America

REVIEW: Friendship, camaraderie and mischief take center field in Imaginary Beasts’ engaging ‘Casey at the Bat: An All American Panto’

Posted on by The Sleepless Critic

How far would you go for your dream?

For Cameron Hinkle as ambitious entrepreneur Homer Humdinger and many characters in Mudville, baseball is king and some are willing to do almost anything for it.  Exploring integrity, celebrity, ambition, the true nature of friendship and the spirit of the game, a lot is at stake in Imaginary Beasts’ production of Casey at the Bat:  An All American Panto.

Directed wistfully by Matthew Woods, Imaginary Beasts presented Evan Turissini, Kiki Samko and Matthew Woods’s Casey at the Bat: An All-American Panto from October 18 through October 26 live and in person at Topsfield Town Hall in Topsfield, Massachusetts.  The show was approximately two hours with one intermission.  Click here for more information.

Hot popcorn and baseball-themed concessions were sold prior to the show and intermission as a lively audience arrived for an interactive Panto.  A panto is a form of wintertime family entertainment in the UK that weaves in puns, wordplay, jokes, and more.  Boasting a friendly drawl and wicker hat, Molly Kimmerling warmly portrayed guardian angel, wise narrator and townie Pop Fly who shared the wild tale of Casey at the Bat partially based on the classic poem by Ernest Lawrence Thayer.  It delved into a mysterious deal with the devil in order to bring baseball to a town like Mudville.  However, things quickly get complicated as events unfold.

Julia Hertsberg, Hampton Richards, Cameron Hinkle, Laura Ditwiler, and Tommy Vines in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

The continual audience engagement fueled this exaggerated tale that meandered and veered off course on occasion while humorously weaving in fitting contemporary pop and winking adult references.  Billie Eilish, Ebay, Marilyn Monroe, Mae West and various musical and baseball film references are just a few examples. 

With so many productions that rely on the zip and zing of digital effects, CGI, and AI, it is exciting to again see director Matthew Woods solely rely on homespun creativity and audience interaction to bring to life this patriotic and unpredictable spin on a classic poem.

Imaginary Beasts has been excelling at creating vivid costumes and mesmerizing settings as if walking into a storybook.  Mudville is a cheerful and optimistic world and the imaginative and layered set folded out in a wonderful way standing as a portrait of vintage baseball nostalgia which included inflatable bats, fields, a locker room and as baseball is America’s pastime, American flags and patriotic ribbons wrapped around the set. 

Kiki Samko and Matthew Woods in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

Casey at the Bat poem was published in 1888 and the uniforms reflect that colorful retro quality which included the old time milkmen and barbershop as part of this vintage landscape.  Cotton-Talbot-Minkin’s captivating costumes reflect baseball nostalgia with a dash of steam punk.  As the look is inspired by silent films, distinctive patterns combined with bow ties, top hats, sporty converse sneakers, bodices, velvet, vintage baseball uniforms, pearls, and boots.  This panto also delivered a dynamic assortment of tunes including calliope music, characters breaking out into baseball themed song, a pop tune a tap dance or Camille Chartier as eternally Shakespearean and mischievous accordion playing Sox the Cat.

With swagger and a winning smile, Evan Turissini charismatically portrayed the Mighty Casey with a dose of gruff and ego seemingly striding through life.

In a velvet red coat and top hat and scowling eyes, mustachioed Matthew Woods schemed and plotted as Silverado Quick who will stop at nothing to win over a soul, even if it means tricking everyone in his path.  However, the person assigned for the actual dirty work was the multi-tasking Miss Slump portrayed with versatile comic timing by Kiki Samko.  Slump did what she must and she was great. 

Cameron Hinkle, Tommy Vines, Laura Detwiler and Camille Chartier in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

Fresh faced Tommy Vines was earnest as idealistic and wide eyed Dewey who dreams of becoming a star baseball player.  Vines’s enthusiasm shone through the production boosted by some endearing scenes with Julia Hertsberg as shrewd yet sweet Katie, baseball’s biggest fan especially in a rendition of Frank Sinatra’s High Hopes. 

Casey at the Bat is a love letter to the sport in many ways.  Although it had its corny moments, these animated characters delivered a quirky tale with high jinks, scheming and sleuthing through memorable and poetic dialogue including vintage expressions such as ‘flimflam’ and ‘hop to’ to deliver a meaningful message about inspiration, friendship, and doing what is right.

