musicals

REVIEW:  The Umbrella Stage Company delivers a bright and uplifting ‘Hairspray’

Posted on by The Sleepless Critic

If only we can all possess Tracy Turnblad’s unwavering optimism and enjoy this much dancing everyday in our own lives, the world may be a little happier.

‘I’ll eat some breakfast and change the world’ is just one of the self-assured declarations that Nora Sullivan makes as tenacious during Good Morning Baltimore while dreaming about dancing on television in 1962 Maryland. Sullivan was also Tracy in Sullivan Rep’s Hairspray last year. 

With glowing, innovative and multi-color television screens and a sparkling curtain in the background, The Umbrella Stage Company lights up The Corny Collins Show’s vinyl record dance floor with catchy beats and a spirited groove in Hairspray: The Broadway Musical, an upbeat 60s romantic musical comedy sure to brighten anyone’s spirits.

The cast of HAIRSPRAY, feat. Lisa Kate Joyce* as Amber Von Tussle, Joshua LaPierre as Corny Collins, and Nick Corsi as Link Larkin Photo by Jim Sabitus *indicates a member of AEA

Boasting exuberant direction and choreography by Najee A. Brown and Jordan Oczkowski’s uplifting music direction, Umbrella Stage Company Hairspray: The Broadway Musical live and in person at the Umbrella Arts Center in Concord, Massachusetts through Sunday, May 17.  This engaging musical comedy delivers bold comical innuendos and runs approximately two hours with one intermission.  Click here for more information and for tickets.

Featuring a large and lively cast, Hairspray has always been an upbeat satire which infuses important messages about body positivity, bullying and racism with a hopeful and bubbly lead that believes anything is possible.  I had a marvelous time and could not help bopping my head several times to the musical’s joyous beat.  Hairspray picks up right away in constant motion as scenes unfold simultaneously on Cameron McEachern’s dual level set.  For example, Good Morning Baltimore unfolds with infectious rhythms and clever staging as Maggie Cavanaugh as Tracy’s best friend Penny and Tracy pour over an authentic retro television set alongside what they are seeing on the screen.

The cast of HAIRSPRAY, feat. Christian David* as Seaweed J. Stubbs in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.
*indicates a member of AEA

 Big and fluffy standout wigs by Cara Guappone tower over vivid 60s costumes in flowing crinoline with colorful patterns including polka dots, florals, plaids and shimmering gold lamé by Emerald City Theatricals. 

Another highlight is demonstrated in Big Doll House which elevates the comedy and the chemistry between the actors and teen rebellion takes charge as Cavanaugh’s Penny, Lisa Kate Joyce as Amber Von Tussle and Sullivan’s Tracy sound off in vivid intricate lighting by SeifAllah Salotto-Cristobal and sparkling harmony for Mama I’m a Big Girl Now.

Nick Corsi and Nora Sullivan in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

Tracy dreams of performing on Baltimore’s teen dance TV show The Corny Collins Show and winning the heart of Link Larkin, a council member and heartthrob singer exhibiting the dreamy excitability of falling in love with Brown’s 360 degree choreography in I Can Hear the Bells.  Sullivan’s jovial performance exudes charm and an imaginative turn of phrase as Tracy’s pretty vocals expel spontaneous shrieks and endearing chuckles during various parts of the production. 

Sullivan’s Tracy gets into ambitious teen high jinks and Maggie Cavanaugh as best friend Penny is gleefully along for the ride.  Boasting hints of Elvis croons and inflections, Nick Corsi portrays heartthrob Link with a mix of openness and charisma while sharing some amusing scenes with Tracy especially for the endearing ballad, It Takes Two.  Christian David is easygoing and suave delivering smooth and distinctive vocals as Seaweed J Stubbs, especially for the catchy number Run and Tell That. With a broad and winsome smile, Joshua Lapierre as Corny Collins certainly lives up to Corny’s name and is shows off his sharp comedic chops while cutting a rug in Nicest Kids in Town. 

Aimee Doherty, Lisa Kate Joyce and the cast of HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

Brutal, poised and snarky, villainy lives in Aimee Doherty who revels in her role as Velma Von Tussle bathed in ruthless red lighting.  Lisa Kate Joyce as Velma’s coiffed and obnoxious daughter Amber Von Tussle is an appropriate mini-me striding onstage with a flashy smile.  The duo makes an impressively egotistical, calculating, manipulative and often unhinged pair.  Only second to an array of comical tantrums bellowed on a staircase, Joyce is brashly pitch perfect when she exclaims, ‘What happened to the bland and spineless guy I fell in love with?’  Joyce also delivers sharp comedic timing and over the top vocals for Cooties.

Robert Saoud infuses dry humor and a dazzled smile as Tracy’s once aspiring designer mother Edna and Chip Phillips lovably depict Tracy’s plucky and optimistic inventor father Wilbur for a humorous rendition of You’re Timeless to Me. 

Robert Saoud* and Nora Sullivan as Edna and Tracy Turnblad and cast in HAIRSPRAY at The Umbrella Arts Center.
Photo by Jim Sabitus.
*indicates a member of AEA

Whether delivering the playful and bluesy Big Blonde and Beautiful or a moving rendition of I Know Where I’ve Been, Barbara Pierre offers frank, unflappable and soaring vocals as Motormouth Maybelle.  Whether depicting a principal at the end of his proverbial rope, a wild bailiff, gym teacher, a camera shy advertiser or taking control of a TV shoot, Nick Miller and Meryl Galaid manage to make each of their multiple roles amusingly memorable.

