andrew lloyd webber | The Sleepless Critic

REVIEW: Reputation and a darker vision in Reagle Music Theatre of Greater Boston’s stirring ‘Evita’

Posted on July 17 by The Sleepless Critic

She was a mystery, but everyone thought they knew her.

From a wily and ambitious teenager to rising political figure, Eva (Evita) Perón knew she belonged at the top before she ever knew how to get there.

Thoughtfully directed with sweeping chorography by Rachel Bertone as well as robust musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through Sunday, July 20 at The Robinson Theater in Waltham, Massachusetts. This production is approximately 2 hours with a fifteen minute intermission. Click here for more information and for tickets.

Eddie Noel Rodriguez and the cast of Reagle Music Theatre of Greater Boston’s ‘Evita’

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina from 1934-1952. Part of what makes Evita such a captivating work is its vibrant pacing and memorable soundtrack. Based on the life of Maria Eva Perón, Evita’s life moves much like the soundtrack’s quick rhythms as it journeys through song from night club to city street to majestic balcony with barely a pause for applause. Cameron McEachearn’s grand set divulges Eva’s life in its sheer magnitude in its sterling balcony with brick bursting out of its cracked walls.

This version of Evita includes songs not featured in the 1996 film of the same name. The Art of the Possible, a cryptic number not in the film and featuring a group of officers, is particularly engaging. Eva, in a powerful performance by Isabella Bria Lopez, is a young woman taking Argentina by storm and sees opportunity in Juan Perón, depicted with regal like mindedness by Ryan Mardesich.

Eddie Noel Rodríguez as Che; Isabella Bria Lopez as Eva Perón; and the Cast of Evita

Lopez exudes stealthy charm in a knowing smile when she first appears as a teenager. However, behind her feigned naiveté, Eva is shrewdly on the move as soon as her feet hit the ground for the catchy and effervescent number, Buenos Aires. Lopez takes Eva from a vivacious teenager onward and excels at her developing influence and maturity through the years.

She hits her vivacious stride with Buenos Aires which delves into her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes at times can sound a bit strident. She delivers an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine glittering gown, one of Ellie De Lucia’s 400 vintage costumes in a multitude of dress patterns from casual to elegant to military garb. The production’s visceral ensemble ranges from heartwarming to heartbreaking as they collectively portray the elite to peasants to Eva’s fascinating family.

Eddie Noel Rodríguez as Che; Isabella Bria Lopez as Eva Perón; Ricardo “Ricky” Holguin_ as Magaldi

No one succeeds without opposition. Che, depicted with charisma and sardonic wit by Eddie Noel Rodriguez, resonates as part keen observer and part narrator while representing not only the poor working class, but perhaps the truth in his personable delivery. In a vest, gray slacks and a scally cap, he occasionally engages the crowd, but his primary focus is on Evita. Tempering each scenario with satirical flair, Rodriguez captures the essence of Che and makes the role uniquely his own as he travels on a risky path for speaking up. From his mocking observations in Oh What a Circus as well as And the Money Kept Rolling In, his humorous duet in Good Night and Thank You with Lopez, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Rodriguez.

Ricardo “Ricky” Holguin and cast in Reagle Music Theatre’s ‘Evita’

Boasting rich and charming vocals for Magaldi’s signature song, On This Night of a Thousand Stars, Ricardo “Ricky” Holguin blends sensitivity, melodrama, and humor to bombastic night club singer, Magaldi and was a hit with the audience. Other notable numbers include a tender rendition of Another Suitcase in another Hall by Rebekah Rae Robles and the stirring harmony of Santa Evita.

Rebekah Rae Robles in Reagle Music Theatre of Greater Boston’s ‘Evita’

Engulfing the audience from the moment of Eva Perón’s death from the very beginning, Reagle Music Theatre’s Evita delivers a darker and more distinctive version of Evita. Baron Pugh’s alarming red and yellow lighting intensifies the fanaticism, dark humor and the power struggle not only between Eva and Juan tempering Eva’s supercilious ambition to run things behind the scenes, but among the masses and in the hypnotic cries of ‘Perón!’ Previous versions portray Eva and Juan as likeminded, but share a genuine love. Here they seem more like fellow conspirators and Lopez’s You Must Love Me becomes less of a realization or statement, but a desperate plea.

Isabella Bria Lopez; Ryan Mardesich and the Cast of Evita

Reagle Music Theatre of Greater Boston’s Evita offers a unique and memorable perspective that sets it apart from other versions in its resonating and cautionary storytelling while leaving room to get lost in the music and motivations of this intriguing, enigmatic and controversial figure yearning for the spotlight.

