REVIEW: Boston Ballet’s ‘The Sleeping Beauty’ is a regal, dazzling achievement

An unexpected hero, an insulted fairy, true love, and a terrible curse make up the enchanting and haunting fairy tale classic as Boston Ballet proudly presents The Sleeping Beauty.  Unfolding with elegant and athletic choreography by Marius Pepita and Sir Frederick Ashton, The Sleeping Beauty has returned to Boston for a limited run by popular demand through Saturday, May 19 at the Boston Opera House in Boston, Massachusetts.  Click here for more information and for tickets.  Click here for a closer look at more of Boston Ballet’s upcoming performances.

A full house including a wealth of excited children gathered inside the Boston Opera House as Ming Luke conducted Tchaikovsky’s famous and dramatic music score, transporting the enthusiastic crowd into a world of royalty, betrayal, innocence, a few familiar fairy tale faces, and a dose of magic.  Disney’s popular animated adaptation possesses a few similarities to this captivating tale, but Boston Ballet delivers more to the story.  At the center of The Sleeping Beauty was raven-haired Lia Cirio as regal and elegant Princess Aurora, a triumph of athletic grace, her limber body mastering a few of ballet’s most difficult dance moves with impeccable balance, an arabesque garnering particular applause.

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Lia Cirio and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Based on Russia’s Imperial Ballet’s 1890 production, The Sleeping Beauty is a visual treat, boasting finely-detailed costumes and a multi-dimensional set design by David Walker.  From ornate, lush and colorful backdrops in gold, red, and green to the enchanting Renaissance era costumes, each scene is a portrait to behold.  Wearing wreathed tiaras and dressed in sparkling pink, green, yellow, and blue, the gracious fairies made up of Dawn Atkins, So Jung Lee, Maria Baranova, Maria Alvarez, and Emily Entingh floated, frolicked, and twirled, each displaying their own unique personalities.  The energetic yellow fairy was a particular highlight, performing a sweet, joyful, and humorous dance.

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Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

With a cruel, mocking laugh and appearing in a dark, glimmering carriage was Dalay Parrondo as treacherous Carabosse.  Accompanied by a group of monstrous henchmen performed by Tyson Clark, Derek Drillon, August Generalli, and Christian Pforr, Dalay delivered an electrifying performance as an insulted fairy in a haunting display of sharp, rigid movements.

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Kathleen Breen Combes and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Tchaikovsky’s uplifting score hit a crescendo as Rachel Buriassi appeared as the Lilac Fairy.  In this adaptation, she acted as a guide, her quick thinking and courage setting her apart.  Her skillful performance was most evident among her lively, energetic lilac fairy attendants in a glorious display of fouettes, plies, and pirouettes.  She was also impressive in a compelling scene with Lasha Khozashvilli as Prince Desire.  Lia Cirio as Aurora and Lasha Khozashvili as Prince Desire had instant chemistry and perfectly complemented each other in a dream-like dance, swept up in love.

The Sleeping Beauty delivers many magnificent performances within this large cast, many taking on multiple roles.  From a fascinating, thrilling duet from Maria Alvarez as Little Red Riding Hood and Alexander Maryianowski as the Wolf to a humorous, feline flirtation from Emily Entingh as The White Cat and Irlan Silva as Puss ‘N Boots, many beloved fairy tale characters took the stage in a joyous celebration.

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With two intermissions, The Boston Ballet also offers an opportunity to learn more about ballet through The Warm Up, an interactive, photo friendly display located in the lower lobby.   Boston Ballet presents The Sleeping Beauty through Saturday, May 19 at the Boston Opera House.  Click here for more information and follow the Boston Ballet on Twitter and Facebook.

REVIEW: Lexus Broadway in Boston’s ‘On Your Feet’ a riveting, musical sensation

Leave it to music trailblazers Gloria and Emilio Estefan to make even folding laundry an exhilarating event.  A glimmering purple curtain provided just a hint of the radiance behind it as Lexus Broadway in Boston presented On Your Feet through Sunday, April 29 at the Boston Opera House at 529 Washington Street in Boston, Massachusetts.  Direct from Broadway and featuring five of the original members of Gloria Estefan’s band, Miami Sound Machine, On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.

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Christie Prades as Gloria Estefan and the company of the national tour of ‘On Your Feet’.

