musicals | The Sleepless Critic

REVIEW: Umbrella Stage Company delivers boldly funny ‘The Full Monty’

Posted on May 18, 2024 by The Sleepless Critic

For a few average guys down on their luck, the time has come to risk it all.

The Chippendales have landed in Buffalo, New York and have captured the local women’s attention while a local factory has closed down leaving a group of steel workers on the unemployment line to support themselves and their families, but on a quest to regain their self confidence and mojo back. Suddenly Michael Levesque as Jerry realizes the only way to get ahead is with some daring ingenuity to the tune of $50,000.

The cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

With upbeat direction by Leigh Barrett and zany choreography by Najee Brown, The Umbrella Stage Company continues musical comedy The Full Monty live and in person at the Umbrella Arts Center in Concord, Massachusetts through Sunday May 19. This show contains adult themes, partial nudity and runs approximately two hours and 20 including one intermission. Click here for more information and for tickets.

Andrea Giangreco, Sarajane Morse Mullins, Shonna McEarchern, and Stephanie Barney in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Set in 1989, Rebecca Glick’s colorful and at times neon costumes were quite a wild walk down memory lane. From neon scrunchies to tiger print sequins and jean jackets to track suits, it was such fun to revisit that late 80s nostalgia. Jenna McFarland Lord’s realistic and rolling two floor set reflect the run down nature of Buffalo in the stained metal walls, steel accents, and the paradox of escapism in the glowing sign and glittery curtains of Club Giordano.

Michael Levesque and Jackson Wisco in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

The Full Monty is more of a comedic romp than it is provocative, but both play an important role in this production. This Full Monty is lighter on the innuendo and essentially explores the lives of a group of blue collar workers just trying to make it in this steel town as they face unemployment and various personal problems as explained in the humorous number, Scrap. For example, depressed Night guard Malcolm in a lovably sympathetic performance by John Breen, wants to find his independence living alone with his ailing and emotionally abusive mother, depicted in a dual role by Jennifer Bubriski while Michael Levesque as impulsive yet sympathetic Jerry needs to earn enough to pay child support to his ex-wife, Pam portrayed by Stephanie Barney. Levesque as Jerry shines in the heartfelt ballad, Breeze off the River and shares some endearing scenes with Jackson Wisco as adorable Nathan. Tim Lawson as Jerry’s best friend Dave wants to support Jerry and soon realizes his own ardent need for a win.

Jennifer Bubriski, Joshua Wolf Coleman and the cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Combining a charming group of actors to portray ego-bruised men with great chemistry, witty banter, and well timed physical humor placed in a vast array of awkward situations is no easy feat, but this skilled group shares a moving bond with exceptional camaraderie. Joshua Wolf Coleman delivers fervent vocals and smooth dance moves in tweed as widower Horse during a hilarious audition process. Tim Lawson’s Dave boasts strong vocals and notable comedic timing especially evident in a heartfelt duet with Will McGarrahan as Harold in You Rule My World and in the darkly satirical tune with Breen and Levesque for Big Ass Rock. Jacob Thomas Less brings a delightful lightheartedness to the role of Ethan and Breen delivers a stirring and earnest rendition of You Walk with Me.

Michael Levesque, John Breen, and Tim Lawson in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Jennifer Bubriski is excellent as spunky, several times divorced accompanying piano player Jeanette. Bubriski is frank and no filter funny which makes her a bit of a scene stealer. Bubriski keeps the laughs coming in an excellent rendition of Jeanette’s Showbiz Number. Aimee Doherty transforms a somewhat shallow role as Harold’s younger materialistic wife, Vicki and infuses absorbing charm and likability beyond the catchy, Latin-inspired number Life with Harold.

Will McGarrahan, Aimee Doherty, Louis Brogna and the cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Najee Brown nails this particular brand of introverted and awkward dance moves into some of the most exciting parts of the production. Got the Goods and Let it Go are equal parts embarrassing, raunchy, lively and funny with Got the Goods particularly feeding into each character’s insecurities. One of the best parts of the show is watching those characters amusingly let loose.

Jennifer Bubriski, John Breen. Will McGarrahan, Tim Lawson, Michael Levesque, Joshua Wolf Coleman, and Jacob Thomas Less in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

The Full Monty has come a long way. From a British 1997 film that I could not get through to a musical comedy tastefully bringing sexy back in ridiculous and heartfelt ways leaving you rooting for these six down on their luck men to show Buffalo what they are made of.

With upbeat direction by Leigh Barrett and zany choreography by Najee Brown, The Umbrella Stage Company continues musical comedy The Full Monty live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday May 19. This show contains adult themes, partial nudity and runs approximately two hours and 20 including one intermission. Click here for more information and for tickets.

REVIEW: Live and love Lyric Stage’s sparkling ‘The Drowsy Chaperone’

Posted on May 7, 2024 by The Sleepless Critic

Imagine a world where nothing is taken too seriously. For a hilarious and somewhat melancholy Paul Melendy as Man in Chair, The Drowsy Chaperone is a frothy, charming, and joyous piece of escapism from the reality outside his cozy apartment.

Masterfully directed and choreographed by Larry Sousa with lively musical direction by Matthew Stern, celebrate Lyric Stage Company’s 50^th season with Golden Age musical satire The Drowsy Chaperone live and in person at Lyric Stage Company in Boston, Massachusetts through Sunday, May 12. This partially interactive production is approximately one hour and 45 minutes with no intermission. Click here for more information and for tickets.

Joy Clark, Paul Melendy and Maureen Keiller Photo by Mark S. Howard

Having seen this gem of a musical done before at other venues, it was with great anticipation to witness this jubilant musical performed by another stellar cast. An average gloomy apartment is much more than it seems as a delightful Paul Melendy’s Man in Chair, tea in hand, decides to share his 1928 record, The Drowsy Chaperone, with the audience. As soon as the needle hits the vinyl, life is transformed.

