Cohasset Dramatic Club proudly presents the enchanting musical comedy, ‘The Wedding Singer the Musical’

In a way, the 80s are back.  Popular Netflix series Stranger Things and GLOW represent a hankering for 80s nostalgia, and arguably one of the few hit films that delightfully represent the 80s so well is the comedy, The Wedding Singer, starring Adam Sandler and Drew Barrymore.  Boasting Miami Vice flair, neon legwarmers, frills, and hit 80s music galore, The Wedding Singer is a sweet romantic comedy set in 1985 about shy waitress Julia Sullivan and Robbie Hart, a wannabe rock star turned wedding singer.  Adapted into a musical in 2006, Cohasset Dramatic Club presents The Wedding Singer the Musical for one weekend only from Thursday, July 27 through Sunday, July 31 at Cohasset Town Hall in Cohasset, Massachusetts.  Click here for tickets and more information.

Featuring a cast ages 14-21 and starring Jordan Robie as Robbie Hart and Madison Pratt as Julia Sullivan, The Wedding Singer the Musical is a lighthearted comedy sure to lift the spirit. This enchanting musical comedy features a mix of upbeat and touching original songs including It’s Your Wedding Day, Someday, If I Told You, and I Wanna Grow Old with You.

With a colorful, lively cast that includes a bitter brother, a kindly but sassy old neighbor, a rich, charismatic suitor, and even an appearance by Billy Idol and other 80s icons, Cohasset Dramatic Club proudly presents The Wedding Singer the Musical from Thursday, July 27 through Saturday, July 30 at 7:30 p.m.  One Sunday matinee will take place on Sunday, July 31 at 2 p.m.

Performances will be held at Cohasset Town Hall, 41 Highland Ave in Cohasset, Massachusetts.  Click here for more information and for tickets.  Follow Cohasset Dramatic Club on Facebook for upcoming events and more.

An avid fan of all things Disney, Sarah Kelly discusses being cast as Disney princess Ariel in Company Theatre’s ‘The Little Mermaid’

To Sarah Kelly, award-winning Company Theatre actress, Plymouth State University student, and ardent fan of anything Disney, becoming a Disney princess is another dream come true.  Sarah spent last summer on the Company Theatre stage as sunny Elle Woods in the frothy musical, Legally Blonde the Musical, calling it the best summer of her life.  She spends this summer under the sea as Disney Princess Ariel in Company Theatre’s production of Disney’s The Little Mermaid from July 28 to August 20 at The Company Theatre in Norwell, Massachusetts.  Whether portraying California fashionista turned Harvard law student or a love struck, fish out of water fork enthusiast, what Sarah shares with all of them is her ceaseless optimism.

Sarah Kelly talks about her returning to the Company Theatre, her new sidekicks, future plans, and her unconventional audition.  Click here for further information and for tickets to Disney’s The Little Mermaid.

Sleepless Critic:  You seem to fit right into your role of Ariel in The Little Mermaid just a smoothly as you did as Elle in Company Theatre’s Legally Blonde last summer, a role you won an award for.  What it was like to win for your first lead role?

Sarah Kelly:  Whenever I talk about being a part of Legally Blonde with Company Theatre, I always say it was the gift that kept on giving. It gave me the opportunity to experience leading a show as Elle Woods, work with some of the most incredible and genuine people I’ve ever met, and yes, so blessed to receive ‘Best Actress in a Musical’ from Broadway World Boston.  Receiving this award was an absolute cherry on top of the best summer of my life because I didn’t expect to be nominated at all. To be considered was prize enough and winning is one of the most amazing things that has ever happened to me.  That official validation meant so much to me.

SC:  What interested you in returning to the Company Theatre as Ariel this summer?

SK:  Last year in our interview for Legally Blonde, I talked about how Company Theatre’s family vibe and atmosphere immediately stole my heart. I saw a couple of different shows that were put up this past school year.  When I returned, I was welcomed back with open arms and felt so at home again. Company Theatre is so much fun and I treasure each day.  When I heard they were doing The Little Mermaid, I had to audition because it’s one of my favorite Disney movies and I adore Alan Menken’s work.