From its first few powerful notes and flowing, multicolored club lights, On Your Feet is a party from the start.  After real life superstar couple, Gloria and Emilio Estefan playfully introduce the show, Cuban dancers emerge pounding drums as a full, onstage band, Miami Sound Machine, flood the stage and greet the audience.  Award-winning Sergio Trujillo’s thrilling choreography frames every aspect of this international, true story with flair and gusto.  It has an equal share of wild, quick, and intense music with complex, fancy foot work as well as poignant, inspiring moments within a few of Gloria Estefan’s famous ballads.   Gloria and Emilio Estefan are behind the Latin rhythms, touching original compositions, and the orchestrations of some of Gloria Estefan’s biggest hits.  This captivating production not only showcases Latin culture and a peek into its history, but Gloria and Emilio’s tenacious struggle to fit it into American music scene.

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The company of the national tour of ‘On Your Feet’.

Costume designer Emilio Sosa skillfully replicated Gloria’s sparkling, iconic outfits featured in her memorable concert appearances, the Estefan’s worldwide travel, brought together the colorful styles of the 60s, 80s, and 90s from casual, colorful floral summer wear of Cuba and Miami to elegant, nightclub attire.  David Rockwell’s often romantic scenic design and dim lighting depict Miami’s palm tree silhouettes as well as the particular vibe in their worldwide travels.

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Christie Prades as Gloria Estefan, Adriel Flete and the company of the national tour of ‘On Your Feet’.

On Your Feet not only explores Gloria and Emilio’s budding romance and their mutual dreams, but their aspirations to pursue music as Latin performers.  What is most fascinating about the show is Mauricio Martinez as Emilio and Christine Prades as Gloria’s sheer dogged determination to thrive.  Martinez offers a charming, yet serious performance as Emilio, business minded and determined with smooth and angelic vocals.  He delivers a touching rendition of Gloria Estefan’s hit, Don’t Want to Lose You Now and original song written by Gloria Estefan’s daughter, If I Never Got To Tell You, a duet with Nancy Ticotin as Gloria Estefan’s mother, Gloria Fajardo.  Martinez is intense, charismatic, and always planning one step ahead.

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Christie Prades as Gloria Estefan, Mauricio Martinez as Emilio Estefan, and the company of the national tour of ‘On Your Feet.’

It is easy to see why Christine Prades as Gloria has such natural, crackling chemistry with Martinez.  Prades as Gloria complements Emilio’s drive through her vibrant, shy, and creative personality.  Curly haired and slim with inflections of Gloria Estefan’s distinctive voice, it is hard to imagine another person portraying the award-winning singer-songwriter.  She engages the audience with her glowing, infectious smile while skillfully handling the quick pacing and complex choreography of this production, often breaking out into song and dance on a dime.   From a ‘can’t-help-but-sing’ child doing chores in Cuba, portrayed sweetly by Ana-Sofia Rodriguez, to a timid woman taking the stage, Gloria’s charismatic stage presence in undeniable. Together, Gloria and Emilio are a force to be reckoned with in their uphill battle to become a music sensation.  The tender song, Here We Are is a particular highlight, showing off their sweet chemistry.

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Nancy Ticotin as Gloria Fajardo and the company of the national tour of On Your Feet.

Nancy Ticotin delivers a powerful performance as Gloria Fajardo, Gloria’s mother.  Ticotin portrayed strong willed Fajardo with a passion and a powerful voice, especially portrayed with the flirtatious number Mi Tierra, sung in a Havana nightclub.  Ticotin is stubborn and hard on Gloria, but with a giving spirit toward Jason Martinez as Gloria’s loving war veteran father, Jose.

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Christie Prades as Gloria Estefan, Kevin Tellez, Mauricio Martinez as Emilio Estefan and the company of the national tour of ‘On Your Feet’.

On Your Feet not only quite literally encourages the audience to dance with some of Gloria’s most riveting songs such as 1-2-3, Rhythm is Gonna Get You, Conga and Dr. Beat, but also depicts the journey and sorrows of following a dream.  It has its share of humorous moments in Debra Cardona as Gloria’s charming grandmother, Consuelo, in her unwavering support of her granddaughter and delivering a few sharp one liners.  Carlos Carreras as Jeremy wows as an enthusiastic Gloria Estefan fan that can’t help but dance.  In such an uplifting, spectacular musical celebration, it is easy to understand why.

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The company of the national tour of ‘On Your Feet.’

