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Richard Bento, President of South Shore Theatre Works, talks about building a theatre dream

Posted on January 21, 2017 by The Sleepless Critic

Building a dream has always has its share of surprises and challenges. However, with determination, hard work, and more than a touch of luck, these sought after dreams can become a reality. Sleepless Beyond the Stage explores the reality of making that dream come true, whether by building an organization, finally bringing that dream play or musical to life, or starting an artistic or musical group that has made a difference.

Richard Bento, Executive Director and President of South Shore Theatre Works (SSTW) in Holbrook, Massachusetts, talks about the excitement and surprises of starting a new community theatre, South Shore Theatre Works. South Shore Theatre Works’ premiere season features Into the Woods, Steel Magnolias, and much more. Click here for more information, auditions, and for tickets.

Jeanne Denizard: Please tell me about your background and what inspired you to start South Shore Theatre Works?

Richard Bento: I’ve participated in community and semi-professional theatre throughout Massachusetts, Rhode Island, Georgia, and San Francisco. One of my goals was to have a group of my own who share the same mission and passion I had for the arts. Three years ago, I decided to participate in theatre here and assist another community theatre group. I fell in love with the people. Their passion was parallel to what I felt in my heart. When we were at a crossroads, needing to decide whether we were going to bring this other group to another level or start our own with other people who shared that same drive, I decided to put together South Shore Theatre Works. In this group, we spoke about what we loved about community theatre and what we wanted our theatre home to be like.

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South Shore Theatre Works Play Reading Committee led by Richard Bento Photo courtesy of Kelly Webber

JD: Did you run into any surprises pulling a project like this together?

RB: When putting together a non-profit, learning how to comply with the nonprofit laws is ever-changing. We ran into some obstacles such as what we thought was the proper way might not necessarily be the right way on paper and when you’re working with a group of people who are volunteering their time, the challenge is finding exactly where they best fit. Sometimes we all think that we’re good at one thing, but until we really get into the nitty-gritty of things, that’s when we decide, hey, wait a minute, I might not be a good Treasurer. My passion might be as a good publicity person. I think it was not necessarily a struggle or obstacle within the organization, but an obstacle within each one of our board members to find out exactly what they’re truly good at, and how to put those talents and skills into play.

South Shore Theatre Works dress rehearsal for youth production, “Big Bad Musical” Photo courtesy of Rachel Nope Beasley

JD: What would you say to those who are considering starting a community theater?

RB: I wish them a lot of luck and determination. Starting a community theater is a difficult project to take on. It is not an endeavor for everyone or for the weak-hearted. Just like an actor who wants to perform professionally and tries to make it on Broadway, 99% of that actor’s experience will be rejection. When you’re putting together a community theater or theatre group in general, you are going to face a lot of doors closing on you, a lot of people who feel threatened, or don’t understand why you’re creating this new project. What’s important for anyone who wants to create something of this nature is to make sure that the reason behind you creating this endeavor comes from a good place, from a place of love, and a place of passion.

Before people decide they’re going to start another community theater or another theater in the South Shore or in the Boston area, decide why they want to create that theater. What is the mission behind it and see if there are other groups that share that mission because there are always groups looking for help. For example, if there’s someone out there who is looking to start a brand new theatre company that shares the mission we have at South Shore Theatre Works, join us. We’re always looking for new people to support our mission.

JD: What is most important in making an investment like this?

RB: Measuring what is important in an investment can be different for different people. At SSTW, the way to measure whether we have succeeded in our first year’s endeavor is by seeing the membership, those people that we have been able to cultivate and bring together to put on quality theatre in this area. If South Shore Theatre Works ended today, we as a Board of Directors would be extremely proud of what we did because our first major musical was a huge success financially and included a talented cast. We had 64 wonderfully talented people from across the South Shore who came and auditioned across Massachusetts and Rhode Island. We had people from all over audition who wanted to be part of something new. That for me is a measurable moment of success.

“Into the Woods” cast Photo courtesy of Rachel Nope Beasley

JD: How did you select the shows you would be presenting in your premiere season?

RB: When choosing a season, you have to come up with the season’s mission. I’m very fortunate I have a marketing director who works in the industry and understands what is needed to accomplish things. Every show has to have a specific goal or target audience, whether it is trying to reach actors, expand our membership, or to make money, which we all need to survive. We wanted to do some shows that were really going to get our name out there and would bring people to work with us and grow with us as an organization. Not just work with us once, but wanting to come to South Shore Theatre Works to become lifelong members.

JD: What are your future plans for the theater and the best way people can contact South Shore Theatre Works?

RB: Our goal for South Shore Theatre Works is to be the leading community theater in the South Shore. We want to have a home where we can perform all year round, a place where people can feel comfortable, and share their talents and their passion for the craft with audiences from all over.

A way to get involved financially or supporting us is by being an audience member and an active member within the theatre company. Go onto our website, sign up for our emails, keep in touch and find that one project where you really want to help. Support the arts in any way possible. Spread the word that there is a new community theater in the area excited to branch out and get our name out there.

South Shore Theatre Works present the beloved musical, “Children of Eden” Photo courtesy of South Shore Theatre Works

Click here for a closer look on how to support South Shore Theatre Works. Call 774-386-8258, visit their website, and follow them on Facebook for a closer look at their new season and more.