Reagle Music Theatre of Greater Boston proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through Sunday, July 20 at The Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

REVIEW: A toast to Patti Lupone’s fabulous ‘A Life in Notes’ presented by Celebrity Series of Boston

Posted on April 9, 2024 by The Sleepless Critic

To say it was an honor to witness Patti Lupone’s brilliance onstage is an understatement. Having won three Tony Awards and two Grammy Awards, this Julliard-trained American Theater Hall of Famer from Long Island has proven time and again she is a master of her craft and it is easy to see why through her personal musical memoir A Life in Notes.

Conceived and warmly directed by Scott Wittman with inspiring music direction by Joseph Thalken, Celebrity Series of Boston presented Patti Lupone: A Life in Notes live and in person at Symphony Hall in Boston, Massachusetts for one night only on April 2. The show was 2 hours including one intermission and is touring around the country. Click here for more information and here for what is up next during Celebrity Series of Boston’s exciting season.

Patti Lupone and Brad Phillips Photo credit Robert Torres/Celebrity Series of Boston

Accompanied by pianist Joseph Thalken and Brad Phillips on strings, Patti Lupone made an endearing emotional entrance having been greeted by a roaring standing ovation from the audience. Donning a glimmering flirty black suit and sparkling earrings before later stepping into a shimmering showstopper with flowing cape, Lupone launched into a heartfelt and stirring rendition of Leon Russell’s A Song for You. The opening number was just the first of several touching moments during this production.

Part autobiography and part love letter to her fans, A Life in Notes is a beautiful tapestry of music which includes American Standards and Broadway that have made an indelible impact on this mezzo-soprano’s life and career so far. Humble and gracious, Lupone is a sharp and avid storyteller sharing her personal experiences while reflecting on valuable life lessons. She delivered each refreshing number with a mix of charisma, wit, style and creativity as the tale behind the song unfolds sharing her reflections on growing up on Long Island before establishing her decades -long career. Bathed in luminous purple, orange and gold lights, Lupone took the stage in front of a baby grand piano topped with a large bouquet of elegant roses as Thalken and Phillips provided accompaniment and smooth harmony to Lupone’s exceptional vocals.

Patti Lupone and Joseph Thalken Photo credit Robert Torres/Celebrity Series of Boston

As a fan who hoped to hear Sondheim’s Ladies Who Lunch in which she offered with all the incomparable passion and attitude that this song suggests, her selections covered some of her most memorable numbers and a few unexpected gems. Andrew Lloyd Webber and Tim Rice’s distinctive Don’t Cry for Me Argentina on strings sounded as epic as it did when she originated the role as Eva Peron in Evita. Lupone cheekily shook to Bagdasarian and Saroyan’s upbeat Come On-A My House and boasted fiery vocals for Jules Stein and Stephen Sondheim’s commanding Some People. Shelton’s yearning Lilac Wine and catchy Jameson and Feller’s Summertime, Summertime captured her experiences falling in love.

Patti Lupone Photo credit Robert Torres/Celebrity Series of Boston

Patti Lupone’s exciting life has had its tumultuous times living during the age of the Atomic Bomb and the turmoil of the 60s as well as building her success in New York City. She took the time to movingly pay tribute to loved ones as well as those who have passed away. Lupone’s pliable vocals and amazing range shine for Cole Porter’s Every time we Say Goodbye as well as for a darkly humorous, saucy and surprising rendition of Jerry Lieber and Mike Stoller’s Ready to Begin Again, which after hearing it for first time, has become of my favorite numbers. All of Patti Lupone’s personal touches, reflections, and compelling music selections made for a wonderful evening worth celebrating.

REVIEW: Vocals soar as Academy of the Company Theatre presents Andrew Lloyd Webber’s ‘Phantom of the Opera’

Posted on February 16, 2023 by The Sleepless Critic

It may seem like a small detail, but The Phantom of the Opera’s iconic chandelier plays a pivotal role in Andrew Lloyd Webber’s The Phantom of the Opera. It opens the show in its sheer majesty and the Phantom is actually found hiding in the glittering and monstrous powerhouse of a special effect at one point during the Broadway production. In fact, it is what fascinates the audience at the beginning of the musical in glorious rhythm with the thunderous and foreboding sound of a pipe organ blaring in the distance and what later crashes to makes the cast run in terror.

Directed insightfully by Sally Ashton Forrest with powerful music directed by Melissa Carubia, Academy of the Company Theatre’s Phantom of the Opera gets so many things right from Vickie Gerard-Culligan’s ornate costumes, the pitch perfect casting, its sinister lighting by Dean Palmer Jr., and its smaller scale replications of Phantom’s famous sets by Ryan Barrow, but the production’s chandelier may not quite meet some lofty expectations.

Academy of the Company Theatre (A.C.T.) presents Andrew Lloyd Webber’s The Phantom of the Opera live and in person at The Company Theatre, 130 Accord Park Drive in Norwell, Massachusetts through February 19. The musical is sold out. Click here for more information on the Company Theatre and its upcoming events.

