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REVIEW:  Learning through a child’s eyes in Boston Arts Academy and Wheelock Family Theatre’s ‘Kufre and Quay’

Posted on by The Sleepless Critic

Imagining your first day in a new place can bring excitement, anxiousness and dread.

However, Kufre is optimistic his first day will be wonderful as he arrives from Nigeria to his new home in Inwood, New Jersey.  He daydreams about all the friends he will make and how much everyone will like him when he starts at a Harlem Youth Center in Harlem, New York.  However, things do not turn out quite like he imagines. 

Insightfully directed by John Adekoje, Boston Arts Academy with Wheelock Family Theatre continues the world premiere of Mfoniso Udofia‘s Kufre and Quay, the fifth production in the Ufot’s  nine-play family cycle which features three Ufot Nigerian-American family generations, live and in person at Boston Arts Academy in Boston, Massachusetts through Saturday. July 26.  This bilingual production runs approximately two hours with one intermission and boasts open captions that come in handy during the performance.  Click here for more information and for tickets.

Levi Mngomezulu in Boston Arts Academy and Wheelock Family Theatre’s production of Kufre n’ Quay by Mfoniso Udofia, directed by John Oluwole ADEkoje. Running July 10 – July 26, 2025 at Boston Arts Academy Main Stage Theatre (174 Ipswich St, Boston, MA 02215). Photo credit Annielly Camargo.

Having seen Ufot’s second production The Grove and the fourth production Her Portmanteau, it was wonderful to see the progression in the Ufot Family after watching things from Iniabasi’s perspective in Her Portmanteau and seeing things through her son’s eyes in this production.  However, you can witness and enjoy this production without watching the others.

Lighting designer Karen Perlow with Projection designer Justin Lahue innovatively lay out in multiple strips that elegantly reveal black and white photos of Harlem to framed family photos to the solar system to subtle streams to the green landscape of Nigeria.  Cliff Notez’s rich and catchy sound also contributes to the transformative quality and cultural aesthetic of this production in daydreams and reality.

The cast of Boston Arts Academy and Wheelock Family Theatre’s production of Kufre n’ Quay by Mfoniso Udofia, directed by John Oluwole ADEkoje. Running July 10 – July 26, 2025 at Boston Arts Academy Main Stage Theatre (174 Ipswich St, Boston, MA 02215). Photo credit Annielly Camargo.

It’s the hottest day of the year on Sunday, July 21, 2018 and Levi Mngomezulu as 12 year-old Kufre, the son of Iniabasi Ekpeyong and grandson of Abasiama Ufot, is adorable right from the start.  Bright eyed and charming, Mngomezulu as Kufre doesn’t realize the kind of impression he will make on the other kids and along with Ayannah Joseph as Aissatou, they have their own ideas about this new boy from Nigeria.  Until Kufre meets Ngolela Kamanampata as warm and theatre loving 13 year-old Laquasha Price or ‘Quay’ and under the guidance of Jalyse Ware as counselor Miss Ey Yo Miss, Kufre has encountered more challenges than he ever expected. 

Jackie Davis, Levi Mngomezulu, and Ramona Lisa Alexander in Boston Arts Academy and Wheelock Family Theatre’s
production of Kufre n’ Quay by Mfoniso Udofia, directed by John Oluwole ADEkoje. Running July 10 – July 26, 2025
at Boston Arts Academy Main Stage Theatre (174 Ipswich St, Boston, MA 02215). Photo credit Annielly Camargo.

Jalyse Ware beautifully portrays compassionate counselor Miss Ey Yo Miss, who helps to run Harlem’s The Zone Youth Center.  As this production does, Miss Ey Yo Miss uses theatre though a talent show to establish connection and navigates this youth group with clever finesse.  Composed of Zay Williams, Selah Thande, Jedrian Latimore, Ezra Schwartz-Bart, Londyn Lacy, Shai-Anne Neufville, Ja’Mon Johnson and Ayannah Joseph, the group shares a real rapport with each other as individuals and as a collective as they speak over one another and make humorous comments as they embark on new activities. 

Ngolela Kamanampata and Levi Mngomezulu (in foreground) in Boston Arts Academy and Wheelock Family Theatre’s production of Kufre n’ Quay by Mfoniso Udofia, directed by John Oluwole ADEkoje. Running July 10 – July 26, 2025 at Boston Arts Academy Main Stage Theatre (174 Ipswich St, Boston, MA 02215). Photo credit Annielly Camargo.

Kamanampata is delightful as Quay as she attempts to bring Mngomezulu as Kufre out of his shell, especially demonstrated in an imaginative theatre activity that Kufre is hesitant to learn.

Ramona Lisa Alexander as Iniabasi Ekpeyong and Jackie Davis as Abasiama Ufot both deliver powerful performances as they discover more about Kufre and his experiences at the Zone.

Kufre and Quay is a moving coming of age tale that gradually increases in intensity, especially in the second act.  It tackles language, misunderstandings, cultural disconnect, and how each generation affects another while discovering new ways to relate and grow together.