Joy Clark and the cast of the Lyric Stage’s ‘The Drowsy Chaperone’ Photo by Mark S. Howard

From shimmering canary yellow feathered ensembles to timely velvet dresses and fishnets, furs, show stopping silver uniforms, colorful flapper flair, silks, polka dots, pinstripe suits and tails as well as nostalgic 20s hairstyles, costume designer Seth Bodie perfectly captures the vintage style and heightened glamour of the roaring 20s and Musical’s Golden Age. Cameron McEachern beautifully rewinds the clock with classic posters on brick walls, an enchanted old fashioned refrigerator and a stage on a stage likened to a vintage Cathedral radio illuminated by John Malinowski’s vibrant marquee lighting.

Mark Linehan and Jared Troilo Photos by Mark S. Howard

In a mismatched cardigan, button down shirt, maroon pants and mischievous mustache, the real magic behind The Drowsy Chaperone is in the introverted Man in Chair himself. Melendy is an enthusiastic jumble of observational quips, improvisation, Broadway wisdom, and impressive comedic chops while also infusing the past with wonderful contemporary nuances and truisms about life. Watching Melendy’s relatable, animated expressions and natural delivery absorbed in living vicariously is just engaging enough to not scene steal from the other marvelous characters onstage. However, it is such great fun watching Melendy observe and sometimes say what everyone else is thinking in this somewhat play-within-a play.

Jared Troilo and the cast of Lyric Stage’s ‘The Drowsy Chaperone’ Photo by Mark. S. Howard

Mistaken identity, a prohibition wedding, a self assured Aviatrix, and lots of champagne is just the tip of the iceberg as an assortment of wonderful characters join together for the 1928 wedding of Joy Clark as determined showgirl Janet and her love struck fiancé, Robert Martin portrayed by Jared Troilo. Clark shines in a glorious and flirtatious rendition of Show Off delivering snappy comedic timing and exuberant chorography as cameras flash. Though Clark’s Janet claims to be fiercely independent, she and Troilo make a cute pair with perfectly timed chemistry in the quirky number Accident Waiting to Happen. Troilo and Mark Linehan as best man George deliver an exceptional tap routine for the catchy number Cold Feet. Troilo’s physical comedy is terrific especially at a moment when he is quite literally knuckling across the stage for a laugh.

Todd Yard and Carolyn Saxon in Lyric Stage’s ‘The Drowsy Chaperone’ Photo by Mark S. Howard

In purple furs and a dramatic delivery reminiscent of a cross between Jennifer Saunders and Lucille Ball, Maureen Keiller kills it as The Drowsy Chaperone. Keiller’s dry humored style of nonchalance and extravagant spectacle is a fabulous combination as she delivers a show stopping rendition of As We Stumble Along and later sharing a wild encounter with Cristhian Mancinas-Garcia as self obsessed Latino Aldolfo who is sporting a striped suit and gleaming rings.

Kristian Espiritu. Damon Singletary and the cast of Lyric Stage’s ‘The Drowsy Chaperone Photo by Mark S. Howard

In a sharp pinstripe suit, Damon Singletary, recently seen as a pivotal gangster in Lyric Stage’s Sister Act, means business in his portrayal of calculating Feldzieg while Ilyse Robbins and Kathy St. George provide lots of laughs portraying a dynamic and tough talking pastry chef duo with an amusing affinity to puns. Robbins and St. George lead a rousing rendition of Toledo Surprise in a grand dance number fueled by some of the most popular dances of the era.

Yasmeen Duncan and the cast of Lyric Stage’s ‘The Drowsy Chaperone’ Photo by Mark S. Howard

What this all comes down to is raise a glass and enjoy the endlessly charming The Drowsy Chaperone! The Man in Chair will surely make room for you.

Masterfully directed and choreographed by Larry Sousa with lively musical direction by Matthew Stern, celebrate Lyric Stage Company’s 50^th season with Golden Age musical satire The Drowsy Chaperone live and in person at Lyric Stage Company in Boston Massachusetts through Sunday, May 12. This partially interactive production is approximately one hour and 45 minutes with no intermission. Click here for more information and for tickets.

REVIEW: ‘Hadestown’ a soulful and eternally hopeful journey

Posted on April 26, 2024 by The Sleepless Critic

In Hadestown, there is nothing quite like a song.

Though I’m not normally a fan of mythology, Hadestown has a universal appeal as a soulful journey through faith and love with idealistic expectations and earnestness of what could be. A dream awakened of a love not tethered to a world of capitalism and poverty. Pure and untarnished was Orpheus and Eurydice.

Will Mann, Amaya Braganza, J. Antonio Rodriguez and Company in ‘Hadestown’ North American Tour 2023 Photo by T Charles Erickson

Directed intuitively by Rachel Chavkin with pulsing and dynamic choreography by David Neumann and stirring music, lyrics and book by Anaïs Mitchell, Tony award-winning Hadestown continues at the Boch Center Wang Theatre in Boston, Massachusetts live and in person through Sunday, April 28. The production is two hours and 30 minutes including one intermission. Click here for more information and tickets and here for its next stop on its national tour.

Will Mann and company in ‘Hadestown’ North American Tour 2023 Photo by T Charles Erickson

Set in a New Orleans-style depression era with a steam punk vibe and fueled by Bradley King’s brilliant lighting, Hadestown explores a mystical world of gods, men, and the social divide of the haves and have nots. This world is dark in more ways than one, but King’s amazing lighting dances like the characters onstage through spotlights to glowing lanterns to strobe lights to illuminating headlights – fierce, occasionally harsh, luminous and lively. Accented with a wrought iron balcony, etchings and green walls, scenic designer Rachel Hauck infuses classic New Orleans finesse with hidden tunnels and functioning railroad whistle. A sparkling black umbrella is just a hint of the unique, Victorian, steam punk-inspired costumes by Michael Krass steeped in mostly black and white that emphasize vibrant bursts of color featuring pinstripes, metal, and leather.