Alexa Cohen as Madame Giry (right) with cast in ACT’s ‘Phantom of the Opera’ Photo courtesy of Zoe Bradford/Company Theatre

Set in the 1700’s, Andrew Lloyd Webber’s Phantom of the Opera focuses on a mysterious presence that haunts the famous Palais Garnier Opera House in Paris, France. New opera house co-owners Ben Cavallo-Smith as Monsieur Richard Firmin and Weston Hammond as Monsieur Giles Andre make a distinguished and at times humorous pair in vintage suits with tails as they start to realize things are not what they seem.

‘Masquerade’ ACT’s ‘Phantom of the Opera’ Photo courtesy of Zoe Bradford/Company Theatre

Phantom of the Opera boasts some enduring yet challenging music numbers and the cast may feature students up to 18 years of age, but their vocals are well beyond their years. Jillian Pongonis as Christine and Catrina Riker as Carlotta hit some extraordinary notes for being so young and it was a joy to hear Riker’s Think of Me and Prima Donna as she prances around the stage in signature diva fashion, bold and comical as she shouts her demands. Carlotta’s sophisticated gowns become more extravagant as the musical progresses and the cast hits its outrageous stylish stride for Masquerade. Salvator Guillermo Garcia, whose past performances with ACT include Jean Val Jean in Les Miserables, has a supporting and memorable role as Ubaldo Piangi. Garcia not only does a wonderful job vocally in Hannibal and Notes with the cast, but his occasional tenuous smirks and smiles enhance the musical’s humorous moments.

Gilbert Dabady as The Phantom and Jillian Pongonis as Christine Daae Photo courtesy of Zoe Bradford/Company Theatre

Pongonis may be slight in stature, but her powerful vocals exceed her years as does Gilbert Dabady as The Phantom. Dabady and Pongonis’s duet of The Point of No Return may seem a bit mature for their ages, but Angel of Music and Music of the Night are beautifully performed and Pongonis’s stirring rendition of Wishing You Were Somehow Here Again is a must see. Dabady is mysterious and threatening as the Phantom, his deep and resounding vocals all the more menacing offstage. Dabady and Pongonis are a complex and charismatic pair while Charlie Flaherty is well suited for the daring and charming Raoul. Amid a pale blue rooftop, Christine and Raoul perform a sweet rendition of All I Ask of You.

Charlie Flaherty as Raoul and Jillian Pongonis as Christine Daae in ACT’s ‘Phantom of the Opera’ Photo courtesy of Zoe Bradford/Company Theatre

Clever blocking and reigned in sets aptly accommodate the Company Theatre stage. Tints of haunting purple, vintage marble columns, nostalgic lighting, eerie skulls, an angelic stone statue, onstage gold lined opera box seats, a brass organ, monkey music box, and a candelabra lit lair on a misty lake help recreate iconic scenes and special effects that bring this somewhat opera within an opera to life. As a big Phantom of the Opera fan, Academy of the Company Theatre’s Phantom of the Opera captures this moving and mystical musical best known for Andrew Lloyd Webber’s classic soundtrack and makes the magic of the longest running show on Broadway last a little longer in Norwell.

Academy of the Company Theatre (A.C.T) presents Andrew Lloyd Webber’s The Phantom of the Opera live and in person at the Company Theatre, 130 Accord Park Drive in Norwell, Massachusetts through February 19. The musical is sold out. Click here for more information on the Company Theatre and its upcoming events.

REVIEW: Go see Academy of the Company Theatre’s heartwarming, moving, and family-friendly ‘Joseph and the Amazing Technicolor Dreamcoat’

Posted on April 29, 2022 by The Sleepless Critic

The one thing more magnificent then Joseph’s dream coat is the tale behind it. An interactive, endearing, and humorous production, Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat has been entertaining audiences for over 50 years with its exuberant story and its versatile and brilliant music by the Academy Award-winning team of Andrew Lloyd Webber and Tim Rice. Joseph’s music offers a wide spectrum of music genres for any taste from calypso to rock and roll which accompanies the unique retelling of a sacred tale of treachery and unceasing hope.

Photo courtesy of Zoe Bradford/Company Theatre

A tale so wonderful that it needs three narrators, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information, tickets, and for classes that ACT has to offer.

Based on the Book of Genesis and set in the land of Canaan and Egypt, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph struggles to discover his destiny. It is very much a collaborative, ensemble piece featuring three engaging narrators portrayed by Gilbert Dabady last seen in ACT’s Les Miserables, Cate Healey, and Elizabeth Nunnery as they share Joseph’s tale not only with the audience, but with the surrounding and energetic young cast gathered onstage. Dabady, Healey, and Nunnery all have powerful and very different voices that complement each other throughout the performance.

