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REVIEW: Greater Boston Stage Company delivers a heartfelt ‘Boulevard of Bold Dreams’

Posted on 8 Days Ago by The Sleepless Critic

Arthur and Dottie had big dreams beyond what 1939 could dream up. Then Hattie McDaniel arrived.

During Hollywood’s Golden Age, 1939 was deemed one of the greatest years in motion picture history. Gone with Wind was among a long list of acclaimed classic films that premiered that year including Mr. Smith Goes to Washington, The Wizard of Oz, Stagecoach, Wuthering Heights, Gunga Din, Ninotchka, Goodbye, Mr. Chips, and Dark Victory. However, Gone with the Wind also marked an indelible moment in history. At the 1940 Academy Awards, Hattie McDaniel was the first African American to win an Oscar for Best Supporting Actress.

Samantha Jane Williams and Stewart Evan Smith in Greater Boston Stage Company’s ‘Boulevard of Bold Dreams’ Photo credit to Nile Scott Studios

Directed warmly by Taavon Gamble, Greater Boston Stage Company delivers a perfectly timed, heartfelt tribute to one of the greats with the east coast premiere of Boulevard of Bold Dreams by LaDarrion Williams live and in person at Greater Boston Stage Company in Stoneham, Massachusetts and streaming through Sunday, March 19. The show is 90 minutes with no intermission. Click here for more information and for tickets.

This year’s 95^th annual Academy Awards marked a revolutionary year as Everything Everywhere All at Once not only dominated the night winning Best Picture, Best Direction, and Best Screenplay but also delivered a historic win for Michelle Yeoh as the first Asian actress to win an Oscar for Best Actress in a Leading Role. One of the actresses that presented Yeoh’s Oscar was none other than Halle Berry who was the first African American to win an Oscar for Best Actress in a Leading Role. When Berry won in 2002 she declared, “This moment is so much bigger than me.”

Michelle Fenelon, Stewart Evan Smith and Samantha Jane Williams in Greater Boston Stage Company’s ‘Boulevard of Bold Dreams’ Photo credit to Nile Scott Studios

Hattie McDaniel’s groundbreaking Oscar win as Mammy in Gone with the Wind garnered acclaim and ongoing recognition for the barriers she broke as well as controversy while she paved the way for Halle and many other actresses including Viola Davis, Whoopi Goldberg, Diahann Carroll, Jennifer Hudson, Regina King, Octavia Spencer, Lupita Nyong’o, and Ariana DeBose. Those actresses were able to write their own acceptance speeches, sit with their cast, and although some aspects of Boulevard of Bold Dreams is fictionalized, the show delivers some eye-opening facts about McDaniel within segregated Hollywood. Facing a tough road, McDaniel had had the foresight and tenacity to make sure her name was on that Oscar ballot.

Michelle Fenelon and Stewart Evan Smith in Greater Boston Stage Company’s ‘Boulevard of Bold Dreams’ Photo credit to Nile Scott Studios

Boulevard of Bold Dreams also boasts a memorable and tenacious cast. Bartender Arthur Brooks, an imaginative and aspiring director in a standout performance by Stewart Evan Smith, has big dreams well beyond his current occupation. Smith’s candor, charisma, and enthusiasm brighten each scene and his unflappable vision for his future makes it easy to root for his success in the face of any obstacle. Maid Dottie Hudson, a cynical, yet aspiring singer portrayed with wit and humor by Michelle Fenelon, has her feet planted closer to the ground. Smith and Fenelon strike a delicate balance of resourcefulness, wishful thinking and persistence when they arrived in Hollywood with little money and big ambitions. However, things are more complicated than they appear. In a distinctive and glittery blue gown, Samantha Jane Williams gracefully captures Hattie McDaniel’s humble and frank demeanor with an underlying anxiousness as she faces a potentially life changing night. Fenelon and Williams have quick and complex camaraderie as their strong vocals combine for a playful and impromptu duet.

Boulevard of Bold Dreams Samantha Jane Williams Michelle Fenelon and Stewart Evan Smith in Greater Boston Stage Company’s ‘Boulevard of Bold Dreams Photo credit to Nile Scott Studios

Kiara Escalera’s meticulous costume design recreates McDaniel’s look with precision as well as the vintage sophistication of the 1940s. Enhanced by red and gold jacquard curtains and distinguished black and gold doors, scenic designer Rachel Rose Burke elegantly recreates a section of the Ambassador’s Coconut Grove Night Club in Los Angeles.

Boulevard of Bold Dreams not only depicts life’s possibilities through McDaniel, but the extent of the segregation and racism of that time and the struggle to make their dreams come true. Whether or not a fan of the Academy Awards or Hollywood, Boulevard of Bold Dreams tells an inspiring story for all the dreamers of how one person can create lasting change one step at a time.

Greater Boston Stage Company’s Boulevard of Bold Dreams by LaDarrion Williams live and in person at Greater Boston Stage Company in Stoneham, Massachusetts and streaming through Sunday, March 19. Click here for more information and for tickets.

REVIEW: Theatre Kapow’s ‘Breadcrumbs’ unveil an indelible and winding journey

Posted on 17 Days Ago by The Sleepless Critic

Alita suspects something has changed.

