A beloved, annual musical tradition, Reagle Music Theatre of Greater Boston presents ‘ChristmasTime’

Adorned in brightly lit snowflakes, sparkling, emerald Christmas trees and wreaths  around the Robinson Theatre stage and festively lined with wooden embroidered angels, Reagle Music Theatre of Greater Boston brings back their masterful, musical theatrical production of ChristmasTime for two weekends from Friday, December 2 through Sunday, December 10.  Click here for more information.

With an enormous cast of nearly 200 consisting of adults and children from Massachusetts representing two dozen regional towns, ChristmasTime is a musical revue accompanied by a live orchestra. The sets and costumes are adorned with festive flair and audiences will witness classic family favorites come to life such as ‘Teddy Bears Ballet’ Radio City Music Hall’s ‘The Parade of the Wooden Soldiers,’ and ‘The Living Nativity’ as well as captivating dance performances.  The show blossoms into a sweet dedication to the Christmas season.

This annual celebration has a strong following, so purchase tickets now.  Each show will be held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts on Saturdays and Sundays December 2, 3, 9, and 10 at noon and 4 p.m.  One Friday evening performance will be held on December 8 at 7 p.m.

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‘Night Fever: An Evening of the Bee Gees’ January 14 Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston will kick off the New Year with Night Fever: An Evening With the Bee Gees for one day only on Sunday, January 14 at 2 p.m. Click here for more information and tickets or call 781-891-5600.  Tickets are also available at the theatre box office and Reagle gift cards make a great present for the holidays.  Make Christmastime a family holiday tradition.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for all their upcoming events.

Jukebox rockin’ ‘Smokey Joe’s Cafe,’ epic musical, ‘Ragtime,’ and stirring musical, ‘Oliver’ part of Company Theatre’s stellar 40th season

A birdcage, jukebox, a group of kittens, and an orange pocket watch were just a few of the visual clues left on the Company Theatre’s Facebook page in reference to their upcoming 40th anniversary season.  This exciting new season was proudly unveiled at Company Theatre’s annual Open House at the Company Theatre in Norwell, Massachusetts on Saturday, November 18.  As the Company Theatre is about to launch an original musical production, Company for the Holidays on November 25, audiences can also look forward to an excellent balance of classic and contemporary theatre productions in the new year.  Click here for more information and tickets.

Company for the Holidays

The Company Theatre will offer new holiday fare with Company for the Holidays on Saturday, November 25 through Sunday, November 26 and continuing Thursdays through Sundays through December 17.  Shared in three parts with a large ensemble cast, this musical extravaganza includes a new take on a few classics such as All I Want for Christmas is You, White Christmas, and Santa Baby before venturing into a refreshing comedy about Christmas in ‘Bahston,’ and then closing out the show with nativity tale that will bring the audience to their feet.

Take a walk down memory lane with the Grammy award-winning Smokey Joe’s Café, a musical showcase that explores the most enduring songs in rock and roll and rhythm and blues history.  From romantic ballads to uplifting rhythms, Smokey Joe’s Café brings remarkable tunes to life.  Just a few of the songs featured on the Company Theatre stage includes Jailhouse Rock, Stand By Me, Hound Dog, Love Potion #9 and Fools Fall in Love.   Smokey Joe’s Café heats up the Company Theatre for a limited time from February 8-11, 2018.

Robin Williams and Nathan Lane made an uproarious comedy team on the 1996 hit comedy film, The Birdcage, based on the Franco-Italian film, La Cage Aux Folles. The Tony award-winning show, La Cage Aux Folles focuses on a night club owner named Georges and his romantic partner, Albin.  Upon learning Georges’ son is engaged to the daughter of an ultra-conservative politician, Georges and Albin may have to go to extreme measures to come off as a wholesome and normal family to hilarious results. La Cage Aux Folles takes the stage on Friday, March 16 through Sunday, April 8.

Earning multiple Tony Awards including best original score, watch three beautiful tales unfold about American life at the turn of the 20th century with the epic musical, Ragtime.  An immigrant, a wealthy family, and a Harlem musician all aspire for hope in the face of struggle to live the American dream.  Ragtime opens Friday, July 27 and closes on Sunday, August 19.

The Company Theatre rounds out the season with the British Farce, Loot from Friday, October 5 through Sunday, October 21, and closes with Lionel Bart’s classic musical, Oliver! from Friday, November 23 through Sunday, December 16, about a young orphan who dreams of a better life.