J. Antonio Rodriguez and company in ‘Hadestown’ North American Tour 2023 Photo by T Charles Erickson

With a haunting horn and fiddle-infused soundtrack that blends folk, blues, and New Orleans-style jazz delivered by an intimate onstage band, Hadestown boasts a plethora of edgy, powerful and distinctive vocals unique to each character. Chant and Way Down Hadestown are especially catchy and inventive tracks in a unique collection of pops, clicks, and layered harmonies.

Will Mann in ‘Hadestown’ North American Tour 2023 Photo by T Charles Erickson

Narrator, advisor, and consoler Will Mann affably portrays Hermes with self aware warmth and an interactive hint of wistfulness skillfully drawing the audience into this multilayered tale. With soaring vocals and an exuberant yet tough exterior, Amaya Braganza glows as wanderer Eurydice. Sporting blue hair, ripped stockings, and black boots, Braganza as Eurydice is vibrant and helplessly taken by naïve, romantic, humble, and spontaneous musician Orpheus, depicted with endearing charm by J. Antonio Rodriguez. Together they perform a soothing and vulnerable rendition All I’ve Ever Known. High tenor Rodriguez has an angelic falsetto hitting notes that seem otherworldly for Doubt Comes In.

J. Antonio Rodriguez and Amaya Braganza in ‘Hadestown’ North American Tour 2023. Photo by T Charles Erickson

With a rock star swagger and strut, Matthew Patrick Quinn breaths into Hades a rich and authoritative baritone and scene stealing wit behind thin dark shades. He wields the atmosphere driven by coal, capitalism, and soulless innovation especially prevalent in Quinn’s rendition of Why We Build a Wall. With electric blue eye shadow and a lustrous lime dress with florals, Lana Gordon is striking as Persephone with fervent vocals to match. Gordon performs a memorable duet with Quinn for How Long and navigates Our Lady of the Underground with a remarkable belt.

Lana Gordon and company in ‘Hadestown’ North American Tour 2023. Photo by T Charles Erickson

Marla Louissaint, Lizzie Markson, Hannah Schreer depict three mesmerizing and elusive Fates. They personify the conscience, the doubt, the fear, and the creeping proclamation of humanity’s shortcomings in a trio of chiming harmony. Burning into the psyche, their ascending vocal prowess is emphasized in an impressive and partially acapella rendition of Nothing Changes, soaring When the Chips are Down and in their role in Hadestown’s signature number Wait for Me.

J. Antonio Rodriguez, Marla Louissaint, Lizzie Markson and Hannah Schreer in ‘Hadestown’ North American Tour 2023 Photo by T Charles Erickson

Hadestown reflects the shortcomings of being human while the pettiness of the gods weighs in the balance of everyone’s fates culminating into a gripping finale. Eternally hopeful, Hadestown is a profound journey definitely worth the trip.

REVIEW: Joy and grief co-exist in Anthony Rapp’s moving ‘Without You’

Posted on April 12, 2024 by The Sleepless Critic

Author Nancy Berns once reflected, ‘There is freedom in knowing you can carry joy and grief together.’

Joy and grief coexist in Without You, a one man production performed by award-winning actor and singer Anthony Rapp. Known for his performance in the Pulitzer prize-winning musical Rent, Rapp weaves together a deeply personal portrait of the story behind the hit musical, his experiences as an actor, and the love and losses in his life. Featuring a mix of original music and beloved songs from Rent and based on Rapp’s 2006 memoir Without You: A Memoir of Love, Loss and the Musical Rent, Without You is a moving production for those who have seen Rent, but it is not necessary to see Rent in order to appreciate this production. It might encourage you to see it for the first time or revisit it after the production is over.

Seasons of Love

Directed conscientiously by Stephen Maler with insightful Music Direction by Daniel A. Weiss, ATG Colonial presents Anthony Rapp’s one man musical show Without You live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, April 14 and is also touring. This production is 90 without an intermission. Click here for more information and for tickets and here for the production’s tour schedule.

Anthony Rapp’s ‘Without You’ Photo by Russ Rowland

Rapp is contemplative of what he has been through privately and professionally with a variety of personal nuances to make it his own. With authentic scrapbook style flair by light and scene designer Eric Southern, a projected brick wall boasts a variety of Rapp’s taped newspaper clippings, vintage playbills, and weathered New York City landmark photographs, Rapp’s apartment, and even an touching handwritten note. The resplendent multicolor lighting and ambiance seem inspired by Rent itself. The production has a casual 90’s vibe with Rapp in a flannel shirt and sneakers by Angela Vesco and Rapp sets his own props during the production.

Having had phenomenal success as an acclaimed hit musical in the 90s that became one of the longest running shows on Broadway and gone one to be performed around the world as well as a film adaptation of the same name that also starred Anthony Rapp in 2005, it is amazing to think that Rent is closing in on its 30^th anniversary since Rapp’s first Rent audition. Rent is a daring, joyous, raw, and poignant musical about a group of 20-somethings living in New York City. It explores love, loss, hardships, dreams and realizations all while this group struggles to make the rent.

Anthony Rapp is speaking from personal experience as a struggling actor in New York City who worked at Starbucks to make ends meet as he embarked on auditions. Rapp’s mother encouraged his singing more than his acting recalling Rapp’s childhood roles as Snoopy and Oliver. With an innovative onstage band, Rapp tells an engaging and inspiring account recalling the invaluable friendships he made along the way including a beautiful event called the Peasant Feast. Rapp sings Seasons of Love wistfully, talks of his affinity for La Vie Bohème, hopeful Another Day, and a sweet rendition of Without You as well as the endearing original Carry Me Home, and the darkly quirky Wild Bill.

