REVIEW: Motherhood goes under the microscope in Flat Earth Theatre’s powerful ‘Not Medea’

The mind can be your greatest asset or your worst enemy.  Flat Earth Theatre presents Allison Gregory’s powerful, semi-interactive drama Not Medea at the Black Box at the Mosesian Theatre for the Arts in Watertown, Massachusetts through March 30.  Partially based on the classic Greek myth Medea, the show runs 100 minutes with no intermission.  Click here for more information and tickets.  This show has mature themes.

Flat Earth Theatre Not Medea Juliet Bowler

Juliet Bowler as Woman Photo courtesy of Flat Earth Theatre

As rain pelts an onstage window, water is caught in a bucket.  This is an unintentional issue for director Elizabeth Yvette Ramirez, but this little wrinkle works well.  A storm is brewing, but it doesn’t hold a candle to the storm brewing inside the mind of an overwhelmed mother portrayed convincingly by Juliet Bowler.  Not without its lighthearted and sometimes relatably frank moments, Not Medea tackles love and motherhood in all its triumphs and complexity.

Allison Gregory’s Not Medea gives this classic a modern spin while cleverly keeping the earmarks of the classic intact.  Not enough can be said about Juliet Bowler as Woman.  She is a natural in this meaty and demanding role, navigating in a “show within a show” atmosphere.  We all know this harried woman.  She is rash, impetuous, and temperamental.  She shares too much, talks too loud, and can’t be still only to hide that she is lost in more ways than one.  She is also daring, which is indicative of her exclusively breaking the fourth wall, a modern convention usually reserved only for comedies.

Flat Earth Theatre 'Not Medea' Juliet Bowler and Gene Dante

Juliet Bowler as Woman and Gene Dante as Jason Photo courtesy of Flat Earth Theatre

Woman meets gallant and narcissistic Jason, portrayed with gusto and charisma by Gene Dante.  They share an instant connection.  However, as Woman remarks, “The Gods always have a plan.”

From child to maidservant, Cassandra Meyer skillfully takes on several roles during the production.  Gentle and compassionate, she is the most impressive as Woman’s conscience.

Flat Earth Theatre 'Not Medea' cast

Gene Dante as Jason, Cassandra Meyer as Chorus, and Juliet Bowler as Woman

Flat Earth Theatre continues Allison Gregory’s Not Medea through Saturday, March 30 at the Black Box at the Mosesian Center for the Arts, 321 Arsenal Street in Watertown, Massachusetts.  Click here for more information and tickets.

Partially surrounded by a lush green lawn that gives it a campus feel, The Mosesian Center for the Arts houses a number of productions and exhibits during the year.  Offering free parking and next door to Panera Bread, upcoming exhibitions include Five Stars Regional Exhibition and Please Touch the ArtThe Underlings Theatre Company presents MacBeth April 5-13.  Hosted by WBZ’s Jordan RichUpstage Lung Cancer’s annual fundraiser, Here’s the The Ladies:  From Lady Day to Lady Gaga takes place for one night only on Thursday, April 18..  Click here to see all that Mosesian Center for the Arts has to offer.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: Greater Boston Stage Company’s intriguing ‘Onegin’ offers vodka, love at first sight, and a whirlwind of surprises

Combine an onstage rock band nicknamed the Ungrateful Dead with a storytelling cast in 19th century St. Petersburg, Russia.  Throw in love at first sight, a duel, add some vodka, and a few winks to today’s technology and it is quite the tale…and that’s not even the half of it.

Expect the unexpected at Greater Boston Stage Company’s unique performance of Onegin, a semi-interactive musical that blends the traditional with the contemporary in surprising ways.  It explores how far one would go for love while its rock and roll vibe and comic moments show it doesn’t take itself too seriously.

Based on Alexandr Pushkin’s poem of the same name and Tchaikovsky’s opera, Greater Boston Stage Company continues Onegin’s United States debut at the Stoneham Theatre in Stoneham, Massachusetts through Sunday, March 31.  Click here for more information and tickets.

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From L to R: Michael Jennings Mahoney as Vlaimir Lensky, Music Director Steve Bass (on piano), Mark Linehan as Evgeni Onegin, Josephine Moshiri Elwood as Olga, Sarah Pothier as Tatyana, and Peter Adama as Prince Gremin Photo by Maggie Hall Photography/Greater Boston Stage Company

Onegin pushes quite a few boundaries within its two hour time frame.  The show inhabits a myriad of genres and occasionally breaks the fourth wall, but underneath it all is a moving tale of love and loss and what it means when destiny is out of your hands.  The contemporary flair of this period piece may not appeal to staunch traditionalists, but the show has heart.