Evan Turissini, Tommy Vines, Molly Kimmerling, Julia Hertzberg, Cameron Hinkle and Colin McIntire in ‘Casey at the Bat’ Photo courtesy of Imaginary Beasts

Directed wistfully by Matthew Woods, Imaginary Beasts presented Evan Turissini, Kiki Samko and Matthew Woods’s Casey at the Bat: An All-American Panto from October 18 through October 26 live and in person at Topsfield Town Hall in Topsfield, Massachusetts.  Click here for more information and upcoming events by Imaginary Beasts.

REVIEW: In honor of Boston’s Old North Church’s tricentennial, Plays in Place rewinds the clock for tense and engrossing ‘Revolution’s Edge’

Posted on by The Sleepless Critic

After 300 years, Boston’s Old North Church has stood through some of the most exciting and harrowing moments in our nation’s history.  The Old North Church’s clock has consistently kept time since 1726.  Playwright Patrick Gabridge pens an original play that explores a particularly intense dialogue set on the eve of the Revolutionary War in 1775.  Plays in Place rewinds the clock to 1775 where three individuals contemplate their fates as tensions escalate to panic, gradually making it impossible not to take action.

Nathan Johnson photo-by Nile Scott Studios

In honor of the Old North Church’s 300th anniversary and directed skillfully by Alexandra Smith, Plays in Place presents Patrick Gabridge’s engaging Revolution’s Edge, live and in person at The Old North Church in Boston Massachusetts on select days through September 19.   The production is 45 minutes with no intermission and the box pews provide an immersive view. It is an educational production that is appropriate for families.  Click here for more information and for tickets.

Brooks Reeves Photo by Nile Scott Studios

From colorful waistcoats to pristine linen shirts to proper vestments, Christina Beam’s elegantly detailed costumes are perfectly authentic to its era and one couldn’t have asked for a better setting than the Old North Church, Boston’s oldest surviving church right along the Freedom Trail. 

Evan Turissini and Brooks Reeves Photo-by Nile Scott Studios

Three individuals composed of a reverend/doctor, his slave, and a sea captain are metaphorically tied together during this strained window in history.  They are contemplating the state of Boston, the nation, and their future.  Each clings to a different perspective of their future in terms of family, loyalty, occupation, politics, and identity.  Two are a friendship divided through conflict and one is left without a choice as they articulate their thoughts and struggles while the world seems to be collapsing around them.

Gabridge’s passionate script has an intensity rooted in fear that looms quietly and then builds throughout the production.   It also brings out the best in this trio of performers.  Revolution’s Edge teeters from warmth to anxiousness to manipulation, but each evokes a note of consideration and compassion, even while blinded by fear. 

Evan Turissini and Brooks Reeves Photo by Nile Scott Studios

Evan Turissini portrays American ship captain, vestryman, and patriot Captain John Pulling Jr. with reason, devotion, and compassion for the others, but is squarely dedicated to his cause.  Turissini and Brooks Reeves as complicated Rev. Dr. Mather Byles Jr, a reverend and doctor with ties to England and America, share some pivotal and contentious moments that bring out some indelible performances.  Huddled closely together, it is engrossing to watch their war of words.  Byles’s impatience and manipulative side is particularly exposed in a significant conversation with Byles’s slave Cato, depicted sympathetically and astutely by Nathan Johnson.  Johnson is faced with agonizing sacrifices and is truly the heart of this production.

Nathan Johnson and Brooks Reeves Photo by Nile Scott Studios

Revolution’s Edge cleverly weaves some of Boston’s most significant events including the Boston Tea Party and Revere’s Ride while the audience is still privy to dangerous events in motion right outside the church’s windows.

Though this would be especially fascinating for visitors of Boston and historians, Revolution’s Edge is an exciting and deeply educational window into a harrowing moment in history.  Witnessing it knowing how the world is now brings intricate and profound meaning.

In honor of the Old North Church’s 300th anniversary and directed by Alexandra Smith, Plays in Place presents Patrick Gabridge’s engaging Revolution’s Edge live and in person at The Old North Church in Boston Massachusetts on select days through September 19.   The production is 45 minutes with no intermission and the box pews provide an immersive view.   Click here for more information and for tickets.

REVIEW:  The Huntington’s epic generational saga ‘The Lehman Trilogy’ a wealth of ideas within a whirlwind of talent

Posted on by The Sleepless Critic

It all begins with a dream. 

