REVIEW: ‘Star Wars: A New Hope in Concert’ with live orchestration from the Boston Pops a thrilling cinematic achievement

No better way to witness a galaxy far, far away.

It has become a beloved Boston Pops tradition to exhibit the finest films in cinema history enhanced by the stellar sounds of the Boston Pops, an immersive film experience performed so eloquently, one may never watch the film quite the same way again.  In the past few years, The Boston Pops has inventively breathed new life into film classics such as ‘The Wizard of Oz,’ ‘West Side Story,’ ‘Singin’ in the Rain,’ ‘Psycho,’ ‘Home Alone,’ ‘Raiders of the Lost Ark,’ and ‘Nosferatu‘ through stunning live orchestration and Star Wars lives up to that sterling reputation.

The re-mastered, extended version of ‘Star Wars: A New Hope in Concert‘ with live orchestration by the Boston Pops was held at Symphony Hall earlier this spring and then recently in the Koussevitzky Music Shed at the Tanglewood in Lenox, MA on August 16.  The ninth film and epic conclusion of the Star Wars series, ‘Star Wars: The Rise of Skywalker‘ arrives in theatres in December and what better way to welcome the end than by remembering the beginning.

John Williams at Tanglewood (Hilary Scott)

John Williams conducting Film Night at Tanglewood Photo credit to Hilary Scott

Academy award-winning composer John Williams has been the name on everyone’s lips at Tanglewood for the past couple of weeks with ‘Star Wars: A New Hope in Concert‘ on Friday, August 16 and then the ever-popular ‘Film Night’ on August 24, an annual tribute concert featuring just a few of the acclaimed film scores of John Williams.  Not only did John Williams make an appearance at the end of the August 16th performance, but Patriots owner Robert Kraft was also in the audience.  Click here for more information, tickets, and a look at Tanglewood’s full schedule.

Keith Lockhart Leads the Boston Pops at Tanglewood (Hilary Scott)

Keith Lockhart leads the Boston Pops at Tanglewood Photo courtesy of Hilary Scott

Conducted by acclaimed Boston Pops conductor Keith Lockhart, The Boston Pops launched an enthusiastic audience into that beloved galaxy with ‘Star Wars: Episode IV A New Hope,’ the first film in what would become a beloved series of films in 1977.  The rising swell of the perilous, suspenseful, triumphant, and Academy award-winning Star Wars Main Theme from John Williams was just the start of this exciting film that has been thought to be a touchstone to future films in that genre while also possessing some classic Shakespearean roots.

The intense score, each crisp note from the orchestra, the sound that thundered in the Koussevitzky Shed was nothing that can be relived in front of a television screen or in a movie theatre.  It felt like being in the studio with the cast, enhancing their already outstanding performances, and scoring the film for the first time.

Star Wars A New Hope

Mark Hamill as Luke Skywalker, Carrie Fisher as Princess Leia, and Harrison Ford as Han Solo in ‘Star Wars: A New Hope’ Photo credit to Disney/Lucasfilm

The lively audience was clearly composed of some of the most devoted Star Wars fans cheering   not only the opening of the film, but each major character as they were first introduced onscreen.  Familiar faces such as the twinkling eyes and swaggering charisma of Harrison Ford’s Han Solo, Peter Mayhew’s towering presence as Chewbacca, Carrie Fisher’s holographic appearance as Princess Leia as she utters the classic line, “Help me, Obi-Wan Kenobi.  You’re my Only Hope,” Alec Guinness as the wise and mysterious Obi-Wan Kenobi, Mark Hamill’s naïve Luke Skywalker, and James Earl Jones as the timeless voice of Darth Vader were all greeted with rousing applause.

Set on the planet with two suns, the subtle humor, the scheming, the epic adventure, George Lucas’s marvelous characters, the dazzling technology of its time, the bickering between R2-D2 and C-3PO and between Han Solo and Princess Leia are all recaptured in this unforgettable cinematic experience.

The Lawn at Tanglewood 2016 (Hilary Scott)

The Lawn at Tanglewood 2016 Photo credit to Hilary Scott

Located in the Berkshires at 297 West Street in Lenox, Massachusetts and now year-round, Tanglewood’s outdoor venue is a must see, whether under the tent at Koussevitzky Shed or under the stars for a lawn picnic.  Click here for Tanglewood’s full schedule follow them on Facebook.