Brothers – Corin O’Neill – Abington, Jay Feeney- Hansen, Henry Jacobs – Norwell, Colin SanGiacomo – Norwood, Roland Schulze – Hingham, Matthew Porro – Hanover, Tim Bevens (Joseph) – Hingham, Ben Cavallo Smith-Hingham and cast Photo courtesy of Zoe Bradford/Company Theatre

With a sweet smile and unassuming demeanor, Tim Bevens portrays humble, yet forthright dreamer Joseph with instant likability from his first opening number, a warm and melodious rendition of Any Dream Will Do. Bevens delivers a compelling performance as a naïve outsider, his versatile vocal range effortless for the soothing Any Dream Will Do to stirring Close Every Door, his tone heart rendering and sympathetic.

Wearing a white beard, Jacob Yates takes on the mostly silent role of Jacob, Joseph’s devoted father. Yates makes the most out of this role with an amusing walk and some physical humor. Led by Charlie Flaherty’s standout portrayal as Joseph’s smirking and sneaky brother Reuben, One More Angel in Heaven depicts the united camaraderie not only by Joseph’s eleven brothers, but from the cast, all in on a little secret. Another excellent number that depicts the brothers’ united front is delivered by Ben Cavallo-Smith as Judah and his brothers for Roland Schulz as Benjamin, a catchy, amusing song called Benjamin Calypso.

Combining blue, glitter, and gold into dazzling Egyptian attire, Sal Garcia, who was last seen as Jean Val Jean in ACT’s Les Miserables, makes a grand entrance in suave sunglasses and a bouffant hairstyle as Pharaoh, complete with shimmering gold sneakers. Garcia shows off his comedic talent and charisma in the show stopping number Song of the King, combining the essence and high energy of a certain king not to be revealed here and Jack Black. It is fun to watch Garcia in a role where he can let loose.

Sal Garcia as Pharaoh Photo courtesy of Zoe Bradford/Company Theatre

The transformative lighting by Dean Palmer Jr. ranges from a lone spotlight to doubling for the hot, desert sun to flashing, multicolored spotlights for Go Go Go Joseph to the warm candlelight and modest staging of Close Every Door. Though most of the sets are colorful and fun, there is something special about the translucent, simple staging for Close every Door by candlelight, letting Tim Bevens’s poignant rendition speak for itself without distractions.

Elsa Hancock-Happ – Rockland, Calvin Jacobs – Norwell, Reese Warshaw – Hingham, Izzie Donnelly – Hingham, Nora Joyce – Weymouth, Silvia Thompson – Hingham, Tim Bevens – Joseph – Hingham, Laird Lacoste and cast Photo courtesy of Zoe Bradford/Company Theatre

Among the vibrant and bold costumes by John Crampton and Alison Gordon is the famous coat in yellow and green and ochre… Joseph’s magnificent, flowing, and sparkling coat is a head turner decked out in multi-colored stars on the back. The cast wearing sunglasses, an unusual camel, and cute Egyptian “beetles” among the crowd on a unconventional journey to Egypt are just a few of the subtle, cheerful touches added to this lighthearted production that certainly has its share of stirring and difficult moments, but with far more uplifting and spirited ones, it’s difficult to feel down for long.

Tim Bevens (Joseph) and cast Photo courtesy of Zoe Bradford/Company Theatre

Directed by Zoe Bradford with lively choreography by Sally Ashton Forrest and musically directed by Melissa Carubia, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information and for tickets.

REVIEW: Company Theatre’s ‘Evita’ is a touch of star quality

Posted on March 30, 2019 by The Sleepless Critic

She was a mystery, but everyone thought they knew her. From a sassy, excitable teenager to rising political figure, Eva (Evita) Peron knew she belonged at the top before she ever knew how to get there. Having recently celebrated its 40^th Anniversary like the Company Theatre, The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at The Company Theatre in Norwell, Massachusetts. This production is currently sold out. Click here for more information on the Company Theatre’s upcoming productions and more.

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina. Part of what makes Evita such a captivating work is its vibrant pacing, handled beautifully by Sally Ashton Forrest. Based on the life of Maria Eva Peron, Evita’s life moves much like the soundtrack’s quick rhythms. The audience is taken through song from night club to city street to porch step with barely a pause for applause, its sweeping sets divulge Eva’s life in its sheer magnitude.

Company Theatre Evita Kristen Huberdeau as Evita with cast

Kristen Huberdeau as Evita with cast Photo courtesy of The Company Theatre

This version of Evita features real footage from Eva Peron’s life and includes songs not featured in the latest 1996 film. The Art of the Possible, a cryptic number not in the film and featuring five officers, is particularly engaging. Evita is a young woman taking Argentina by storm…until she locks eyes with Peron, portrayed with regal like mindedness by Dan Kelly.