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The Company Theatre celebrates their 40th season. Photo courtesy of The Company Theatre

The Company Theatre also announced the new season of The Academy of the Company Theatre which includes Anything Goes, Cats, The Werewolves, The Rocky Horror Show, and Disney’s Mulan Jr.  Don’t miss a moment of Company Theatre’s spectacular 40th season.  All performances take place at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.

Click here for more information and upcoming events or call 1-781-871-2787.  Follow Company Theatre on Facebook, Twitter, and Instagram.

After a night out, MET Bar and Grill presents the return of ‘Boston Hot Chocolate Experience’

Sweeten the end of a concert or a night out at the theatre with rich chocolate.  Whether hot or cold, it is an undeniable treat throughout the year.  With the return of ‘Boston Hot Chocolate Experience’ starting Friday, November 25 and continuing through Valentine’s Day 2018 at three MET Bar and Grill locations in Massachusetts, chocolate has never tasted better.  Click here for more information.

Exclusively at MET Back Bay, customers can indulge in an interactive experience with Tableside Smores. They can toast extra-large marshmallows at their own table and add graham crackers, milk, white, or dark chocolate.  Hot chocolate options include Classic Hot Chocolate featuring vanilla chocolate, whipped cream, and mini-roasted marshmallows, Caramel Sea Salt with whipped cream and caramel drizzle, Espresso with Almond Biscotti, and White Chocolate Peppermint Hot Chocolate, featuring white chocolate, crushed peppermint stick, vanilla cream, and a candy cane.  Each treat can be enhanced with Peppermint Liquor, Caramel Vodka, Bailey’s, and more.

These holiday treats are presented as ‘A Flight of Four’ experience featuring four miniature glasses or attendees can order one flavor as ‘One Big One’ presentation.  Visit MET Back Bay in Boston and MET Bar and Grill in Dedham and Natick, Massachusetts.  MET offers breakfast, lunch, and dinner as well as Saturday and Sunday Brunch. They also are available for private events and gift cards are available online for the perfect gift.

REVIEW: Athletic grace, intensity, and enchanting beauty drive The Boston Ballet’s debut of ‘Obsidian Tear’

Featuring an enthralling, unconventional start, renowned choreographers depict a rich array of contrasting tones as The Boston Ballet opened its 2017-18 season with the captivating, North American debut of Obsidian Tear continuing through Sunday, November 12 at the Boston Opera House in Boston, Massachusetts.  What is particularly intriguing about this program is its delicate balance of triumph, suspense, sorrow, and beauty in a blend of traditional and contemporary artistry featuring two revered works by composer Jean Sibelius.  Click here for more information and tickets.

The Boston Ballet strikes an impressive, emotional balance with the combination of a special, orchestral performance of Finlandia by Jean Sibelius, Obsidian Tear, and Fifth Symphony of Jean Sibelius.  Led by guest conductor Daniel Stewart, the Boston Ballet opened with a stirring orchestral performance of the Finnish National song, Finlandia, composed as a tone poem by Jean Sibelius.  Magnificently led by conductor Daniel Stewart, Finlandia is a triumphant, gripping masterpiece from its ferocious open to every subtle, enchanting note in between.

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Boston Ballet in Wayne McGregor’s Obsidian Tear; photo by Rosalie O’Connor, courtesy Boston Ballet

The Boston Ballet added to its fervent tone with the North American debut of Obsidian Tear followed by the elegant, world premiere of Fifth Symphony of Jean Sibelius.  Choreographed by Wayne McGregor and accompanied by the haunting and evocative rhythms of Esa-Pekka Salonen’s Lachen verlernt and Nyx from violin soloist, Christine Vitale, Obsidian Tear builds to a palpable sense of urgency as each of the nine male dancers, including Daniel Cooper, Derek Dunn, Samivel Evans, John Lam, Alexander Maryianowski, Eric Nezha, Patrick Palkens, Desean Taber, and Junxiong Zhou, appear.