Spanning over 150 years and three generations, The Lehman Trilogy’s vast and epic saga infused with Mark Bennett’s melodic retro-inspired original music featuring solo musician Joe LaRocca enhances a trilogy of versatile, pliable, dynamic, and unforgettable talent in three chapters embodying a wide range of characters on their able shoulders.  Timed perfectly in the month of July, three Bavarian Jewish immigrant brothers take on America searching for the perfect business venture that personify their vision starting in Montgomery, Alabama and beyond.

Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’s The Lehman Trilogy live and in person at The Huntington Theatre through Sunday, July 23.  The production is three hours and 35 minutes with two intermissions.  Click here for more information and for tickets.

Joshua David Robinson, Firdous Bamji, Steven Skybell ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Decked out in top hats and tailored black suits embroidered with symbolic imagery on the back by Dede Ayite, it is difficult to fathom how these three actors navigated such an extensive yet detailed story including narration, mastering accents, contorting faces, changing mannerisms, and role changes at the drop of a hat all while making it look so seamless.  It is even difficult to imagine such an epic production has been performed twice in one day as scheduled occasionally during the production’s run.   

From meager beginnings to extraordinary meaning that spring to life as Steven Skybell as determined and confident Henry Lehman disembarks from a ship with only a mere suitcase in his possession in awe of America.  It sounds like a story shared by many immigrants with nothing but a dream, but it’s the chutzpah, persistence and the resilience in everything that makes this particular tale shine.  Business through love, children, and every chaos in-between to attempt what seems impossible.  Points in history that transformed the United States and yet Lehman stands unrelenting to their dream.  Each vision altered to suit what is needed next in the world.

Joe LaRocca, Steven Skybell, Firdous Bamji ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

What stunning innovation can spring from a modest factory!  Sara Brown’s unassuming wooden warehouse metaphorically transforms through lifelike, mesmerizing and moving projections including illuminating rain, peerless rooftops, and surprising entryways created imaginatively by Jeanette Oi-Suk Yew and fueled by lighting designer Robert Wierzel.

Steven Skybell, Firdous Bamji ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Also noteworthy are the clever scene transitions especially in the third chapter such as the pop of a champagne bottle to the start of a race.  It is in these careful details by Carey Perloff that keep up the show’s swift pace. 

The show has a sleek sophistication and insightfulness that translate into lessons about navigating life itself.  It is lengthy but justified in the expansive history of these visionary brothers.  The real draw is not only the talent, but the evolution of this narrative tale.  One valuable life lesson is it is not in failure, but how to respond to it that really matters.  Mastery leaves no room for shortsightedness, but thrives on evolution and the answer to every problem is there.  One just needs to spot it.

Firdous Bamji, Joshua David Robinson ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

 Steven Skybell as inquisitive, bright eyed and headstrong Henry Lehman, Joshua David Robinson as strategic Emanuel Lehman, and introduced with a sheepish half smile Firdous Bamji as Mayer Lehman form a trilogy of talent.  They navigate these challenging roles with humor, discipline, and fervor and it is astounding to witness these actors onstage exchanging different countenances of various ages and genders, taking over narration, and moving the stories like, not by accident, a well oiled machine.  However, the tale is also infused with all the humor, heart, camaraderie and determination demonstrated in groundbreaking and strategic fashion that never becomes ineffective or silly.  It is smart, moving and detailed in a way that relates to anyone who has tried, failed, and has resolved to start again.

Firdous Bamji, Joshua David Robinson ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’s The Lehman Trilogy live and in person at the Huntington Theatre through Sunday, July 23.  The production is three hours and 35 minutes with two intermissions.  Click here for more information and for tickets.

REVIEW:  Accompanied by A Far Cry, NPR’s Rob Kapilow made an enthusiastic return to Boston with an American classic for Celebrity Series of Boston’s ‘What Makes it Great’ series

Posted on by The Sleepless Critic

Though NPR’s famous composer, conductor, author, and music commentator Rob Kapilow has unveiled quite a few eye catching music details over the years with Celebrity Series of Boston from Swing to Broadway to carols and much more, perhaps the most interesting takeaway from Aaron Copland’s classical music composition Appalachian Spring is that it is not about Appalachia nor is it about spring. 

