Joseph Antoun discusses classic noir, Write On, and just where the idea for Noir Hamlet came from.  Joe won an IRNE for Excellence in Theatre.

Sleepless Critic:  Noir Hamlet is a fascinating, inventive play.  Since Shakespeare’s Hamlet has dark and mysterious elements, it’s easy to see the connection to noir.  However, this is a full-length comedy in one act.  How did this show come together?

Joseph Antoun:  John Minigan, part of our Write On playwriting group that meets once a month, wrote Noir Hamlet.  It was read in our playwriting group episodically, which means a couple of scenes brought it every now and then.  Through that process, John was able to shape this show.  Several playwrights bring in their work.

Noir Hamlet has key elements of the famous Shakespeare play such as finding out the mystery behind Hamlet’s father’s death.  Four actors are playing multiple roles.  The secretary’s name is Ray Chio, like ‘Horatio’ in John’s language and the same actor who plays Rey also plays Yorick’s skull.  Hamlet and Gertrude strictly play their roles, but Claude, as in Claudius, also portrays the Ghost of Hamlet and a character named Paolo Niro.  In that case, they are switching characters, but Rae is a love interest for Hamlet.  There’s also questions raised if Claude is also carrying on with Rae.  The show has lots of red herrings.

Noir Hamlet Robert D Murphy and Liz Adams

Robert D Murphy and Liz Adams in Noir Hamlet through June 30. Photo courtesy of Centastage

SC:  It’s vintage noir style.  That must have been fun to put on stage.

JA:  It was a riot!  The comedy has not only the noir look with long trench coats and fedoras, but the stereotypical language such as ‘mug,’ ‘doll,’ and ‘dame.’   It’s a fast moving script with lots of twists.

SC:  It’s a comedy, so I imagine the way this show is put together, even if the audience has read Hamlet, they still won’t know what is coming.

JA:  If the audience knows Hamlet, they’ll get a kick out what is acknowledged and paid homage to.  If they think by knowing Hamlet they’ll figure out the story, they’ll be surprised.

Noir Hamlet Cristhian Mancinas-Garcia

Noir Hamlet’s Cristhian Mancinas-Garcia Photo courtesy of Centastage

SC:  A few local performers are taking the stage such as Liz Adams from Medford.  How was the audition process held?

JA:  It was a very personal type of casting.  I knew I wanted Paul Melendy for Hamlet because I had directed hi m before.  I knew Bob Murphy has the right comic timing.  He understands the show and Hamlet very well, so I knew he could enhance it.  Last year in Newburyport, Cristhian Mancinas-Garcia, who plays Rey, took part in a Noir Hamlet reading and John was pleased with it.  I admired Liz Adams’s work.  She played Julius Caesar in the all-female actor Shakespeare project version of Julius Caesar.  A lot of the audition process was just one-on-one interviews more than monologues or sonnets.

Coincidentally, we’re in the Black Box Theatre for Noir Hamlet, but across the hall in the Plaza Theatre, OWI is performing Red Velvet, calling it an Othello like you’ve never seen before.

Noir Hamlet Paul Melendy as Hamlet

Paul Melendy as Hamlet in Noir Hamlet Photo courtesy of Centastage

SC:  What was most surprising about this production together?

JA:  One is the lightning pace of the show.  The faster the pacing, the funnier and better the show will be.  What is also surprising is the physical humor in it.  How funny simple actions such as turning the head or stepping out of the scene in film noir style have been.

SC:  His Girl Friday, an old film starring Cary Grant and Rosalind Russell, is not exactly a film noir, but the pacing is also incredibly quick.  One can detect four jokes in one line.  It’s a brilliant film.

JA:  Yes, Noir Hamlet has the same style and it pays homage to that film.  I watched a whole lot of film noir to catch up on the noir language such as Laura, The Big Sleep, and film noir-style films like Who Framed Roger Rabbit and Naked GunNoir Hamlet is its own thing though it has its influences.

SC:  Centastage is in its 28th season.  How has it evolved over the years?

Centastage started with seasons of new plays by local writers and I realized I didn’t think we were serving audiences or playwrights by a season every year of the best plays we received if I didn’t feel like they were ready for production.  Over time, we started putting more energy into the development process of new plays.  Now we do a new play when we think we have a script ready for it.