Having lost my father recently, Without You genuinely captures the sting and elusive solace of grief while Rapp immerses himself in mimicking the voice and mannerisms of each significant character in his heartfelt story including his mother, Rent creator Jonathan Larson and music director Michael Greif. Rapp’s warm, humorous, and spirited inflections were especially memorable in a stunning moment with Cy coaxing Rapp that the only way out is through.

REVIEW: A toast to Patti Lupone’s fabulous ‘A Life in Notes’ presented by Celebrity Series of Boston

Posted on April 9, 2024 by The Sleepless Critic

To say it was an honor to witness Patti Lupone’s brilliance onstage is an understatement. Having won three Tony Awards and two Grammy Awards, this Julliard-trained American Theater Hall of Famer from Long Island has proven time and again she is a master of her craft and it is easy to see why through her personal musical memoir A Life in Notes.

Conceived and warmly directed by Scott Wittman with inspiring music direction by Joseph Thalken, Celebrity Series of Boston presented Patti Lupone: A Life in Notes live and in person at Symphony Hall in Boston, Massachusetts for one night only on April 2. The show was 2 hours including one intermission and is touring around the country. Click here for more information and here for what is up next during Celebrity Series of Boston’s exciting season.

Patti Lupone and Brad Phillips Photo credit Robert Torres/Celebrity Series of Boston

Accompanied by pianist Joseph Thalken and Brad Phillips on strings, Patti Lupone made an endearing emotional entrance having been greeted by a roaring standing ovation from the audience. Donning a glimmering flirty black suit and sparkling earrings before later stepping into a shimmering showstopper with flowing cape, Lupone launched into a heartfelt and stirring rendition of Leon Russell’s A Song for You. The opening number was just the first of several touching moments during this production.

Part autobiography and part love letter to her fans, A Life in Notes is a beautiful tapestry of music which includes American Standards and Broadway that have made an indelible impact on this mezzo-soprano’s life and career so far. Humble and gracious, Lupone is a sharp and avid storyteller sharing her personal experiences while reflecting on valuable life lessons. She delivered each refreshing number with a mix of charisma, wit, style and creativity as the tale behind the song unfolds sharing her reflections on growing up on Long Island before establishing her decades -long career. Bathed in luminous purple, orange and gold lights, Lupone took the stage in front of a baby grand piano topped with a large bouquet of elegant roses as Thalken and Phillips provided accompaniment and smooth harmony to Lupone’s exceptional vocals.

Patti Lupone and Joseph Thalken Photo credit Robert Torres/Celebrity Series of Boston

As a fan who hoped to hear Sondheim’s Ladies Who Lunch in which she offered with all the incomparable passion and attitude that this song suggests, her selections covered some of her most memorable numbers and a few unexpected gems. Andrew Lloyd Webber and Tim Rice’s distinctive Don’t Cry for Me Argentina on strings sounded as epic as it did when she originated the role as Eva Peron in Evita. Lupone cheekily shook to Bagdasarian and Saroyan’s upbeat Come On-A My House and boasted fiery vocals for Jules Stein and Stephen Sondheim’s commanding Some People. Shelton’s yearning Lilac Wine and catchy Jameson and Feller’s Summertime, Summertime captured her experiences falling in love.

Patti Lupone Photo credit Robert Torres/Celebrity Series of Boston

Patti Lupone’s exciting life has had its tumultuous times living during the age of the Atomic Bomb and the turmoil of the 60s as well as building her success in New York City. She took the time to movingly pay tribute to loved ones as well as those who have passed away. Lupone’s pliable vocals and amazing range shine for Cole Porter’s Every time we Say Goodbye as well as for a darkly humorous, saucy and surprising rendition of Jerry Lieber and Mike Stoller’s Ready to Begin Again, which after hearing it for first time, has become of my favorite numbers. All of Patti Lupone’s personal touches, reflections, and compelling music selections made for a wonderful evening worth celebrating.

REVIEW: The Company Theatre’s ‘A Gentleman’s Guide to Love and Murder’ less mystery and more refined humor

Posted on March 29, 2024 by The Sleepless Critic

How far would you go to get ahead in the world as well as get the object of your desire?

Co-directed drolly by Zoe Bradford and Sally Ashton Forrest with jolly musical direction by Robert McDonough, The Company Theatre takes a satirical look at the haves, the have nots, and the ones desperate to rise above their station in Robert L. Freedman’s musical comedy A Gentleman’s Guide to Love and Murder continuing live and in person at the Company Theatre in Norwell, MA through Saturday, March 30. This zany production is a lengthy 2 hours and 20 minutes including one intermission. Click here for more information and for tickets.

Ryan Barrow’s partially projected set with Dean Palmer Jr. is quite literally a vintage gold and marble stage within a stage boasting some elaborate backdrops with a portion of it used to set up some dark comedy including a towering chapel, royal mail, a floral garden adorned with English lavender, a positively pink aristocratic parlor, an aesthetically animated snow-covered ski resort and a dour grave site. Ostentatious and detailed rich velvet dresses, top hats, corsets, high boots, and lacy frills are just part of what Joe Michienzie costumes with specialty costume pieces by Kathryn Ridder use to authenticate the propriety of Edwardian England.

A grave event in ‘A Gentleman’s Guide to Love and Murder’ Photo by Zoe Bradford

The show opens with a juicy Warning to the Audience of more elaborate treachery and danger than the actual musical delivers. Leaning far more on humor and murder and less on mystery, what starts as a surprising discovery becomes a plot so thick and absurd that even a gentleman can not quite believe it. Down on his luck Monty suddenly discovers he just might be eighth in line in the revered D’Ysquith (emphasis on the DIE with a rat a tat ring to each family name) family to become the Earl of Highhurst Castle shortly after his mother’s death. Bonnie Gardner as kindly and direct Miss Shingle is the bearer of this questionably reliable news in You’re a D’Ysquith. Becoming an Earl would mean a massive fortune and a sterling reputation. How does a gentleman consider murder to win the object of his desires and become an Earl?