SC:  How was the audition process for Ariel different from last year’s and how did you prepare?

SK:  My audition was extremely different for this role because I did a video audition as opposed to last year where I attended the actual audition at Company Theatre. Unfortunately, I was away at school and auditions for Plymouth State University’s fall season were the exact same days as The Little Mermaid’s auditions and callbacks. It’s easier to show your truest colors at an “in person” audition.  Showing what you have as a human being that will make that character you’re trying for special and real is the most important part of an audition.  However, I did my best, memorized the sides that were sent to me, and the song I was asked to sing for my callback.  I guess it really paid off.

Company Theatre Flounder with cast

Colin SanGiacomo as Flounder with cast Photo courtesy of Zoe Bradford/Company Theatre

SC:  It sure did.  Rather than Bruiser from Legally Blonde, you now have a couple of new sidekicks in Flounder and Sebastian.  Please tell me what it is like to work on a Disney musical.  Is this your first one?  The Company Theatre recently completed The Lion King Jr earlier this year.

SK:  Yes, unfortunately, I wasn’t able to see their production of The Lion King Jr, but I heard wonderful things and saw some of the gorgeous costumes.  Aside from playing Kaa the Snake in The Jungle Book Jr in fourth grade, this is my first Disney show and I am living for it. I grew up purely on Disney movies and music, so to be a part of this kind of process and play a Disney princess is a dream come true. The show is so bright, alive, and magical and the direction this specific production is going does the show itself absolute justice.

SC:  I’m sure it must feel a little different to work with a cast who are playing animated characters and creatures.  Such a beautiful set!

SK:  Yes, we have some of the most passionate humans working on this show. The ever so dedicated James Valentin works extremely hard alongside our own personal superman, Ryan Barrow, who is also known as the hot UPS guy from Legally Blonde last summer.  They go above and beyond creating, building, and painting sets. Ryan is one of the many Disney fan girls in our little family and literally will not sleep until everything is perfect.   So many talented hands are helping to interpret the movie’s magic and that magic is right onstage.   It’s so beautiful.  I don’t know how they do it because these two guys are also a part of the cast.  I can’t forget the spectacular Bri Plummer, who brings her unique costume designs to life perfectly.

James Valentin with Flounder and Ariel

Colin SanGiacomo as Flounder, James Valentin as Grimsby, and Sarah Kelly as Ariel Photo courtesy of Zoe Bradford/Company Theatre

Our absolutely brilliant choreographer, Sally Forrest, has such an incredible vision for this show that people need to see to really understand. She wants the audience to believe they are watching the original Disney movie and trains us to think and be animated characters, which is a lot of fun.  The extremely specific motivation and movement direction she gives creates this beautiful and nostalgic picture both children and parents are going to be mesmerized by.

Company Theatre 'The Little Mermaid'

Ronald Vorce as Ursula Photo courtesy of Zoe Bradford/Company Theatre

SC:  Have there been any surprises in portraying Ariel?  Unexpected challenges?  It’s such a fun role.

SK:  Ariel is so much fun to portray. I don’t support all of her life choices considering she gives up her gift of a voice for a legs and a man, but that doesn’t mean she’s not a blast to play on stage. She’s sweet, spunky, lovely, and lively.  A challenge that I knew I was bound to run into with her is letting Elle from Legally Blonde pop in and out. With Elle, I had much more liberty in character choices and playing up my ‘Sarah-isms.’  Ariel is such an iconic animated figure, not to mention princess, so I really wanted to bring her to life in an organic way while staying true to the original cartoon.

Company Theatre Ariel's Royal Princess Celebration

Photo courtesy of Zoe Bradford/Company Theatre

SC:  You’ll be a part of the Company Theatre fundraiser, Ariel’s Royal Princess Celebration on Saturday, August 5 in full Disney princess mode.  I’m sure that will be exciting for you.

SK:  I’m very excited to be a part of the Princess Celebration!  I love working with kids as a day job.  Even when I was in the Hingham Parade on July 4, seeing those beautiful little faces looking up at me like I was an actual Disney princess, made me want it to last forever.  I look forward to creating some real magic for the kids right here in Norwell on August 5.