Katheryn Monthei’s open set design topped with sparkling brass chandeliers and silk backdrops mixed with Deirdre Gerrard’s detailed costumes and Ilyse Robbins’ dynamic choreography depict a romantic, yet edgy vibe indicative of this strong and versatile cast.

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Michael Jennings Mahoney as Vladimir Lensky Photo by Maggie Hall Photography/Greater Boston Stage Company

Opening with the rollicking number A Love Song, these singing storytellers describe a man irretrievably in love and one who is roguishly indifferent to it. Michael Jennings Mahoney portrays excitable and lovelorn poet, Vladimir Lensky.  Lensky could have been a one note character, but Mahoney gives him dimension and makes him much more than he seems.   He is taken with Olga, portrayed with complexity and practicality by Josephine Moshiri Elwood.  Enter Evgeni Onegin, portrayed with a deep vibrato and roguish charm by Mark Linehan.  Linehan is charismatic, but also possesses a cynical, world-weary look on life while Tatyana, portrayed with pensive idealism by Sarah Pothier, may just change everything.

ONEGIN at GBSC

Sarah Pothier as Tatyana and Mark Linehan as Evgeni Onegin Photo courtesy of Nile Hawver/Nile Scott Shots

A few highlights include Sarah Pothier’s commanding performance of Let Me Die and stunning performances of In Your House and My Dearest Comrade by the cast.   Expect the unexpected at Onegin and like this engaging cast, prepare to have a little fun.

Directed by Weylin Symes, Greater Boston Stage Company’s musical drama Onegin continues through Sunday, March 31.  Click here for more information and tickets.  Click here for a closer look at Greater Boston’s Stage Company’s recently announced season.

 

 

 

 

 

REVIEW SpeakEasy Stage’s ‘Once’ a celebration even within its quiet moments

Dancing fiddlers and a rollicking music celebration is only the beginning.  Directed by Paul Melone and adapted from the 2007 romantic musical film of the same name, The SpeakEasy Stage Company presents the Tony Award-winning musical, Once extended through Sunday, April 7 at the Calderwood Pavilion in Boston, Massachusetts.  Click here for more information and for tickets.

Welcoming early arrivals to the show is a lively, comical, pre-show band that is also part of the talented Once cast.  Each cast member is also a musician and they all get their moment to shine.  With naturally flowing choreography by Ilyse Robbins, stomping guitarists and dueling fiddlers joyfully romp in a freestyle dance with the drummer.  The band has such personality and the performance is a wonderful preface to a quietly beautiful love story about a pair of lonely musicians who long for their place in the world.

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Eric Levenson’s absorbing set design enhances the production’s soulful atmosphere, featuring instruments hanging around a brick arch while musicians pop up sporadically during the production.  Though Once is set in Dublin, takes a lot at Czech and Irish traditions.  Guy is a lonely, sensitive street performer from Northside Dublin.  Portrayed with tight lipped earnestness by Nile Scott Hawver, Guy expresses his raw emotion through his songwriting, immediately leaving an impact with his first number, Leave.

Guy meets Girl, a talkative Czech pianist portrayed with quirky charm by Mackenzie Lesser-Roy.  Their immediate, humorous chemistry and her heartening, compassionate demeanor toward him is a particular highlight only topped by their remarkable duets, heightened during the show’s signature song, Falling Slowly.

Hawver does an impressive job portraying Guy’s gradual vulnerability while showing off his comic chops, especially during the song Broken Hearted Hoover Fixer Sucker Guy, but it is Lesser-Roy who shines, her chiming voice delivering a stirring rendition of The Hill and If You Want Me.  She carries a longing and loneliness she recognizes in Guy and her plucky, irrepressible optimism leaves a mark on everyone she meets.

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Once also has its share of amusing moments.  Billy Butler is hilarious as hot blooded, macho music shop owner, Billy.  Jeff Song is a delight as Bank Manager in a wildly enthusiastic version of Abandoned in BandonJacob Brandt and Kathy St. George are charming as perpetual dreamer Andrej and as candid, strong-willed Girl’s mother Baruska respectively.