Making his return to NEC’s golden and gleaming Jordan Hall in person for the first time in front of an audience since the pandemic, NPR’s Rob Kapilow covered some fascinating music territory in What Makes it Great? with Rob Kapilow and a Far Cry Inventing America Part 2 Copland’s Appalachian Spring: An American Voice for Classical Music on Sunday, February 5 at Jordan Hall in Boston, Massachusetts. The show ran for 120 minutes with a 15 minute intermission. Click here for more information on Rob, here for more on A Far Cry, and here for more information about Celebrity Series of Boston.

Rob Kapilow Photo Credit: John Johansen

Kapilow guided the audience through Aaron Copland’s Appalachian Spring with greater technical zeal and an interactive approach than he has in some of his past performances.  Part teacher, humorist, and historian, Rob Kapilow has been performing the What Makes It Great series for approximately 15 years, expertly uncovering a new way to connect to a vast array of music and encouraging the listener to experience this music in an entirely new way from technical composition to its emotional impact.

As beautiful and fanciful as Appalachian Spring sounds, it is neither about Appalachia nor spring and was entirely imagined by Copland who was a Jewish immigrant from Brooklyn.  What is so wondrous about this 40s piece is how Copland creates this imaginary and extraordinary world, a piece which was originally called House of Victory, and how it has been historically associated with America over the years.  Kapilow uses a bit of a different approach for this particular work by expounding on  the technical  and mechanical side of the piece and inviting the audience to actively participate in the song’s musical patterns and rhythms.  Appalachian Spring is also associated with lyrics and it is a based on the Shaker melody, Simple Gifts, and Rob spends a wealth of time on the mechanics of the piece and how it ties together.  It is a method that would thrill classical music fans, music enthusiasts, and musicians alike.  He even exposes the subtle intricacies of Copland’s inherent confidence, style, and how to identify it in Copland’s other works.

Grammy-nominated Chamber Orchestra A Far Cry Photo courtesy of A Far Cry

Adorned in suits, ties, and gowns, Grammy nominated and self-conducted chamber orchestra A Far Cry worked seamlessly with Kapilow as he broke down each aspect of the piece, a feat not easy to do with Kapilow’s specific stops and starts.  A Far Cry has made its way around the world since they started in 2007 and what sets this orchestra apart from others is the open communication between each musician. A Far Cry reflected just how important it is to remain in sync with the group, especially since they must connect without a conductor.  Their camaraderie and chemistry as they play is compelling to witness as they direct each other with each note.

Copland’s Appalachian Spring has a unique zest, playfulness and peppy thrill of nature through harp and chime as well as calm with a western tinge as Rob explains its historical significance and just why the piece is so enjoyable through each note’s placement, rest, and orchestration. 

Appalachian Spring was a childhood favorite for Kapilow’s which was perfectly clear through his personal and humorous anecdotes and the natural and engaging enthusiasm he exhibited throughout the production.  Rob is always teaching something new to even some of the most trained and learned music enthusiasts.  It was easy to see he has missed the live audience and judging from the audience’s resounding applause and standing ovation, they have missed him too. 

Celebrity Series of Boston continues its digital and in person season which includes Jason Moran and the Big Bandwagon on February 17, Dreamers Circus on February 24, Aoife Donovan on March 17, and David Sedaris on April 2, and the return of Alvin Ailey on May 4. Click here to see Sleepless Critic’s past review of Dreamers Circus.  Click here to see the full list of Celebrity Series of Boston’s upcoming events.

REVIEW:  Spectacular and uplifting, the world premiere of ‘The Neil Diamond Musical:  A Beautiful Noise’ is anything but a song sung blue

Posted on by The Sleepless Critic

After watching The Neil Diamond Musical:  A Beautiful Noise, one thing is clear.  Every story should be told with brilliant swing backup dancers.

Directed shrewdly by Michael Mayer, The world premiere of The Neil Diamond Musical:  A Beautiful Noise continues its pre-Broadway run at Emerson Colonial Theatre in Boston, MA live and in person through August 7.  The show is two hours and 30 minutes including an intermission.  Click here for more information and tickets.

Tony Award® nominee Will Swenson as Neil Diamond – Then and the Swings Photo credit to DCM O & M/Emerson Colonial Theatre

Kicking off with surprising, self-deprecating humor, A Beautiful Noise might have been just what one would expect from a musical biopic, but Neil Diamond takes it to the next level.  Diamond’s music beginnings are a bit reminiscent of Carole King’s journey from creative songwriter delivering hits such as I’m a Believer to songwriter solo act. Part riveting, sing-along concert within a musical, part dive into Diamond’s past, but yet there is so much more to this solitary man.  Even if Neil Diamond’s songs aren’t at the top of your playlist, this wonderful musical helmed by Will Swenson’s stellar performance as then Neil Diamond just might end up being music to your ears.