The Company Theatre Evita Dan Kelly as Peron

Dan Kelly as Peron Photo courtesy of The Company Theatre

Kristen Huberdeau exudes excitable sass and a bright, wide smile when she first appears as a teenager. However, Huberdeau’s Evita, behind her feigned naivete, is shrewd as soon as her feet hit the ground for the catchy, effervescent number, Buenos Aires. Huberdeau takes Evita from a vivacious teenager onward and excels at her developing influence and maturity through the years. She hits her stride with Buenos Aires, a joyous, catchy number about her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes were a bit strained. She delivered an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine gown.

No one succeeds without opposition. Che, portrayed with charisma and sardonic wit by Ken Bayliss, is part keen observer, part narrator, and represents the working class. In a beret and military fatigues, he occasionally engages the crowd, but his primary focus is on Evita. Bayliss captures the essence of Che and makes the role uniquely his own, leaving no trace of previous versions I have seen. From his observations in Oh What a Circus, his humorous duet in Good Night and Thank You with Huberdeau, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Bayliss.

This slideshow requires JavaScript.

With rich, charming vocals for his signature song. On This Night of a Thousand Stars, Ryan Barrow blends sensitivity, melodrama, and humor to night club singer, Magaldi and was a hit with the audience. A couple of other notable numbers include a sweet rendition of Another Suitcase in Another Hall by Sydney Palmer and a stirring, candlelit rendition of Santa Evita.

The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. This production is currently sold out. Click here for more information and and how to support Company Theatre’s future. Follow Company Theatre on Facebook, Instagram and Twitter for more on their upcoming events.

Renowned Broadway producer Ken Davenport talks Tony Awards, Hollywood, and ‘Gettin’ the Band Back Together’

Posted on May 31, 2018 by The Sleepless Critic

Ambitious Tony award-winning Broadway and off-Broadway theatre producer and writer Ken Davenport has had a passion for theatre his entire life. He has produced renowned musicals from Godspell to Kinky Boots to this year’s Tony-nominated Once on This Island and helms the North American activity for Andrew Lloyd Webber’s Really Useful Group. Dedicated to bridge the gap between the stage and its audience, he is also behind an interactive theatre app, Didhelikeit as well as the hit board game, Be a Broadway Star.

Ken Davenport Photo courtesy of Ken Davenport

Ken talked to Sleepless Critic about when he first discovered the theatre, Hollywood and the Tony Awards, and his upcoming musical comedy, Gettin’ the Band Back Together. Click here for more on Ken Davenport and see who the the big winners are on the 72nd annual Tony Awards on Sunday June 10.

Hosts Josh Groban and Sara Bareilles Photo credit: Cliff_Lipson-CBS

Sleepless Critic: What awakened your interest in theatre and how did the opportunity to become a Broadway producer come about?

Ken Davenport: My mom told me I first kicked when she was watching a production of Godspell, so I think I’ve always wanted to be part of the theatre. I produced the first revival of Godspell on Broadway in 2011.

Being a producer is like starting your own business. Opportunities don’t come about. You have to make them happen.

SC: What do you like most about producing and what production did you find to be the most challenging?

KD: I love watching the audience’s expressions on their faces at the end of the show whether they are laughing, crying, or cheering. We’ve affected them and that’s a joy to watch.

The most challenging part of producing is getting everyone on the same page. It’s like getting ten people to paint the Mona Lisa.

SC: Is there a show you turned down that you ended up wishing you were a part of?

KD: Nah, I have no regrets. I’ve passed on shows that have gone on to be hits, but they weren’t me. They still wouldn’t be me, even if I had a few more bucks in my pocket. I’d much rather stay true to what I want to do.

SC: The musical, Mean Girls is one of the big Tony nominees this year and it is one of many Hollywood to Broadway musical crossovers. From Pretty Woman to Heathers, do you think that this method has been an effective way to draw a wider audience to Broadway? From what I’ve seen of Mean Girls and having recently seen Waitress, it seems to be working well.

KD: Movies have become a common source for adaptations in the last ten years, but it doesn’t guarantee success. I think the adaptations that work best are the ones that don’t have super popular source material. It’s like when a movie is made from a book. Most people think the book is better. That happens a lot when popular movies are made into musicals. It’s a very high hurdle to jump over.

SC: What has been your favorite Hollywood to Broadway crossover musical so far?

KD: Kinky Boots because I am one of the producers.

SC: From classic musicals like Rogers and Hammerstein’s Carousel to Spongebob Squarepants, what nominations most surprised you and which did you think should have been nominated?

KD: I think my choreographer from Once on this Island, Camille A. Brown should have been nominated as well as Alex Newell.

SC: Which do you predict will be the standout production to win? I’m sure you were thrilled when Once on This Island was nominated, a show you have produced.