In 2015, our last full production was IRNE-nominated Academy Fight Song by Andrew Clarke.  It took five years to develop between Andrew Clarke, the playwright, doing readings, rewriting it, and us rereading it.   Centastage is a great community to be a part of and it’s nice to deal with playwrights, actors, directors, and designers.

Centastage New work

Courtesy of Centastage

SC:  Please tell me about Write On, which is how Noir Hamlet came together in the first place.

JA:  Write On has been meeting since 1994 on the first Monday of every month.  We have actors come who like to write plays.  The members bring in work and we read and discuss them.  John Minigan has a dramatic piece that is a Eugene O’ Neill finalist this year.  When he brought Noir Hamlet in the first time, the people laughed their way through acting it.  The theatre group has been great.  We have been through years of big numbers but right now.   My guess is that we are at 12-15 regular playwrights.   It’s a very thoughtful process.  All genres, all forms and open to whoever wants to join.  We also put together readings open to the public, social events, and on the website are playwright and actor head shots as well as show titles that have gone on to Centastage full productions.

SC:  I imagine you hear a lot of shows that come across the board.  How do you decide which on you want to work with?

JA:  That’s a really good question.  A lot of it is my gut.  I enjoy plays with a strong sense of character, good storytelling, and surprising themes.   I have actors that come into the writing group and I also teach at Emerson which exposes me to not only young actors, but professional actors who are on faculty and we have open auditions.

I believe in building bridges between playwrights and artists.  Playwrights that have you read their play in a reading start to build a bridge between you and that work.  I think it’s a good way to connect with new plays coming up.

Noir Hamlet poster

Noir Hamlet continues through June 30 Photo courtesy of Centastage

It sounds like Centastage plays a big part in the whole picture.  Click here for more information and tickets to Noir Hamlet, continuing through Saturday, June 30 at Boston Center for the Arts, 539 Tremont Street in Boston, Massachusetts.  Click here for more information on Centastage and here for Write On.  Follow Centastage on Facebook and Twitter.

‘Boston Radio for Zumix’ benefit boasted Boston DJ’s dancing, live performances, and a peek inside the radio studio

Zumix Radio DJs

Photo courtesy of Zumix

Just across the East Boston fire station sits a youth haven for music and much more.  Zumix, East Boston’s non-profit organization geared toward empowering youth through music, has to offer.  On Friday, June 8, music lovers united to celebrate Zumix’s 11th annual benefit, ‘Boston Radio for Zumix’ featured a long list of Boston DJ’s past and present, live performances, silent auction, food, refreshments, and much more.  Hosted by Morning Guy Tai and Adam Klein, this sensational benefit will be held at Zumix, 260 Sumner Street in East Boston.  Click here to learn more about opportunities at Zumix.

Zumix Tune in

Courtesy of Zumix

As a hanging portrait of a boom box perches overhead, announcers and Zumix staff took the stage as they broadcast live on their local youth inspired radio 94.9 FM Zumix.  The evening had many humorous and heartfelt moments as members performed excerpts from their comedic shows, music, and an excerpt from their local Wednesday noon news program, ‘What’s Up Eastie’ featuring a person recounting their experience of the devastation in Mexico City in 2017 from a massive earthquake.  Zumix features all kind of music, comedy, and real life stories translated into radio. Zumix also offers a Sprouts program for the younger generation.   Zumix students, some who have performed with Sting, have gone on to do great things, keeping music in their lives.

 

Marcus Evans, a member of Zumix, offered tours of the facility which boasted soundproof rooms, impressive digital equipment, music instruments, a radio station tour by DJ Psychedelic, and a particular highlight, a unique purple room named after Prince.  Plenty of food and refreshments were served including Bart’s ice cream (Try flavors Three Geeks and a Red Head or the ever popular Deep Purple Cow).  Zumix’s silent auction items included Sporty Spice featuring Red Sox tickets and a tour of the broadcast booth, Pirates of the Boston Harbor featuring Rum Tasting for 25 people as well as a cruise on the Spirit of Boston, VIP Experience which offers a VIP experience to a Blue Hills Bank Pavilion show, Eastie’s Finest featuring a sunset sail and dinner, Soup Guy featuring tickets to the Joel McHale Show at the Chavelier Theatre in Medford, 90’s Utopia featuring tickets to the Cowboy Junkies, DJ for a Day, The Tables Have Turned offering a Turntable, Daft Punk, and Vinyl Box set, and Mid Life Crisis featuring an autographed DVD from Alice Cooper, a variety of music lessons, and more.  DJ Nomadix included the night with music and dancing before announcing the silent auction’s big winners.