On Your Feet is currently on a national tour.  Click here to find out where they will take the stage next.  Click here for more of Lexus Broadway in Boston’s upcoming performances and follow them on Facebook.

Kristen H. Tremblay talks role in Hingham Civic Music Theatre’s ‘Cabaret’ to kick off 70th anniversary season

Hingham Civic Music Theatre (HCMT) is thrilled to kick off their 70th anniversary.  Over the past 7 decades, The Wizard of Oz, Rogers and Hammerstein’s Oklahoma, Young Frankenstein, Disney’s Beauty and the Beast and The Sound of Music are just a few of the wide range of musical productions HCMT has produced on the South Shore of Massachusetts.  They are launching their milestone season with award-winning spring musical, Cabaret, a captivating musical which celebrated its 50th anniversary just a couple of years ago.

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Photo courtesy of Hingham Civic Music Theatre

Set in the Kit Kat Club in Berlin, Germany as the Nazi Party was rising to power, Cabaret focuses on nightclub girl Sally who becomes embroiled in a love triangle.  Winner of multiple Tony awards, Cabaret is known for its glamorous dance numbers while dealing with serious issues of the era.  The 1972 film was directed by dance legend Bob Fosse and starred Liza Minnelli in her star making role.  This show is not intended for children and contains mature themes.

Sleepless Critic caught up with Kristen H. Tremblay who will make her HCMT debut as Sally Bowles in Cabaret for two weekends only from Friday, April 20 through Sunday, April 29 at Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and tickets.

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Kristen H. Tremblay as Sally Bowles

Sleepless Critic:  How does it feel to star in the first show of Hingham Civic Music Theatre’s 70th season?  It is quite a milestone.

Kristen H. Tremblay:  I’m so thrilled to be playing a leading role in such a great show as part of this wonderful theater group’s 70th anniversary season! A very special honor for sure!

SC:  What do you like most about being part of Hingham Civic Music Theatre?

KHT:  This is my first production with Hingham Civic Music Theatre. They have such a wonderful reputation and it’s been great getting to know everyone in the group.

SC:  This season also includes the beloved musical, Annie this fall.  You star as Sally Bowles in Cabaret.  Have you ever done this show before?  What was the audition process like for you?

KHT:  I’m a classical soprano and usually play roles very different from Sally. As I get older, I’m trying to challenge myself by going out for roles that might be a stretch for me creatively. Sally Bowles is a complicated, meaty character and love every moment in her shoes.

I auditioned to challenge myself and because I have known the director, Nathan Fogg, for years and think he does great work. I didn’t think I had a shot at getting Sally, but felt really positive about my audition. The day after the audition, I was in line at the grocery store when I got the call. I was shocked and incredibly thrilled.

SC:  The multiple Tony award-winning musical, Cabaret celebrated its 50th anniversary a couple of years ago.  It is a unique musical with memorable songs such as Maybe This Time, Wilkommen, and its famous title track, Cabaret.  What was most challenging about this role?

KHT:  Sally is an iconic character in musical theater. There’s some intimidation associated with the pressure of doing her justice!  She has many sides to her and many intriguing levels. It’s been fun exploring how best to portray her.

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Aaron Stolicker as Emcee with cast in production photo

SC:  How has it been putting the show together?

KHT:  I adore everyone in this cast. They are such a fantastic group of kind, talented, and hard working people. We are having a blast and we all have deeply bonded. No question I’ve made lasting friendships.

SC:  What is the best reason one should see Hingham Civic Music Theatre’s Cabaret?

KHT:  Cabaret is a very different theatrical experience unlike anything else out there right now. It will not disappoint!  It’s edgy, honest, shocking, funny, and thought provoking.

Directed by Nathan Fogg, Hingham Civic Music Theatre proudly presents their spring musical, Cabaret for two weekends from Friday, April 20 through Sunday, April 29 at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets.

Click here to take advantage of “Facebook Friday” offer exclusively for the April 20 performance.  Use password “pineapple” to get a pair of tickets for 35 dollars.  Follow HCMT on Facebook.