Company Theatre 'The Little Mermaid' Hingham Parade

Sarah Kelly as Ariel with Flounder at the Hingham Parade on Independence Day

SC:  What are your future plans?  Do you have new acting projects in the works after this?

SK:  My university is putting on Merrily We Roll Along this fall and I was cast as ‘Gussie.’   I’m looking forward to it.  I love a good Sondheim show and I’m portraying a super awful character, but also fun and flirty. Gussie is definitely on the crazy side, which is always a blast!  It’s also directed by one of my favorite people, Beth Daily, and assistant directed by my best friend, Val Umbro, a dynamic duo for sure. I’m also grateful to be assistant directing The Trial with Paul Mroczka in the fall.  It’ll be such a great challenge and growing experience for me.

Click here to learn more about Ariel’s Royal Princess Celebration fundraiser on August 5.  Click here or call the box office at 781-871-2787 for tickets to Company Theatre’s production of Disney’s The Little Mermaid from Friday, July 28 through Sunday, August 20 at The Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.   Follow Company Theatre on FacebookTwitter, and Instagram for updates and more.

REVIEW: Brimming with compelling storytelling, accomplished singer-songwriter Natalie Merchant made stirring Tanglewood debut

Always an unforgettable storyteller, award-winning singer-songwriter and musician Natalie Merchant made her Tanglewood debut, despite increasingly darkening skies at Koussevitsky Shed in Lenox, Massachusetts.  Her soulful, musical journey included stirring tales of war, deep love and love lost, musings from history, a deadly woman, and a curvaceous Ophelia,  each tale conjuring up a vivid picture in her brilliant, and at times, elegiac lyrics.  Natalie Merchant is a force onstage and her charisma lies in her engaging, soul baring presence.  Click here for Natalie Merchant’s tour dates.

Tanglewood’s season is in full swing, having kicked off with acclaimed BSO Music Director Andris Nelsons leading the Tanglewood Festival Chorus in Mahler’s Symphony No. 2 Resurrection on Friday, July 7.  Natalie Merchant, James Taylor, Emmylou Harris, and John Mellencamp were among Tanglewood’s Popular Artists series.  After an extraordinary season of live classical and contemporary performances throughout the summer, the Tanglewood season concludes with The Boston Pops featuring Melissa Etheridge on Sunday, September 3.  Click here for tickets and further information.

Wearing a dark blue dress and her signature long, thick flowing hair, Natalie Merchant set a deeply insightful, subdued tone before building to a lively, uplifting vibe, much to the delight of the crowd.  Surrounded by a sophisticated, intimate band composed of a cellist, guitarist, pianist, drummer, and a group of elegantly dressed violinists, Natalie started with a tune from her self-titled, 2014 album, Lulu, paying tribute to the audacious silent film star and dancer, Louise Brooks, a woman who paved her own way.

Natalie Merchant lent a patriotic spin to the song, River, a song originally dedicated to memory of River Phoenix, an actor who died too young.  This version of River is from her stripped down, latest album, Paradise is There:  The New Tigerlily Recordings, hinting at the fallen soldier, her deep, contralto voice exuding a beautiful, haunting quality.  Equally affecting is My Skin, from her album, Ophelia, a gripping song about the emptiness of betrayal and loss.

Often barefoot, Natalie was physically expressive onstage, dancing, swaying, and twirling to the rhythm, flowing like a bird to a pulsing violin.  Many devoted followers were present in the audience as sporadic whoops and hollers echoed from the crowd, often shouting her name.  Natalie Merchant has been thrilling audiences since the early 80s and her onstage presence made it easy to recognize her lasting talent.  Although the weather wasn’t always cooperating during the concert, with such a strong following, the crowd remained.  “I’m sorry you are in the rain,” Natalie acknowledged the outdoor audience as the skies opened, “But after the drought we had last year, I’m not sorry for the rain.”

Sharing her passion for social and environmental issues, Natalie briefly shared the stage with Tyler Van Kirk, National Canvass Coordinator from Food and Water Watch, based in Denver, Colorado.  It is an organization dedicated to protecting the world’s natural resources.  See what they stand for here.  She also dedicated a song to corruption in government with a tune delivered partially a cappella, Poison in the Well, dating back her days with the 10,000 Maniacs.