Tony Award® nominee Will Swenson as Neil Diamond – Then Photo credit to DKC O & M/Emerson Colonial Theatre

One of the best selling musicians of all time and yet Neil Diamond is not what one might expect.  Now Diamond, portrayed with pensive fortitude by Mark Jacoby, is a rather gruff and unassuming man who does not like to talk about himself.  Many deep thinking individuals steeped in the pressures for success seem to also have what Neil Diamond calls ‘clouds’ and the show does not shy away from that, but this musical is much more of a celebration. 

Neil Diamond’s hit songs are explored, but on a more comprehensive and personal level.  Much of the production is a luminous foray into how songs like catchy Cherry, Cherry, Song Sung Blue, America which delves into Diamond’s Polish heritage, traditional Boston Red Sox song Sweet Caroline met with rousing applause and many others factor into this revered songwriter’s remarkable journey. 

Tony Award® nominee Will Swenson as Neil Diamond – Then and Tony award nominee Robyn Hurder as Marcia Photo credit to DKC O & M/Emerson Colonial Theatre

Charismatic and charming, it is difficult to imagine a better Then Diamond than Will Swenson.  A compelling singer with a dry sense of humor, Swenson has an indelible stage presence from the moment he first appears with his guitar.  He and Jessie Fisher as optimistic and sympathetic Jayne Posner have endearing chemistry and deliver a powerful and tense duet for Love on the Rocks.  Robyn Hurder gives an electrifying performance of Forever in Blue Jeans as charming and soulful Marcia Murphey.  Bri Sudia in a dual role is comic gold as outspoken and caring record producer Ellie Greenwich from her very first line with Swenson as Then Diamond. Their snappy chemistry creates some of the production’s funniest and most inspiring moments.

Tony Award® nominee Will Swenson as Neil Diamond – Then with Swings Photo credit to DKC O & M/Emerson Colonial Theatre

Whether soaked in beautiful shadows or in a multi-colored glow on a concert stage, lighting designer Kevin Adams exacts each mood-induced scene masterfully.  Emilio Sosa’s lively and glittering costumes have a retro feel delving into the wild, vibrant patterns of the late 60’s and onward while Diamond’s progressive stage presence flaunt his signature fringe, suede, leather, and glittering sequins.  David Rockwell’s inviting and eye-catching set design enhances this dazzling musical experience which includes dynamic hanging light fixtures and a stunning, innovative multi-tiered, spot-lit band richly conducted by Sonny Paladino and Sinai Tabak.

Tony Award nominee Mark Jacoby as Neil Diamond – Now, Linda Powell as Doctor, and the Swings Photo credit to DCM O & M/Emerson Colonial Theatre

A Beautiful Noise is a clever, eloquent, and illuminating look at Diamond without taking itself too seriously.  Now to those incredible swing dancers that accompany Diamond on his journey.  Fueled by Steven Hoggett’s upbeat, athletic, and era-driven choreography, the Swings brightened each scene even its darker moments to make this effervescent musical journey feel so good.

The world premiere of The Neil Diamond Musical:  A Beautiful Noise continues at Emerson Colonial Theatre in Boston, MA live and in person through August 7.  Click here for more information and tickets.

REVIEW: Reagle Music Theatre of Greater Boston makes an exciting return to the stage with a moving and remarkable ‘West Side Story’

Posted on by The Sleepless Critic

‘I’ve just met a girl named Maria/And suddenly that name/will never be the same/to me.”

Having seen the classic musical West Side Story from the stage to the 1961 film adaptation to Spielberg’s recent Oscar worthy film, Reagle Music Theatre’s Blake Du Bois as Tony’s moving rendition of the classic song, Maria is a must see.  Many Tonys have floated through this number with surprise, naiveté, and the excitement of attraction while blinded by love, but Du Bois’s delivery evokes a more meaningful perspective.  Enhanced by his extensive vocal range, this soulful rendition depicts not naiveté, not necessarily blindness, but an overwhelming feeling of love for Maria and the fear of what that means.  So overcome by love that he must move forward in spite of it. It was like understanding Maria anew.

Eevie Perez as Maria and Blake Du Bois as Tony in Reagle Music Theatre of Greater Boston’s ‘West Side Story’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Sharply directed and choreographed by Rachel Bertone with seamless musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston delivered powerful and clever performances as it kicked off its summer musical season with West Side Story continuing through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA.  This show is not intended for children under 13.  Click here for more information and for tickets.