Levi Mngomezulu and Ngolela Kamanampata in Boston Arts Academy and Wheelock Family Theatre’s production of Kufre n’ Quay by Mfoniso Udofia, directed by John Oluwole ADEkoje. Running July 10 – July 26, 2025 at Boston Arts Academy Main Stage Theatre (174 Ipswich St, Boston, MA 02215). Photo credit Annielly Camargo.

Boston Arts Academy with Wheelock Family Theatre continues the world premiere of Mfoniso Udofia‘s Kufre and Quay, the fifth production in the Ufot’s  nine-play family cycle which features three Ufot Nigerian-American family generations, live and in person at Boston Arts Academy in Boston, Massachusetts through Saturday. July 26. Click here for more information and for tickets.

REVIEW:  Family dynamics in The Huntington’s world premiere of Mfoniso Udofia’s ‘The Grove’

Posted on by The Sleepless Critic

What comes before you is not as powerful as what comes next.  Forging ahead has never been more difficult for Adiaha in The Grove.

Abigail C. Onwunali in The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin. Running February 7 – March 9, 2025 at the Calderwood Pavilion at the BCA (527 Tremont St, Boston, MA, 02116).

With skillful direction by Awoye Timpo and captivating choreography by Adesola Osakalumi, The Huntington presented the world premiere of The Grove, the second of Ufot’s  nine-play family cycle, live and in person at The Calderwood Pavilion in Boston, Massachusetts through Sunday, March 9 and is currently available to stream online.  This intriguing bilingual production in English and Ibibio runs 1 hour and 45 minutes with one intermission.  The Ufot Family Cycle features three Ufot Nigerian-American family generations.   Click here for more information and how to steam this production.

The cast of The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin. Running February 7 – March 9, 2025 at the Calderwood Pavilion at the BCA (527 Tremont St, Boston, MA, 02116).

Jumping from 1978 in The Sojourners to Worcester, Massachusetts in 2009, The Grove explores family roots, identity, and more as Adiaha’s struggles under the anxiety of facing her extended family as she carries a secret that she fears is against her Nigerian heritage and will ruin her family’s expectations.

Lit brilliantly by Reza Behjat, a silvery, translucent and multipurpose carousel backdrop not only serves as an extension into other scenes, but as a mysterious window into another world which features allegorical figures and inspiration for Abigail C. Onwunali as introspective perfectionist Adiaha Ufot, the eldest daughter in the Ufot household.  The production opens to the Ufot family cooking and meticulously housecleaning to prepare for Adiaha’s master’s degree graduation under the direction of Ufot’s father and patriarch Disciple, depicted with righteous enthusiasm by Joshua Olumide.  A grandfather clock, wooden stove, living room with sofa and chairs provide a portion of Jason Ardizzone-West’s sleek and innovative set.

Janelle Grace and Ekemini Ekpo of The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin. Running February 7 – March 9, 2025 at the Calderwood Pavilion at the BCA (527 Tremont St, Boston, MA, 02116).

The Grove has a strong cast sharing a tight family bond, each holding their own deep convictions within an umbrella of expectations.  In spite of his Disciple’s objections, Amani Kojo as Adiaha’s little brother Ekong Ufot dares to embrace the world around him and adopt American culture.  Kojo as determined Ekong seems an unconventional voice of reason within the family remaining vigilant under his father’s pressure.

Left to right: Janelle Grace, Joshua Olumide, Abigail C. Onwunali, and Patrice Jean-Baptiste in The Grove; directed by Awoye Timpo; photo by Marc J. Franklin

 Olumide as Adiaha’s orthodox father Disciple, a PhD scholar himself, staunchly urges his oldest daughter Adiaha forward through higher education in hopes of marrying her off so she can carry on Nigerian tradition in her own family.  Disciple’s insistent nature and urgency reverberates with Onwunali’s Adiaha as she anxiously follows another path weighed down by the fear of disappointing him.  Onwunali encapsulates this role in her pleading demeanor exemplified by her nervous and short answers attempting to tow the line for her family and what is expected of her.  Adiaha’s plight to be who her family wants and her own dreams are being squashed within and it is impossible not to feel for this young woman. 

Left to right: Paul-Robert Pryce, Makuda Steady, and Joshua Olumide in The Grove; directed by Awoye Timpo; photo by Marc J. Franklin

Aisha Wura Akorede as Toyoima Ufot shares a credible sibling rapport with Onwunali as Akorede delivering teasing yet tough love.  Akorede brings lightheartedness and some laughter as the subject matter intensifies.

Patrice Johnson Chevannes is impressive as conflicted Abasiama, exhibiting Abasiama’s struggles and trauma with quiet and harrowing strength as a traditional Nigerian wife and mother in a sly and powerful scene with Adiaha.  Abasiama also shares some amazing scenes with Disciple recalling their long and complex history.