 

Having started as a songwriting program, Zumix students enjoy in-school and after school events throughout the year. Songwriting, radio, audio technology, and performance are among the renowned programs offered by Zumix for youth ages seven through eighteen and over 1,000 students attend classes. Click here for more information on their upcoming concerts, events, and festivals! Follow Zumix on Facebook and Twitter.

Renowned Broadway producer Ken Davenport talks Tony Awards, Hollywood, and ‘Gettin’ the Band Back Together’

Ambitious Tony award-winning Broadway and off-Broadway theatre producer and writer Ken Davenport has had a passion for theatre his entire life.  He has produced renowned musicals from Godspell to Kinky Boots to this year’s Tony-nominated Once on This Island and helms the North American activity for Andrew Lloyd Webber’s Really Useful Group.  Dedicated to bridge the gap between the stage and its audience, he is also behind an interactive theatre app, Didhelikeit as well as the hit board game, Be a Broadway Star.

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Ken Davenport Photo courtesy of Ken Davenport

Ken talked to Sleepless Critic about when he first discovered the theatre, Hollywood and the Tony Awards, and his upcoming musical comedy, Gettin’ the Band Back Together.  Click here for more on Ken Davenport and see who the the big winners are on the 72nd annual Tony Awards on Sunday June 10.

The 72nd Annual Tony Awards hosts

Hosts Josh Groban and Sara Bareilles Photo credit: Cliff_Lipson-CBS

Sleepless Critic:  What awakened your interest in theatre and how did the opportunity to become a Broadway producer come about?

Ken Davenport:  My mom told me I first kicked when she was watching a production of Godspell, so I think I’ve always wanted to be part of the theatre.  I produced the first revival of Godspell on Broadway in 2011.

Being a producer is like starting your own business.  Opportunities don’t come about.  You have to make them happen.

SC:  What do you like most about producing and what production did you find to be the most challenging?

KD:  I love watching the audience’s expressions on their faces at the end of the show whether they are laughing, crying, or cheering.  We’ve affected them and that’s a joy to watch.

The most challenging part of producing is getting everyone on the same page.  It’s like getting ten people to paint the Mona Lisa.

SC:  Is there a show you turned down that you ended up wishing you were a part of?

KD:  Nah, I have no regrets.  I’ve passed on shows that have gone on to be hits, but they weren’t me.  They still wouldn’t be me, even if I had a few more bucks in my pocket.  I’d much rather stay true to what I want to do.

SC:  The musical, Mean Girls is one of the big Tony nominees this year and it is one of many Hollywood to Broadway musical crossovers.  From Pretty Woman to Heathers, do you think that this method has been an effective way to draw a wider audience to Broadway?  From what I’ve seen of Mean Girls and having recently seen Waitress, it seems to be working well.

KD:  Movies have become a common source for adaptations in the last ten years, but it doesn’t guarantee success.  I think the adaptations that work best are the ones that don’t have super popular source material.  It’s like when a movie is made from a book.  Most people think the book is better.  That happens a lot when popular movies are made into musicals.  It’s a very high hurdle to jump over.

SC:  What has been your favorite Hollywood to Broadway crossover musical so far?

KD:  Kinky Boots because I am one of the producers.

SC:  From classic musicals like Rogers and Hammerstein’s Carousel to Spongebob Squarepants, what nominations most surprised you and which did you think should have been nominated?

KD:  I think my choreographer from Once on this Island, Camille A. Brown should have been nominated as well as Alex Newell.

SC:  Which do you predict will be the standout production to win?  I’m sure you were thrilled when Once on This Island was nominated, a show you have produced.

KD:  I think the awards this year will be spread out amongst several shows rather than one big winner taking home multiple awards.

SC:  You work to make Broadway a more interactive experience.  Please tell me about the apps you promote.

KD:  We have an app for our website, Didhelikeit.com that gives you a snapshot of show reviews and focuses on the New York Times.

Gettin the Band Back Together

‘Gettin’ the Band Back Together’ premieres on July 19.

SC:  Just a few of the productions you have worked on is Groundhog DaySpring Awakening, and The Play That Goes Wrong.  The musical comedy, Getting the Band Back Together is coming up.