Nora Sullivan and the full cast of in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

No time but now to see Hairspray:  The Broadway Musical continuing live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday, May 17.  Click here for more information and for tickets.

REVIEW: SpeakEasy Stage’s ‘Swept Away’ creates light and haunting shadow in impactful rhythms

Posted on by The Sleepless Critic

Paralyzed by the past, one man must share his life-altering recollections of the high seas.

Directed by Jeremy Johnson with pulsating musical direction by Paul S. Katz, music and lyrics by the Avett Brothers and astutely choreographed by Ilyse Robbins, SpeakEasy Stage continues the New England premiere of musical drama, Swept Away live and in person at the Calderwood Pavilion in Boston, Massachusetts through Saturday, May 23.  Based on a true story set in New Bedford, Massachusetts, Swept Away has adult themes and runs approximately 90 minutes with no intermission.  Click here for more information and for tickets.

Peter DiMaggio & ensemble. Photo: Nile Scott Studios

Sailing the high seas can hold as much danger as adventure.  A dynamic group of veteran and inexperienced whalers set sail from New Bedford, Massachusetts on a wooden yacht called The Mignonette. The yacht’s name is based on a real life yacht bound from Southampton, England to Sydney, Australia in 1884 and inspired an album by the Avett Brothers.

Having seen In the Heart of the Sea, a film with some similar themes based on the Essex Maritime Disaster and inspired Herman Melville’s Moby Dick, Swept Away has a lot of jubilant and hopeful moments while it is also based on a horrific true story about survival. While the sweeping harmonies and beautiful lyrics drew me in, the darker themes kept me at bay which left me wondering whether every tale needs to be told.

Max Connor (dark hair) and Bishop Levesque. Photo: Nile Scott Studios

It is joyful and moving, but also chilling and grim.  You should be ready for all of these to witness this musical.

Opposing ideas are at war during this surprising musical drama and includes a number of meaty themes such as duty, faith, trauma, sacrifice, grief, morality, sin, desperation and redemption dwelling within these often jaded whalers.  These themes are not just touched upon, but are the very basis for what happens next. 

Janie E. Howland’s maritime-inspired set includes wooden chests, masts tied in thick rope, ladders and wooden barrels framed by a translucent sail illuminated by kerosene lanterns. Karen Perlow’s vibrant lighting depicts days passing in shades of greens, purples, and blues on the horizon.  Perlow also creates creeping shadows as James Cannon’s haunting sound design demonstrates the rollicking and foreboding sounds of the sea.

Foreground Max Connor (left) and Peter DiMaggio with ensemble. Photo: Nile Scott Studios

It’s natural to wonder what is beyond your backyard and what kind of adventures lies just beyond your reach. Led by Peter DiMaggio who delivers a charismatic, sympathetic, and sinister performance, this enthusiastic cast initially shares a warm camaraderie as they get to know each other.  Little Brother, amiably portrayed with naiveté, wide-eyed tenacity by Max Connor, is determined to become a whaler believing it might be his only chance to see the world.  However, Bishop Levesque as Max’s protective older brother, a pillar of faith and sacrifice, hopes to convince him to come home.

From left: Christopher Chew, Peter DiMaggio, Bishop Levesque, Max Connor. Photo: Nile Scott Studios

Levesque’s Big Brother beliefs clash with Peter DiMaggio as rebellious Mate who has seen and swallowed more than he can bear and wants to wash his hands of responsibility.  They impressively standoff with the cast in a cappella and piano-infused harmony for gospel hymn Lord Lay Your Hand On My Shoulder against the catchy and stomping rhythms of Ain’t No Man.

Christopher Chew as The Captain with ensemble. Photo: Nile Scott Studios

Swept Away boasts stunning harmonies in this folk-rock musical articulated through Robbins’s swift, energetic and organic choreography in every sliding, stomping and clapping rhythm led by skilled aerialist Ezra Quinlan who gracefully glides from what seems to be a main sail.  They leap and sway to the upbeat and guitar-tinged Hard Worker which describes the life of a whaler and Christopher Chew eloquently shares his proud yet weary life as Captain in May it Last. 

Bishop Levesque as Big Brother. Photo: Nile Scott Studios

The Avett Brothers deliver a number of poetic and memorable lyrics such as What more is a rainbow than colors out of reach? and With Your Heart my soul is bound and their riveting rhythms is the pulse of this nautical journey.

Peter DiMaggio as Mate. Photo: Nile Scott Studios

SpeakEasy Stage continues the New England premiere of musical drama, Swept Away live and in person at the Calderwood Pavilion in Boston, Massachusetts through Saturday, May 23.  Click here for more information and for tickets.

REVIEW:  ‘The Outsiders’ musical sure does shine

Posted on by The Sleepless Critic

Tulsa, Oklahoma is divided by the-haves and have-nots in 1967 and that divide is capable of causing a confrontation at the drop of a hat.

The drive-in and literature provide a means of escape for Pony Boy, a 14 year-old Greaser often surrounded by teenage gang violence.  As young as he is, he may be the only one who is asking why.

The cast of ‘The Outsiders’ musical national tour Photo by Matthew Murphy of MurphyMade

Directed meaningfully by Dayna Taymor with Justin Levine’s powerful music direction and Rick and Jeff Kuperman’s slick and athletic choreography, Lexus Broadway in Boston continues the national tour of The Outsiders musical at Citizens Opera House through Sunday, April 12.  This coming of age musical’s action is not limited to the stage and runs 2 hours and 30 minutes with one intermission.  Click here for more information and for tickets and here for the next stop on The Outsiders Musical national tour.