Her gripping storytelling continued with Nursery Rhyme of Innocence and Experience, Ophelia, and the exotic sounds of The Man in the Wilderness.  She delivered cautionary wisdom in The Worst Thing, portrayed a looming, jazz-infused rendition of a femme fatale with She Devil, and inspiration in Lady Bird.

Natalie Merchant’s music ensemble is impressive, whether during a spontaneous jam session or in the quieter moments, a perfect complement to her often heart rendering lyrics.  The tireless performer offered a more joyous and uplifting second half, sharing some her greatest hits.  From Paradise is There:  The New Tigerlily Recordings, she offered a stripped down version of her hit, Carnival, a vivid, reflective view on life.  Accompanied by just her pianist, cellist, and guitarist, she sang Wonder, which was the inspiration behind a children’s book by R.J. Palacio and an upcoming film starring Julia Roberts in November 2017.

Tender, earnest moments were strewn into the songs, Beloved Wife, Break Your Heart, and Frozen Charlotte, the latter culminated in a gorgeous violin solo.  However, she also has a unique sense of humor, sharing a story of an old cookie jar that “carries the emotional weight” of every song.

The moment of the evening was her epic encore, as the band jammed and Natalie danced furiously, the audience was brought to their feet in a spectacular version of These are Days followed by a heartfelt performance of her hit song, Kind and Generous.  Fans couldn’t have asked for better, rain or shine.

Click here to see where Natalie performs next.  Located in the Berkshires at 297 West Street in Lenox, Massachusetts, Tanglewood’s outdoor venue is a must see during the summer, whether under the tent at Koussevitsky Shed or under the stars for a lawn picnic.  Click here for more information on its Tanglewood’s Music Festival summer series and follow them on Facebook.

WGBH’s ‘A Celtic Sojourn,’ tributes to Billy Joel & Broadway part of SSC’s ‘Evenings Under the Stars’ concert series

Each summer for over the past twenty years, South Shore Conservatory has been making peerless, sparkling moonlit nights spectacular with a wide variety of live concert performances each Saturday night in July.  South Shore Conservatory’s Evenings Under the Stars made its sold-out concert return on July 8 and will continue its themed music performances through July 29 at the Jane Carr Amphitheater in Hingham, Massachusetts.  The Evening Under the Stars Festival Orchestra traditionally kicked off the season on July 8 with acclaimed conductor Nicholas Palmer as South Shore Conservatory presented Out of this World with Mozart!  Click here for ticket information and further details.

South Shore Conservatory - EUS-Orchestra-2017-Nicholas-Palmer-conductor-by-Denise-Maccaferri

Nicholas Palmer conducting the EUS Festival Orchestra, Photo Courtesy of Denise Maccaferri

Led by conductor Nicholas Palmer, Evening Under the Stars explored the renowned works of Mozart, featuring a special performance of Mozart’s Clarinet Concerto in A Major, K.622 with South Shore Conservatory clarinet faculty member and guest soloist Peter Bianca.  Prior to the performance, audience members enjoyed a pre-concert reception which is purchased separately.  It includes special sneak peek performances, appetizers, parking pass, and a chance to mingle with the artists.  Nicholas Palmer led the opening night pre-concert talk.  A pre-concert reception is available at every Evenings Under the Stars concert.  Click here for more information.

South Shore Conservatory - Peter-Bianca-2017

Guest soloist and SSC Faculty member, Peter Bianca, Courtesy of South Shore Conservatory

On July 15, Evenings Under the Stars proudly welcomes back WGBH’s A Celtic Sojourn with Brian O’Donovan featuring an exciting lineup of traditional and contemporary Celtic performances.  Brian O’Donovan will deliver a talk at the pre-concert reception.  Catch Brian O’Donovan every Saturday afternoon on 89.7 WGBH on online at 3 p.m.  Follow A Celtic Sojourn on Facebook.