Full of Easter eggs and a time hopping storyline, this cleverly titled production lives up to its name many times over and reveals a family secret near impossible to see coming. Sponsored in part by the Mass/NH Chapter of the Alzheimer’s Association, Breadcrumbs is a mysterious piece of theatre about the meeting of two individuals and how they fit into each other lives.

Jennifer Haley’s Breadcrumbs, Theatre Kapow’s most recent production, ran live and in person February 17 to 19 at the Bank of NH Stage in Concord NH before streaming live on February 24 and 25. Directed intuitively by Catherine Stewart, Breadcrumbs is 80 minutes with no intermission and is part of Recent Remote Remember, the theme of Theatre Kapow’s 15^th season. Click here for more information and here for more on Theatre Kapow.

From L to R Rachel Chapin Longo and Katie Collins Photo credit to Matthew Lomanno Photography

Stark blue lighting evoked a haunting quality as Alita, a hardworking, unassuming, and reclusive writer depicted perceptively by Katie Collins, knows there is something is missing. Collins, in a multilayered performance, portrays Alita with an increasingly brisk and suspicious manner as she struggles to connect with what is occurring around her. Rachel Chapin Longo commands a challenging and multi faceted role as compassionate, talkative, impulsive, resourceful, but needy Beth who seemingly cannot get her life together to Alita’s rising frustration. Beth admires Alita’s work which often focuses on metaphorical fantasy which is a surprising contrast to Alita’s practical sensibilities.

What is fascinating about this meticulous production is each item, scene, and aspect including Alita’s writing plays an integral and significant role within a sometimes unreliable viewpoint. Longo and Collins seamlessly navigate a number of vivid, stirring and mercurial scenes together and there isn’t a piece of dialogue that strays from this insightful look at these two individual’s lives. The production also serves as an informative vehicle for an all too common life altering impairment.

Tayva Young’s nostalgic and evocative lighting combined with Matt Cahoon’s vintage and eerie sound and projection design navigates each sudden flashback and time leap in an innovative and engrossing manner. Barbara Holbrook’s distinctive costume design boosts each character’s personality with subtle hints on what they mean to each other.

Jennifer Haley’s Breadcrumbs cultivates a rich and unique path through trauma and struggle to reveal what is ultimately important. Directed intuitively by Catherine Stewart, Breadcrumbs is 80 minutes with no intermission and is part of Recent Remote Remember, the theme of Theatre Kapow’s 15^th season. Click here for more information and here for more on Theatre Kapow.

REVIEW: Dating just got complicated for Dating Drama shorts at New Ohio Theatre’s New York City’s Indie Theatre Film Festival

Posted on 20 Days Ago by The Sleepless Critic

The New Ohio Theatre presented its 7^th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. The New York City Indie Film Theatre Festival presented a variety of films from short films to features on a variety of topics and some films contain mature themes. Click here for more information and to learn more about New Ohio Theatre.

The Sleepless Critic was knee deep in short films and tackled the Dating Drama and the Friendship Bonds shorts which focused on a variety of perspectives on relationships. Click here for the Friendship Bonds short film review.

New Ohio Shorts ‘Full Disclosure’ Photo credit New Ohio Theatre

Dating is not for the faint of heart. Sharply written and directed by Mia Rovegno, Full Disclosure opens up the rapid fire, neurotic world of dating in a part confessional stream of consciousness romantic comedy that will keep the viewer guessing till its twisty conclusion. Charise Greene as Darleen and Ryan Pater as Trent display cute chemistry that swings from obscure to anxious to downright impressive in a sequence of traditional dating scenarios as Zera Bloom’s cheerful, low key instrumental score keeps this lighthearted rom com quite the charmer.

New Ohio Theatre Dating Drama Shorts ‘eXcape’ Photo credit New Ohio Theatre

Two exes face the end of their relationship. One is about to move out, but soon realize they are trapped inside their apartment. Lindsley Howard as Jess and Mariah Naomi Sanchez as Marianna attempt to navigate their rocky relationship on a riddle-filled quest for answers in eXcape. Boosted by Kate Eberstadt’s tense soundtrack, eXcape is a somewhat predictable scenario, but boasts some adventurous and bittersweet moments during this down-to-the-wire mystery.

New Ohio Dating Drama Shorts ‘Jules and Dee’ Photo credit New Ohio Theatre

Featuring a retro punk soundtrack by Jim McCarthy, written and directed by Juliet Perrell and co-directed by Edna Luise Biesold, Jules and Dee take a wild, comedic, and modern twist on Shakespeare in a play within a play showcasing the awkward mayhem that takes place behind the scenes at the Cherry Lane Theatre. Though it loses its way a bit at times, a spicy Jules by Julie Perrell and Delia Bannon as Dee make a fun pair and it features a refreshing twist ending.

New Ohio Dating Drama Shorts ‘Made in Heaven’ Photo credit New Ohio Theatre

Directed by Yiqing Zhao, Made in Heaven explores the mother daughter relationship and those relationships that are kept hidden from the world. Named after a café, Made in Heaven is a story about matchmaking, cupcakes and an undercover plot to unlock those secrets. Yiqing Zhao aptly portrays Serena’s firm and discerning mother Jo and delivers some intriguing scenes with Regina Ohashi as poker faced Ivy. Elizabeth Chang is likable as conflicted Serena, but this story leaves more questions than answers and would benefit from an extended version to get to know the characters better.