The Outsiders was originally a 1967 novel by S.E. Hinton.  The author oversaw every aspect of the popular 1983 Francis Ford Coppola film adaptation of the same name featuring what was then a promising group of actors that went on to make their own iconic mark in the world.  The film became a popular cult classic with a dynamite cast starring Thomas C. Howell as Pony Boy, Patrick Swayze as Darrell, Ralph Macchio as Johnny, Matt Dillon as Dallas, Rob Lowe as Soda Pop, Emilio Estevez as Two-Bit, Leif Garrett as Bob and Diane Lane as Sherri “Cheri” Valance.  It also first premiered as a stage play in 1990.

The Greasers Photo by Matthew Murphy of MurphyMade

From its building opening folk-rock number Tulsa ’67, The Outsiders musical hits the ground running and it is as thrilling as it is introspective.  Nolan White is an immediately compelling narrator as poetic, sensitive, naïve and bookish Pony Boy.  Pony Boy spends his days escaping the chaos and Tulsa’s gang violence through 60s film icons such as James Dean and Paul Newman, but it is only a matter of time before the violence around him catches up to him.

The national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of Matthew Murphy of MurphyMade

Smoke rises over Projection designer Hana S. Kim’s and Sceneographer Tatiana Kehvehgian’s weathered and strategically placed multi-level industrial set.  Peppered with vintage props that effectively rewind the clock such as a teal antenna television, functional Cadillacs that growl to life and a vintage metal-framed wooden table, the surrounding set pieces are brilliantly navigated by the cast into alternating positions, especially grease, wooden planks and cinderblocks which take part in the Kupermans’ slick and athletic choreography.  Grainy film montages creatively and impressively illustrate the stage in unexpected places combined with Brian MacDevitt’s lighting heightening the show’s innate intensity through windswept shadows, flashlights, headlights and a dazzling sunrise.

The Socs of the national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of MurphyMade

Outstanding harmonies within Great Expectations, I Could Talk to You All Night, Grease Got a Hold, Run Run Brother and Throwing in the Towel, and Stay Gold is just a few of the mellifluous numbers in this guitar-tinged folk and roots rock score.  The Outsiders tackle privilege, bullying, gang and domestic violence, grief and loss.  It also delves into brotherhood, family, friendship and more prevalently, yearning to be understood and the dream of a better life. 

The captivating cast share natural camaraderie amongst the two gangs punctuated by the performances of Tyler Jordan Wesley as wildly unpredictable Dallas and Travis Roy Rogers as reliable Darrell.  Wesley hits all the right notes with Little Brother while Darrell’s resentment, self righteousness, worries and distress are encapsulated in the numbers Runs in the Family and Soda’s Letter.

The national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of MurphyMade

Life can change on a dime and the mesmerizing manner in which they are presented are one of the greatest aspects of this amazing musical as well as how beautifully this musical brings out Hinson’s work about innocence and struggle in a remarkably new, unique and fitting manner.

This musical sure does shine.

Lexus Broadway in Boston continues the national tour of The Outsiders musical at Citizens Opera House in Boston, Massachusetts through Sunday, April 12.  Click here for more information and for tickets and here for the next stop on The Outsiders Musical national tour.

REVIEW:  Thoughts set adrift and a lady waiting in Lyric Stage’s humorous and ruminating new musical, ‘Penelope’

Posted on by The Sleepless Critic

So many questions lie in an uncertain future.

Waiting can make you antsy, edgy, and frustrated while fluctuating between hope, anticipation and dread.  No one knows waiting quite like Penelope from Homer’s epic work, The Odyssey.  From a Cliffside island abode, Penelope waits for years for her husband to come home after the Trojan War with no idea of what’s ahead.  However, boasting an eclectic mix of catchy, playful, melancholy and soothing songs, thoughts travel even when the body does not and a lot can happen even while the world is still.

Directed with introspection by Courtney O’Connor with eclectic music direction by Dan Rodriguez, Lyric Stage presents Alex Bechtel’s new musical, Penelope live and in person at Lyric Stage Company in Boston, Massachusetts through Sunday, March 1.  This stirring and semi-interactive one woman cabaret style production contains adult language and runs 80 minutes with no intermission.  Click here for more information and for tickets.

Aimee Doherty in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

Homer’s The Odyssey is considered one of the most influential and most read mythological works of all time and has been getting particular attention lately.  American Repertory Theater debuted Kate Hamill’s The Odyssey last year and this summer, Matt Damon leads an all star cast in Christopher Nolan’s new adaptation of The Odyssey.  The Odyssey explores several significant themes including war, temptation, survival, and redemption, but it is not necessary to refresh yourself on Homer’s work to appreciate this musical.  Its focus is less on the plot and its exclusive focus is on Penelope’s perspective, Odysseus’s clever, steadfast, and powerful wife who holds onto hope for Odysseus’s return while touching upon a few themes from Homer’s classic work.  Penelope also explores the relatable nature of waiting and looking for answers while facing an unknown future.

Ethan Wood, Dan Rodriguez, Aimee Doherty, Kett Lee in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

Illuminated in warm pastels and elegant and detailed oceanic ripples by Karen Perlow, Janie E. Howland’s wooden, wicker and stone set has certainly created a beautiful and inviting sanctuary for Aimee Doherty as Penelope in her Ithaca Cliffside abode in vibrant teal adornments.  Mikayla Reid’s breezy costumes further captures the musical’s carefree Grecian façade with the onstage orchestra adorned all in white and Doherty stands out in a flowing burgundy jumpsuit.  The manner in which the intimate orchestra take the stage accompanied by Alex Berg’s soothing and sweeping sound design provides comfort and solace and Doherty’s occasional interactions with them feel more like a collaboration than exclusively a one woman musical. 