Exploring theatre, nature, space and more, Boston Landmarks Orchestra’s Christopher Wilkins talks depth and diversity in free summer concert series

From exploring live theatre and music to nature to science to space as well as taking on racism, climate change, and many more important topics all involving a vast array of community members, organizations, and performers, Boston Landmarks Orchestra is so much more than a beautiful free Wednesday night concert outing at the Esplanade.  Boston Landmarks Orchestra Gala will celebrate 90 years of free concerts on the Esplanade in October.

WCRB is a media partner for the Boston Landmarks free concert series.  Click here for Boston Landmarks Orchestra’s complete summer schedule at Boston’s renowned Hatch Shell and here for further details on the upcoming Gala.

It was an honor to speak with Christopher Wilkins, Boston Landmarks Orchestra’s conductor and Music Director, who took time out of his busy schedule to discuss the highlights of the Boston Landmarks Orchestra’s summer season and what is coming up.

The Sleepless Critic:  The season kicked off on July 10 with the second annual “Season Tune-Up” party.  What was that like?

Christopher Wilkins:  It was a gorgeous night with a great turn out.  Lots of children attended and we introduced our audience to many of our partner organizations which include musical organizations, music educational schools, and partners like the New England Aquarium and the Museum of Science.  The “Season Tune-Up” Party featured fun games, a performance from the Everett High School band, and our Maestro Zone where kids can step up at the podium, wave the baton, look at a score, and get a conducting lesson.  We offer Maestro Zone at our regular concerts as well.

Boston Landmarks Orchestra Maestro Zone Assistant Conductor Shuang Fan

The Maestro Zone with Maestro Zone Assistant Conductor Shuang Fan

SC:  We’ve been blessed with some beautiful nights this summer.  You have been the Music Director and conductor for the Boston Landmarks Orchestra since 2011.  What has it been like for you collaborating with different theatres and new works each year?

CW:  Our mission is to engage as many Bostonians as possible from all walks of life and one of our strategies is to develop partnerships.  They feature an array of organizations to get their fans, their folks, and their constituency excited to come to a concert and work with us.

One of our best strategies is to create composer residencies in different neighborhoods around Boston so people who might not ever encounter an orchestra can develop some way of making music or dancing or some other performing art that they can bring to our stage and perform with the orchestra. We have a lot of inexperienced young performers throughout the summer and some who have never been onstage before.   We do all that along with an eclectic lineup of Dvorak, Broadway, symphonies, and a great choral repertoire.

SC:  It must be an incredible experience to see how everybody interacts with each other and how it turns out onstage.

CW:  It’s wonderful to perform it in the Hatch Shell because it is an iconic venue, people associate it with orchestral music, and it is in the heart of the city.  The Hatch Shell is also quite enormous. We can fit 5,000 people or more at our concerts and that is typically what we draw when the weather is nice.

SC:  Such depth in a free event.

CW:  It’s important to many people that can’t afford to come otherwise.  It’s also a powerful emblem of the idea of universal access.  Everybody is welcome.

We just think about access barriers, which are not only economic.  Cultural assumptions in a community can cause people to stay away.  At Landmarks, we think deeply about what those barriers are and do what we can to get rid of them.

SC:  Yes, and you have held many events so far this season.  For example, you recently celebrated the 50th anniversary of the Moon Landing with Symphonic Space Odyssey.  How did you pay tribute to this historic event?

CW:  We performed that in Jordan Hall because it was a stormy night.  Jordan Hall is one of the most beautiful venues in America and the sound indoors just rattles your bones.  We didn’t have to change the program at all, just the venue.

The Moon Landing is one of the most amazing achievements in the history of mankind.  It was an awesome night and we celebrated it with the Museum of Science which was perfect because they have had an exhibition ever since the moon landing occurred.  The Museum of Science prepared fabulous video footage relating to the moon landing, space travel, rockets, and deep space taken from materials produced in house at the Hayden Planetarium for their full dome experience.

SC:  What are you most looking forward to this season?

CW:  Each week is so over the top that it’s hard to pick a favorite.  We have a wonderful collaboration on August 14 with the New England Aquarium featuring some remarkable video material that will be synchronized live to the orchestra.

Boston Landmarks Orchestra New England Aquarium

Boston Landmarks Orchestra partners with the New England Aquarium for a free concert on August 14 Photo courtesy of Boston Landmarks Orchestra/New England Aquarium

The subject is climate change and we’re performing Vaughan Williams Symphonia Antarctica which is originally a film score, but now set to a more recent film made by Natural History New Zealand featuring all shots from Antarctica.