New Ohio Dating Drama Shorts ‘Me Myself vs I’ Photo credit New Ohio Theatre

Capturing a whirlwind of emotions including excitement, nervousness and anxiety especially exemplified in the landscape of today’s social media world, Uzunma Udeh as Zoom shows off comedic chops and charisma in Me, Myself vs I. Created auspiciously by Uzunma Udeh and Tamera Vogl, Me Myself vs I is a well done narrative within a zippy timeframe.

New Ohio Dating Drama Shorts ‘Red’ Photo credit New Ohio Theatre

Directed by Katia Koziara and written by Phoebe Dunn with Ben Brown, Red swiftly turns up the heat as Phoebe Dunn and Ben Brown embark on what becomes an unorthodox date. Though the two develop some tension as the film progresses and boasts a clever title, knowing the characters better would have made the film a bigger thrill.

New Ohio Dating Drama Shorts ‘You Can Kiss Me’ Photo credit New Ohio Theatre

Two unhappily married people think they have found hope in something new in You Can Kiss Me, a film by Jan Jalenak. Penelope, portrayed sympathetically by Brandi Nicole Wilson, thinks she has led a predictable life and longs to be adventurous and enigmatic Meg, portrayed by Ylfa Edelstein, tends to keep her personal life close to the hip. Though the film leads to some implausible scenarios, Brandi Nicole Wilson delivers stirring scenes with both Edelstein and Andrew Elvis Miller as Paul. The film’s intensity is enhanced by music composed by Jay Purdy including Jensen Smith’s Cello Kiss.

New Ohio Dating Drama Shorts ‘Intimacy Workshop’ Photo credit New Ohio Theatre

What starts out as an absorbing comedy takes an unexpected turn in Intimacy Workshop, written and directed by Eddie Prunoske. To the soothing sounds of Clair De Lune, a dynamic assortment of men takes on awkward encounters in a workshop about the bonding experience. Intimacy Workshop has some light, comedic dialogue but could have done without a gory, embarrassing and over the top twist that veers the film off course.

REVIEW: ‘Friendship Bonds’ shorts reveal new perspectives at New Ohio Theatre’s New York City’s Indie Theatre Film Festival

Posted on 20 Days Ago by The Sleepless Critic

The New Ohio Theatre presented its 7^th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. The New York City Indie Film Theatre Festival offered a variety of films from shorts to features on a wide range of topics and some of the film selections contain mature themes. Click here for more information and to learn more about New Ohio Theatre.

The Sleepless Critic was knee deep in short films and tackled Dating Drama and Friendship Bonds shorts which focused on a variety of perspectives on relationships. Friendship Bonds explores the value and challenges of friendships in various circumstances. Click here for the Dating Drama short film review.

Shorts: Friendship Bonds ‘Andy and Kaliope’ Photo credit to New Ohio Theatre

Beautifully written and produced by Rachel Handler with stirring direction by Crystal Arnette and Catriona Rubenis-Stevens, Andy and Kaliope is a touching short film starring Jai Ram Srinivansan in a sweet portrayal as Andy, a foster child whose big imagination is in a war with his darkest fears. Accompanied by Rachel Handler as warm and encouraging Jamie, Colin Buckingham as Cole, and an extraordinary gift, Andy must muster the courage to move forward. It is a wonderful short film about the power of hope.

Shorts: Friendship Bonds Two Women on A Bridge Photo credit to New Ohio Theatre

Exceptionally directed, written, and edited by Tom Bean, Two Women on a Bridge is a thought provoking journey over the Williamsburg Bridge in May 2020 in a captivating display of black and white cinematography. Starring Karen Maine and Suzanne Lenz to Michael Abiuso’s gentle score, Two Women on a Bridge delves into a fractured friendship and reflects on the overwhelming changes in the world while engaging and hypothetical popup endings instill light humor to some serious themes.

Shorts: Friendship Bonds ‘Eyeballs’ Photo credit to New Ohio Theatre

In a quirky but realistic zoom scenario, a group of students are brought together by a group school project in Eyeballs. Written by Molly Powers Gallagher and starring as Nadine, Ola Pater as Cara, and Zack Palomo as Dev, the small zoom group convincingly conveys the nervousness and the hesitation to share ideas and connect. Directed and edited by Robert Thaxton Stevenson, stay put for this cute comedy’s end credit scene.

Shorts: Friendship Bonds ‘Lindsay, Lindsey, Lyndsay’ Photo credit to New Ohio Theatre

Lindsay, Lindsey, Lyndsey is not an exaggeration, but a tale of three different Lindsays. Lindsay’s fabulous new house. However, things are not quite as they seem. Dan Kuan Peeples, Cameron Cronin, and Daphne Overbeck deal with jealously, unrequited love, and a renewed sense of belonging as they reminisce over old times. Though some of the themes are a bit repetitive, this dramedy examines the complications of long term friendships and what keeps them going through it all.