Abigail C. Onwunali and Patrice Johnson Chevannes in The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin. Running February 7 – March 9, 2025 at the Calderwood Pavilion at the BCA (527 Tremont St, Boston, MA, 02116).

Adiaha’s outlet into herself is through her writing as mysterious voices and shadows, depicted vividly by Ekemini Ekpo, Janella Grace, Patrice Jean-Baptiste, Dayenne Walters, and Chibuba Bloom Osuala, are a driving force and play a uniquely powerful collaborative role in this production.

A journey of discovery, The Grove delivers a familiar storyline in a distinctive and fascinating manner.  Its artistry, symbolism and multi-layered style of storytelling embellish every aspect of the production into a new and refreshing experience.

The Huntington presented the world premiere of The Grove at The Calderwood Pavilion in Boston, Massachusetts through Sunday, March 9 and is currently available to stream online.  Click here for more information and how to steam this production.

REVIEW:  Accompanied by A Far Cry, NPR’s Rob Kapilow made an enthusiastic return to Boston with an American classic for Celebrity Series of Boston’s ‘What Makes it Great’ series

Posted on by The Sleepless Critic

Though NPR’s famous composer, conductor, author, and music commentator Rob Kapilow has unveiled quite a few eye catching music details over the years with Celebrity Series of Boston from Swing to Broadway to carols and much more, perhaps the most interesting takeaway from Aaron Copland’s classical music composition Appalachian Spring is that it is not about Appalachia nor is it about spring. 

Making his return to NEC’s golden and gleaming Jordan Hall in person for the first time in front of an audience since the pandemic, NPR’s Rob Kapilow covered some fascinating music territory in What Makes it Great? with Rob Kapilow and a Far Cry Inventing America Part 2 Copland’s Appalachian Spring: An American Voice for Classical Music on Sunday, February 5 at Jordan Hall in Boston, Massachusetts. The show ran for 120 minutes with a 15 minute intermission. Click here for more information on Rob, here for more on A Far Cry, and here for more information about Celebrity Series of Boston.

Rob Kapilow Photo Credit: John Johansen

Kapilow guided the audience through Aaron Copland’s Appalachian Spring with greater technical zeal and an interactive approach than he has in some of his past performances.  Part teacher, humorist, and historian, Rob Kapilow has been performing the What Makes It Great series for approximately 15 years, expertly uncovering a new way to connect to a vast array of music and encouraging the listener to experience this music in an entirely new way from technical composition to its emotional impact.

As beautiful and fanciful as Appalachian Spring sounds, it is neither about Appalachia nor spring and was entirely imagined by Copland who was a Jewish immigrant from Brooklyn.  What is so wondrous about this 40s piece is how Copland creates this imaginary and extraordinary world, a piece which was originally called House of Victory, and how it has been historically associated with America over the years.  Kapilow uses a bit of a different approach for this particular work by expounding on  the technical  and mechanical side of the piece and inviting the audience to actively participate in the song’s musical patterns and rhythms.  Appalachian Spring is also associated with lyrics and it is a based on the Shaker melody, Simple Gifts, and Rob spends a wealth of time on the mechanics of the piece and how it ties together.  It is a method that would thrill classical music fans, music enthusiasts, and musicians alike.  He even exposes the subtle intricacies of Copland’s inherent confidence, style, and how to identify it in Copland’s other works.

Grammy-nominated Chamber Orchestra A Far Cry Photo courtesy of A Far Cry

Adorned in suits, ties, and gowns, Grammy nominated and self-conducted chamber orchestra A Far Cry worked seamlessly with Kapilow as he broke down each aspect of the piece, a feat not easy to do with Kapilow’s specific stops and starts.  A Far Cry has made its way around the world since they started in 2007 and what sets this orchestra apart from others is the open communication between each musician. A Far Cry reflected just how important it is to remain in sync with the group, especially since they must connect without a conductor.  Their camaraderie and chemistry as they play is compelling to witness as they direct each other with each note.

Copland’s Appalachian Spring has a unique zest, playfulness and peppy thrill of nature through harp and chime as well as calm with a western tinge as Rob explains its historical significance and just why the piece is so enjoyable through each note’s placement, rest, and orchestration. 

Appalachian Spring was a childhood favorite for Kapilow’s which was perfectly clear through his personal and humorous anecdotes and the natural and engaging enthusiasm he exhibited throughout the production.  Rob is always teaching something new to even some of the most trained and learned music enthusiasts.  It was easy to see he has missed the live audience and judging from the audience’s resounding applause and standing ovation, they have missed him too. 

Celebrity Series of Boston continues its digital and in person season which includes Jason Moran and the Big Bandwagon on February 17, Dreamers Circus on February 24, Aoife Donovan on March 17, and David Sedaris on April 2, and the return of Alvin Ailey on May 4. Click here to see Sleepless Critic’s past review of Dreamers Circus.  Click here to see the full list of Celebrity Series of Boston’s upcoming events.