KD:  I’m super excited about Gettin’ the Band Back Together, which starts performances on July 19.  It’s such a fun show to be a part of and totally original.  It has an original story, music, etc.  It’s going to be a blast so come see it!

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Click here for more information on Ken Davenport and here for more on Ken’s current project, Gettin’ the Band Back Together.  Hosted by Josh Groban and Sara Bareilles, find out who wins on CBS for the 72nd annual Tony Awards on Sunday June 10 at 8 p.m.  Follow The Tony Awards on Facebook.

REVIEW: Boston Ballet’s ‘The Sleeping Beauty’ is a regal, dazzling achievement

An unexpected hero, an insulted fairy, true love, and a terrible curse make up the enchanting and haunting fairy tale classic as Boston Ballet proudly presents The Sleeping Beauty.  Unfolding with elegant and athletic choreography by Marius Pepita and Sir Frederick Ashton, The Sleeping Beauty has returned to Boston for a limited run by popular demand through Saturday, May 19 at the Boston Opera House in Boston, Massachusetts.  Click here for more information and for tickets.  Click here for a closer look at more of Boston Ballet’s upcoming performances.

A full house including a wealth of excited children gathered inside the Boston Opera House as Ming Luke conducted Tchaikovsky’s famous and dramatic music score, transporting the enthusiastic crowd into a world of royalty, betrayal, innocence, a few familiar fairy tale faces, and a dose of magic.  Disney’s popular animated adaptation possesses a few similarities to this captivating tale, but Boston Ballet delivers more to the story.  At the center of The Sleeping Beauty was raven-haired Lia Cirio as regal and elegant Princess Aurora, a triumph of athletic grace, her limber body mastering a few of ballet’s most difficult dance moves with impeccable balance, an arabesque garnering particular applause.

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Lia Cirio and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Based on Russia’s Imperial Ballet’s 1890 production, The Sleeping Beauty is a visual treat, boasting finely-detailed costumes and a multi-dimensional set design by David Walker.  From ornate, lush and colorful backdrops in gold, red, and green to the enchanting Renaissance era costumes, each scene is a portrait to behold.  Wearing wreathed tiaras and dressed in sparkling pink, green, yellow, and blue, the gracious fairies made up of Dawn Atkins, So Jung Lee, Maria Baranova, Maria Alvarez, and Emily Entingh floated, frolicked, and twirled, each displaying their own unique personalities.  The energetic yellow fairy was a particular highlight, performing a sweet, joyful, and humorous dance.

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Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

With a cruel, mocking laugh and appearing in a dark, glimmering carriage was Dalay Parrondo as treacherous Carabosse.  Accompanied by a group of monstrous henchmen performed by Tyson Clark, Derek Drillon, August Generalli, and Christian Pforr, Dalay delivered an electrifying performance as an insulted fairy in a haunting display of sharp, rigid movements.

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Kathleen Breen Combes and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Tchaikovsky’s uplifting score hit a crescendo as Rachel Buriassi appeared as the Lilac Fairy.  In this adaptation, she acted as a guide, her quick thinking and courage setting her apart.  Her skillful performance was most evident among her lively, energetic lilac fairy attendants in a glorious display of fouettes, plies, and pirouettes.  She was also impressive in a compelling scene with Lasha Khozashvilli as Prince Desire.  Lia Cirio as Aurora and Lasha Khozashvili as Prince Desire had instant chemistry and perfectly complemented each other in a dream-like dance, swept up in love.

The Sleeping Beauty delivers many magnificent performances within this large cast, many taking on multiple roles.  From a fascinating, thrilling duet from Maria Alvarez as Little Red Riding Hood and Alexander Maryianowski as the Wolf to a humorous, feline flirtation from Emily Entingh as The White Cat and Irlan Silva as Puss ‘N Boots, many beloved fairy tale characters took the stage in a joyous celebration.

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With two intermissions, The Boston Ballet also offers an opportunity to learn more about ballet through The Warm Up, an interactive, photo friendly display located in the lower lobby.   Boston Ballet presents The Sleeping Beauty through Saturday, May 19 at the Boston Opera House.  Click here for more information and follow the Boston Ballet on Twitter and Facebook.