Aimee Doherty, Ethan Wood, Dan Rodriguez in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

However, Penelope’s heavy heart has much to consider in deep reflection in her soaring vocals as she waits for her husband’s homecoming. This musical takes its time, but in a gradual unfolding without dragging.  Every moment builds with care.  Doherty’s Penelope is clever, frank, graceful, charming and is all too aware of her place in the world in the Bronze Age, even with the show’s contemporary flair.  She remarkably evokes her thoughts and a myriad of complex emotions while quietly inviting you on this journey.  Doherty’s tense stillness, quiet anticipation, vulnerability and stark loneliness are palpable as her eyes flicker and in a jolting movement, her feelings may sweep over you as well.

Marissa Licata, Aimee Doherty, Dan Rodriguez, Ethan Wood in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

As much as the musical is about the anguish of waiting and suffering as depicted in the frustrating Prayer and poignant number Lose My Mind, Penelope also provides its share of raw and humorous moments in both dialogue and song as demonstrated in the cheeky Drunk Iliad.  Funny, soothing, and earnest, Penelope unveils the wonder of the ordinary even if the waiting is the hardest part.

Directed with introspection by Courtney O’Connor with eclectic music direction by Dan Rodriguez, Lyric Stage presents Alex Bechtel’s new musical, Penelope live and in person at Lyric Stage Company in Boston, Massachusetts through Sunday, March 1. Click here for more information and for tickets.

REVIEW: An amusing battle of wits at Hive Theatre Company’s ‘The 25th Annual Putnam County Spelling Bee’

Posted on by The Sleepless Critic

It can be a strange form of intellectual entertainment. 

The contestants range from excitable to anxious to charismatic while braving through the pressure to succeed.  With spell check just a click away, knowing how to spell complex words such as Xanthosis, Autochthonous, or Logorrhea almost seems like an archaic practice.  However, Scripps National Spelling Bees are seen all over the world and like any competition, plenty of drama is happening behind the scenes. 

Smoothly directed and choreographed by Margaret McFadden with John Eldridge’s witty music direction, The Hive Theatre Company dives into an interesting match of wits with the award-winning musical comedy, The 25th Annual Putnam County Spelling Bee continuing live and in person through Sunday, February 1 at BCA Plaza Theatre at Boston Center for the Arts in Boston, Massachusetts.  This semi-interactive production runs 1 hour and 45 minutes with one intermission and contains some adult humor.  Click here for more information and for tickets.

The cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Based on a book by Rachel Sheinkin and William Finn and featuring playful and insightful songs from its Grammy award-nominated album such as I’m Not That Smart, Pandemonium, and I Speak Six Languages, The 25th Annual Putnam County Spelling Bee explores the lives of quirky and feverishly ambitious Putnam Valley Middle School students who are not only striving to win the bee, but to find their place in the world.

Alex Kennedy and the cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Featuring a live four piece band in the background, the BCA Plaza Theatre offers a fitting scholastic vibe for a spelling bee.  Kevin Deane Parker’s modestly staged set features a blue school door, colorful metal chairs and auditorium seating.  No spelling bee should be without a sponsor and Putnam Optometrists have stepped in with a humorous slogan across the judge’s table.  Samantha Wolfrum’s wild and eccentrically charming costumes illustrate each character’s distinctive qualities.

Before addressing each one of the improvisational wizards that compete in Hive Theatre Company’s production of The 25th Annual Putnam County Spelling Bee, it is important to note that the audience plays their own part in the bee.  This small cast makes a big impression, and this zany musical comedy tests the audience’s knowledge as four lucky guest volunteer spellers have the honor of taking the stage to compete with the cast.  It is an amazing experience to be a guest speller as the cast keeps them on their toes all in good fun. 

Amanda Wade and Cameron Nye in cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

If offered this opportunity, do not let fear and the unknown override a wonderful chance to join in the excitement of the bee along with the outside possibility of getting serenaded by some real talent.  The interactive antics are just part of what makes this improvisational musical comedy unique and doused in a bit of the “reality show” flavor.  Each performance of The 25th Annual Putnam County Spelling Bee leaves its own individual and lasting impression.

From caricature voices to bizarre antics, this spelling bee cast leans into and emphasizes character quirks much more than endearing qualities than other version I have seen while relishing in their own various idiosyncrasies.  To these students, spelling can be ruthless and punishing and are certainly feeling the pressure.  Full of anxiety and neurotic awkwardness, each adolescent has their own humorous ways of coping to achieve a win paired with the difficulties of growing up.  Learning each speller’s story and why they are participating in the Putnam County Spelling Bee (and needs a win) can be insightful, comical, and moving.

Salvatore Guillermo Garcia, Amanda Wade and Maya Gopalswamy in The Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Running the Bee is Amanda Wade as Rona Lisa Peretti, former winner of Putnam’s Spelling Bee.  Peppy, orderly, and with polished vocals, Wade doles out fun facts about the contestants with palpable enthusiasm especially during the excitable number, Rona Moment #1.  She and Josh Telepman as Vice Principal Douglas Panch are responsible for quite a few clever one liners during the show, feeding off each other’s varied personalities. 