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Irlan Silva in Wayne McGregor’s Obsidian Tear; photo by Rosalie O’Connor, courtesy Boston Ballet

Surrounded by a warmly-lit stage and minimal black backdrop, each dancer exhibits their own, distinct appearance and style, gliding in long, sweeping movements.  Often dividing into pairs, their athletic prowess drives each complex step as exuberance, mischief, cooperation, and combativeness, flood an increasingly busy landscape.  Thrilling and poignant, Obsidian Tear is a thought-provoking, mesmerizing journey about belonging and the darkness within.

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Boston Ballet in Jorma Elo’s Fifth Symphony of Jean Sibelius; photo by Rosalie O’Connor, courtesy Boston Ballet

The world premiere of Fifth Symphony of Jean Sibelius, gorgeously choreographed by Jorma Elo, evokes the light, romantic tone of traditional ballet.  The pure, delicate beauty of the ensemble in pale pastel envelops the stage in graceful splendor as a single black halo hovers above.  In elegant costumes designed by former Dutch National ballet dancer Yumiko Takeshima, Fifth Symphony of Jean Sibelius delivers its own sophisticated rhythm, building into a flurry of circular motion and blossoming lifts.  As some divide into attractive pairs, dancers soar, leap, and float joyfully to a soft, urgent rhythm.  A particular highlight depicts the dancers lying sideways across the stage as a pair nimbly twirls into pirouettes and refined lifts.  As Obsidian Tear often focuses on individuals, this performance is much more an ensemble piece, forming dazzling soft color portraits in a breezy, jovial state.

New Jorma Dress Rehearsal

Boston Ballet in Jorma Elo’s Fifth Symphony of Jean Sibelius; photo by Rosalie O’Connor, courtesy Boston Ballet

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts. All performances take place at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Subscriptions and group rates are also available. Follow the Boston Ballet on Facebook and Twitter.

Boston Ballet presents the North American debut of emotionally-charged ‘Obsidian Tear’

In a season filled with extraordinary contemporary and classic performances, the Boston Ballet continues its 2017-18 season with the debut of Obsidian Tear.  Choreographed by Wayne McGregor, The Boston Ballet takes on a gripping exploration of raw human emotion as Obsidian Tear makes its North American debut from Friday, November 3 through Sunday, November 12.  Co-produced with the Royal Ballet, full of athletic grace, and inspired by poetry by Esa Pekka Salonen, Obsidian Tear depicts the powerful impact emotion makes on society, in all of its extremes.  The second half of the show features the world premiere of Fifth Symphony of Jean Sibelius, choreographed by Jorma Elo.

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Royal Ballet Artist Calvin Richardson in Wayne McGregor’s Obsidian Tear; photo by Andrej Uspenski, courtesy The Royal Ballet

The Boston Ballet concludes 2017 with the triumphant return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from Friday, November 24 through Sunday, December 31.  Starting in March 2018, The Boston Ballet mixes the classic with the contemporary with Parts in Suite, combining the imagination of esteemed choreographers William Forsythe, Justin Peck, and Jorma Elo from Friday, March 9 through Saturday, April 7, 2018.  Two crowd pleasing romantic classics take the stage with Romeo and Juliet from Thursday, March 15 through Sunday, April 8 and Sleeping Beauty from Friday, May 11 through Saturday, May 19.  Explore beauty and the pursuit of everlasting love with Classic Balanchine from Thursday, May 17 through Saturday, June 9 and La Sylphide from Thursday, May 24 through Sunday, June 10.

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts. All performances are held at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Subscriptions and group rates are also available. Follow the Boston Ballet on Facebook and Twitter.

REVIEW: Hingham Civic Music Theatre’s ‘Shrek the Musical’ an absolute treat for the whole family

Hingham Civic Music Theatre’s fun-filled Shrek the Musical has all the earmarks of a delightful Halloween treat for the entire family.  Some audience members were seeing double as the musical’s dynamic duo, Shrek and Donkey, were not only present onstage, but also in the crowd.  In the spirit of the season, some children opted to dress as their favorite Shrek character, which is encouraged (though not required).  This exciting production balances sweetness and hilarity through a few amusing tricks and special effects, which is all part of the story.  However, what makes Shrek’s tale so enduring and lovable is its underlying authenticity.  Underneath it all, life is best lived without a mask.

Chris DiOrio as Shrek

Chris DiOrio as Shrek Photo courtesy of Hingham Civic Music Theatre

Directed by Lisa Pratt, musically-directed by Mark Bono with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre continues its 69th season with Shrek the Musical in its final weekend from Friday, October 27 through Sunday, October 29 at Hingham Town Hall in the Sanborn Theatre in Hingham, Massachusetts.  Click here for more information and for tickets.  Click here for a clip from the musical.