A Gentleman’s Guide to Love and Murder has a lively and engaging cast especially during a bit of humorous shuffling at Highhurst Castle and a comically grim scene for Why are all the D’Ysquiths Dying? This brand of refined humor right out of the BBC is tailor made for Anglophiles and though it is about love and murder, its satirical tone makes for a gallivant into the misdeeds of one Monty Navarro, depicted with a polished air and a hint of desperation by Justin Maloney. Maloney as Monty is a proper chap and is part narrator as he guides us through this fiendish journey, but he is more matter of fact than dangerous and it would benefit him to exhibit at least some hidden dastardly tendencies. Perhaps this is part of the absurdity of it all. Monty’s character is exemplified in a championing rendition of The Last One You’d Expect.

Justin Maloney and Dru Daniels Photo by Zoe Bradford

Dru Daniels, who dazzled as Lily in Company Theatre’s The Secret Garden, lends her wonderful vocals to depict Sibella Halliward, a status-hungry gold digger and the object of Monty’s desire. Prim and proper surrounded by extravagance, Sibella is a woman who knows what she wants but otherwise her feelings for Monty seem genuine. The numbers I’ve Decided to Marry You and That Horrible Woman alongside Stephanie Mann as Cousin Phoebe D’Ysquith boasts clever staging and one of the most exciting parts of the production.

Jason Denton meets the challenge of depicting a number of short lived characters where some work better than others, but the two characters that stood out was a buck toothed, architecture-obsessed Reverend Lord Ezekiel D’ Ysquith, and thick mustached fox hunter called Lord Adalbert D’Ysquith. With lively and dusty portraits in the background, Denton’s I Don’t Understand the Poor is heightened by Denton’s humorous delivery and madcap charm. Also Denton as Lord Adalbert D’Ysquith and Alyssa Norton as his Lady Eugenie’s passive aggressive banter is comic gold.

Alyssa Norton and Jason Denton Photo by Zoe Bradford

REVIEW: Full of flash and dry humor, ‘The Cher Show’ turns back time with empowering style

Posted on March 21, 2024 by The Sleepless Critic

This musical biopic seems by the numbers until three Chers infuse an original and adventuresome twist.

Much like Cher herself, The Cher Show is a limelight driven, bawdy, and spirited look at Cher’s upbringing and career and how Cherilyn Sarkisian busted out of her shy demeanor to become as she proudly calls ‘a warrior goddess.’

Morgan Scott in ‘The Cher Show’ Photo credit Big League Productions

Bathed under dazzling spotlight-soaked florescent lights by Charlie Morrison, Star, depicted with Cher’s pitch perfect dry humor and rich vocals by Morgan Scott, emerges in sequined black donning her signature high heels and risqué style, but she is definitely not alone. Turning back time is a thrill when two other Chers share the spotlight and help to navigate her life based on all she knows now.

Distinctively directed by Casey Hushion with a mix of slinky and wistful choreography by Antoinette Dipietropolo, Big League Productions presented The Cher Show for a limited time live and in person through Sunday, March 17 at the Boch Center Wang Theatre in Boston, Massachusetts, but it is also on a national tour. Outside this production, MassArt showcased Cher’s legendary looks. The production was 2 hours and 20 minutes with one fifteen minute intermission. Click here for more information and here to see where The Cher Show national tour will next take the stage.

Catherine Ariale, Morgan Scott and Ella Perez in ‘The Cher Show’ Photo credit Big League Productions

Cherilyn was not always one to bathe in the limelight. As chatty and anxious Babe, depicted with a powerful belt and discomfort in her own skin naiveté by Ella Perez, Cherilyn was often shy and felt like an outsider due to her dyslexia, half Armenian heritage and her dynamic looks. However, Lucy Werner as Cher’s confident firecracker mother Georgia who was always a source of strength, sage advice and beauty said, ‘The song will make you strong.’ Cher’s unique qualities are actually what set her apart.

Cher fulfills most people’s two fondest wishes through this musical. Not only can Star turn back time, but accompanied by Ella Perez as Cher or Babe and Catherine Ariale as Cher or Lady, Star can turn to her other selves to revisit her past. Three Chers that interact, are aware of each other, and support each other is not just a source for a wealth of humorous moments, but it breaks the pesky rules of a classic biopic in a lighthearted and spectacular way. Perez, Ariale, and Scott have a fascinating bond where anything can happen in a life where Cher was required to grow up fast.

The cast of ‘The Cher Show’ Photo credit to Big League Productions

Kelly James Tigne’s visually spectacular set is an array of glitter and glitz which includes the bright lights of Hollywood and Vegas but also beautifully nostalgic photos of 50s California before Cher sets her sights on stardom and the set develops a more classic sophistication in black and white as Cher’s star power matures.

Starting out with her own sewing machine, Cher always set her own bold and risqué fashion standard before later joining forces with the legendary visionary and equally daring fashion designer Bob Mackie, who originates the Broadway and tour costumes seen in this musical. Tyler Pirrung, who depicts a trio of roles in this production, is memorable as Mackie complete with clever quips and a mischievous gleam in his eye, especially during Aint Nobody’s Business. Magnets are used to accommodate the numerous fashion styles and quick changes throughout the production. The Cher Show’s costume coordinator Janine Loesch and wig designer Roxanne DeLuna presents all these ostentatious costumes in all of its nostalgic, feathered, and sparkling runway glory.

Tyler Perrung as Bob Mackie, Ella Perez, Catherine Ariale, Morgan Scott and cast Photo credit Big League Productions

Lorenzo Pugliese is full of magnetic charm and quirky sense of humor as Sonny Bono. Fast talking with shrewd business sense, Pugliese shares some amazing chemistry with each Cher and one of the best moments of the production is their wonderful rendition of I’ve Got You Babe which was met with cheers from the audience. He also shines in Little Man and later for All I Ever Need is You.

