REVIEW: Little Theatre of Stoughton’s ‘Anything Goes’ a zany musical comedy on the high seas
The Little Theatre of Stoughton showed off its sea legs with Cole Porter’s musical comedy classic, ‘Anything Goes’ that ran one weekend and concluded on Sunday, August 18 at Stetson Hall in Randolph, Massachusetts. Directed and choreographed by Christina Maggio with music direction by Jesse Alling, this Tony Award-winning musical boasted a number of legendary composer Cole Porter’s hit songs while revealing a high seas tale of mistaken identity, lurking gangsters, and complicated romance. Click here for more on the Little Theatre of Stoughton and check back for their upcoming events.
It was a lively, cheering crowd that greeted the cast in the final performance of this show, offering a short applause as each main character first took the stage. Having never seen a production of ‘Anything Goes’ before, it was surprising to see just how many Cole Porter classics came from this 1934 musical. You’re the Top, Let’s Misbehave, I Get a Kick Out of You, De-lovely, and the title track are just a few of the American Standards that have been covered by contemporary music artists and live on today.
Nate Haywood as Billy Crocker (bottom center) and cast Photo courtesy of the Little Theatre of Stoughton
‘Anything Goes’ could very well have also inspired the 1977 television show, The Love Boat because comedy and complex romance runs amok on the SS American where Nate Haywood as Billy Crocker will do virtually anything for a laugh. Earnest, charming, and complex, Haywood was well-fitted for the role as a man of many faces who wore many hats.
The show has its share of silly moments and Haywood’s scenes with Will Candler as boisterous and demanding Mr. Whitney prompted more than a few laughs. Haywood’a agile vocals struck a few beautiful harmonies with romantic, optimistic, and forthright Hope, portrayed by Sarah Palmer, a lovely high soprano.
Sarah Palmer as Hope Harcourt and Nate Haywood as Billy Crocker Photo courtesy of Mikayla Williams Photography/Little Theatre of Stoughton
Haywood’s vocals were also a great match for Stephanie Wallace’s charismatic and clever nightclub singer Reno during the sweet and playful number, You’re the Top. Wallace was exemplary as Reno, whether solo or accompanied by her elegant Angels, portrayed by Abigail Merchant, Caroline Tobin, Isabelle O’Connor, and Kelli Neville who were all dressed in bold, vintage gowns. Wallace’s smooth and soulful vocals soared through a spirited I Get a Kick out of You and a cheeky version of Let’s Misbehave accompanied by Matt Maggio’s seemingly stuffy, proper, and amusing Sir Evelyn Oakley. Both Maggio and Wallace have wonderful comic timing and playful chemistry.
Sarah Palmer as Hope Harcourt, Nate Haywood as Billy Crocker, and the Reno’s Angels Photo courtesy of Little Theatre of Stoughton
With a squeaky high voice and party-loving ways, Whitney Lloyd as Bonnie and Kevin Fortin as smarmy, cool headed Moonface make a great, albeit a bit clichéd pair.
With captivating choreography by Christina Maggio, this bustling musical certainly showed off its sea legs for a few showstopping dance numbers including a dazzling, adrenaline-soaked tap routine during the title track, Anything Goes. From there, the choreography certainly hit next level status with the spinning and lively number Blow Gabriel Blow and lighthearted Heaven Hop.
The Little Theatre of Stoughton will soon announce its 62nd season. Click here for more on the Little Theatre of Stoughton and get their latest updates on Facebook.