REVIEW: Lexus Broadway in Boston’s ‘On Your Feet’ a riveting, musical sensation

Leave it to music trailblazers Gloria and Emilio Estefan to make even folding laundry an exhilarating event.  A glimmering purple curtain provided just a hint of the radiance behind it as Lexus Broadway in Boston presented On Your Feet through Sunday, April 29 at the Boston Opera House at 529 Washington Street in Boston, Massachusetts.  Direct from Broadway and featuring five of the original members of Gloria Estefan’s band, Miami Sound Machine, On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.

BIB On Your Feet Gloria Estefan and National Tour

Christie Prades as Gloria Estefan and the company of the national tour of ‘On Your Feet’.

From its first few powerful notes and flowing, multicolored club lights, On Your Feet is a party from the start.  After real life superstar couple, Gloria and Emilio Estefan playfully introduce the show, Cuban dancers emerge pounding drums as a full, onstage band, Miami Sound Machine, flood the stage and greet the audience.  Award-winning Sergio Trujillo’s thrilling choreography frames every aspect of this international, true story with flair and gusto.  It has an equal share of wild, quick, and intense music with complex, fancy foot work as well as poignant, inspiring moments within a few of Gloria Estefan’s famous ballads.   Gloria and Emilio Estefan are behind the Latin rhythms, touching original compositions, and the orchestrations of some of Gloria Estefan’s biggest hits.  This captivating production not only showcases Latin culture and a peek into its history, but Gloria and Emilio’s tenacious struggle to fit it into American music scene.

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The company of the national tour of ‘On Your Feet’.

Costume designer Emilio Sosa skillfully replicated Gloria’s sparkling, iconic outfits featured in her memorable concert appearances, the Estefan’s worldwide travel, brought together the colorful styles of the 60s, 80s, and 90s from casual, colorful floral summer wear of Cuba and Miami to elegant, nightclub attire.  David Rockwell’s often romantic scenic design and dim lighting depict Miami’s palm tree silhouettes as well as the particular vibe in their worldwide travels.

BIB On Your Feet Gloria Adriel and Company

Christie Prades as Gloria Estefan, Adriel Flete and the company of the national tour of ‘On Your Feet’.

On Your Feet not only explores Gloria and Emilio’s budding romance and their mutual dreams, but their aspirations to pursue music as Latin performers.  What is most fascinating about the show is Mauricio Martinez as Emilio and Christine Prades as Gloria’s sheer dogged determination to thrive.  Martinez offers a charming, yet serious performance as Emilio, business minded and determined with smooth and angelic vocals.  He delivers a touching rendition of Gloria Estefan’s hit, Don’t Want to Lose You Now and original song written by Gloria Estefan’s daughter, If I Never Got To Tell You, a duet with Nancy Ticotin as Gloria Estefan’s mother, Gloria Fajardo.  Martinez is intense, charismatic, and always planning one step ahead.

BIB On Your Feet Gloria Emilio and Company

Christie Prades as Gloria Estefan, Mauricio Martinez as Emilio Estefan, and the company of the national tour of ‘On Your Feet.’

It is easy to see why Christine Prades as Gloria has such natural, crackling chemistry with Martinez.  Prades as Gloria complements Emilio’s drive through her vibrant, shy, and creative personality.  Curly haired and slim with inflections of Gloria Estefan’s distinctive voice, it is hard to imagine another person portraying the award-winning singer-songwriter.  She engages the audience with her glowing, infectious smile while skillfully handling the quick pacing and complex choreography of this production, often breaking out into song and dance on a dime.   From a ‘can’t-help-but-sing’ child doing chores in Cuba, portrayed sweetly by Ana-Sofia Rodriguez, to a timid woman taking the stage, Gloria’s charismatic stage presence in undeniable. Together, Gloria and Emilio are a force to be reckoned with in their uphill battle to become a music sensation.  The tender song, Here We Are is a particular highlight, showing off their sweet chemistry.

BIB On Your Feet Gloria and national tour

Nancy Ticotin as Gloria Fajardo and the company of the national tour of On Your Feet.

Nancy Ticotin delivers a powerful performance as Gloria Fajardo, Gloria’s mother.  Ticotin portrayed strong willed Fajardo with a passion and a powerful voice, especially portrayed with the flirtatious number Mi Tierra, sung in a Havana nightclub.  Ticotin is stubborn and hard on Gloria, but with a giving spirit toward Jason Martinez as Gloria’s loving war veteran father, Jose.

BIB On Your Feet Gloria Kevin and Emilio

Christie Prades as Gloria Estefan, Kevin Tellez, Mauricio Martinez as Emilio Estefan and the company of the national tour of ‘On Your Feet’.