Shorts: Friendship Bonds ‘The One They Wanted’ Photo credit to New Ohio Theatre

Directed by Catrina Rubenis-Stevens and written by Bryan Harlow, The One they Wanted is an absorbing and important short film about the challenges veterans face from within after they come home. It is a beautiful and poignant look at a pair of brother and sister veterans who share in their internal battles as sister Gabi faces difficulty in daily activities. Margo Serrano as Gabi embodies the veiled emptiness and depression over recent events while Writer Bryan Harlow also stars as Gabi’s nurturing brother Patrick as they attempt to find connection in their shared experiences. It is a genuine and affective short film not to be missed.

Shorts: Friendship Bonds ‘Scene Study’ Photo credit New Ohio Theatre

Scene Study is a sly short film about mixed signals. Written and directed with a few twists and turns by Trace Pope, Russell Sperberg as shy Cal and Joshua Ciccel as charismatic Ryan rehearse a scene study together when something unexpected happens. Director Trace Pope does a remarkable job in this brief time frame to create a light, unpredictable drama that keeps the viewer guessing till the very end.

Remarkably directed by Bandar Albuliwi, Sakrə Fīs (Sacrifice) is a riveting Iranian story about Azaheh, impressively depicted by Tiffany Ariany and Johnny Ferdosi as playful and fascinating Aadan who find themselves in a suspenseful and life threatening situation during a football game. Enhanced by Joe Aguirresarobe’s gripping cinematography and Nima Fakhrara’s affective score, Ariany and Ferdosi’s natural and sweet chemistry and the dangers of daily life in present Iran is what makes this increasingly tense and unpredictable tale such an engrossing and heartrending journey.

Shorts: Friendship Bonds ‘The Bottom’ Photo credit New Ohio Theatre

Do the ends justify the means? A man, at his most vulnerable, is being forced into a mysterious lake at gunpoint. Hostility and tension reach its boiling point in this eerie confrontation between James Kautz as Jude and Alex Grubbs as John before the plot thickens. With harrowing direction by Morgan O’Sullivan and James Kautz and fueled by Adam Bloch’s haunting sound effects, The Bottom is an dark, deeply psychological look at the affect of toxic relationships and may cause more than a chill.

Shorts: Friendship Bonds ‘We (Don’t) Know How to Live Photo credit New Ohio Theatre

On a lighter note, We (Don’t) Know How to Live is a comical and somewhat liberating look at life when reaching a milestone birthday. Four friends unite for Claire’s 30^th birthday party, but Claire receives some distressing news before she arrives which may ruin the whole thing. Jayne McLendon as Betty, Hilary Wirachowsky as Claire, Khadijah Roberts-Abdullah as Darcy and Gordon Harper as Daniel all give off some Friends vibes as they reflect upon the direction of their lives. Reflectively written by Jayne McLendon, Hilary Wirachowsky, and Khadijah Roberts-Abdullah, the festive and inviting setting keeps the mood light as the group tackles relatable and age appropriate musings.

REVIEW: Accompanied by A Far Cry, NPR’s Rob Kapilow made an enthusiastic return to Boston with an American classic for Celebrity Series of Boston’s ‘What Makes it Great’ series

Posted on February 13 by The Sleepless Critic

Though NPR’s famous composer, conductor, author, and music commentator Rob Kapilow has unveiled quite a few eye catching music details over the years with Celebrity Series of Boston from Swing to Broadway to carols and much more, perhaps the most interesting takeaway from Aaron Copland’s classical music composition Appalachian Spring is that it is not about Appalachia nor is it about spring.

Making his return to NEC’s golden and gleaming Jordan Hall in person for the first time in front of an audience since the pandemic, NPR’s Rob Kapilow covered some fascinating music territory in What Makes it Great? with Rob Kapilow and a Far Cry Inventing America Part 2 Copland’s Appalachian Spring: An American Voice for Classical Music on Sunday, February 5 at Jordan Hall in Boston, Massachusetts. The show ran for 120 minutes with a 15 minute intermission. Click here for more information on Rob, here for more on A Far Cry, and here for more information about Celebrity Series of Boston.

Kapilow guided the audience through Aaron Copland’s Appalachian Spring with greater technical zeal and an interactive approach than he has in some of his past performances. Part teacher, humorist, and historian, Rob Kapilow has been performing the What Makes It Great series for approximately 15 years, expertly uncovering a new way to connect to a vast array of music and encouraging the listener to experience this music in an entirely new way from technical composition to its emotional impact.

As beautiful and fanciful as Appalachian Spring sounds, it is neither about Appalachia nor spring and was entirely imagined by Copland who was a Jewish immigrant from Brooklyn. What is so wondrous about this 40s piece is how Copland creates this imaginary and extraordinary world, a piece which was originally called House of Victory, and how it has been historically associated with America over the years. Kapilow uses a bit of a different approach for this particular work by expounding on the technical and mechanical side of the piece and inviting the audience to actively participate in the song’s musical patterns and rhythms. Appalachian Spring is also associated with lyrics and it is a based on the Shaker melody, Simple Gifts, and Rob spends a wealth of time on the mechanics of the piece and how it ties together. It is a method that would thrill classical music fans, music enthusiasts, and musicians alike. He even exposes the subtle intricacies of Copland’s inherent confidence, style, and how to identify it in Copland’s other works.