REVIEW: Massasoit Theatre’s Company’s ‘Heathers the Musical’ is big fun with a razor’s edge

At first glance, Massasoit Theatre Company’s Heathers the Musical possesses the earmarks of a classic musical production.  Enter calculating villains and an unlikely hero singing thought-provoking songs in a retro setting wearing distinctive, colorful costumes.  Every meaningful musical usually also delivers a powerful message and it is part love story.  Yes, Heathers delivers all these things, but like its satirical film predecessor, does it in the unlikeliest of ways.  A musical quite faithful to the original film right down its vocabulary of memorable catch phrases, here is fair warning that this production is not suitable for children and contains mature themes.

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Massasoit Theatre Company’s ‘Heathers the Musical’ cast Photo courtesy of Massasoit Theatre Company

Directed skillfully by Nathan Fogg, Massasoit Theatre Company presents Heathers the Musical continuing through Sunday, April 15 at Massasoit Community College in the Buckley Performing Arts Center at 1 Massasoit Boulevard in Brockton, Massachusetts.  Click here for more information and for tickets.

Going into Heathers the Musical, it was difficult to imagine a musical as dark as the satiric comedy film starring Winona Ryder, Shannen Doherty, and Christian Slater.  However, Massasoit captures the film’s high energy, blunt, and darkly humorous look at high school where being popular is seemingly the only means for survival.  With an array of songs that are both humorous and shocking, it also deals with many social issues that high school students face today, but stands outside reality from it just enough to see from the outside.

Arrive early because Heathers the Musical does an excellent job setting the 80s mood through vintage Mtv videos and commercials as well as a unique introduction from the show’s producer, Mark Rocheteau.  Not only does Heathers feature a multi-layered set design with its share of special effects, but Jennifer Spagone’s symbolic costume design contrast bold colors with pale to represent different high school personalities while exacting the iconic fashion from the film.

Before the Plastics leapt onto the screen in the hit film Mean Girls, there were the Heathers.  If the Plastics ruled with a heavy hand, the Heathers ruled with an iron fist.  Adorned in strictly bold, primary colors and slinking into the school as if on a catwalk, CJ Hawes in red depicts Heather Chandler with charismatic cruelty, her head held high and an ego as inflated as her big hair.  CJ’s soprano vocals have an appealing belt and growl while she shares great chemistry with the other Heathers, especially during the numbers Big Fun and Candy Store.  She barks orders to sympathetic subordinate Heather Duke portrayed by Stephanie Wallace.  Dressed in emerald green, Stephanie portrays Heather with a suppressed, bullied demeanor.  Morgan Campbell in yellow portrays anxious, but friendly Heather McNamara with flair and offers a great rendition of the number, Lifeboat.

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Sara Comeau portrays Veronica and Sean Neary as J.D. Photo courtesy of Massasoit Theatre Company

 

Sara Comeau in blue plays awkward and conflicted Veronica Sawyer.  A complicated role, Sara captures Veronica’s clever, contemplative, and at times, sarcastic demeanor with great comic timing.  Veronica and Sean Neary as quiet and mysterious J.D. have compelling chemistry as they navigate the dark side of high school.

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Jack Cappadona as Kurt and Anthony Light as Ram Photo courtesy of Massasoit Theatre Company

 

Anthony Light and Jack Cappadona are immensely comical as mindless and merciless jocks while Emily Buckley as Martha evokes a sweet and impalpable loneliness.  Kels Ferguson plays a dual role as Mrs. Fleming and Mrs. Sawyer.  She brought down the house with her upbeat version of Shine a Light.

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Shine a Light Photo courtesy of Massasoit Theatre Company

With a retro and dark, but powerful message, Massasoit Theatre Company presents Heathers the Musical continuing through Sunday, April 15 at Massasoit Community College in the Buckley Performing Arts Center at 1 Massasoit Boulevard in Brockton, Massachusetts.  Click here for more information and for tickets.  Follow Massasoit Theatre Company on Facebook.

Acclaimed producer Sue Gilad talks Tony nominations, girl power, and heartwarming musical, ‘A Taste of Things to Come’

From the award-winning Natasha, Pierre, and the Great Comet of 1812 to Angels in America, renowned theatre producer Suzanne Gilad has an eye for the next big show.  Boasting an array of memorable tunes, Sue’s current musical project, A Taste of Things to Come, has been described as Jersey Boys meets Betty Crocker meets the 60s feminist movement.  It takes the stage at Chicago’s Broadway Playhouse through April 29.

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Photo courtesy of Broadway in Chicago

Sue discusses getting Tony nominations, bringing A Taste of Things to Come to Chicago, and Turtle Wax.  Click here for more information and tickets to A Taste of Things to Come.