Cohasset Dramatic Club will hold auditions for captivating musical, “If/Then”

Posted on January 12, 2017 by The Sleepless Critic

Starting over isn’t easy, especially in the Big City. Cohasset Dramatic Club is thrilled to debut a remarkable musical about a single woman moving to New York City to make a new start. From the producers of the Pulitzer Prize-winning team behind the show, Next to Normal, If/Then is an insightful, contemporary musical about Elizabeth, a recently divorced woman and all the endless possibilities that lay before her in the Big City.

Originally starring Idina Menzel and based on a book by Brian Yorkey, If/Then contains musical numbers including A Map of New York, You Never Know, and Surprise. Cohasset Dramatic Club presents If/Then for two weekends only from Thursday, March 9 through Saturday, March 18. Click here for more information about the show.

Directed by Lisa Pratt, musically directed by Sarah Troxler, and choreographed by Tara Morrison, Cohasset Dramatic Club is holding auditions for the musical, If/Then on Wednesday, January 18 at 41 Highland Ave in Cohasset, Massachusetts at 7 p.m. Auditioners should prepare 24-36 bars of a song from the show and the evening will also consist of cold readings from the script. Rehearsals will begin on Sunday, January 22. Click here for further details and character descriptions.

Before If/Then, Cohasset Dramatic Club presents their fourth annual festival consisting of 10-minute plays, Briefs on February 3 and 4. This festival will feature cabaret seating, food, and beverages. Click here for more about the Cohasset Dramatic Club and follow them on Facebook.

REVIEW: Massasoit Theatre Company’s ‘Miracle on 34th Street the Musical’ a faithfully-festive, whimsical adventure

Posted on December 15, 2016 by The Sleepless Critic

The cast of Massasoit Theatre Company’s production of “Miracle on 34th Street the Musical.” Cast as the Rockettes and a train conductor.

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Photo courtesy of Jeanne Rocheteau. From L to R: Austin Archabal as Susan and Kelly Hines as Doris in Massasoit Theatre Company’s “Miracle on 34th Street the Musical”

It is easy to see why Massasoit Theatre Company selected Miracle on 34^th Street the Musical as part of its 50^th anniversary season. While holiday shows often delve into the true meaning of the Christmas season, Miracle also festively explores with heartwarming humor what makes one shun imagination and blind faith for solemn practicality. It also reminds the audience what makes faith in everything so precious. Directed by Nathan Fogg, produced by Mark Rocheteau, and choreographed by Samantha Brior Jones, Massasoit Theatre Company continues its run of Miracle on 34^th Street the Musical through Sunday, December 18. Click here for more information and for tickets.

Set in New York City on Thanksgiving Day prior to an impressive depiction of the Macy’s Thanksgiving Day Parade, Kelly Hines as Doris is in the midst of a crisis. The Santa Claus they hired for the parade is out of commission at the last minute. Enter Craig O’Connor as charismatic and whimsical Kris, who may be just what Macy’s is looking for. This family friendly, classic tale is further enhanced by its beautiful, uplifting score by Meredith Wilson, who co-penned another beloved musical classic, The Music Man with Franklin Lacey. Massasoit’s Theatre Company’s Miracle on 34^th Street the Musical delves into familiar carols such as It’s Beginning to Look a Lot like Christmas as well as catchy, playful, and original numbers such as She Hadda Go Back, a song reminiscent of Music Man’s memorable, comedic number, Trouble. Each number offers deeper and meaningful insight into each character as well as heighten the show’s inherent message without veering off course.

Kelly Hines portrays Doris’s irrepressibly determined nature right down to her poised chin. Protective and practical, Hines exudes a sweet chemistry with Austin Archabal as Doris’s precocious, but curious daughter Susan, especially evident during their harmonious number, Arm in Arm. Hines also shows a new and incalculable side to her when she meets Matt Torrance as personable, but disciplined Fred Gailey. Hines offers an impassioned performance, especially with the number, You Don’t Know.

Austin Archabal shines as Susan, demonstrating her mother’s spunk, but peppered with wide-eyed wonder. She has natural and touching chemistry with each cast member, but is most memorable with Craig O’Connor’s wise, whimsical, and with a certain twinkle portrayal of bearded and spectacled Kris, especially during the number, Expect Things to Happen.

With equal twinkle and charisma is Matt Torrance’s brilliant performance as Fred. With smooth, silvery vocals, natural tap skills, and personable nature, Torrance is captivating in each scene and takes the humorous numbers, She Hadda Go Back and Look, Little Girl to a new level.

In a three piece suit, glasses, and an often frenzied look, Alexander Hagerty adds a hefty dose of zany humor as enthusiastic, and at times, bumbling Macy’s store assistant Marvin Shellhammer. From his wild antics and outlandish jingles, Hagerty is a comedic scene stealer. Possessing a melodic alto, Athan Mantalos also delivers a forthright and commanding performance as R.H. Macy.

From the portrayal of iconic holiday figures such as the Rockettes and Raggedy Ann and Andy to name a few to extraordinary and imaginative characters, the entire cast embraces holiday cheer set to a lively, ‘50s city tone and enhanced by sets depicting colorful city skylines, bright, detailed Christmas decorations, and a wide variety of creative costumes by Jennifer Spagone. Above all, Massasoit’s Theatre Company’s Miracle on 34^th Street the Musical depicts just what love and letting go will do.

Massasoit Theatre Company’s 50^th anniversary season presents their holiday production of Miracle on 34^th Street the Musical continuing through Sunday, December 18. All performances are held at Buckley Performing Arts Center, 1 Massasoit Boulevard in Brockton, MA. Click here for tickets and for further details of their 50^th season. Follow them on Facebook for the latest updates.