Anna Wright and Salvatore Guillermo Garcia in cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Salvatore Guillermo Garcia is impressive as intense, firm, but sensitive Mitch Mahoney who hands out cure-all juice boxes to eliminated contestants as he supervises the competition.

Maya Golalswamy and Kaden Mays in Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Outlandish and peculiar, the remarkable spellers play well off each other and boast particular chemistry and harmony during the numbers, Pandemonium, My Friend, the Dictionary, and Magic Foot which fittingly features a kick line.  Maya Gapalswamy as Olive and Kayden Mays as William display some awkwardly cute chemistry.  Gapalswamy as hesitant and sweet Olive Ostrovsky is also sympathetic in a stirring rendition of The I Love You Song with Amanda Wade and Salvatore Guillermo Garcia.  Anna Wright as Logainne Schwartzandgrubenniere, an anxiously outspoken bright-eyed girl in braids with a lisp forlornly laments Whoa is Me and Alex Kennedy is memorable as Leaf Coneybear, an intense, wildly dressed savant in a cape and bow tie while Cameron Nye has more than spelling on his mind as shy and daydreaming Chip Tolentino.  Ashley Ha is ironically charismatic as socially awkward and rigid perfectionist Marcy Park especially for the athletic number, I Speak Six Languages.

Kaden Mays (center) and the cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

In a tricky environment where so much rides on improvisation, the cast navigates their characters while gliding through any challenging circumstances.  The show inserts a few interesting pop references and contemporary issues into this timeless musical comedy.  Some elevate the comedy while others seem out of place.  Overall, The Hive Theatre Company’s musical comedy, The 25th Annual Putnam County Spelling Bee is a clever and original musical production that may just leave the audience feeling a little smarter.

The cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

The Hive Theatre Company continues musical comedy, The 25th Annual Putnam County Spelling Bee continuing live and in person through Sunday, February 1 at BCA Plaza Theatre at Boston Center for the Arts in Boston, Massachusetts.  Click here for more information and for tickets.

REVIEW: Vivo Performing Arts presents ‘What Makes it Great?’ with Rob Kapilow highlights the brilliance of Broadway’s Lerner and Loewe

Posted on by The Sleepless Critic

What elements contribute to a great song?

On a grand piano alongside a trio of talented singers at center stage, NPR’s popular composer, conductor, and master music analyst Rob Kapilow continues his 27th year captivating audiences with his vast musical knowledge, sense of humor, and careful analysis of what makes the best songs tick.  Every note, lyric, and rhythm is meticulously constructed to bring out the excitement and enrich the scope of the piece and Rob Kapilow shows you just how they do it.  Though music styles and genres inevitably change, Rob Kapilow may make you see your favorite songs in a whole new light.

Rob Kapilow as Vivo Performing Arts presents ‘What Makes It Great’ Credit Robert Torres

Vivo Performing Arts, formally Celebrity Series of Boston, presented What Makes it Great? with Rob Kapilow live and in person at New England Conservatory’s Jordan Hall in Boston, Massachusetts for one night only Saturday, January 17 at 8PM.  This semi-interactive performance ran 90 minutes and included a short question and answer session.  Click here for more information on the performance and here for a closer look at Vivo Performing Arts’ upcoming events. Click here to learn about all of Rob Kapilow’s works including his next stop in his What Makes it Great series.


Whether you are music virtuosos or a casual music listener, Kapilow consistently offers something new that in some way will change the way you hear music for the better.  Though often speaking to a large audience, Rob Kapilow is so personal, relaxed and friendly during his talks, it often feels like a one-on-one session on a baby grand piano.  He is so popular with the Vivo Performing Arts crowd, he offers at least two appearances a season tackling everything from swing to dance to classical to Broadway music revealing each song’s inherent brilliance.

Rob Kapilow, Emily Albrink and Ben Jones in Vivo Performing Arts Presents ‘What Makes it Great’ Credit Robert Torres

Featuring a few of American lyricist and librettist Alan Jay Lerner and Austrian composer Frederick Loewe’s classic Broadway songs from Camelot, My Fair Lady and Brigadoon, Kapilow uses a mix of sophistication, humor and an easy to follow delivery to explore each song’s appeal and emotional undertones through its carefully selected musical notes. 

Delving into the Golden Age of Broadway as well as Lerner and Loewe’s dynamic history, Kapilow chose a selection of lighthearted and dreamy songs as well as pivotal numbers from musicals that leads to a character’s imminent transformation.  With humor and grace, Kapilow also reveals what each song might have sounded like without its individuality and as he peels back each layer, What Makes It Great? becomes an eye-opening experience. 

Calling on a couple of Broadway love songs, Kapilow was accompanied by soprano Emily Albrink and stirring singer, actor, and musician Ben Jones.  Jones and Albrink share gorgeous harmony and lighthearted chemistry for duets Brigadoon’s Almost Like Being in Love and playful Heather on the Hill.

Rob Kapilow, Ben Jones, and Emily Albrink as Vivo Performing Arts

Touching upon Rex Harrison’s complex casting in My Fair Lady, Kapilow ties in music and lyrics which waltz together teetering on so many emotions for I’ve Grown Accustomed to Her Face in which Jones articulates in an animated and humorous rendition.

Rob Kapilow, Emily Albrink and Hayden Lockhart as Vivio Performing Arts presents ‘What Makes it Great’ Credit Robert Torres

In an elegant flowing dress, Albrink brimmed with excitement evident is her full and rich vibrato as she delivered an exuberant rendition of My Fair Lady’s I Could Have Danced All Night.  In a jacket, tie, and bathed in rose lighting, Jones croons, mastering the complex and emotional weight of Camelot’s stirring ballad If Ever I Should Leave You, before concluding with a bold finish. 