KD: I think the awards this year will be spread out amongst several shows rather than one big winner taking home multiple awards.

SC: You work to make Broadway a more interactive experience. Please tell me about the apps you promote.

KD: We have an app for our website, Didhelikeit.com that gives you a snapshot of show reviews and focuses on the New York Times.

‘Gettin’ the Band Back Together’ premieres on July 19.

SC: Just a few of the productions you have worked on is Groundhog Day, Spring Awakening, and The Play That Goes Wrong. The musical comedy, Getting the Band Back Together is coming up.

KD: I’m super excited about Gettin’ the Band Back Together, which starts performances on July 19. It’s such a fun show to be a part of and totally original. It has an original story, music, etc. It’s going to be a blast so come see it!

Click here for more information on Ken Davenport and here for more on Ken’s current project, Gettin’ the Band Back Together. Hosted by Josh Groban and Sara Bareilles, find out who wins on CBS for the 72^nd annual Tony Awards on Sunday June 10 at 8 p.m. Follow The Tony Awards on Facebook.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

Reagle Music Theatre of Greater Boston presents one last summer dance with award-winning dance extravaganza, ’42nd Street’

Posted on August 7, 2017 by The Sleepless Critic

Reagle Music Theatre of Greater Boston is ready for its last dance of their 49^th summer musical season. After the smashing successes of Reagle Music Theatre of Greater Boston’s spectacular production of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat and the historical, epic, award-winning musical, Showboat, Reagle presents the Tony award-winning dance extravaganza, 42^nd Street continuing through Sunday, August 13 at Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

Rachel York stars as Dorothy Brock Photo courtesy of Reagle Music Theatre of Greater Boston

Featuring an array of exuberant songs such as We’re in the Money, Lullaby of Broadway, and its title track, 42^nd Street delves into the life of a troubled director and the inner workings backstage of a Broadway show. The toe-tapping, Tony award-winner for Best Musical, 42^nd Street, stars award-winning actress Rachel York as ‘Dorothy Brock’ and beloved Reagle alum Rich Allegretto as ‘Julian Marsh.’ Performances are held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Beloved Reagle alum Rich Allegretto stars as ‘Julian Marsh’ Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston has plenty to look forward to in the fall. On Sunday, September 17, Reagle presents a celebrity concert of what might have been with The Concert that Never Was: An Evening with Barbara and Frank at 2 p.m. Featuring classic tunes from The American Songbook, this fascinating concert explores what it might have been like if legendary entertainers, Barbra Streisand and Frank Sinatra, took the stage for one enchanting stage performance. Click here for this one day only experience as well as other events coming this fall.

Call 1-781-891-5600, click here or email groups@reaglemusictheatre.org for more information on their final summer musical of the year, upcoming events, and much more. Group tickets and gift certificates are also available. Stay updated on all of Reagle Music Theatre of Greater Boston’s latest news by following them on Twitter and Facebook.

REVIEW: Reagle Music Theatre of Greater Boston’s lighter ‘Joseph and the Amazing Technicolor Dreamcoat’ a stunner

Posted on June 16, 2017 by The Sleepless Critic

Kicking off their 49^th annual summer musical series with Andrew Lloyd Webber’s uplifting Joseph and the Amazing Technical Dreamcoat, Reagle Music Theatre of Greater Boston unveils an everlasting world in rich, glorious color. An interactive, endearing, and humorous production, Joseph nears its 50 year mark with exuberance and a bit of modern subtlety stirred in the funniest and unlikeliest of places.

Reagle Music Theatre of Greater Boston proudly presents Joseph and the Amazing Technicolor Dreamcoat through Sunday, June 18 at Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Based on the Book of Genesis, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph discovers his destiny. Click here for more information and tickets.

Courtesy Reagle Music Theatre/©Herb Philpott Peter Mill as JOSEPH with children’s ensemble perform ‘Any Dream Will Do’

Bursting with vibrant, dynamic costumes by Goodspeed Musicals, wardrobe supervisor Amelia Fitch not only rose to the occasion, but makes a distinct, daring, and memorable impression in each spectacular ensemble and most notably in Joseph’s magnificent coat. From stunning, glimmering headdresses to brightly colored, heavily-embroidered designs that recalled another era, the costumes were consistently remarkable. The scenic design by Peter Colao and Richard Shreiber and David Wilson’s lighting design further enhance the show’s visually spectacular nature in multi-colored lights and innovative sets. The versatile and brilliant music, by the Academy Award-winning team of Andrew Lloyd Webber and Tim Rice, offers a wide spectrum of music for every taste from calypso to rock and roll, accompanying the unique retelling of a sacred tale of treachery and unceasing hope.

Courtesy Reagle Music Theatre/©Herb Philpott Peter Mill as JOSEPH and male ensemble perform “Joseph’s Coat.”