Sleepless Critic:  You are involved in a number of well known projects such as Angels in America, Madame Butterfly, Natasha, Pierre, and the Great Comet of 1812, and upcoming project, The Other Josh Cohen.  What first brought you into the theatre world?

Sue Gilad:  I was a performer a long time ago and then started doing voice overs, which took me down a completely separate and fun path.  A few years ago, a friend created a show and asked me if I would help shape it.  I discovered being a producer meant that I could be responsible and still have a life. We get to be creative in terms of what kinds of work we bring to the public to see and hopefully open their minds and hearts.  It made sense and there are still relatively few female producers in the business, although that is changing.  There is a lot of growth for that.

I would jump Broadway projects as a co-producer and that is what is happening with the recently opened Angels in America.  People ask me if they can meet Andrew Garfield who delivers a tremendous and transformative performance in the show.  I’ve never seen him like that.

SC:  What was it like for you when Natasha, Pierre, and the Great Comet of 1812 got multiple Tony nominations?

SG:  It was such a big honor that the show received the most Tony nominations of any show last year.  The best part about getting the nominations was The Great Comet was a big creative risk.  I don’t think anyone thought it was going to be on Broadway with its tiny stage and cast.  When it was at the American Repertory Theatre (A.R.T) in Cambridge, Massachusetts, Diane Paulus wanted to take the show which was in the round and remount it into proscenium theatre.  She did to great acclaim and it became an immersive production, unlike anything Broadway has ever seen before.

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Libby Servais (Broadway: Wicked, Lysistrata Jones), Cortney Wolfson (Broadway: The Addams Family, Les Miserables) Broadway’s Linedy Genao (On Your Feet! Original Broadway Cast), Marissa Rosen (Off-Broadway’s The Marvelous Wonderettes) Photo courtesy of Broadway in Chicago

 

SC:  A Taste of Things to Come has an all female crew.  Was it planned that way?

SG:  Dare I say that the women were the most qualified for the job?  A Taste of Things to Come, written by Hollye Levin and Debra Barsha, is based on Hollye’s experience of her mom and a part of it tells the story of the life her mom had growing up.  Then director Lorin Latarro came onboard when the show debuted at Bucks County Playhouse in Pennsylvania.  Everybody loved her and she brings tremendous things to the show.

The show features four women that age from age 25 in 1957 to age 35 in 1967.  Everything blows open in the beginning of Act 2 when they are 10 years older and wiser with more opportunities for women and delicious secrets about race, religion, and sexuality which is not something you really talked about in the 1950s.  By the 1960s, there was a real space for it.  You get to see these women’s journeys during an incredible moment in history.

SC:  What was it about A Taste of Things to Come that grabbed your attention?

SG:  I saw a rehearsal or reading of this show and loved it.  It gave me the opportunity to articulate my gratitude to the generation before me that broke through so many glass ceilings I didn’t even know existed.

Women of that generation either didn’t work or they became teachers and nurses so my generation can become doctors and superintendents.  Then my kids’ generation can do whatever they want for work or nothing for work.  It’s just extraordinary and gave me a window into the past.  I can share it with my mom and, if I wanted to, bring my teenage daughters to it.  It’s a celebration of friendship, solidarity, and kind of interestingly timed with the advent of the ‘me too’ and ‘times up’ movement that women in their time also had to take a stance for things that were beyond their comfort zone or what was socially acceptable at the time.

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The cast of ‘A Taste of Things to Come’ Photo courtesy of Broadway in Chicago

SC:  The New York Times has described A Taste of Things to Come as ‘a recipe for catchy musical theatre.’  Please tell me a little about the music and your favorite songs.

SG:  Composer Debra Barsha worked on Jersey Boys on Broadway for ten years so it starts out with the popular tunes of the 1950s.  Ten years later, things become a lot groovier and it had a really distinctive 60s sound.  My favorite song has been shifting as I get to know it better, but today I love the song, Blessings in Disguise.  It’s a testament to the things we think will challenge us which are actually the things that make us stronger and give us unexpected gifts.  My other favorite song is In Time, the final song of the show.  The entire cast sings it and they look back at what they have been through together as individuals and as a group of friends.  The best things happen in time.

SC:  What has it been like putting the show together?