Grammy-nominated Chamber Orchestra A Far Cry Photo courtesy of A Far Cry

Adorned in suits, ties, and gowns, Grammy nominated and self-conducted chamber orchestra A Far Cry worked seamlessly with Kapilow as he broke down each aspect of the piece, a feat not easy to do with Kapilow’s specific stops and starts. A Far Cry has made its way around the world since they started in 2007 and what sets this orchestra apart from others is the open communication between each musician. A Far Cry reflected just how important it is to remain in sync with the group, especially since they must connect without a conductor. Their camaraderie and chemistry as they play is compelling to witness as they direct each other with each note.

Copland’s Appalachian Spring has a unique zest, playfulness and peppy thrill of nature through harp and chime as well as calm with a western tinge as Rob explains its historical significance and just why the piece is so enjoyable through each note’s placement, rest, and orchestration.

Appalachian Spring was a childhood favorite for Kapilow’s which was perfectly clear through his personal and humorous anecdotes and the natural and engaging enthusiasm he exhibited throughout the production. Rob is always teaching something new to even some of the most trained and learned music enthusiasts. It was easy to see he has missed the live audience and judging from the audience’s resounding applause and standing ovation, they have missed him too.

Celebrity Series of Boston continues its digital and in person season which includes Jason Moran and the Big Bandwagon on February 17, Dreamers Circus on February 24, Aoife Donovan on March 17, and David Sedaris on April 2, and the return of Alvin Ailey on May 4. Click here to see Sleepless Critic’s past review of Dreamers Circus. Click here to see the full list of Celebrity Series of Boston’s upcoming events.

REVIEW: Fueled by sardonic wit and intense humor, The Huntington’s ‘The Art of Burning’ crackles

Posted on February 4 by The Sleepless Critic

Cutting sarcasm, sardonic wit, and a feigned smile does little to contain Patricia’s smoldering rage lurking just beneath the surface. No question Patricia has every reason to harbor resentment considering what she is going through affects her entire family. As a painter, it is important for Patricia to express her mounting feelings through art, but what if the pain is so deep that not even a canvas can exorcise that anger?

Directed methodically by Melia Bensussan, The Art of Burning by Kate Snodgrass is available live and in person at the Calderwood Pavilion in Boston, MA and virtually through February 12, ending just days before Valentine’s Day. The show is 85 minutes with no intermission, contains adult themes, and is not appropriate for children. Click here for more information and tickets.

Adrianne Krstansky, Michael Kaye, and Rob Barkhordar in ‘The Art of Burning’ Photo Credit: T Charles Erickson © T Charles Erickson Photography tcharleserickson@photoshelter.com

The Art of Burning takes an unconventional look at love and all of its side steps, misunderstandings, and complications. It also delves into betrayal, divorce, survival, and all of the lingering emotions simmering just below the surface. With dark humor that can be disquieting at times, The Art of Burning explores the complexity of human relations including a few of its vast repercussions.

Rom Barkhordar and Vivia Font in ‘The Art of Burning’ Photo Credit: T Charles Erickson © T Charles Erickson Photography tcharleserickson@photoshelter.com

Jane Shaw’s haunting score and Aja M. Jackson’s vivid lighting enriches scenic designer Luciana Stecconi’s paradoxical, gleaming, and seemingly modest scenery set against a striking and evocative frame. Jackson’s lighting is crucial for each inventive scene change while the foreboding score keeps the tension rising throughout the production. Kara Harmon’s bold costume design not only reflects each character’s distinct personality, but plays a pivotal role in the show’s mounting tension.

The Art of Burning is also fueled by a powerful cast highlighted by Adrianne Krstansky’s captivating portrayal of Patricia and Clio Contogenis, who makes an impactful impression as conflicted Beth. Krstansky achieves a delicate balance between a strong and sympathetic woman who, for the most part, is holding her own in spite of her circumstances when she is not taking takes things a bit too far. The complexity of that balance still makes her likable even at her lowest points. Patricia’s sardonic wit and realism is nearly bereft of any boundaries. She seems to have lost her inhibitions long ago somewhere in the turmoil of her discoveries.

Michael Kaye and Laura Latreille in ‘The Art of Burning’ Photo Credit: T Charles Erickson © T Charles Erickson Photography tcharleserickson@photoshelter.com

Contogenis weaves in some of Krstansky’s biting humor and pensiveness as Patricia’s daughter as she faces her own unique challenges along the way. These issues are handled delicately and with vulnerability. Rom Barkhordar portrays Jason, a character with some misplaced optimism and a certain lack of empathy and yet Barkhordar weaves in a subtle obliviousness that Jason can almost be forgiven for. He has some meaty scenes with Krstansky and Contogenis that would be concerning if they were not so humorous. Mark, portrayed by Michael Kaye, seems to depict the onlooker and voice of reason, but things are much more complicated than they appear. Some sobering aspects of Mark and Charlene’s marriage are incredibly relatable and humorous. Kaye and Laura Latreille as capricious Charlene have a fascinating dynamic onstage. Vivia Font takes a memorable turn as Katya as she wrestles with the weight of her decisions.