Then we have a beautiful photographic sequence put together by Boston Globe writer David Arnold called “Above and Below.”  He’s taken Brad Washburn’s iconic aerial photographs of glaciers and coral reefs mostly from the 1930’s and then taking the same shots today.  Of course what you see is a devastating record of loss set to Adagio for Strings.  The program also includes optimistic shots from Boston Harbor and other places from then and now which shows tremendous improvement environmentally and send the message that we can do something about climate change.

We did an extremely interesting panel discussion recently which has some caused useful and in depth panel conversation called “Who Should Sing Ol’ Man River?” around race and the portrayal of racial themes at WBUR CitySpace.  Our moderator was Emmett G Price III, a celebrity in Boston and a wonderful musician, historian, pastor, and radio personality.  It was a wonderfully experienced and informed panel who weighed in on a lot of these questions and shaped how we put together the following week’s concert.

Boston Landmarks Orchestra Alvy Powell

Bass Bariton Alvy Powell Photo courtesy of Boston Landmarks Orchestra

SC:  Ol’ Man River from Rodgers and Hammerstein’s “Showboat” is such an amazing song and I’ve seen it done is so many different ways.

CW:  It’s a showstopper.  Our base Alvy Powell has sung Ol’ Man River in the White House for the last six sitting Presidents in a row.  He sang it at George H.W. Bush’s funeral at President Bush and his wife Barbara’s request.  He also sang it at Gerald Ford’s funeral.  If anyone should sing Ol’ Man River, it’s Alvy Powell and he performed it that night.

SC:  What kind of conversation sprung from that panel?

CW:  That’s a good question.  We got into questions of language, dialect, the history of black music, and cultural appropriation.  Quite an interesting segment was when we were looking at where we go from here.  One of our panelists was Ashleigh Gordon, founder of an organization that has attracted a lot of praise and attention called Castle of Our Skins.  It celebrates African American composers and performers.  She’s done an amazing job furthering the discussion and coming up with creative ways of producing eye catching programming.

They are opening a permanent set of offices at the Boston Center for the Arts.  We are collaborating with Ashleigh, Castle of Our Skins and Anthony Green, a composer she works with frequently on the Esplanade on August 21 for our Landmarks Dance Night.  The project surrounds the music and dance of Haiti because we are also including the Jean Appolon Expressions Dance Company.

Boston Landmarks Orchestra Jennifer Ellis Matthew DiBattista, Maesto Wilkins, and One City Choir

Christopher Wilkins with Jennifer Ellis Matthew DiBattista, Maesto Wilkins, and One City Choir Photo courtesy of Boston Landmarks Orchestra

It’s often our best vehicle for showcasing the diversity of traditions and types of cultural expression.  I grew up here, but the city is infinitely more diverse now than it was when I grew up.

SC:  Absolutely.  What have you liked most over your time with the Boston Landmarks Orchestra?

CW:  We’ve had lots of great moments over the last eight or nine years.  My first concert was conducting Beethoven’s 9th at Fenway Park so that is pretty hard to top.  We did an amazing night celebrating the 50th anniversary of Martin Luther King’s I Have a Dream Speech with Governor Deval Patrick as our narrator and featuring a lot of video and photographic imagery.

We did a memorable collaboration with the Isabella Stewart Gardner Museum when their director, Peggy Fogelman, first arrived in Boston.  Another highlight was a series of programs with Commonwealth Shakespeare Company.  We performed full productions of musicals or a Shakespeare play such as “Midsummer Night’s Dream” with Mendelssohn.

The musicians learn something they know so well and are able to put it into the context of the play while the actors now can play off a symphony.  Now how often does that happen?   It is amazing for the performers and the audience.

SC:  You’ve performed all over the United States.  What do you like best about your time with the Boston Landmarks Orchestra?

CW:  I love our mission.  It’s readily understandable to most people in the community which I think is why we are receiving increasing levels of support from all quarters from individuals and foundations and from political reps because we are using great music with its level of complexity, depth, and emotional appeal and a first class professional orchestra as a means to gather community together.

I don’t know another orchestra that has a mission defined in this way.  I learn a lot and meet all kinds of interesting people doing interesting work.  We get to come together in a musical setting and it’s almost guaranteed everybody has a wonderful time.