Rob Kapilow, Emily Albrink, and Ben Jones as Vivo Performing Arts presents ‘What Makes it Great’ Credit Robert Torres

From classic songs and American Standards such as It’s Almost like Being in Love from Brigadoon to the high-spirited I Could Have Danced All Night from  My Fair Lady to a humorous and not to be missed I Remember it Well from Gigi, Rob shows how compulsive American lyricist Lerner of the famed retail stores and poverty-raised and frugal Austrian composer Loewe poured themselves and their imaginations into their music to create some real Broadway magic.

Vivo Performing Arts, formally Celebrity Series of Boston, presented What Makes it Great? with Rob Kapilow live and in person at New England Conservatory’s Jordan Hall in Boston, Massachusetts for one night only Saturday, January 17 at 8PM.  Click here for more information on the performance and here for a closer look at Vivo Performing Arts’ upcoming events. Click here to learn about all of Rob Kapilow’s works including his next stop in his What Makes it Great series.

REVIEW:  Adam Theater’s whimsical ‘Library Lion’ sings and wonderfully inspires

Posted on by The Sleepless Critic

“A book’s cover is like a big door.”

As an avid bibliophile, this significant quote from Library Lion could not ring more true.  Extraordinary things do happen when you read.

One of the big doors that unleash a limitless imagination is the library.  Unlike streaming, movies or television, a book is a movie for your mind and Library Lion, one of Time Magazine’s top 100 Children’s books, highlights the joys of reading and what to expect at the library until someone unexpected arrives.

Wisely directed by Ran Bechor with impactful music by Yoni Rechtor and dynamic music direction by Tomer Sne, Adam Theater continues Michelle Knudsen’s Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25.  This enchanting, semi-interactive, and family-friendly musical play is not limited to the stage and runs approximately one hour and 10 minutes with no intermission.  Click here for more information and for tickets.

The full cast of Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

The commotion is electric among this youthful crowd anticipating what is about to take place onstage. Whether young or old, this charming musical production does not disappoint. Books and other set pieces come to life in subtle, yet charming special effects refreshingly crafted with limited use of CGI or sophisticated digital screens.

Cast members from Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Unveiling Cameron Anderson’s stunning multicolor and vibrant, multilayered rolling set, Library Lion features an exuberant cast which includes a realistic lion puppet created by Jim Hensen’s Creature Shop waltzing to Irene Wang’s mischievous and playful sound design.  In striped garments, a puppetry trio which includes Sophie Kauffman, Sydney Grant and Sarah Nolen directed by Kate Brehm, operate and deliver a beautifully stylized lion portrayal from its powerful roars to its intricately blinking big blue eyes adorned with a multi-toned mane.

Puppeteers Sophie Kauffman, Sydney Grant and Sarah Nolen from Adam Theater’s production of LIBRARY LION. Photo by Nile Scott Studio

Eli Bijaoui’s clever and occasionally rhyming dialogue and simple, yet catchy songs by an intimate, three piece orchestra are well paced and mostly jovial as Jayden Declet as precocious Michelle and Aaron Mancaniello as reserved Kevin discover the wonders and virtues of the library with the help of Janis Hudson as charismatic and practical Ms. Merriweather, Robert Saoud as moody yet endearing Mr. McBee, and Clara Hevia as a lively yet frenzied storyteller.

l.-r. Janis Hudson, Jayden Declet and Ken Crossman in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Declet and Mancaniello share an easy rapport and start some minor chaos as they venture through the library’s doors as a clock is perpetually set to when the library opens at 9AM.  In a distinctive velvet coat and bowtie, Saoud is wonderful as Mr. McBee in a sympathetic depiction of a librarian who sticks by the rules but longs for something more. In a flowing floral dress, a pleasant voiced Janis Hudson depicts Ms. Merriweather with a breezy practicality and in this performance, more than a passing resemblance to Laura Linney.  It is amazing how Hudson slips into characters with such finesse.  Hevia rounds out the cast with quirky style and unique energy as the library’s storyteller.

Janis Hudson as Mrs. Merriweather confronts the Lion in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

You don’t need to be familiar with the pop culture references or books to enjoy this production, but you may wish to revisit or read them for the first time when they are introduced into the story.

The library is a treasured sanctuary for many reasons and the Library Lion sings its well deserved praises where you can occasionally sing-along.  Library Lion offers much more than life lessons, but delivers a compassionate and imaginative storyline that does not come off as preachy or condescending.  It offers humor, silliness and heart that will keep children engaged and at one point, brings the audience right into the story.  I say that is time well spent.

Cast members from Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Adam Theater continues Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25.  Click here for more information and for tickets.

REVIEW:  American Repertory Theater’s world premiere an imaginative and optimistic ‘Wonder the Musical’

Posted on by The Sleepless Critic

A violet pixelated galactic sky is marvelously portrayed from a spaceship bed and that is only the beginning.

Garrett McNally delivers a moving portrayal as inquisitive Auggie whose vibrant imagination spans the vast cosmos. Born with Treacher Collins Syndrome, Auggie’s world has always been limited to home schooling.  However, when Auggie is about to attend fifth grade, Alison Luff as Auggie’s practical mother Isabel insists he attend public school.  With guarded optimism, Auggie ventures apprehensively on this new journey.