Based on Shakespeare’s Romeo and Juliet, West Side Story is the timeless tale of the Sharks and the Jets, two rival gangs who cannot seem to coexist in Manhattan without a fight.  However, when Blake Du Bois as streetwise Tony and Eevie Perez as idyllic Maria lock eyes, everything quickly becomes complicated.

The Sharks Photo by Herb Philpott/Reagle Music Theatre of Greater Boston
The Jets Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Helmed by a captivating cast, Reagle Music Theatre’s West Side Story is intriguing from the start as it lays out mischief, antics and petty outrage over owning the streets.  A broad city landscape, chain linked fences, a retro jukebox and detailed drug store are just part of Janie Howland’s retro, rolling set that successfully rewinds the clock back to the 1950s. 

The cast of West Story Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

A great deal of West Side Story hinges on its sharp dance and fight choreography and director and choreographer Bertone hits the ground running.  Along with Fight and Intimacy Director Angie Jepson, the high-kicking choreography blurs the lines between dance and fighting as the gangs intertwine in innovative and precise movements.  A leap becomes a punch and aggressiveness turns graceful…all in the same move.  Jack Mullen delivers an intense performance as the tough talking, swaggering Jet leader Riff, especially during a catchy and memorable rendition of Cool as each tense moment pops to Franklin Meissner, Jr’s intricate lighting.  Mullen as Riff and Du Bois as Tony share some affable camaraderie as they do with their fellow Jets and their fair share of united animosity toward the Sharks.  Nate Walsh stood out as hot head Action, on edge and ready for a fight while Gracin Wilkins delivers a stirring performance as outcast Anybodys.

Bianca Rivera-Irions as Anita with the Shark Girls performing ‘America.’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Eevie Perez is charming and spot on as Maria, her chiming vocals and naiveté especially evident with Ana Viveros as Consuela, Marissa Pineda as Rosalia, and Karina Gonzalez as Tesesita in the exuberant and playful number, I Feel Pretty and in a gorgeous duet with Du Bois as Tony for One Hand, One Heart.  Tall and distinctive, charismatic Bianca Rivera-Irions as Anita knows how to make an entrance in a show stopping red dress, just one of the many rich, vintage, and vibrant costumes provided by Tiffany Howard.  A lively dancer, Rivera-Irions as Anita stands out in any room as only Anita can.  Rivera-Irions as Anita and Diego Klock-Perez as proud and protective Shark leader Bernardo share lighthearted and steamy chemistry.  The dynamic cast performs an exhilarating rendition of Tonight, their robust sound and stirring harmonies build the anticipation and excitement of a night that will change everything.

Reagle Music Theatre of Greater Boston presents musical classic West Side Story continues through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA.  This show is not intended for children under 13.  Click here for more information and for tickets.

REVIEW: Fueled by a nostalgic rock soundtrack and a charismatic storyteller, Merrimack Repertory Theatre’s ‘Wild Horses’ a lively and momentous tale

Posted on by The Sleepless Critic

Nothing brings back memories quite like a song.

The power of music is in full force in Merrimack Repertory Theatre’s (MRT) production of Alison Gregory’s Wild Horses streaming on demand through Sunday, October 17.  Merrimack Repertory Theatre previously offered the production in person from September 15 through October 3 at Western Avenue Studios in Lowell, Massachusetts.  The show contains mature language and some adult themes. Click here for more information and tickets to this virtual performance.

  • Leenya Rideout and Rafael Molina during filming at Unitas Community Center, Lowell. Photo: Kathy Wittman

Directed with heart and humor by Courtney Sale, Wild Horses delves into the life of the mother of a teenage daughter, portrayed with a blend of lively charm and excitable nervousness by Leenya Rideout, as she gets wrapped up recalling her story of a special California summer during her 13th year in the 70s while onstage at an open mic night.  Rideout evokes a sense of adventure during this musically-fueled Moth Radio Hour featuring lyrics from 70s greats Rolling Stones, Heart, Van Morrison, America, and more.

Having delivered a likable performance in the 2020 indie film, Love, Repeat, Rideout further showcases her dynamic range in this meatier Wild Horses role with a humorous, heartfelt and sometimes raunchy performance.  See what Sleepless Critic had to say about Rideout in Love, Repeat here. 