Ella Perez and Lorenzo Pugliese in ‘The Cher Show’ Photo credit Big League Productions

The Cher Show’s quick pace features a wide array of nostalgic hits over six decades including the catchy harmony of Da Doo Ron Ron, Be My Baby, and The Shoop Shoop Song as well as It’s All or Nothing, a stirring Bang Bang (He Shot Me Down), Believe and Heart of Stone. Perez, Ariale, and Scott form a powerhouse trio as they recall Song for the Lonely as Perez flaunts a distinctive belt. The Fosse-inspired The Beat Goes On is a sleek standout as well as sultry chorography featuring Emma Jade Branson of The Dark Lady in candlelight.

Lorenzo Pugliese and Catherine Ariale in ‘The Cher Show’ Photo credit Big League Productions

The Cher Show celebrates her remarkable career and her variety of hits, but is also an honest and frank depiction of her insecurity, challenges, and fears within her failures and triumphs. No matter what, Cher shows the beat goes on.

Catherine Ariale, Morgan Scott and Ella Perez and cast in ‘The Cher Show’ Photo credit Big League Productions

Distinctively directed by Casey Hushion with a mix of slinky and wistful choreography by Antoinette Dipietropolo, Big League Productions presented The Cher Show for a limited time through Sunday, March 17 at the Boch Center Wang Theater in Boston, Massachusetts, but it is also on a national tour. The production was 2 hours and 20 minutes with one fifteen minute intermission. Click here for more information and here to see where The Cher Show national tour will next take the stage.

REVIEW: Glitzy ‘Pretty Woman the Musical’ is vivacious fun

Posted on February 29, 2024 by The Sleepless Critic

Based on the hit film adaptation starring breakout star Julia Roberts and then megastar Richard Gere, Pretty Woman put a fairy tale spin on a story about a clever prostitute who charms a rich guy. The film is produced by Disney no less and solidly directed by the late esteemed Garry Marshall. With natural elegance, pitch perfect comic timing, and tangible chemistry with Gere who she went on to star with in other film projects due to their thriving and bankable chemistry, Julia Roberts instantly became America’s Sweetheart at just 21 years old.

A lot of big box office movies adapt into musicals and Garry Marshall is behind Pretty Woman the Musical.

Directed with upbeat choreography by Jerry Mitchell, music by award-winning singer-songwriters Bryan Adams and Jim Vallance, and based on the book by Garry Marshall and J.F. Lawton, Pretty Woman the Musical continues live and in person at the Emerson Colonial Theatre in Boston, Massachusetts through Sunday, March 3. Click here for more information and for tickets.

Pretty Woman The Musical – Chase Wolfe and Ellie Baker credit Matthew Murphy for MurphyMade

Featuring Chase Wolfe as Edward and adorable Ellie Baker as Vivian creating their own winning chemistry, Pretty Woman the Musical is a feel good adaptation with some memorable musical numbers and includes the beloved and iconic moments that charged the 1990 romantic comedy classic.

Tall metallic palm trees with Hollywood store signs warmly lit by Kenneth Posner and Philip S. Rosenberg bring glitzy California to life by scenic designers David Rockwell and Christine Peters. The rolling set cleverly transforms from energetic city streets to picturesque elegance as silk drapes adorn a gold embroidered balcony with extravagant detailed furnishings including the film’s iconic black baby grand piano.

Pretty Woman The Musical – Bethany McDonald , Ellie Baker, and Taylor M. Sheppard credit Matthew Murphy for MurphyMade

From colorful street clothes to flowing runway fashion to majestic gowns that include Vivian’s iconic red dress, costume designer Gregg Barnes exacts the splashy nature and 80s vibe of this fantasy fairy tale. Commanded by Lauren Esser’s soaring vocals boasted by a powerful rock growl stepping in for Rae Davenport as Kit, fashion bursts onto the scene in the flashy number Rodeo Drive infused with a guitar-tinged rock n roll vibe oozing in the sophistication of many shoppers’ fondest dreams.

Pretty Woman The Musical – Adam Du Plessis credit Matthew Murphy for MurphyMade

One spectacular performer who does a lot of the heavy lifting is Adam Du Plessis as Happy Man. He not only delivers candid and fun-loving charisma to the neon glow of Hollywood Boulevard for What’s Your Dream, a catchy opening number with a tropic tinge, but watch for Du Plessis to pop up unexpectedly and delightedly in various sequences throughout the production boasting sharp comic wit and dynamic spontaneity. Whether in a colorful Hawaiian shirt under a flowing trench coat or dressed to the nines, Du Plessis has quite the range as Happy Man. He shares an endearing rapport with Connor Kabat depicting Giulio with scene stealing goofy sweetness reminiscent of night elevator operator Patrick Richwood from the film.

Ellie Baker has a lot to live up to and successfully makes the role her own through those signature red curls. Baker infuses a unique and goofier free spirit and effervescence to Vivian more playful than Roberts’s engaging portrayal. Julia Roberts had more of an established elegance in her role, even when she is trying to look tough. Baker has bubbly comic timing and a snigger as charming as her beautiful face. She performs a stirring rendition of This is My Life, created from one of Vivian’s monologues to Edward. She also delivers a heightened and powerful solo for I Can’t Go Back.

In a black suit, maroon tie, and a stubbly beard, Chase Wolfe portrays a more rugged, contemplative, and serious businessman in Edward apart from Richard Gere’s subtle charm. Wolfe offers a separate lightness to the role and shares playful chemistry with Baker particularly for You’re Beautiful. Edward’s character is developed further than in the film, especially during his insightful solo, Freedom which is a nice addition drawn from Edward’s monologue in the film to Vivian.