The songs on Once’s acoustic, fiddle-laden soundtrack contain timeless, contemplative messages and the ensemble certainly contributes to its playful moments, but Once’s greatest strength is its subtle nuances and the impalpable stillness within this simple tale, most evident in the ensemble’s lovely, a capella version of Gold.  Love can a simple, quiet declaration that lingers long after the show is over.

SpeakEasy Stage presents the Tony Award-winning musical, Once extended through Sunday, April 7 at the Calderwood Pavilion, 539 Tremont Street in Boston, Massachusetts.  Click here for more information and for tickets.  Click here for a closer look at the SpeakEasy Stage and its 2019 season.

REVIEW: Boston Ballet’s bold and exciting ‘Full on Forsythe’ kicks ballet up a notch

With all that Full on Forsythe has to offer, it is easy to forget any preconceived notions one may have about the ballet.  The Boston Ballet takes on a wide variety of classic productions such as Sleeping Beauty, Swan Lake, as well as the upcoming performances of Cinderella in May and Coppelia starting March 21.  Yes, ballet is steeped in tradition, but Full on Forsythe adds a bold, modern dimension to dance and this version is unconfined by any assumptions.

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Boston Ballet in William Forsythe’s Pas/Parts 2018; photo by Rosalie O’Connor, courtesy of Boston Ballet

The Boston Ballet continues Full on Forsythe at the Boston Opera House through Sunday, March 17.  The Boston Ballet also recently announced a tour of Full on Forsythe in Paris next month.  The production is divided into three parts with two intermissions.  Click here for more information and tickets.

From catchy R&B to electronica to soul, acclaimed choreographer William Forsythe showcases a modern spin to the Boston Ballet’s signature moves creating fascinating visual portraits.  Songs were taken from James Blake’s album, The Colour in Anything, including I Need a Forest Fire, I Hope My Life, and F.O.R.E.V.ER., music by Dutch composer Thom Willems, and music from popular R&B singers such as Khalid, Barry White, and Natalie Cole.

Lithe, athletic solo dancer Chyrstyn Fentroy kicked off this joyful, haunting, and romantic music journey with last year’s Pas/Parts 2018 in a dual colored leotard as dancers gradually multiplied.  The industrial, tribal feel of Thom Willems music as dancers shift in shadows create a haunting intensity.  As the dancers like part of seamless machine as dancers spin and swing, hitting every last eccentric beat.

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Patrick Yocum Boston Ballet in William Forsythe’s Playlist (EP); photo by Angela Sterling; courtesy of Boston Ballet

There are quite a few extended solos including Lasha Khozashvili, Sao Hye Han, Patrick Yokum, Issac Akiba, Ji Young Chae, Daniel Cooper, Patric Palkins, and Lia Cirio who all capture an intensity within the music and pulsing rhythm, depicting an myriad of exciting dance moves.  Whether in a duet or solo, Patrick Yocum is a particularly wonderful dancer, soulful and charismatic each time he takes the stage.  Click here for a closer look at the company.

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Lia Cirio and Viktorina Kapitonova in William Forsythe’s Playlist (EP); photo by Angela Sterling; courtesy of Boston Ballet

Blake Works I offers a more intimate, romantic display, but also has its share of subtle and humorous moments, especially within the duets.  Pairs Ji Young Chae and Seo Hye Han, Lia Cirio and Patric Palkens, and Jessica Burrows and Patrick Yocum have a great chemistry together as they entwine in each other’s arms in a part interpretive dance.  At one point Patric Palken attempts to lift Lia, but she teasingly denies him before she joins him.  It is a subtle moment, but it depicts the sweet chemistry and joy between the two.

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Roddy Doble, Patrick Yocum, and Hannah Bettes in William Forsythe’s Pas/Parts 2018; photo by Rosalie O’Connor, courtesy of Boston Ballet

 

The Boston Ballet is revered for its beautiful performances, but what sets Full on Forsythe apart is its universal appeal.  The Boston Ballet’s must-see Full on Forsythe leads the audience on an enthralling, unique, and beautiful music journey that concludes on a jubilant, mesmerizing note.

The Boston Ballet continues to offer an opportunity to learn more about ballet through The Warm Up, an interactive, photo-friendly display located in the lower lobby.

The Boston Ballet continues Full on Forsythe at the Boston Opera House, 539 Washington Street in Boston, Massachusetts through Sunday, March 17.  The Boston Ballet also recently announced a tour of Full on Forsythe in Paris next month.  Click here for more information and tickets.  For future events and more, follow Boston Ballet on Facebook and Twitter.