With indelible hits such as Always a Woman, Uptown Girl, Movin’ Out, Piano Man among many others, Billy Joel has made an indelible mark in music in his over 50 year career.  Jon Abrams, singer, pianist, and Broadway star of Billy Joel’s hit musical, Movin’ Out, will pay tribute to Billy Joel for one night only, taking the stage with original Billy Joel guitarist David Brown and six Boston-based musicians on July 22.  Learn how the Billy Joel tribute band came to be during the evening pre-concert reception.

South Shore Conservatory - Jon-Abrams-2017

Billy Joel Tribute – Jon Abrams Photo courtesy of Jon Abrams

On July 29, Evenings Under the Stars closes its summer series with a showcase of classic Broadway tunes with Beguiled Again:  The Songs of Rodgers and Hart.  Featuring former and present South Shore Conservatory faculty members including Beth Canterbury, Beth MacLeod Largent, Sarah Troxler, Devon Morin, and Holly Jennings as well as a festive chorus, enjoy live performances of My Funny Valentine, My Romance, The Lady is a Tramp, and more.

All concerts take place rain or shine at Jane Carr Amphitheater, One Conservatory Drive in Hingham, Massachusetts. See the South Shore Conservatory’s summer spotlight concert series at affordable prices. Click here for more information on South Shore Conservatory or call 1-781-749-7565, ext. 22.  Follow South Shore Conservatory on Facebook and Twitter.

Renowned singer-songwriter Grace Potter returns for Vermont’s Grand Point North Music Festival in September

Award-winning singer-songwriter and multi-instrumentalist Grace Potter will make her annual return to her beautiful home state this fall to perform at Burlington, Vermont’s exciting, family-friendly music festival she co-founded with the band, Higher Ground, the Grand Point North Music Festival.  Celebrating their 7th year, the Grand Point North Music Festival highlights local and national artists around New England, enlivening Vermont for one monumental weekend.  Grand Point North Music Festival also includes a VIP tent, with a variety of food, beverages, and more.  Click here for further details and ticket information.  Children under 12 attend for free and the festival will be held rain or shine.

Grand Point North Grace Potter

Grand Point North Music Festival co-founder Grace Potter Photo courtesy of Grand Point North

Performing both nights and headlining Saturday night is Vermont-native rock star Grace Potter with Tony award-nominee and Phish band member, Trey Anastasio and his band headlining on Sunday at Burlington’s Waterfront Park on Lake Champlain from Saturday, September 16 and Sunday, September 17.  Troy Millette and Dylan Gombas have been voted favorite local band contest by Vermont’s renowned alt news weekly Seven Days and have been added to the Grand Point North Music Festival lineup.  Also included in Grand Point North’s lineup is New Orleans folk-blues group Hooray for the Riff-Raff, L.A. rock band Dawes, Detroit boogie band Low Cut Connie, rock and roll band Lake Superior, Portland sister trio Joseph, Philadelphia R&B singer Son Little, and many more.

Details on Grand Point North Music Festival’s after party is coming soon.  Gates open at on Saturday, September 16 at 3 p.m.  On Sunday, September 17, gates open at 2 p.m.  VIP tickets include early entrance into the show, closer view by the soundboard, access to the VIP tent offering shade with discounted food and beverages, and more.

Grand Point North concert sunset

Concert sunset at Burlington’s Waterfront Park Photo courtesy of Grand Point North

Click here for further ticket details, call 802-652-0777, or go to the Higher Ground Box Office located at 1214 Williston Road in South Burlington, Vermont.  Soak in a hint of fall foliage as well as some of the tremendous concert flavor at the Grand Point North Music Festival in September.  Follow Grand Point North Music Festival on Facebook and Twitter for updates.

NYC actress, writer, and filmmaker Stephanie Iscovitz talks finding home, making it big, and her latest projects, including ‘Bruce Loves You’

From a southern city to the Big Apple, actress, writer, filmmaker, producer, casting assistant, and T. Schreiber Studio and Theatre graduate Stephanie Iscovitz learned it takes a quick study to make it in the big city.  Working on a variety of diverse projects, Stephanie continues to inspire and entertain through her unique storytelling.  She will run the New York New Works Theatre Festival this October.  Click here for more information on entering the festival and further details.  Submit for free by August 15.