Snodgrass’s witty, poignant, and intermittently humorous dialogue makes a strong statement about the state of our contemporary world and exposes some hard realities. The truth is people are all a little lost but even at its bleakest times, love may still find a way through it all.

Clio Contogenis and Adrianne Krstansky in ‘The Art of Burning’ Photo Credit: T Charles Erickson © T Charles Erickson Photography tcharleserickson@photoshelter.com

The Art of Burning by Kate Snodgrass is available live and in person at the Calderwood Pavilion in Boston, MA and virtually through February 12, ending just days before Valentine’s Day. Click here for more information and tickets.

REVIEW: The 52nd annual ‘Midwinter Revels: A Solstice Celebration Tales from Ellis Island’ shares solace and warmth into a tapestry of traditions from around the world

Posted on December 24 by The Sleepless Critic

After a half century, the Midwinter Revels can not only still create fresh and concise storytelling while weaving in various cultures and traditions with a balance of joy and poignancy, but this year recalls a miraculous event in history that is not shared enough during the holiday season.

Innovatively written and directed by Patrick Swanson and guided by Carolyn Saxon as the Immortal Spirit of Place, Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Each performance pays tribute to Revels supporters and this particular performance was dedicated to the The Rioff Family in honor of WGBH’s Brian O’Donovan. This show is translated in ASL and is approximately two hours with one intermission. Click here for more information and tickets.

The Ensemble of The Christmas Revels Photo by Roger Ide

Veteran reveler David Coffin’s enthusiasm reflected the same from the audience as he vigorously prepared them pre-production for the Revels live and interactive sing-along that features a vast array of carols and cultural songs. Meticulously musically directed by Elijah Botkin and led by Keith Murphy of A Saint Patrick’s Day Celtic Sojourn, an intimate onstage band returns as the Liberty Band performing carols to folk to war songs from around the world right alongside the cast. The joy and gratitude in singing in front of an audience again is as uplifting as ever and the cast’s a cappella harmonies are a glorious treat.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island does not just take place on Ellis Island, but provides the foundation for each of the tales shared during the production. The tales of hardship and strife seem so different, but are somehow tied into shared experiences as immigrants from all over the world find themselves stranded together on Christmas Eve in 1924. The spirit of the season is exemplified in several tales including a fiddle that needs mending featuring Maeve Leahy as Bridget and Ewan Swanson as Isaac.

From Left to Right Carolyn Saxon, Maeve Leahy and Ewan Swanson and the Revels Ensemble Photo by Paul Buckley

Adorned in a glimmering gown and gold wreathed crown, Carolyn Saxon makes a warm and welcome return to Revels this time as the Immortal Spirit of Place. Her subtle charm and light humor enhance each aspect of the production as she guides the audience through various tales and periods in history in Nikes. Saxon is clearly enjoying this enigmatic role becoming invisible when she wishes and popping up at felicitous and spontaneous moments.

While last year’s show focused on saving a bar by venturing into the past, family is much more prevalent as members of the cast tie in pieces of their own cultural holiday memories into the production. Irish and Jewish Dramaturg Nicole Galland contributed by drawing on her own experiences and upbringing. With frank and humorous inflections, Reveler Stephanie Clayman is an amiable and avid storyteller as she brings some of those tales to life such as two well staged pieces of morally centered Jewish folklore and several Chanukah traditions.

Stephanie Clayman, Ewan Swanson, The Ellis Island Children, and the Midwinter Revels Adult Chorus Photo by Paul Buckley

David Coffin as Conor Riley revealed a miraculous event during World War I that took place on Christmas Eve in 1914. For a brief time, soldiers showed camaraderie with their enemies as they joined together in song, games, and friendship. It is a historical event that needs to be shared with as much frequency as annual holiday traditions such How the Grinch Stole Christmas, A Christmas Carol, or It’s a Wonderful Life. That brief interlude of peace made such a significant impact on the world and Midwinter Revels depicts that moving period of time with Christmas in the Trenches, O Tannenbaum and Stile Nacht as the production spread itself beyond the Sanders Theatre stage.

The children are always a joy to watch and this year as the Ellis Island Children, they share upbeat, jumping rope rhythm for There’s a Big Ship Sailing and later with Las Posadas as Mary rides on a donkey. It is just one example of the many endearing appearances they make in song and tale.

A brilliant performance comes from Ricardo Holguin who passionately performs a wondrous rendition of Mexican love song La Malgeuna followed by striking number El Relampago featuring women in gorgeous floral headdresses and sun drenched gowns by Heidi Hermiller. Kelli Edwards’ multifaceted choreography is on full display throughout as well as for a tricky and intricate sword dance accompanied by an onstage accordion and drummer for The Straw Folk Mummers Play and Rogue’s Delight.

Maeve Leahy (left), Ewan Swanson (center), and dancers from Great Meadows Morris & Sword Photo by Paul Buckley

Though the show lulled a bit on occasion, Midwinter Revels: A Solstice Celebration Tales from Ellis Island’s engaging tales bring unity and light and depicts how sharing different traditions can bring a new understanding and warmth into the darkest of times.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Click here for more information and tickets.