Nathan Salstone, Garrett McNally, and members of the cast of Wonder.
Photo: Hawver and Hall

Insightfully directed by Taibi Magar with Katie Spelman’s enchanting choreography and Ryan Cantwell’s uplifting music direction, American Repertory Theater (A.R.T.) continues its world premiere of Wonder the Musical recently extended through Sunday, February 15 live and in person at Loeb Theater in Cambridge, Massachusetts.  This family-friendly and engaging production is approximately 2 hours and 10 minutes with one intermission. Click here for more information and for tickets.

In 2012, R.J Palachio’s first novel Wonder became a New York Times best seller before it was adapted into a heartwarming 2017 film of the same name starring Julia Roberts, Owen Wilson and Jacob Tremblay.  It seems only natural that this remarkable story has now been warmly transformed into a compelling musical.

Wonder Production Photo Nathan Salstone, Javier Muñoz, Alison Luff, Garrett McNally, and Kaylin Hedges in Wonder.
Photo: Hawver and Hall

Though Wonder is not based on a true story, Auggie’s story draws from real life experiences of individuals who struggle with this craniofacial condition.  It tackles bullying, prejudice, empathy and kindness, but what sets this intriguing musical apart is how it delves into perspectives.  Auggie may be the central figure in this musical, but a large part of the story focuses on each character’s perspective and the unexpected struggles of those who seem to have it better than Auggie at first glance.  Learning to walk in another’s shoes has never been so important.

Set designer Matt Saunders with lighting designer Bradley King richly articulates this glowing musical’s significant themes symbolically through a multicolored and animated pixilated landscape rhythmically peppering a revolving stage. These pixels can enhance, enliven and moderate the musical’s weightier scenes, but particularly illuminating Auggie’s amazing cosmic universe. Imaginative backpacks, colorful streamers, expressive T-shirts and detailed, fanciful costumes are just a sample of Linda Cho’s exuberant costume design.

Wonder Production Photo Alison Luff and Garrett McNally in Wonder.
Photo: Hawver and Hall

Wonder boasts its share of feel good moments featuring a strong cast. The chiming pop-infused score with lyrics and music by A Great Big World with Cody Spencer’s robust sound design keeps the show hopeful and optimistic even in the face of its heavier and poignant moments. Alison Luff as Isabel, Javier Muñoz as Nate, Kaylin Hedges as Via and Garrett McNally share a natural tight-knit chemistry facing the world as Hedges as Via affectionately calls her family ‘our little galaxy.’ There is a quiet earnestness built into this family when they step aside for one another. Hedges brings an affinity to this complex role with quiet yearning as Via through soaring vocals who consistently puts Auggie first in her solo, Around the Sun.  Luff and McNally share a stirring bond in a fiddle-laden and powerful rendition of You are Beautiful. 

Led by Melvin Abston as energetic Mr. Tushman, Beecher Prep School teachers share an idyllic infectious glee, enthusiasm, and occasionally lovable awkwardness as they navigate the curriculum with verve and charm.

Wonder Production Photo
Garrett McNally and Donovan Louis Bazemore in Wonder.
Photo: Hawver and Hall

Skylar Matthews charismatically shines as excitable and precocious theatre student Charlotte, especially during her engaging solo, You Didn’t Hear it From Me as she waltzes across the stage.   Donovan Louis Bazemore seamlessly navigates conflicted Jack who brings warmth and sincerity to the number, Shoes.  Paravi shows off sharp comedic timing while lightening a heartfelt moment with Hedges.

Garrett McNally (Auggie) and the cast of A.R.T.’s world-premiere production of Wonder bow in front of the Opening Night audience.

Nathan Salstone is no ordinary Moon Boy.  From the exciting 3-2-1 Blast Off and throughout the production, Salstone’s mellifluous vocals and reflective demeanor with Auggie brilliantly elevates each scene.

Wonder is an intuitive, imaginative and heartfelt creation that celebrates the value of loyalty and friendship while sharing significant life lessons prevalent for all ages. You may step away from Wonder the Musical seeing a brighter world too.

American Repertory Theater continues its world premiere of Wonder the Musical recently extended through Sunday, February 15 live and in person at Loeb Theater in Cambridge, Massachusetts.  Click here for more information and for tickets.

Sleepless Critic’s Top Ten Performances 2025

Posted on by The Sleepless Critic

Of the performances the Sleepless Critic has reviewed, here are the Top Ten favorite Performances:

The National Touring Company of PARADE, photo by Joan Marcus
Members of the Passengers company in performance. Credit: Grace Gershenfeld
David Castillo as Kenneth in SpeakEasy Stage’s ‘Primary Trust’ Photo by Benjamin Rose Photography
Jade A Guerra and Patrice Jean-Baptiste in Central Square and Front Porch Arts ‘s Collective ‘Her Portmanteau’ Photo by Maggie Hall Photography

REVIEW:  A feast for the eyes on a grand scale with North Shore Music Theatre’s merry musical treat, ‘A Christmas Carol: A Musical Ghost Story’

Posted on by The Sleepless Critic

Set in London 1843, A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve.  Only second to this tale are the amazing things I have heard about North Shore Music Theatre’s legendary production over the years.

Since 1989, North Shore Music Theatre has carved out a wonderful annual tradition retelling this thrilling Charles Dickens classic, A Christmas Carol: A Musical Ghost Story.   What I was unprepared for was how exhilarating the experience would be.