New York New Works Theatre Festival

Film submissions are free through August 15. Festival with Broadway panel takes place in October. Photo courtesy of New York New Works Theatre Festival

Stephanie talks about finding home, her current project, her most challenging and rewarding experiences as a woman in film, and who she would love to work with in the future.

Sleepless Critic:  You are from Ft. Lauderdale, Florida, but you decided to pursue your career in NYC.  What do you love most about the city and what ultimately inspired you to stay?

Stephanie Iscovitz:  I knew I wanted to move to New York when I was 12. Oprah calls them ‘Ah-ha!’ moments. I visited the city with my family and it wasn’t the bright lights or tall buildings that enticed me, but truly the first time I felt home. I felt connected to the city unlike anything else.  Nine years after moving here, I still love the energy, the urgency, the constant inspiration, and creativity.

T. Shreiber Studio

T. Schreiber Studio and Theatre graduate Stephanie Iscovitz with class of 2011 Photo Credit: T. Schreiber Studio & Theatre

 SC:  You have delved into a wealth of projects as an actress working in New York City, always with enthusiasm for the next project.  Please tell me what it was like when you first arrived.

SI:  I really had to get it together when I first arrived because the competition is too fierce. I awakened to the reality of what it actually takes to be an actor and to stay afloat in the industry. Coming from Florida, I thought I would audition, book this role, and be rich and famous before I’m 30.  It’s so hard.  So many steps on the ladder and hoops you have to jump through to succeed and as a woman, a glass ceiling.  You have to be somewhat naive to get into the business and then an ultimate bad-ass to stay in it.  The first time I felt like I got it right was an audition for a role portraying a very complex, troubled stand-up comedian. I never felt more alive and was still reeling from the audition when the producer followed me out of the room and thanked me for my work, which never happens. I didn’t book it, which is a lesson that talent sometimes has nothing to do with who gets the job.

SC:  You have delved into a variety of female driven projects. What has most surprised you working on these productions?

SI:  What surprised me most was the real, systemic issues preventing women from rising through the ranks. Women graduate from film school at 50 percent, the same rate that men do, so there are no lack of trained, qualified, and willing female directors. Women are held to a much higher standard than men before they are considered qualified. There are countless examples of male directors who were snatched up by the studio after having only directed a very small micro-budget film and literally handed the opportunity of taking on a multi-million dollar studio movie. That kind of risk has almost never been taken on by a female director. I was never aware of these greater challenges until I got into the business which is why it’s imperative to have these conversations about the revolution of women in film.

SC:  Of the various jobs you do, what has been most challenging and rewarding for you?

SI:  Though every role has its own set of challenges and triumphs, the most rewarding is being able to collaborate with other independent female filmmakers to create something that grows organically.  I’ve learned that the film you shoot will be different than the film you write and the film you edit will be different than the film you shot.  It’s movie magic to nurture this idea with a team you respect, admire, and have a final product you never could have created on your own. Each learning experience gives me the confidence to guide me through to the next project.

Big Apple Film Festival with Jerry Stiller

2014 Big Apple Film Festival – Stephanie won for her first film, which was screened alongside Jerry Stiller. It was a comedy called ‘Ladies Night’ Photo Credit: Stephanie Iscovitz

SC:  You have taken on thrillers, dramas, comedy, and other genres in your work.  Just a couple of the comedies you are a part of is OK, Cupid and the web series, Third Wheel.  I understand Third Wheel is doing well and was nominated for an award.

SI:  I enjoy all genres and hope to continue to create a diverse body of work. As an actor, I tend to play darker, troubled characters but also have extensive improv experience having completed The People’s Improv training program. I was on two indie improv teams performing in comedy clubs throughout the city for a few years and loved it.  Improv is a reminder to stay in the moment and inspires a ‘yes, and’ attitude for life. It’s where I met my close friends Sarah and Darin who are part of the Third Wheel team.  On Third Wheel, Sarah plays the lead character, ‘Lu’ and Darin directed, shot, edited and scored the entire project.  We were nominated for Best Ensemble at the NYC WebFest. Third Wheel got distribution through SeekaTV, a streaming platform for the independent filmmaker. See the complete first season here.