 

 

REVIEW: Love and marriage gets wildly complicated in amusing romantic comedy farce, TCAN’s ‘First Things First’

Ever told a white lie that manifests itself into a whopper?  One where the truth becomes hazy?  That’s partly what The Center for the Arts in Natick’s (TCAN) romantic comedy farce First Things First is all about.  Presented by Mutual One Bank, First Things First delves into love, marriage, and what can become of a little white lie.

Written by Derek Benfield and directed by Kathy Lague, TCAN’s First Things First continues its run through Sunday, March 17 at 14 Summer Street in Natick, Massachusetts.  Parking is free on Sundays.  The Center for the Arts in Natick is a charming theatre space that also holds other events including a movie theatre.  Click here for more information, tickets, and how to become a member.

TCAN's First Things First

Photo courtesy of TCAN

This story is outlandish, which is the true nature of a farce.  Boy meets girl.  Boy marries girl.  Girl gets lost on a mountain.  Boy marries another girl.  Then the girl returns.  What’s a guy to do?  Set entirely in the living room of newly married couple Pete and Sarah’s apartment, each character has his or her own ulterior motive of how this story will play out.

Set designer Tom Powers creates a cozy, welcoming environment with warm colors, coordinated paintings on the walls, and a large sofa.  Classic songs about love and marriage by Frank Sinatra and Nat King Cole add a lighthearted, vintage flair.

The cast delivers quite a few surprises on this comedic journey and wait for the twist.  Sarah, portrayed with a good measure of feigned, wide eyed naiveté by Laura Deschaines, is Pete’s wife.  In a business suit and beard is Scott Saley as optimistic Pete, a man in for a surprise.  As the characters delve deeper into deception, credit is due for keeping Derek Benfield’s increasing complicated plot straight.  Scott Saley has a knack for physical comedy.  His amusing facial expressions become more entertaining as the plot thickens.

Cathy Merlo portrays Pete’s steely and judgmental mother in law.  Her pink suit is the only thing demure about her.  She’s a woman used to being in charge and her schemes with Laura Deschaines are fun to watch.  David Rustin as Pete’s unwitting friend George offers a great deal of observational humor as does Alessandra Horton as sweet and mysterious Jessica.

TCAN - The cast and crew of First Things First

The cast and crew of TCAN’s ‘First Things First’

The Center for the Arts in Natick present romantic comedy farce First Things First through Sunday, March 17.  Click here for more information and tickets.  Click here for more on TCAN’s 2019 season.

REVIEW: Versatile singer Joyce Didonato performed classics with a compelling twist as Celebrity Series presented ‘Songplay’

It is easy to see why mezzo soprano Joyce Didonato has such a following on social media and otherwise.  For one night only, she took the stage to share what she has learned from music and more as Celebrity Series presented Songplay on Friday, March 1 at New England Conservatory’s Jordan Hall at 8 p.m.  Click here for more information and here for where Joyce Didonato will appear next.

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Celebrity Series of Boston presented Joyce Didonato for one night only on March 1 Photo courtesy of Celebrity Series

Celebrity Series has a knack for welcoming artists that not only show off their talent, but teach the audience a thing or two about their craft, leaving the audience some material to ponder.  With a lively, charming presence and a versatile voice that defies a definitive genre, mezzo-soprano Joyce Didonato shattered a few traditions and came up with a refreshing repertoire that combined opera, jazz, baroque, and other genres making a few classic songs new again.

Emerging from backstage in a shimmering emerald evening gown, this dynamic singer was greeted by a full house.  This particular show seemed to be tailor-made for professionally-trained singers as Joyce shared details of her extensive vocal training, recalling in jest and self deprecation the tools that helped her become the professional singer she is.  She also shared some personal reflections and comical stories between songs about her life and music.

With soaring, soothing vocals and an impeccable range, Joyce’s voice is as sophisticated with an aria as it is playful with jazz and Broadway numbers.  Fans of opera and jazz would especially enjoy the show, but Joyce and her band offered enough variety and humor with each transformed song that most music fans could appreciate it as well.

Celebrity Series Joyce Didonato Robert Torres

Throughout the evening, she introduced her acclaimed band one by one with anecdotes and playful music interludes.  Each band member had their individual chance to shine.  Behind a large Steinway and Sons grand piano sat pianist and arranger Craig Terry with whom she shared more than a few lighthearted moments with.  They kicked off the evening with the Italian aria, Caro mio ben and later Craig performed a captivating rendition of Dizzy Fingers.