Through its richly-painted set pieces by Lisa Pratt and colorful, meticulous costumes by award-winning costumer, Kathryn Ridder, the visuals in Shrek the Musical are likened to the popular Dreamworks film adaptation, right down to the Gingerbread Man’s gumdrop buttons.  However, having seen the film adaptation, Shrek, based on the book by William Steig, and the film’s many film sequels, Shrek the Musical expands the film’s premise, offering additional scenes and an upbeat, fanciful, rock-tinged soundtrack, composed by Jeanine Tesori.  I’m a Believer by the Monkees is also included.  Shrek’s real magic lies is its innovative ability to cleverly blend authenticity, sadness, adventure, and humor.  Tesori’s soundtrack encapsulates this tone in songs such as Big Bright Beautiful World, a sometimes humorous number about strength in the face of adversity and loss.  Debbie Rawson Stratton and Danny Hannafin as Mama and Papa Ogre offer a tender blend of impressive harmony as an adorable Young Shrek, portrayed by Nolan McHugh, looks on.

Shrek the Musical focuses on a lone, but not seemingly lonely green ogre portrayed with warmth, pensiveness, and gruff charisma by Chris DiOrio.  Shrek lives a quiet life in a swamp until some of literature’s most beloved fairy tale creatures arrive, forcing him to embark on an epic quest to save life as he knows it.

Chris DiOrio steps right into Shrek’s quiet awkwardness and offers a softness in his quiet moments as well as an amusing ferocity when his temper flairs.  Stubborn and humble, DiOrio is thrown for a loop when he meets Brendan Smith as Donkey, who keeps the energy kicking as a cheerful chatterbox.  Their instant, snappy chemistry clearly demonstrates why they are a dynamic duo for the ages.  A towering presence, Brendan offers a hint of Eddie Murphy’s iconic vocals combined with his own charm.  A particular highlight is Brendan’s slick choreography and gravitas during a James Brown-style rendition of the song, Make a Move.  Packed with familiar anecdotes and fairy tale references, Chris and Brendan also have some fun with their duet, The Travel Song.

Shrek and Donkey

Leslie DiOrio, Chris DiOrio’s real life wife, portrays bold, graceful, and idealistic Princess Fiona.  Wearing a shining green renaissance gown, Leslie depicts Princess Fiona with grace, humility, and earnestness, especially in a many-faceted, tender rendition of I Know it’s Today.  Chris and Leslie have a lively and sweet chemistry, even when they don’t see eye to eye.  Chris DiOrio’s endearing version of If Words Fail is also not to be missed.

From his first appearance onstage, Anthony Light literally and figuratively takes his character, Lord Faquaad, to a whole new level.  Absurd and hilarious, Anthony Light’s delusional arrogance and clever costuming is a treat, showing off his unapologetic pompousness in The Ballad of Faquaad, accompanied by the show stopping Duloc Dancers.

HCMT's 'Shrek the Musical' - The cast

Brendan Smith as Donkey, Chris DiOrio as Shrek, Anthony Light as Lord Faquaad, and the Duloc Dancers: Halle Pratt, Molly McLellan, Nicole DiRuzza, Alex Huntington, Catherine Bennis, Hannah Ford, Denise Feeney, and Abbey Randall Photo courtesy of Pat Sherman/Hingham Civic Music Theatre

Hingham Civic Music Theatre has a few tricks up their sleeves by way of special effects as each cast member delivers their own wild, off-beat charm.  With a large cast full of iconic fairy tale creatures including a magnificent dragon, a deceptive Pinocchio, Three Little Pigs, Witch, and a Gingerbread Man equipped with an uproarious squeal, the impressive cast is non-stop fun and never loses heart.

Hingham Civic Music Theatre presents Shrek the Musical with Facebook Friday Ticket discount special on Friday, October 27 at 7:30 p.m.  Click here for discount details.  A final evening performance will be held on Saturday, October 28 at 7:30 p.m.  Sunday’s final matinee performance takes place on October 29 at 2 p.m.  All shows are held at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.