Scene from 'Bruce Loves You'

Stephanie Iscovitz in her latest film, ‘Bruce Loves You’ Photo Credit: Darin Quan

SC:  Tell me about your latest film, Bruce Loves You.

SI:  I reconnected with Sarah and Darin after Third Wheel to film Bruce Loves You. Chris Roberti of HBO’s High Maintenance and Comedy Central’s Broad City is Bruce, a charismatic and handsome ghost in a complicated relationship with a young woman who happens to be alive. When he begins to compliment her roommate’s speaking voice, it becomes clear he is not a one-woman ghost.  I portray the roommate.  The inspiration behind Bruce focuses on improbable or ridiculous stories and how they can help alleviate the inevitable problems of time and money in film production.  A blender was also always breaking down, so this story was a natural expression of all those elements in a true ‘indie’ spirit.  See the trailer here.

'Bruce Loves You' cast at Lighthouse International film fest

‘Bruce Loves You’ team at the 2017 Lighthouse International Film Festival Photo courtesy of Darin Quan

SC:  You also work for the Donna Grossman Casting Agency.  How did you get involved in that line of work?

SI:  I am so grateful I got the job through my best friend.  Every actor should have an opportunity to work in a casting office.  You learn nothing is personal and the best person for the job doesn’t always get it for reasons beyond anyone’s control.  Once we were casting for a luxury eye-wear company and the model they wanted to book had a small cut on her finger and lost the job even though it would have been healed and completely unnoticeable by the shoot date.  Another time we were casting a commercial and booked an actress in her mid-40s.  The client changed their mind and wanted the role to be for an 80 year-old actress. So even after booking it, that actress didn’t get it. You’re not in it ‘til you’re in it.

SC:  Please tell me about projects you are currently working on and who you would like to work with in the future.

SI:  I’ve been working on a virtual reality (VR) project in narrative form for the past year. VR experiences have an unprecedented potential to elicit empathy, which makes it perfect for a story I’m exploring about unconventional love and “otherness.”  It’s the first time I’m focusing more on myself and creating a role that showcases my acting range instead of a more ensemble piece where all my friends have equal screen time.

Right now I’m dying to work with Ana Lily Amirpour. Her debut feature, A Girl Walks Home Alone at Night, is a huge inspiration for my VR project. She also spoke at the Nevada Women’s Film Festival in March where my film, The Man with the Western Hat, was accepted. I admire her work and she offered some real insight into navigating this industry. Her sophomore feature, The Bad Batch was just released June 23rd. I hope our paths cross one day.

 

 

South South Conservatory’s annual, family summer outdoor concert series, ‘Wacky Wednesdays’ returns

South Shore Conservatory, known for offering fun, educational, and interactive classes and entertainment for all ages for the South Shore of Massachusetts and beyond, is proud to enliven Wednesday mornings once again.  Sponsored by The Harold and Avis Goldstein Trust with WATD as media partner, South Shore Conservatory’s Wacky Wednesdays has been delivering award-winning, educational, and interactive family entertainment for their 21st year every Wednesday mornings as part of their outdoor Summer Spotlight series.  Wednesday morning concerts also feature free lemonade and chocolate milk starting at 10 a.m.

Kicking off the season on Wednesday, July 5, singer-songwriter and Music Together teacher Vanessa Trien and the Jumping Monkeys return to the Jane Carr Amphitheater stage.  This family concert series includes humorous, high energy, and catchy family pop band Karen K and the Jitterbugs on July 12, multiple award-winning Roots musician, Alastair Moock and Friends on July 19, and imaginative, energetic, and interactive musical storytelling by Debbie and Friends on July 26.  Click here for a closer look at this enchanting series.

All concerts take place rain or shine at Jane Carr Amphitheater, One Conservatory Drive in Hingham, Massachusetts.  With funding from Massachusetts Cultural Facilities Fund, the Jane Carr Amphitheater has been updated entirely.  See the South Shore Conservatory’s summer spotlight concert series at affordable prices and no charge for children under three.  Discounted prices for groups are also available.  Click here for tickets and more information or call 1-781-749-7565, ext. 22.