With wide eyes and an unassuming demeanor, Peter Mill portrays humble, yet forthright Joseph with instant likability. Peter gives a multi-dimensional, powerful performance as a naïve outsider who is transformed by his destiny. Peter’s versatile, soothing, vocals master signature numbers Any Dream Will Do and Close Every Door, his tone heart rendering and sympathetic.

Waltham native, singer, and American Idol contestant Ayla Brown returned and delivers a powerful performance as Narrator, ten years after she last performed Joseph and the Amazing Technicolor Dreamcoat at Reagle. Clever, sunny, and engaging, silvery soprano Ayla Brown has a relaxed charm with each cast member, but was particularly sweet with the Children’s Choir, a small group of boys and girls. Carefully arranged as a coordinated rainbow in pinks, greens, purples, blues, yellows, reds, the choir’s angelic, soaring voices blend in perfectly at different points in the songs. Their choreography, helmed by Susan Chebookjian, mix well with Ayla during the number, Go, Go, Go, Joseph, as the kids performed the hand jive. It is also worth mentioning that one of the child singers at intermission was dressed like a mini-Joseph, wearing a lit multicolored hat and a cleverly designed mini Technicolor Dreamcoat made entirely of beach towels.

Courtesy Reagle Music Theatre/©Herb Philpott Ayla Brown (right) as NARRATOR with children’s chorus performing A Pharaoh’s Story.

Charming and funny even whether they are rejoicing or scheming, the united choreography between Joseph’s eleven brothers reflects the wonderful camaraderie between each of them. This was most evident during a country themed tune, One More Angel in Heaven with Bernice Baldassaro, who does a wonderful job chewing the scenery as Judah. Another excellent number that depicts the brothers’ united front was delivered by Taavon Gamble as Naphtali, a catchy, amusing song called Benjamin Calypso.

Bernie Baldassaro (center) as JUDAH with male ensemble.

Rock n roll royalty takes on a new meaning in the show’s rollicking, show stopping number, Song of the King, featuring Andrew Giordano’s always impressive comedic talent and zany charisma as Pharoah. It’s a shimmering display in blue and gold as Andrew flawlessly captures the essence of a certain king in a high energy number not to be revealed here. It is one of the great highlights of the show in every joyous, silly moment.

The cast wearing sunglasses and a unconventional journey to Egypt are just a few of the subtle, modern touches added to this lighthearted production that had its share of stirring moments, but offers so many more uplifting, spirited moments, it’s difficult to feel down for long.

Reagle Music Theatre of Greater Boston’s Joseph and the Amazing Technicolor Dreamcoat continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, June 18. Click here for more information, tickets, group rates, and more. Follow them on Facebook and Twitter to get updates on its stellar summer musical season.

Reagle Music Theatre of Greater Boston celebrates 49th summer season with three renowned musicals

Posted on May 17, 2017 by The Sleepless Critic

Dance, forbidden love on the water, and an epic tale among brothers featuring a coat of many colors encompass Reagle Music Theatre of Greater Boston’s award-winning summer musical season. Celebrating its 49^th season of bringing summer musicals to Waltham, Massachusetts, Reagle Music Theatre of Greater Boston kicks off their summer season on June 8, featuring one renowned musical a month through August 13. Click here for more information and for tickets.

From acclaimed composer Andrew Lloyd Webber and lyricist Tim Rice, who have both earned Tony, Grammy, Academy, and Golden Globe awards, Reagle Music Theatre of Greater Boston presents the joyous and stirring musical, Joseph and the Amazing Technicolor Dreamcoat starring American Idol contestant and country singer Ayla Brown for two weekends from Thursday, June 8 through Sunday, June 18.

Based on the Book of Genesis, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph discovers his destiny. Exploring a variety of genres such as country western, rock and roll, disco, and reggae, Joseph and the Amazing Technicolor Dreamcoat boasts memorable tunes such as Close Every Door, Any Dream Will Do, and Go, Go, Go Joseph.

Courtesy of Reagle Music Theatre of Greater Boston

Celebrating its 90^th anniversary, Reagle Music Theatre of Greater Boston proudly presents the award-winning, grand scale musical, Showboat starring Broadway’s Ciaran Sheehan for two weekends from Thursday, July 6 through Sunday, July 16. With music by Jerome Kern and book and lyrics by Oscar Hammerstein II, Showboat explores the relationships and events aboard a Mississippi show boat from 1887 to 1927. An insightful musical delves into significant issues such as prejudice and forbidden love, Showboat features the timeless numbers Ol’ Man River, Can’t Help Lovin’ Dat Man and Make Believe.

Courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston closes out its summer musical season with the toe-tapping, Tony award-winner for Best Musical, 42^nd Street starring The Dukes of Hazzard star Tom Wopat for two weekends from Thursday, August 3 through Sunday, August 13. Featuring hit songs such as Lullaby of Broadway, We’re in the Money, and I Only Have Eyes for You, 42^nd Street is a fast-paced, dazzling musical surrounding the inner workings of a Broadway show.

All performances will be held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Call 1-781-891-5600, visit click here, or email groups@reaglemusictheatre.org for more information on their summer musical series and much more. Group tickets and gift certificates are also available.

Reagle Music Theatre of Greater Boston will also host Musical Theatre camp in July! Click here for more information and follow Reagle Music Theatre of Greater Boston on Twitter and Facebook.

Lexus Broadway in Boston boasts sizzling season including ‘Hamilton,’ ‘Waitress,’ Disney’s ‘Aladdin,’ and more

Posted on April 18, 2017 by The Sleepless Critic

Rodgers and Hammerstein’s ‘The King and I’ continues through April 23. Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens Photo courtesy of Matthew Murphy

‘Wicked’ returns June 7 through July 23. Photo courtesy of Joan Marcus

‘Finding Neverland’ debuts at Boston Opera House August 8 through 20. Photo courtesy of Broadway in Boston

The magic of Disney’s ‘Aladdin’ debuts July 3 through August 18, 2018. Photo courtesy of Broadway in Boston

Tony award-winning ‘Fun Home’ debuts October 17 and continues through October 29. Photo courtesy of Broadway in Boston

The highly-anticipated ‘Hamilton’ debuts September 18 and continues through November 18. Photo courtesy of Broadway in Boston

Phantom of the Opera’s sequel, ‘Love Never Dies’ debuts January 30 and continues through February 11, 2018. Photo courtesy of Broadway in Boston

‘On Your Feet’ debuts April 17 and continues through April 29. Photo courtesy of Broadway in Boston

Andrew Lloyd Webber’s ‘Phantom of the Opera’ returns September 13 through October 1. Photo courtesy of Broadway in Boston

‘Waitress’ debuts February 20 and continues through March 4, 2018. Photo courtesy of Broadway in Boston

As the beloved Rodgers and Hammerstein’s classic musical The King and I hits the Boston Opera House stage, Lexus Broadway in Boston recently offered a peek into its upcoming 2017-18 season. From Andrew Lloyd Webber’s masterpiece and its stirring sequel to arguably the most sought after show in the world right now, Lexus Broadway in Boston has a phenomenal season ahead full of magic, family connections, unstoppable dance, and topping it off a serving of delicious pie. All productions take place at the Boston Opera House in Boston, Massachusetts. Subscriptions for the upcoming season are available now. Click here for tickets and more information.

The magic begins this summer with the return to Oz and Neverland. Get an inside look of how Glinda and the Wicked Witch of the West became two of the most iconic characters in literary history. Visually-stunning with a rich, inventive story line that integrates some of Oz’s most memorable characters, see the spectacular musical, Wicked from June 7 through July 23. Behold the extraordinary story behind J.M. Barrie’s Peter Pan and the family that inspired that magical vision. Integrating Peter Pan’s beloved characters in a unique way, seek Finding Neverland for a limited time from August 7 through 20.

A promising talent, a veteran singer, a ghost dwelling in an opera house, and two bewildered businessmen are part of Andrew Lloyd Webber’s haunting and phenomenally-successful musical, Phantom of the Opera, returns from September 13 through October 1. Also arriving in Boston is Andrew Lloyd’s Webber’s Love Never Dies, the highly-anticipated sequel to Phantom of the Opera from January 30 through February 11.

A number of productions are making their debut in Boston. Topping off the list is arguably the most sought after tickets in the world right now. Hamilton is a contemporary retelling of America’s history arriving at the Boston Opera House September 18 through November 18, 2018.

Take a look inside Fun Home, 2015’s Tony award-winning Best Picture musical. Fun Home is an auto-biographical tale about the joy and challenges of growing up. Not recommended for children under 13, Fun Home debuts in Boston from October 17 through October 29.

Also making its Boston debut is On Your Feet! The Story of Emilio and Gloria Estefan, a meaningful and uplifting musical about the extraordinary life of Emilio and Gloria Estefan. On Your Feet is filled with lively music which includes an array of hits songs from the title track, Get On Your Feet to Coming Out of the Dark. On Your Feet! debuts on April 17, 2018 to Sunday, April 29, 2018.

Waitress is saving the best for last. Currently on Broadway starring Grammy award-winning singer-songwriter Sara Bareilles who also wrote Waitress’s music and lyrics, Waitress is a romantic comedy musical about a waitress gifted at baking pies. She is unhappy in her small town existence until a surprise helps her to put her life into perspective. Waitress serves up its own delights from February 20 through March 4.

All musicals take place at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for the full list and for tickets. Follow Lexus Broadway in Boston on Facebook and Twitter.