Absorbingly directed and whimsically choreographed by Kevin P. Hill with inventive Music Direction by Milton Granger, Bill Hanney’s North Shore Music Theatre continues A Christmas Carol: A Musical Ghost Story through Sunday, December 21 live and in person at North Shore Music Theatre in Beverly, Massachusetts.  This family-friendly theatre-in-the round musical experience is 2 hours and 20 minutes including one intermission.  Click here for more information and for tickets.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Haunting, immersive, and meaningful, A Christmas Carol: A Musical Ghost Story is a frequent holiday tradition with good reason.  So much more than the Charles Dickens classic, North Shore Music Theatre mixes Christmas Carols, storyline twists, and calls on two athletic, infinitely energetic, and mischievous spirits invisible to the real world portrayed by Amy Bransky and Risa Michina to accompany Tommy Labanaris as an enigmatic magical narrator to unveil this thought-provoking tale of charity, compassion, and redemption. Labanaris’s charismatic vocals as narrator soothes while navigating the stage like a riveting magician.

Tommy Labanaris (Narrator) and Ainsley Moulton (Tiny Tim) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Clocks glow, bookcases float, streets fog and mist, a weather woodstove smokes, windows and lampposts frost and a transparent wrought iron door and ornate chandeliers are all part of the innovative rising and descending set pieces by Howard C. Jones.  Wondrous winter landscapes including snow covered rooftops, driving downpours, and festive, timely projections enhanced by twinkling, cheerful and ominous lighting by Jack Mehler as well as heightened special effects not limited the action just onstage engulf you in the unpredictable world of Charles Dickens.

Detailed bustles, pea coats, shimmering Victorian-era dresses in an array of patterns, flowing robes, cloaks, feathered hats and top hats are just a glimpse into Rebecca Glick’s stylish period costumes which certainly helps make A Christmas Carol a feast for the eyes.  The uplifting overture, orchestrated by Milton Granger and arranged by Alby Potts and James Woodland, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production.  The floating, live orchestra which includes a harp and recorder, are carefully spread out in sections around the theatre above and below the stage.  

God Rest Ye Merry Gentlemen, Here we Come A-Wassailing, Ding Dong Merrily on High, We Wish You a Merry Christmas, and We Saw Three Ships are some of the famous Christmas Carols featured in with original songs that brighten this haunting tale.

Kevin Patrick Martin (Bob Cratchit) and David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

North Shore Music Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast led by David Coffee as miserly Ebenezer Scrooge.   Coffee adds traces of sadness in Scrooge’s frank and daring boldness as a damaged soul.  Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with jubilant warmth and perpetual optimism by Henry Thrasher who delights in pushing his uncle’s buttons in a wide smile.  In spectacles and a sour huff, Coffee is best showing hints of melancholy beneath his insistent resistance to kindness.  However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly sway to music, offering as increasingly lighthearted Scrooge while observing glimpses of his complicated life.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Kevin Patrick Martin portrays humble, guarded, and sympathetic Bob Cratchit while Daniella Dalli depicts loyal, patient and occasionally exasperated Mrs. Cratchit in a moving performance.  Martin and Dalli deliver heartwarming and stirring moments with their large and lovely family including sweet Fiona Kelly as Tiny Tim as their voices lift for We Wish You a Merry Christmas.  Kelly charms Martin and Coffee instantly with We Saw Three Ships. The joyfulness in the Cratchit household, despite their circumstances, perhaps mirror the life Scrooge might have had with Caroline Siegrist as steadfast Belle and what might have been.

Caroline Siegrist (Belle) and Nathan Haltiwanger (Young Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Grandly adorned in a gorgeous lit crown, veil and glittering pristine gown and glowing porcelain features, Daniella Dalli delivers warmth and angelic soprano vocals as the Ghost of Christmas Past, especially for the soaring number, Dream within a Dream.  Serene and gentle, she brings out thawing in Scrooge’s curmudgeonly soul.

Daniella Dalli (The Ghost of Christmas Past) an David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Majestic in a crown of holly, carrying a staff with and an air of warm yet firm benevolence, Davron S. Monroe skillfully glides across the stage boasting his signature melodious timbre as charismatic, jolly and larger-than-life Ghost of Christmas Present and as half of a pair of mirthful philanthropists alongside returning Russell Garrett. Alongside Davron, Violet Black and Joseph Hobbib captivate as foreshadowing spirits. 

Davron S. Monroe as The Ghost of Christmas Present in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

As green lanterns glow, Mark Worth is remarkably ghoulish as Jacob Marley with some very impressive special effects.  A ghastly presence with gravelly vocals and chains that seem to go on for miles, Worth as Marley does a marvelous job as a tortured and distressed soul boasted by extraordinary special effects that never overwhelm Worth’s powerful performance.  The silence is deafening as Nathan Haltiwanger delivers a veiled and mesmerizing Christmas Yet to Come.  I most assuredly cannot leave out Cheryl McMahon’s marvelous return as expressive and hilarious Mrs. Dilber. 

David Coffee (Ebenezer Scrooge) and Mark Worth (Jacob Marley) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Even those most familiar with this classic tale will encounter some welcome twists and surprises. If the holiday season is not spreading the merriment that is should be this year, North Shore Music Theatre’s A Christmas Carol will certainly restore that heartwarming feeling, indeed.

Cheryl McMahon (Mrs. Dilber) and David Coffee (Ebenezer Scrooge), both will be celebrating their 31st production of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

A Christmas Carol:  A Musical Ghost Story continues at North Shore Music Theatre live and in person in Beverly, Massachusetts through Sunday, December 21.  Click here for more information and for tickets.