REVIEW: Available on Amazon Prime Video, Unlikely friendships and big dreams fuel indie dramedy METHOD

Posted on July 30 by The Sleepless Critic

The pandemic put life on pause for awhile and for some, it has an interesting way of putting life into perspective and mull over what really matters. Perhaps it is to cherish time with family and friends or to realize that the future is now. It might have prompted regrets and an eagerness to fix the future in any way possible.

Rebecca Lachmansingh as Amy Photo by Andrew Quach/Method

College students Lydia and Amy are at a pivotal point in their lives. Both are ambitious with big dreams, but approach their goals in different ways. Amy decides to shake up her world while Lydia pursues her interests with her feet planted firmly on the ground. Their peculiar and abrupt chance meeting and awkward dialogue takes a moment to latch onto as if these two distinct young women speak different languages. Their observances and approaches to life are in such stark contrast, it is a wonder how they get along.

METHOD, an indie dramedy directed and co-written by Darya Amirshahi with Matthew Choi, is available now on Amazon Prime Video and other streaming services. The film is just under 90 minutes. Click here for more information.

First time director Darya Amirshahi captures the essence of the pandemic with this small cast spending much of their time in solitude and hints at the restlessness of this time. This quiet life has Amy crawling out of her skin while Lydia dares not to dream.

Jacqueline Yushkov as Lydia Photo by Andrew Quach

The title suggests multiple meanings in this film, but what first comes to mind is Amy’s dream to become an actress, a career she pursues impulsively and with some reckless abandon. Serious and steadfast, Jacqueline Yushkov as hardworking Lydia does not seem to indulge in anything other than sensibility and gawks at Lydia’s impulsiveness. Gradually, Lydia tempers Amy’s lofty goals.

Sharon Juhasz amiably depicts Amy’s worried mother and voices her concerns, but Amy is resolute. Rebecca Lachmansingh as controlling and occasionally harsh Amy makes some questionable decisions in the film, but Lachmansingh also brings naïve and idealism that garners some sympathy for her character.

Two unlikely friends discover with a little faith, less reckless abandon, and a few hard lessons, there is hope. The dialogue is farfetched at times and can benefit from having a bit more subtlety, but Yushkov and Lachmansingh work out its believability through their quirky chemistry and gradual understanding of each other.

METHOD, an indie dramedy directed and co-written by Darya Amirshahi with Matthew Choi, is available now on Amazon Prime Video and other streaming services. Click here for more information

REVIEW: The Game is Afoot for Greater Boston Stage Company’s world premiere of ‘Miss Holmes Returns’

Posted on May 3 by The Sleepless Critic

Set in Victorian England, 221B Baker Street London is once again shrouded in a murder mystery. However, the famous detective has another face this time…the lovely Miss Holmes. With darting eyes taking in every last deduction in an ornate red and black waistcoat, this poker faced beauty seems incapable of being distracted from a case. Portrayed with steely charisma by Marge Dunn with a knack for deadpan humor, Miss Holmes carries herself with ceaselessly logical and observational prowess, but this particular case just might be over her head.

Richly written by Christopher M. Walsh and meticulously directed by Weylin Symes, Greater Boston Stage Company with Don Fulton New Works Project presents the world premiere of psychological murder mystery thriller Miss Holmes Returns live and in person at Greater Boston Stage Company in Stoneham, MA and now available virtually through Sunday, May 8. The show is approximately 2 hours and 15 minutes with one 15 minute intermission. Click here for more information and tickets.

The cast and crew of Greater Boston Stage Company’s ‘Miss Holmes Returns’ Photo credit to Nile Scott Studios/Greater Boston Stage Company

In the tradition of Sherlock Holmes or most murder mysteries, Miss Holmes Returns begins immediately with a murder as David Ramedios’s suspenseful violin-tinged score haunts the scene. A man is murdered and Sherlock and Watson must assess the case as a mysterious woman associated with a group with a seemingly checkered past portrayed by Shubhangi Kuchibhotia, flees the scene.

Boasting an esteemed cast, the dynamic between each character remains faithful to Sir Arthur Conan Doyle’s classic characters. Sherlock is not quite complete without a Watson and Shonna Cirone fits the bill as good humored, intuitive, and sharp Dr. Dorothy Watson. The show shrewdly uses the flipped gender of this duo to its advantage. Both outspoken and resolute feminists, Dunn and Cirone share some fascinating and fun moments observing how these two differing, yet complementary personalities approach attempting to solve the crime. They complement each other much like the classic Holmes and Watson duo and their untimely friendship.

Alexander Platt as Mycroft Holmes and Marge Dunn as Miss Holmes Photo credit to Nile Scott Studios/Greater Boston Stage Company

Alexander Platt, in a dual role, depicts Sherlock’s stern and demanding brother Mycroft with a mysterious and villainous air. Platt’s darker take on the character makes him much more fascinating. Cheryl McMahon, who was a delight in SpeakEasy Stage Company’s clever Admissions, is wonderful in a dual role which includes the feisty and humorous Mrs. Hudson, the landlady of 221B Baker Street.