On Your Feet not only quite literally encourages the audience to dance with some of Gloria’s most riveting songs such as 1-2-3, Rhythm is Gonna Get You, Conga and Dr. Beat, but also depicts the journey and sorrows of following a dream.  It has its share of humorous moments in Debra Cardona as Gloria’s charming grandmother, Consuelo, in her unwavering support of her granddaughter and delivering a few sharp one liners.  Carlos Carreras as Jeremy wows as an enthusiastic Gloria Estefan fan that can’t help but dance.  In such an uplifting, spectacular musical celebration, it is easy to understand why.

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The company of the national tour of ‘On Your Feet.’

On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.  Click here for more of Lexus Broadway in Boston’s upcoming performances and follow them on Facebook.

Kristen H. Tremblay talks role in Hingham Civic Music Theatre’s ‘Cabaret’ to kick off 70th anniversary season

Hingham Civic Music Theatre (HCMT) is thrilled to kick off their 70th anniversary.  Over the past 7 decades, The Wizard of Oz, Rogers and Hammerstein’s Oklahoma, Young Frankenstein, Disney’s Beauty and the Beast and The Sound of Music are just a few of the wide range of musical productions HCMT has produced on the South Shore of Massachusetts.  They are launching their milestone season with award-winning spring musical, Cabaret, a captivating musical which celebrated its 50th anniversary just a couple of years ago.

HCMT Cabaret poster

Photo courtesy of Hingham Civic Music Theatre

Set in the Kit Kat Club in Berlin, Germany as the Nazi Party was rising to power, Cabaret focuses on nightclub girl Sally who becomes embroiled in a love triangle.  Winner of multiple Tony awards, Cabaret is known for its glamorous dance numbers while dealing with serious issues of the era.  The 1972 film was directed by dance legend Bob Fosse and starred Liza Minnelli in her star making role.  This show is not intended for children and contains mature themes.

Sleepless Critic caught up with Kristen H. Tremblay who will make her HCMT debut as Sally Bowles in Cabaret for two weekends only from Friday, April 20 through Sunday, April 29 at Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and tickets.

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Kristen H. Tremblay as Sally Bowles

Sleepless Critic:  How does it feel to star in the first show of Hingham Civic Music Theatre’s 70th season?  It is quite a milestone.

Kristen H. Tremblay:  I’m so thrilled to be playing a leading role in such a great show as part of this wonderful theater group’s 70th anniversary season! A very special honor for sure!

SC:  What do you like most about being part of Hingham Civic Music Theatre?

KHT:  This is my first production with Hingham Civic Music Theatre. They have such a wonderful reputation and it’s been great getting to know everyone in the group.

SC:  This season also includes the beloved musical, Annie this fall.  You star as Sally Bowles in Cabaret.  Have you ever done this show before?  What was the audition process like for you?

KHT:  I’m a classical soprano and usually play roles very different from Sally. As I get older, I’m trying to challenge myself by going out for roles that might be a stretch for me creatively. Sally Bowles is a complicated, meaty character and love every moment in her shoes.

I auditioned to challenge myself and because I have known the director, Nathan Fogg, for years and think he does great work. I didn’t think I had a shot at getting Sally, but felt really positive about my audition. The day after the audition, I was in line at the grocery store when I got the call. I was shocked and incredibly thrilled.

SC:  The multiple Tony award-winning musical, Cabaret celebrated its 50th anniversary a couple of years ago.  It is a unique musical with memorable songs such as Maybe This Time, Wilkommen, and its famous title track, Cabaret.  What was most challenging about this role?

KHT:  Sally is an iconic character in musical theater. There’s some intimidation associated with the pressure of doing her justice!  She has many sides to her and many intriguing levels. It’s been fun exploring how best to portray her.

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Aaron Stolicker as Emcee with cast in production photo

SC:  How has it been putting the show together?

KHT:  I adore everyone in this cast. They are such a fantastic group of kind, talented, and hard working people. We are having a blast and we all have deeply bonded. No question I’ve made lasting friendships.

SC:  What is the best reason one should see Hingham Civic Music Theatre’s Cabaret?

KHT:  Cabaret is a very different theatrical experience unlike anything else out there right now. It will not disappoint!  It’s edgy, honest, shocking, funny, and thought provoking.