Since the show is set in Winnetka, A Taste of Things to Come is making its home in Chicago.  It’s been fun listening to the audio discs during previews because of the way the audience giggles with any Winnetka or Chicago reference.  We were very lucky to get New York Broadway actresses but we also have an understudy that can swing all four roles.  Madison Kauffman is a Chicago native who just graduated from college.  She came in for the first day of rehearsal completely off book for all four roles.  Her level of excitement and passion is so thrilling.

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The cast of ‘A Taste of Things to Come’ Photo courtesy of Broadway in Chicago

SC:  What kind of support is the show looking for?

SG:  We have a great sponsor based out of Chicago called Turtle Wax.  It is in the script because it was wax that men were using in 1957 for their cars.  We would be open for Chicago-based companies to sponsor the show because we do have a wonderful, primarily female, well-educated audience.

SC:  What is in store for the future of the show?

SG:  We have wonderful theatres interested in having the show at their theatre so we might take the show on tour.  Then we’re hoping to get it licensed so every school, regional theatre, community, and worldwide theatre can perform it and share the victories of womanhood.

A Taste of Things to Come continues at the Broadway Playhouse in Chicago through April 29.  Click here for more information and for tickets.  Follow A Taste of Things to Come on Facebook and Twitter.

 

REVIEW: NPR’s Rob Kapilow’s engaging ‘What Makes It Great? The Songs of Leonard Bernstein’ hit all the right notes

NPR’s famous composer, conductor, and music commentator Rob Kapilow certainly knows his way around a baby grand piano.  Under soft lights and in front of a full house, he is once again ready to transform the way the audience hears and understands some classic tunes.

In honor of the legendary composer and playwright Leonard Bernstein and the centennial of his birth, Rob Kapilow took his popular, 22nd annual What Makes It Great series to Harvard University’s Sanders Theatre, which is Bernstein’s alma mater on Friday, March 9 for one night only.  Celebrity Series of Boston presented What Makes it Great? with Rob Kapilow and Jessica Rivera:  The Songs of Leonard Bernstein featuring an array of legendary Broadway songs during Leonard Bernstein’s time, delving into its brilliant, emotional quality and style through its carefully selected musical notes. Part teacher, humorist, and historian, Rob Kapilow proved once again that this engaging series is as fascinating as ever.  Click here for more on What Makes it Great and here for more on Celebrity Series of Boston.

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Renowned soprano Jessica Rivera Photo courtesy of Celebrity Series of Boston

Calling on a few of Broadway’s most enchanting and classic love songs, Rob was accompanied by renowned soprano Jessica Rivera.  Adorned in a shimmering black dress, Jessica’s versatile, impressive vocals ranged from lighthearted to passionate yearning as Rob had Jessica peel back the layers of each song, revealing what makes each tune shine.  With humor and grace, Rob and Jessica also revealed what each song might have sounded like without its individuality.  What Makes It Great never fails as an eye-opening experience.

Delving into the musical atmosphere and history of Leonard Bernstein’s time, Rob chose a selection of powerful, yet dreamy classic Broadway songs reflective of this era while showing how they are also vastly ahead of their time.  From dreamy songs such as, A Little Bit in Love from Bernstein’s Wonderful Town to the high-spirited I Could Have Danced All Night from Lerner and Loewe’s My Fair Lady to the powerful Somewhere from Bernstein’s West Side Story, Rob shows how the composer ties the musical elements together to enhance the listener’s musical experience.  For example, he describes how Leonard Bernstein’s wildly successful West Side Story is a perfect fusion of classical technique to popular theatre.

Evan Kinnane, a renowned Boston tenor, joined Rob and Jessica for a special stage performance of Tonight after Rob described what makes this song so special.  Full of passion and excitement, Evan and Jessica have a mesmerizing rapport and their marvelous blend of vocals demonstrates the song’s and Bernstein’s timeless appeal.

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NPR’s Rob Kapilow and his piano Photo courtesy of Celebrity Series of Boston

After 22 years, Rob Kapilow continues to captivate audiences with his vast musical knowledge, sense of humor, and his careful analysis of what makes music such a rich, fulfilling experience.  Capping off the evening, Jessica Rivera poignantly sang Some Other Time from the Leonard Bernstein’s musical, On the Town, about how quickly time passes by.  It’s a fond farewell until next time.