Sit back and enjoy the Boston Landmarks Orchestra free every Wednesday night.  Click here for the full schedule and how to support future concerts.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: Billy Joel brought his A-game for his fifth year at Fenway Park

Grammy award-winning singer-songwriter Billy Joel will not be sharing new music any time soon.  Renowned for his library of hits in the 70s, 80s, and 90s, he stuck with the chart toppers and some lesser known singles at the Fenway Park field on Friday, August 10 as part of the Plainridge Park Casino Fenway Concert series.

Billy Joel Fenway Park

Photo credit to IheartMedia

‘I haven’t had a hit in 25 years,’ he muses, ‘but I have also not released an album in 25 years.’  Opening fittingly and dramatically with the theme song from The Natural, a beloved 1984 sports film starring Robert Redford, Billy Joel took the Fenway Park stage for his fifth year.  Click here to see where Billy Joel will perform next.

Showcasing his biggest hits along with a few of his lesser known ones, Billy Joel brought his A-game.  Kicking off shortly after eight in the evening as fans were still filing into the park, he arrived behind his piano for his straight-talking hit Big Shot, a song that was said to have been inspired by a dinner he had with Mick and Bianca Jagger.  Under multicolored lights and an infectious beat, from the start Billy Joel proved his ceaseless energy at 69 years old.

On a cloudy, but rainless night in Fenway, Joel referred to Boston as the birthplace of freedom where he wrote the song, My Life.  He also mentioned the Red Sox, though he’s an avid NY Mets fan, before a stirring rendition of NY State of Mind, which featured shots of New York City’s famous landmarks.  He even playfully sang Boston’s More than a Feeling before jokingly “forgetting the words.”

Billy Joel Fenway

Photo courtesy of Jeanne Denizard

Sharply dressed in a dark suit and tie, Billy Joel spoke with humor and frankness, sharing personal details behind his music, his voice matured into a deeper, grittier growl with all the same power behind it.  He treated the enthusiastic full house to a spectrum of his famous and lesser known songs as he reflected, ‘I worked just as hard on the lesser known songs as the hits.’  Some of those lesser known songs included Summer, Highland Falls, Zanzibar, The Downeaster Alexa, and Vienna, a sweet, quiet tune from his album The Stranger and was also featured on the 13 Going on 30 film with Jennifer Garner.

Accompanied by a robust rock, jazz, and horn-infused big band, Joel performed upbeat number, Movin’ Out (Anthony’s Song), a hit song that inspired a 2002 Tony award-winning Broadway musical of the same name.  The musical highlighted a number of Billy Joel’s greatest hits.  Dedicating a song to his three year-old daughter, Joel performed Don’t Ask Me Why as well as many of his signature hits including a resonant Only the Good Die Young, Scenes from an Italian Restaurant, a colorful, extended version of River of Dreams, and It’s Still Rock and Roll to Me.

The award-winning singer-songwriter kept the crowd on their feet with surprise guests from two vastly different genres.  Peter Wolf, lead singer of the J.Geils Band, a group Billy Joel opened for early in his career.  Wolf performed the band’s 80s hit, Centerfold before calling Joel one of the nicest in the business.  Def Leppard’s Joe Elliott, who was to perform with the band at Fenway the following night, also joined Joel.  Accompanied by powerful guitar, Elliott’s deep, throaty vocals delivered their audacious hit, Pour Some Sugar on Me.  As welcome as their appearances were, it couldn’t beat their return to the stage later to sing with Joel for You May Be Right.

Joel also had his share of quiet moments as he silenced the crowd with the emotional, heartfelt number, And So it Goes and She’s Always a Woman.  Sitting behind the baby grand piano most of the evening with a brief stint humming on the harmonica for Piano Man before taking to the guitar during an epic, four-song encore, Billy Joel still has a seasoned passion for the stage and left with hardly a voice, delivering short of a three hour performance.

Reagle Music Theatre of Greater Boston presents one last summer dance with award-winning dance extravaganza, ’42nd Street’

Reagle Music Theatre of Greater Boston is ready for its last dance of their 49th summer musical season.  After the smashing successes of Reagle Music Theatre of Greater Boston’s spectacular production of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat and the historical, epic, award-winning musical, Showboat, Reagle presents the Tony award-winning dance extravaganza, 42nd Street continuing through Sunday, August 13 at Robinson Theatre in Waltham, Massachusetts.  Click here for more information and for tickets.