  • Leenya Rideout performing “Wild Horses” at Western Avenue Studios.

With a love for music almost as much as horses, Rideout sings, strums an acoustic guitar, and proves an energetic and engaging storyteller sharing her experiences from a studious perfectionist to a teenager not afraid to break a few rules with the encouragement from her daring friends.   With no shortage of excitement, scandal, humor, and heartache, Rideout’s onstage demeanor switches from responsible mother in need of a night out to wide eyed, youthful innocent with all the angst that goes with it.  She blends what she remembers with her current wisdom, dwelling in the sacredness of youth. Ranging from teenage pranks to rites of passage, Rideout recalls these stories with wistfulness and passion, interacting with the audience like old friends.

  • Leenya Rideout during filming at Unitas Community Center, Lowell. Photo: Kathy Wittman

Costume designer A. Lee Viliesis has Rideout ready to rock in an animal print scarf, Fender T Shirt, and ripped jeans and accompanied by guitarist Rafael Molina, she slips right into this adolescent spirit longing to be wild and free.  All that is necessary is a little courage.

Here’s to the ‘freedom takers’ with Merrimack Repertory’s production of Wild Horses continues streaming through Sunday, October 17.  Click here for more information and to get a closer look on MRT’s new season.

REVIEW: Company Theatre walks the line between love and rage with Green Day’s catchy punk musical, ‘American Idiot’

Posted on by The Sleepless Critic

Rage. Love. Town. City are the themes emblazoned within the songs and tale of the Tony award-winning punk rock musical, Green Day’s American Idiot, presented by the Company Theatre and continuing through Sunday, February 17 at the Company Theatre in Norwell, Massachusetts.  It is an in-your-face journey of a group of young, unambitious city dwellers who occupy a portion of an angry, rebellious America.  Green Day’s American Idiot is a concert drama that contains mature themes and surprising moments.  Click here for more information and tickets.

Green Day American Idiot set

The set of Green Day’s ‘American Idiot’ Photo courtesy of Jeanne Denizard

This high energy musical is based on Green Day’s lauded album, American Idiot, a band known for their raw, catchy, guitar-tinged riffs, and uncensored lyrics.  With hits such as Holiday, Know Your Enemy, Boulevard of Broken Dreams, Wake Me Up When September Ends, and Good Riddance (Time of Your Life), Green Day’s American Idiot contains the music and vocal chops that would please Green Day fans while also considered a message-driven punk rock opera.

Sharing a bit of the mentality of Rent and the 90s film, Reality Bites, the characters in American Idiot wander into a realm of rebellious indifference, confusion, and perhaps laziness looking for their purpose in life as Green Day sings, “in the land of make believe.”  Some are unconcerned and others genuinely lost.  Partially set in a beat up apartment equipped with a blank, but lit tube TV and shabby couch which perhaps reflects a thinking but lost generation, American Idiot shows they have a hell of a lot to learn.  

The energetic, daring choreography by Corinne Mason, which includes moshing and head banging, reflects the anarchic nature of punk music.  The choreography in Holiday, which includes a group of characters packed into a wire cart, is a visual highlight.

Cast of Green Day's 'American Idiot'

(Back row, L-R ) Audrey Clark of Northboro as Whatsername, Jose Merlo of Attleboro as Jose, William Oliver of Weymouth as Will, Sarah Kelly of Braintree as Heather, John Crampton of Dedham as John, Jessica DePalo of Westboro as Extraordinary Girl, Brendan Duquette of North Attleboro as Tunny (Front row) Theo Victoria of Brockton as Theo, Evan Cole of Natick as Johnny, Aliyah Harris of Mansfield as Aliyah Photo courtesy of Zoe Bradford

This cast of jaded youths include a haunting performance by Chris Boyajian as Joshua/St. Jimmy, a role that Green Day lead singer Billy Joe Armstrong took over for 50 performances during the show’s run on Broadway.  Evan Cole hits all the right notes as Johnny, who also plays his own guitar for Boulevard of Broken Dreams, one of the show’s few quieter tunes.  He shares a natural camaraderie with Brendan Duquette as naive Tunny and William Oliver as oblivious Will, a trio of friends heading in different directions.  Sarah Kelly stands out as Heather as she develops her resolve during a heartfelt Last Night on Earth.  Aliyah Harris as Aliyah also lends her serious pipes to Favorite Son and Too Much Too Soon.