With thick pink eye shadow, studded black skirt and biker jacket, Lauren Esser’s distinct accent and tough facade as Kit uplifts Luckiest Girl in the World alongside Baker as Vivian and in the bright and catchy number, Never Give Up on a Dream. Kit’s spitfire persona and shoot-from-the hip attitude is a tougher version of Laura San Giocomo’s benchmark performance, but here Kit is a more established character and given a larger arc than in the film. She and Baker share a strong and protective bond evident from Kit’s first scene.

Pretty Woman The Musical – The Company of Pretty Woman The Musical credit Matthew Murphy for MurphyMade

Jason Alexander has said that his opportunity for George from Seinfeld came from Pretty Woman and it was a hard fought battle for him to play the role of Edward’s lawyer and friend, Phillip Stuckey. However, in this version, Mikey Marmann is more of what director Garry Marshall originally had in mind for Stuckey’s intimidating, slimy, and snarky persona and Ellie Barker as Vivian’s updated and more welcoming interactions with him are a little different this time around.

Whether it is Sara Wang’s astounding vocals or even the beautiful rendition of You and I which has an unmistakable Bryan Adams influence, Pretty Woman the Musical is an uplifting musical journey that will please fans of the film or anyone experiencing it for the first time.

Directed with upbeat choreography by Jerry Mitchell, music by award-winning singer-songwriters Bryan Adams and Jim Vallance, and based on the book by Garry Marshall and J.F. Lawton Pretty Woman the Musical continues live and in person at the Emerson Colonial Theatre in Boston, Massachusetts through Sunday, March 3. Click here for more information and for tickets.

REVIEW: Optimism knows no bounds in radiant and enchanting family classic, ‘Annie’

Posted on February 9, 2024 by The Sleepless Critic

No one delivers plunky optimism quite like Annie.

Even in the worst of circumstances, Annie can always find a silver lining which can be demonstrated in a moment when a homeless person complains of empty pockets to which Annie responds, ‘At least you got pockets.’

Set designer Wilson Chin has beautifully captured a classic and overcast New York landscape with rolling fog over the towering Brooklyn Bridge that illustrates Annie’s signature phrase that the sun will come out tomorrow. Blending costume designer Alejo Vietti’s gradually bursting hues in 30s-era fashion, Phillip Rosenberg’s rich and colorful lighting, and Chin’s transformative and exceptional rolling set design, Annie is absolutely right.

Julia Nicole Hunter as Grace Farrell Christopher Swan as Oliver Warbucks and Rainier “Rainey” Treviño as Annie and cast Photo credit Matthew Murphy and Evan Zimmerman for MurphyMade

Generations have grown up with some version of little orphan Annie who by chance meets gruff billionaire tycoon Oliver Warbucks during Depression-era New York. It is a classic family tale for all ages with the eternal promise that no matter what happens, there is always hope. As the brilliant orchestra chimed its first triumphant, horn-infused notes beautifully orchestrated by Dan Delange, the national tour of Annie proves this steadfast musical favorite never goes out of style.

With innovative direction by Jenn Thompson, snappy choreography with a swing era twist by Patricia Wilcox, and remarkable Music Direction by Jennifer Christina, Annie continues at the Boch Center Wang Theatre in Boston, Massachusetts through Sunday, February 11. Click here for more information and for tickets.

Rainier “Rainey” Treviño as Annie Mark Woodard as FDR as cast Photo credit Matthew Murphy and Evan Zimmerman for MurphyMade

What is such fun about Annie is although the tale remains the same, there is always room to perform it a little differently each time. Having seen the beloved 1982 film adaptation featuring a brilliant cast including Tim Curry, Carol Burnett, Bernadette Peters, Aileen Quinn, and Albert Finney, it is easy to forget the stage musical version sticks to the storyline for the most part, but also contains additional songs. A group of homeless New Yorkers offer a spirited version of Hooverville, which dials into social injustices during the Great Depression. Christopher Swan as dapper, tough-minded tycoon Oliver Warbucks pays tribute to the Big City with N.Y.C. before later performing a touching rendition of You Won’t Be an Orphan for Long. These are just a few of the additional songs included in the stage version of the musical.

From wealthy city shoppers to house staff to radio personalities during the Golden Age of Radio to government officials including FDR depicted with warmhearted humor and gravitas by Mark Woodard to the glittering Radio City Rockettes, this delightful ensemble fueled by euphonious vocals seamlessly enhances the lighthearted atmosphere of this captivating production including You’re Never Fully Dressed Without a Smile a particular highlight with Kaleb Jenkins as a stellar Burt Healey.

Rainier “Rainey” Treviño as Annie with Sandy Photo credit Matthew Murphy and Evan Zimmerman for MurphyMade

Donning straight red hair, burgundy cardigan, and black boots, Rainier “Rainey” Treviño delivers spunky charm as Annie, her stirring vocals navigate through various renditions of Maybe, each version implying new meaning and later a soaring rendition of her signature song, Tomorrow that is sure to bring a lot of smiles. Treviño shares some endearing chemistry with Daddy Warbucks and Julia Nicole Hunter as Grace. Annie’s trusty dog Sandy is a ringer for the dog in other adaptations and the pair establish themselves as immediate kindred spirits.

Stefanie Londino as Miss Hannigan in the 2022 company of ANNIE. Photo credit Matthew Murphy and Evan Zimmerman for MurphyMade

Stefanie Londino relishes in the fiery role of sarcastic and snarky Miss Hannigan making a wobbly yet grand entrance as only Miss Hannigan can. In a multi-patterned dress with curly brown hair and a thick Brooklyn accent, Londino makes the role her own while certain inflections wonderfully resemble Carol Burnett’s delivery.