Click here for further details, tickets, and how to support Hingham Civic Music Theatre.  Be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

Itamar Kubovy of modern dance troupe, ‘Pilobolus,’ discusses fascinating footwork and Celebrity Series of Boston return

Ever since Celebrity Series of Boston’s annual, free season opener Let’s Dance Boston at Dewey Square on September 13 featuring dancers that brought the audience to its feet, the 2017-18 has been a non-stop celebration.  Adding to the excitement from Friday, October 27 through Sunday, October 29, international modern dance troupe, Pilobolus, returns to Boston to share their distinctive, always fascinating moves in Pilobolus Maximus: Beyond the Limits of Dance at the Boch Center Shubert Theatre in Boston, Massachusetts.  Click here for more information and for tickets.

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Photo courtesy of Grant Halverson/Celebrity Series of Boston

Pilobolus has taken the stage in over sixty countries and thrilled audiences with television appearances at the Academy Awards, the Oprah Winfrey Show and the Olympics as well as made film appearances in Little Miss Sunshine, The Devil Wears Prada and Snakes on a Plane.  Executive Producer of Pilobolus, Itamar Kubovy, discussed Pilobolus’s fascinating footwork, its unique name, and the troupe’s love for Boston.

Sleepless Critic:  This is your 12th performance with Celebrity Series of Boston.  You must know Boston pretty well.

Itamar Kubovy:  We love performing in Boston and that’s not just lip service. We’ve always found our audience to teach us a huge amount about our work. The laughs, gasps, and paper rattling teach us about the work we are making.  In Boston, we encounter a crowd that makes us better at what we do and allows us to sharpen our performances.

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From the program, ‘Branches’ Photo courtesy of Ben McKeown

 SC:  Pilobolus is named after speedy barnyard fungus.  In the dance, I can see the symbolism behind the name.  Is there an interesting story behind it?

IK:  Jonathan Wolken, the co-founder who named the company, had a scientist dad studying the Pilobolus fungus in his biology lab, an organism about ¼ of an inch tall that grows in cow dung and has a large eye at its tip that always leans toward light. When the time is right to reproduce, the fungus shoots its head off of its body at the fastest acceleration known in nature. This alacrity and attraction to the light inspired Jonathan to name their first dance and the fledgling company after the phototropic fungus.

SC:  It seems like a quite a physically demanding job for these dancers.  What kind of routine keeps the dancers in shape and how do they best prepare for a performance?

IK:  When our dancers are in the studio, they work 9 to 5 Monday through Friday. They are lifting each other and working with tremendous physical intensity for close to 40 hours a week. The additional prep involves body maintenance, stretching, group work, and yoga.  Regarding the prep right before the show, we warm-up with an open curtain so the audience coming in watches the dancers move on the stage.  Both the audience and dancers need some time to prepare and we try to share that time. It makes the show all the more exciting when the lights go down.

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International dance troupe, Pilobolus in Pilibolus Maximus: Beyond the Limits of Dance   Photo courtesy of Grant Halverson

SC:  I imagine live performances and sometimes dangerous stunts can hold some surprises every once in a while.

IK:  They do, but the work these people do together day in and day out really limits the risk based on the trust they build between one another. Most importantly, these dancers know how to instantly adjust when something goes wrong. While we certainly have our moments of injury, we have a great deal of confidence going into every show.

Celebrity Series of Boston - Pilobolus Maximus

From the program, ‘On the Nature of Things’ Photo courtesy of Ben McKeown

SC:  Improvising is invaluable.  How is trust developed between other members of the group?

IK:  Trust is mysterious, but there is no doubt in my mind that the physical giving of one’s weight and balance to another person, literally putting yourself entirely in their hands over and over again speeds that process up.  Some of the principals in which our process is based is the human physical connection by sharing, giving, and taking weight.  Trust is a powerful by-product of caring touch.

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From the program, ‘Echo in the Valley’ Photo courtesy of Ben McKeown

Pilobolus Maximus:  Beyond the Limits of Dance will take the Boch Center Shubert Theatre stage at 265 Tremont Street in Boston, Massachusetts from Friday, October 27 through 29, as part of their national tour.  A free, post artist performance artist talk moderated by Peter DiMuro of the Dance Complex will be held on opening night. Click here for more information and for tickets.  Click here for more information on Celebrity Series of Boston, their full schedule, and how to support them during their 79th season.  Learn more about their season and get updates through Facebook and Twitter.