The Company Theatre presents Green Day’s American Idiot through Sunday, February 17, with a special event for Valentine’s Day.  All performances take place at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts  Click here to support the Company Theatre and here for more on their 2019 season.

 

 

 

Lexus Broadway in Boston boasts sizzling season including ‘Hamilton,’ ‘Waitress,’ Disney’s ‘Aladdin,’ and more

Posted on by The Sleepless Critic

 

Rodgers and Hammerstein’s ‘The King and I’ continues through April 23. Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens Photo courtesy of Matthew Murphy
‘Wicked’ returns June 7 through July 23. Photo courtesy of Joan Marcus
‘Finding Neverland’ debuts at Boston Opera House August 8 through 20. Photo courtesy of Broadway in Boston
The magic of Disney’s ‘Aladdin’ debuts July 3 through August 18, 2018. Photo courtesy of Broadway in Boston
Tony award-winning ‘Fun Home’ debuts October 17 and continues through October 29. Photo courtesy of Broadway in Boston
The highly-anticipated ‘Hamilton’ debuts September 18 and continues through November 18. Photo courtesy of Broadway in Boston
Phantom of the Opera’s sequel, ‘Love Never Dies’ debuts January 30 and continues through February 11, 2018. Photo courtesy of Broadway in Boston
‘On Your Feet’ debuts April 17 and continues through April 29. Photo courtesy of Broadway in Boston
Andrew Lloyd Webber’s ‘Phantom of the Opera’ returns September 13 through October 1. Photo courtesy of Broadway in Boston
‘Waitress’ debuts February 20 and continues through March 4, 2018. Photo courtesy of Broadway in Boston

As the beloved Rodgers and Hammerstein’s classic musical The King and I hits the Boston Opera House stage, Lexus Broadway in Boston recently offered a peek into its upcoming 2017-18 season.  From Andrew Lloyd Webber’s masterpiece and its stirring sequel to arguably the most sought after show in the world right now, Lexus Broadway in Boston has a phenomenal season ahead full of magic, family connections, unstoppable dance, and topping it off a serving of delicious pie.  All productions take place at the Boston Opera House in Boston, Massachusetts.  Subscriptions for the upcoming season are available now.  Click here for tickets and more information.

The magic begins this summer with the return to Oz and Neverland.  Get an inside look of how Glinda and the Wicked Witch of the West became two of the most iconic characters in literary history.  Visually-stunning with a rich, inventive story line that integrates some of Oz’s most memorable characters, see the spectacular musical, Wicked from June 7 through July 23.  Behold the extraordinary story behind J.M. Barrie’s Peter Pan and the family that inspired that magical vision.  Integrating Peter Pan’s beloved characters in a unique way, seek Finding Neverland for a limited time from August 7 through 20.

A promising talent, a veteran singer, a ghost dwelling in an opera house, and two bewildered businessmen are part of Andrew Lloyd Webber’s haunting and phenomenally-successful musical, Phantom of the Opera, returns from September 13 through October 1.  Also arriving in Boston is Andrew Lloyd’s Webber’s Love Never Dies, the highly-anticipated sequel to Phantom of the Opera from January 30 through February 11.

A number of productions are making their debut in Boston.  Topping off the list is arguably the most sought after tickets in the world right now.  Hamilton is a contemporary retelling of America’s history arriving at the Boston Opera House September 18 through November 18, 2018.

Take a look inside Fun Home, 2015’s Tony award-winning Best Picture musical.  Fun Home is an auto-biographical tale about the joy and challenges of growing up.  Not recommended for children under 13, Fun Home debuts in Boston from October 17 through October 29.

Also making its Boston debut is On Your Feet! The Story of Emilio and Gloria Estefan, a meaningful and uplifting musical about the extraordinary life of Emilio and Gloria Estefan.  On Your Feet is filled with lively music which includes an array of hits songs from the title track, Get On Your Feet to Coming Out of the Dark.  On Your Feet! debuts on April 17, 2018 to Sunday, April 29, 2018.

Waitress is saving the best for last.  Currently on Broadway starring Grammy award-winning singer-songwriter Sara Bareilles who also wrote Waitress’s music and lyrics, Waitress is a romantic comedy musical about a waitress gifted at baking pies.  She is unhappy in her small town existence until a surprise helps her to put her life into perspective.  Waitress serves up its own delights from February 20 through March 4.

All musicals take place at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for the full list and for tickets.  Follow Lexus Broadway in Boston on Facebook and Twitter.