Hailing from Buenos Aires, Lautaro Greco introduced the bandoneon, a unique instrument which is played like a piano, shaped like an accordion, but sounds like a horn.  He joined her lively band that included revered double bassist Chuck Isreals, acclaimed percussionist Jimmy Madison, and legendary trumpet player Charlie Porter.  The band’s random, surprising music notes added a few humorous and cheeky moments to the performance, the horn chasing her soaring vocals during a jazz-infused interlude.  All in good fun.

A few of the evening’s highlights included a heartfelt, angst-ridden rendition of Will He Like Me?  from the Broadway show, She Loves Me, a tender, reflective rendition of Gene Scheer’s Lean Away dedicated to Andre Previn, Duke Ellington’s classic Solitude, and a song Joyce always dreamed of singing, Edith Piaf’s La Vie en Rose.

At one point during the show, Joyce referred to playing traditional music just one way as an emotional straight jacket.  Watching her put a creative spin on these classics with humor, grace, and gusto was a liberating experience.

Celebrity Series of Boston offers a dynamic roster featuring the annual Stave SessionsAlvin Ailey American Dance Theatre, Shawn Colvin, and much more.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: Let loose and laugh a lot about life with inventive musical comedy ‘The Other Josh Cohen’

What if life could nudge you in the right direction when nothing seems to be going right?  The romantic musical comedy The Other Josh Cohen inventively and comically explores this concept and more continuing at the Westside Theatre in New York, New York through April 7.  This production is 90 minutes without an intermission.  Click here for more information and tickets.

Imagine a studio apartment being robbed on a holiday with Grinch-like stealthiness, perhaps even the thief figuratively “taking the last can of Who Hash” which in this case is unceremoniously a radio.  However, rather than it taking place on Christmas Eve, it’s on Valentine’s Day, and what little the thief does leave behind becomes your most treasured possession – a certain CD.  It’s easy to relate to this scenario because my own car was robbed once and I knew kids were probably responsible because they left the movie soundtrack to Titanic behind.  Ah, kids today.

The victim in this robbery is Josh Cohen, portrayed with lovable earnestness by Steve Rosen as Narrator Josh, portrayed with confidence and charm by David Rossmer, looks on.  It seems that nothing is going quite right for Josh until an unforeseen circumstance just might turn his life around.

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Steve Rosen and David Rossmer as The Other Josh Cohens Photo courtesy of Caitlin McNaney/The Other Josh Cohen

This multi-layered musical comedy is as ambitious as it is hilarious.  Not only does the show take off right away and I’m not just talking about most of the set, but it plays with time frames, utilizing a small, but ceaselessly hardworking, multi-talented cast capable of playing several characters at the drop of a dime.  How many shows can say that the cast is also the band and it all runs like clockwork?

With orchestrations by Dan Lipton and David Rossmer, The Other Josh Cohen is packed with catchy, insightful, comical, and frequently optimistic tunes about life and isn’t afraid to get occasionally silly.   The lighthearted, rock and roll and pop soundtrack includes Hang On, The Other Josh Cohen, What If, Change a Thing, and Samuel Cohen’s Family Tree which come highly recommended.   The Other Josh Cohen star-studded CD soundtrack features the voices of Hank Azaria, Sutton Foster, Sarah Bishop, and Richard Kind to name just a few.

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From L to R Louis Tucci, Kate Wetherhead, Luke Darnell-Hannah Elless Photo courtesy of Caitlin McNaney/The Other Josh Cohen

There is a great deal of natural chemistry among this small cast and though they seem to be improvising at times, it is an entirely scripted show punctuated by timely pop culture references.  Cathryn Wake, Jane Bruce, Luke Darnell, Louis Tucci, and Megan Loomis all make portraying several roles look easy as glittering Aunt Bea, Josh’s neighbor who is part of the “she” street band, the superintendent, Josh’s father, and the dentist are particular highlights.

 

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So The Other Josh Cohen is funny, inventive, semi-interactive, and has a multi-talented cast, but what makes this show special?  Even when life shows its dark side, there is always hope.  It’s good to laugh a little (or a lot) and through its catchy, sometimes self-deprecating songs, everything in life just might turn out ok.  That makes for more than just a fun night out.

The Off-Broadway, romantic musical comedy, The Other Josh Cohen continues at the Westside Theatre at 407 W 43rd Street New York, New York through April 7.  Click here for more information and tickets.  Click here for further details on that star-studded soundtrack.