Rainier “Rainey” Treviño as Annie and the cast Photo credit Matthew Murphy and Evan Zimmerman for MurphyMade

Londino’s sharp, comedic timing and a powerful belt never shines brighter than during the hilarious number, Little Girls as the orphans mischievously make their presence known in various surprise antics. The orphans skillfully navigate the memorable number It’s a Hard Knock Life as buckets slide and brooms glide in a rhythmic chorus. With Jade Smith’s standout performance as adorable Molly, the orphans are strong, talented, and enchanting.

In a wide brimmed hat, Jeffrey T. Kelly conveys sleazy charisma as ‘Rooster’ and Samantha Stevens articulates shrill and seeming airhead with panache. They make quite a pair especially joined by Londino in a rollicking rendition of Easy Street.

With soaring and silvery vocals and a sophisticated dual toned blue suit, Julia Nicole Hunter elegantly depicts Grace Farrell, Oliver Warbucks’s levelheaded secretary. Hunter participates in a frequent battle of wills with Stefanie Londino as Miss Hannigan and their smug verbal exchanges are a riot.

Don’t wait for tomorrow to see this marvelous Annie. With innovative direction by Jenn Thompson, snappy choreography with a swing era twist by Patricia Wilcox, and remarkably musically directed by Jennifer Christina, Annie continues at the Boch Center Wang Theatre in Boston, Massachusetts through Sunday, February 11. Click here for more information and for tickets.

REVIEW: Lexus Broadway in Boston presents sizzling and spectacular ‘Moulin Rouge the Musical’

Posted on February 4, 2024 by The Sleepless Critic

Moulin Rouge is sizzling, romantic and grand scale entertainment perfect just before Valentine’s Day.

Boasting Derek McLane’s lavish and sophisticated heart-shaped sets fueled by Justin Townsend’s vivid lighting so vibrant that could be its own character and Catherine Zuber’s edgy, timely and shimmering costumes, Moulin Rouge the Musical is a glorious spectacle right from the start blending its unique delivery of a multi-generational jukebox musical soundtrack as well as lively and athletic choreography that makes an immediate impact.

The cast of the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Nothing less could be expected from director Baz Luhrmann, who is not only behind the 1997 frenetic film of the same name in which the musical is based on starring Nicole Kidman and Ewan McGregor, but has a creative hand in the musical’s signature style. Filled with popular songs of its time, Moulin Rouge has always been a lavish and wild celebration of desire, the rigid social class divide and first love, but somehow Moulin Rouge the Musical harnesses these rich themes on a considerably larger scale and it is nothing short of a feast for the eyes.

Winner of ten Tony Awards including Best Musical and directed by Alex Timbers, Lexus Broadway in Boston presents Moulin Rouge the Musical live and in person at Citizens Bank Opera House through Sunday, February 4. The show is 2 hours and 35 minutes with one intermission and has some content not suitable for children. Click here for more information and for tickets. Click here for Moulin Rouge’s national tour schedule.

Not only does Moulin Rouge The Musical contain a wide range of sharp and slinky choreography by Sonya Tayah, but features distinct characters with powerful vocals that make lasting impressions. Robert Petkoff brings enthusiasm, poetic and flamboyant charisma to Moulin Rouge’s nightclub master of ceremonies Harold Zidler starting with an incredible first appearance in Welcome to the Moulin Rouge further embellished by a fierce foursome who sang Christina Aguilera, Pink, Lil Kim, and Mya’s Lady Marmalade first made famous combined with an even catchier and colorful Can Can Can.

Adéa Michelle-Sessoms and Jennifer Wolfe in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Sarah Bowden as Nini is a sensational dancer and alongside Danny Burgos as Santiago sure know how to turn up the heat. Burgos and Bowden make a sultry and flirtatious pair especially in the catchy and cathartic Backstage Romance with the cast featuring music from Lady Gaga, Britney Spears, and the Eurthymics.

Gabe MartInez as Santiago and Libby-Lloyd as Nini in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

In a top hat and thick mustache, Andrew Brewer is cunning as distinguished and wealthy businessman The Duke of Monroth. He seems good to be true and has an agenda all his own. Nick Rashad Borroughs as Toulouse-Lautrec performs a wonderful and moving rendition of Nature Boy and shares warm and humorous camaraderie with Christian Douglas as Christian and Danny Burgos as they advise Christian about life at the Moulin Rouge.

David Harris as The Duke of Monroth in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Christian Douglas is captivating as naïve, charming, and idealistic Christian. Christian is a promising American artist and songwriter longing for his big break. At the Moulin Rouge in Paris, he sets eyes on Moulin Rouge’s confident, complex, and ambitious main attraction Satine, portrayed splendidly by Gabrielle McClinton. McClinton, decked out in a black and diamond ensemble, proves herself a versatile showstopper in The Sparkling Diamond singing snippets from Beyonce, Madonna, Marilyn Monroe and Rihanna with over the top dramatic flair, sensuality, and commanding vocals. Douglas and McClinton bring gorgeous harmony together for Elephant Love Medley featuring Come What May and Silly Love Songs. Christian also performs a haunting and fiery rendition of El Tango de Roxanne.

Courtney Reed as Satine in the North American Tour of Moulin Rouge The Musical Photo by Matthew Murphy for MurphyMade

Moulin Rouge the Musical offers many exciting surprises that will not all be revealed here. The swift and complex orchestration by Music Director Andrew Graham and sound designer Peter Hylenski uniquely integrates a selection of hit songs with unpredictable humor and drama. It is a fast paced firecracker of a love story that is as edgy as it is moving. Don’t miss the chance to see Moulin Rouge The Musical.

Winner of ten Tony Awards including Best Musical and directed by Alex Timbers, Lexus Broadway in Boston presents Moulin Rouge the Musical live and in person at Citizens Bank Opera House through Sunday, February 4^th. The show is 2 hours and 35 minutes with one intermission and has some content not suitable for children. Click here for more information and for tickets. Click here for Moulin Rouge the Musical’s national tour schedule.