Celebrity Series of Boston continues its stellar season with the 50th Anniversary of Alvin Ailey Dance Theatre, acclaimed soprano and Broadway star Audra McDonald, Ira Glass, Los Angeles Philharmonic, and much more.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on Facebook, Twitter, and Instagram.

REVIEW: Lexus Broadway in Boston’s ‘Waitress the Musical’ proves the best things in life come from the kitchen

Lexus Broadway in Boston’s heartwarming and meaningful musical, Waitress the Musical, shows that life’s most important answers can be found in a pie.  Currently on a national tour, Waitress, with book by Jessie Nelson, music and lyrics by Tony and Grammy-nominated singer-songwriter Sara Bareilles and featuring an all female production team, oozes with southern charm as baker Jenna, portrayed passionately by Desi Oakley, finds herself pregnant and falling in love with her doctor.

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Desi Oakley as Jenna in the national tour of Waitress, photo by Joan Marcus and courtesy of Broadway in Boston

With a cast of colorful and comical characters and based on the 2007 film of the same name starring Keri Russell, Waitress served its best in Boston from February 20 through March 4 at the Boston Opera House.  Click here to see where Waitress will be taking the stage next and here for more on Lexus Broadway in Boston.

From a bright neon sign and red chrome booths to clever choreography that gives diner dancing a fresh, new meaning, the majority of Waitress is set inside the vintage and picturesque Joe’s Pie Diner.  Impressive songs range from catchy to reflective and numbers like When He Sees Me and Opening Up are sure to stay with the audience long after the show is over.

Full of heart, what Waitress the Musical achieves is a delicate balance of the sweetness and realism of life, delving into the lives of a group of dynamic characters who dream of a better life.  Jenna expresses her thoughts on life through the humorous titles she deems to Joe’s Diner Pie of the Day.

'Waitress the Musical 'Jenna and Earl

Nick Bailey & Desi Oakley in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Desi Oakley delivers a powerful, inspiring performance as Jenna.  She depicts Jenna’s complex web of emotions with a blend of dark humor and a note of hope.  Her voice is as versatile as the pies she bakes and her intense rendition of She Used to Be Mine is one of the show’s greatest highlights.  Her irresistible chemistry and beautiful harmony with compassionate and mysterious Bryan Fenkart as Dr. Pomatter are engaging in the playful Bad Idea and the tender You Matter to Me.  Dressed in a plaid shirt, worn jeans, and tied back hair, Nick Bailey as Earl is manipulative and gruff with a rich, rock n roll voice.

'Waitress the Musical' Doctor visit

Maiesha McQueen, Desi Oakley & Bryan Fenkart in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

With big earrings and wild hair, Charity Angel Dawson offers a great deal of comic relief as outspoken and wise cracking waitress Becky.  Passionate and direct, Becky is captivating in the number, I Didn’t Plan It and her onstage charisma will have the audience hanging on her every word.

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Charity Angel Dawson, Desi Oakley & Lenne Klingaman in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

In bright, red glasses, Lenne Klingaman portrays Dawn with her own, magnetic, comedic timing.  Dreamy and shy, Dawn calls herself “a woman of many passions.”  She is unforgettable singing the yearning number, When He Sees Me.  With Jeremy Morse as scene stealing Ogie, they are a comedic force to be reckoned with.  Gleeful and goofy with a habit of over sharing, Jeremy Morse has even the cast trying to keep a straight face.  Morse’s comic timing is a bungle of flawless, unsuppressed energy.

Waitress Lenne and Jeremy

Lenne Klingaman & Jeremy Morse in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Larry Marshall, with a wonderful laugh and a curmudgeonly personality, portrays difficult customer and diner owner, Joe.   A complicated storyteller with more insight than he seems, his conversations with Jenna is full of humor and openness.  Speaking to the uplifting spirit of this charming show, Joe proclaims, “Baking a pie is a magical experience.”

Waitress - Waitress and Joe

Desi Oakley & Larry Marshall in the national tour of Waitress, photo by Joan Marcus and Matthew Murphy and courtesy of Broadway in Boston

Click here to see where Waitress the Musical arrives next.  Lexus Broadway in Boston announces their new season on Monday, March 18 and is just getting started with popular musicals, On Your Feet, Disney’s Aladdin, Hamilton, and more.  Click here for more information, tickets, and upcoming news.  Follow Lexus Broadway in Boston on Twitter, Instagram, and Facebook.