Directed by Nathan Fogg, Hingham Civic Music Theatre proudly presents their spring musical, Cabaret for two weekends from Friday, April 20 through Sunday, April 29 at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets.

Click here to take advantage of “Facebook Friday” offer exclusively for the April 20 performance.  Use password “pineapple” to get a pair of tickets for 35 dollars.  Follow HCMT on Facebook.

REVIEW: Massasoit Theatre’s Company’s ‘Heathers the Musical’ is big fun with a razor’s edge

At first glance, Massasoit Theatre Company’s Heathers the Musical possesses the earmarks of a classic musical production.  Enter calculating villains and an unlikely hero singing thought-provoking songs in a retro setting wearing distinctive, colorful costumes.  Every meaningful musical usually also delivers a powerful message and it is part love story.  Yes, Heathers delivers all these things, but like its satirical film predecessor, does it in the unlikeliest of ways.  A musical quite faithful to the original film right down its vocabulary of memorable catch phrases, here is fair warning that this production is not suitable for children and contains mature themes.

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Massasoit Theatre Company’s ‘Heathers the Musical’ cast Photo courtesy of Massasoit Theatre Company

Directed skillfully by Nathan Fogg, Massasoit Theatre Company presents Heathers the Musical continuing through Sunday, April 15 at Massasoit Community College in the Buckley Performing Arts Center at 1 Massasoit Boulevard in Brockton, Massachusetts.  Click here for more information and for tickets.

Going into Heathers the Musical, it was difficult to imagine a musical as dark as the satiric comedy film starring Winona Ryder, Shannen Doherty, and Christian Slater.  However, Massasoit captures the film’s high energy, blunt, and darkly humorous look at high school where being popular is seemingly the only means for survival.  With an array of songs that are both humorous and shocking, it also deals with many social issues that high school students face today, but stands outside reality from it just enough to see from the outside.

Arrive early because Heathers the Musical does an excellent job setting the 80s mood through vintage Mtv videos and commercials as well as a unique introduction from the show’s producer, Mark Rocheteau.  Not only does Heathers feature a multi-layered set design with its share of special effects, but Jennifer Spagone’s symbolic costume design contrast bold colors with pale to represent different high school personalities while exacting the iconic fashion from the film.

Before the Plastics leapt onto the screen in the hit film Mean Girls, there were the Heathers.  If the Plastics ruled with a heavy hand, the Heathers ruled with an iron fist.  Adorned in strictly bold, primary colors and slinking into the school as if on a catwalk, CJ Hawes in red depicts Heather Chandler with charismatic cruelty, her head held high and an ego as inflated as her big hair.  CJ’s soprano vocals have an appealing belt and growl while she shares great chemistry with the other Heathers, especially during the numbers Big Fun and Candy Store.  She barks orders to sympathetic subordinate Heather Duke portrayed by Stephanie Wallace.  Dressed in emerald green, Stephanie portrays Heather with a suppressed, bullied demeanor.  Morgan Campbell in yellow portrays anxious, but friendly Heather McNamara with flair and offers a great rendition of the number, Lifeboat.

Heathers the Musical Veronica and J.D

Sara Comeau portrays Veronica and Sean Neary as J.D. Photo courtesy of Massasoit Theatre Company

 

Sara Comeau in blue plays awkward and conflicted Veronica Sawyer.  A complicated role, Sara captures Veronica’s clever, contemplative, and at times, sarcastic demeanor with great comic timing.  Veronica and Sean Neary as quiet and mysterious J.D. have compelling chemistry as they navigate the dark side of high school.

Heathers the Musical Jocks

Jack Cappadona as Kurt and Anthony Light as Ram Photo courtesy of Massasoit Theatre Company

 

Anthony Light and Jack Cappadona are immensely comical as mindless and merciless jocks while Emily Buckley as Martha evokes a sweet and impalpable loneliness.  Kels Ferguson plays a dual role as Mrs. Fleming and Mrs. Sawyer.  She brought down the house with her upbeat version of Shine a Light.

Heathers the Musical Shine

Shine a Light Photo courtesy of Massasoit Theatre Company

With a retro and dark, but powerful message, Massasoit Theatre Company presents Heathers the Musical continuing through Sunday, April 15 at Massasoit Community College in the Buckley Performing Arts Center at 1 Massasoit Boulevard in Brockton, Massachusetts.  Click here for more information and for tickets.  Follow Massasoit Theatre Company on Facebook.