Paul Melendy, who led the stellar cast of Greater Boston Stage Company’s recent The 39 Steps, impressively portrays warm and quirky Adam Worthington while Joshua Wolf Coleman as Inspector Geoffrey Lestrade of Scotland Yard assigned to the case, is enthralled by Sherlock’s keen observations on the scene.

Marge Dunn as Miss Holmes and Paul Melendy as Adam Worthington Photo courtesy of Nile Scott Studios/Greater Boston Stage Company

Fans of previous Sherlock adaptations will appreciate the various Easter eggs subtly scattered around set designer Katy Monthei’s vintage and stately scenery which includes colorful, vintage lamps, a selection of well worn books, double tier shelving, and floral-adorned furniture. From Worthington’s rich green cravat to Lestrade’s black bowler hat to the detailed lace and velvet costumes to Sherlock’s amazing Victorian boots, costume designer Deidre McCabe Gerrard brilliantly captures the sophistication of Victorian England.

Miss Holmes Returns boasts fastidious dialogue as well as clever and comical moments as the plot thickens. The show may be a bit lengthy in its deductions, but its various twists and turns are well worth finding out whodunit.

Greater Boston Stage Company with Don Fulton New Works Project presents the world premiere of psychological murder mystery thriller Miss Holmes Returns live and in person at Greater Boston Stage Company in Stoneham, MA and now available virtually through Sunday, May 8. Click here for more information and tickets.

REVIEW: Singer-songwriters Natalie Price and Grace Pettis share resilience through struggle and the joy of performing live onstage again

Posted on April 21 by The Sleepless Critic

It is no surprise that guitar strumming singer-songwriters Natalie Price and Grace Pettis recently brought a mix of emotional weight to the Club Passim stage in Cambridge, MA. Not only in the great joy of performing for an audience again, but the heartache, loss, and reflection in their music as a result of these past couple of complicated years. However, within this sadness lies resilience for thriving again.

Grace Pettis and Natalie Price Photo credit to Natalie Price

Singer-songwriter Natalie Price debuted at Club Passim and opened for returning Club Passim favorite Grace Pettis on Thursday, April 14 in person and on live stream for one night only. Click here to see where Pettis will perform next and here for more on Price. Click here for more on Club Passim, their educational programs, upcoming events, and how to support local music.

A smattering of spotlights lit the Club Passim stage as Dallas-born Natalie Price delivered a mix of reflective, sorrowful, and playful love songs during her brief opening set. Price’s sound has a tinge of Natalie Imbruglia or Lisa Loeb as she shares her experiences.

These Days is a clever track about the memory of escaping an unhealthy relationship and if the timing of that relationship were any different, Price might not have escaped. Price sings, ‘I’m so glad I wasn’t younger when we met’ and ‘The heaviness, strangled me/A songbird in a cage.’ Its seemingly lighthearted chords contrast a returning and complex memory that changes over time.

Another highlight was The Island, a song performed entirely with a music box-sounding Kalimba instrument. It is a melodious track about the euphoria of new love while Done is another clever piece that delves into the erratic and frantic feelings of unsteady love. Price ends the set with a catchy and cheerful tune about devotion.

Natalie Price’s music can be found on Band Camp or on her website.

Grace Pettis Photo credit to Nicola Gell

Before taking the stage alone, Grace Pettis joined Price for an unconventional and sweet lullaby Pettis wrote and performs for a Ukrainian child living with Pettis and her family in Ireland called Sleepy Lobster. Pettis had a table set up that evening to support Ukraine.

Florida-born Grace Pettis delves into a collection of powerful, somber, and soulful tunes, a reflection of some of the complex, life-changing experiences Pettis endured over the last two years. In a burgundy shirt and black pants, Pettis is an unassuming presence with a certain personable charm and expressed her gratefulness to be back at Club Passim sharing her music with a crowd again.

Her passionate and powerful vocals in Pick me Up and Never Get it Back from her new album, Working Woman from MPress Records, has universal appeal with the latter a bittersweet message on the importance of living in the present and the former finding the strength to keep going in spite of life’s hardships. Though Pick me Up could simply be interpreted as a love song, it could also apply to a larger message about faith and finding loyal support through life.

Pettis mused in Rain’s lyrics, ‘I don’t know how to be happy’ when she recalled being tasked with writing a song about sunshine. The somber track was inspired by November rain in Ireland.

So many of Grace’s work addresses strength through struggle. Mean Something also from Working Woman has a soothing quality about finding hope while Birthright, which is a Nobody’s Girl song, reveals the struggles of living with the pain of the past. Pettis is an apt songwriter reflecting on the end of a life-changing relationship. She sings, ‘Brace myself for unwanted advice…I’m the box forgotten in the attic.’

However, one of my favorite tracks is Corner, a complex love song about unconditional loyalty, the pain thick in Grace’s voice. Though the show had its share of solemn musings, Pettis ends the set with Working Woman’s fiery and meaningful title track, her powerful belt demonstrating though hardship, Grace Pettis has thicker skin than that.

Click here for more information on Grace Pettis and where she is touring next. Learn more about Natalie Price here and click here for more on Club Passim, their music classes, upcoming concerts, and how to support local music.