Reagle Music Theatre Rachel York

Rachel York stars as Dorothy Brock Photo courtesy of Reagle Music Theatre of Greater Boston

Featuring an array of exuberant songs such as We’re in the Money, Lullaby of Broadway, and its title track, 42nd Street delves into the life of a troubled director and the inner workings backstage of a Broadway show.  The toe-tapping, Tony award-winner for Best Musical, 42nd Street, stars award-winning actress Rachel York as ‘Dorothy Brock’ and beloved Reagle alum Rich Allegretto as ‘Julian Marsh.’  Performances are held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Reagle Music Theatre's Rich Allegretto

Beloved Reagle alum Rich Allegretto stars as ‘Julian Marsh’ Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston has plenty to look forward to in the fall.  On Sunday, September 17, Reagle presents a celebrity concert of what might have been with The Concert that Never Was:  An Evening with Barbara and Frank at 2 p.m.  Featuring classic tunes from The American Songbook, this fascinating concert explores what it might have been like if legendary entertainers, Barbra Streisand and Frank Sinatra, took the stage for one enchanting stage performance.  Click here for this one day only experience as well as other events coming this fall.

Call 1-781-891-5600, click here  or email groups@reaglemusictheatre.org for more information on their final summer musical of the year, upcoming events, and much more.  Group tickets and gift certificates are also available.  Stay updated on all of Reagle Music Theatre of Greater Boston’s latest news by following them on Twitter and Facebook.

Reagle Music Theatre of Greater Boston celebrates 49th summer season with three renowned musicals

Dance, forbidden love on the water, and an epic tale among brothers featuring a coat of many colors encompass Reagle Music Theatre of Greater Boston’s award-winning summer musical season.  Celebrating its 49th season of bringing summer musicals to Waltham, Massachusetts, Reagle Music Theatre of Greater Boston kicks off their summer season on June 8, featuring one renowned musical a month through August 13.  Click here for more information and for tickets.

From acclaimed composer Andrew Lloyd Webber and lyricist Tim Rice, who have both earned Tony, Grammy, Academy, and Golden Globe awards, Reagle Music Theatre of Greater Boston presents the joyous and stirring musical, Joseph and the Amazing Technicolor Dreamcoat starring American Idol contestant and country singer Ayla Brown for two weekends from Thursday, June 8 through Sunday, June 18.

Based on the Book of Genesis, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph discovers his destiny.  Exploring a variety of genres such as country western, rock and roll, disco, and reggae, Joseph and the Amazing Technicolor Dreamcoat boasts memorable tunes such as Close Every Door, Any Dream Will Do, and Go, Go, Go Joseph.

Reagle Showboat

Courtesy of Reagle Music Theatre of Greater Boston

Celebrating its 90th anniversary, Reagle Music Theatre of Greater Boston proudly presents the award-winning, grand scale musical, Showboat starring Broadway’s Ciaran Sheehan for two weekends from Thursday, July 6 through Sunday, July 16.  With music by Jerome Kern and book and lyrics by Oscar Hammerstein II, Showboat explores the relationships and events aboard a Mississippi show boat from 1887 to 1927.  An insightful musical delves into significant issues such as prejudice and forbidden love, Showboat features the timeless numbers Ol’ Man River, Can’t Help Lovin’ Dat Man and Make Believe.

Reagle 42nd Street

Courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston closes out its summer musical season with the toe-tapping, Tony award-winner for Best Musical, 42nd Street starring The Dukes of Hazzard star Tom Wopat for two weekends from Thursday, August 3 through Sunday, August 13.  Featuring hit songs such as Lullaby of Broadway, We’re in the Money, and I Only Have Eyes for You, 42nd Street is a fast-paced, dazzling musical surrounding the inner workings of a Broadway show.

All performances will be held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Call 1-781-891-5600, visit click here, or email groups@reaglemusictheatre.org for more information on their summer musical series and much more.  Group tickets and gift certificates are also available.

Reagle Music Theatre of Greater Boston will also host Musical Theatre camp in July! Click here for more information and follow Reagle Music Theatre of Greater Boston on Twitter and Facebook.

 

Barenaked Ladies, Jake Owen, and Local CountryFest part of Indian Ranch’s summer season

As the days lengthen and the temperature rises, the first summer concert at Indian Ranch will soon arrive.  With beautiful scenery overlooking Webster Lake in Webster, Massachusetts, Indian Ranch not only offers their annual Yuengling summer concert series and Indian Princess Cruises, but is also available for private parties, weddings, and much more.  Indian Ranch will offer a closer look at their open house on Sunday, May 21 at 11 a.m.  Call 1-508-943-3871 or click here for more information!

Indian Ranch view

Indian Ranch outdoor concert venue/Courtesy of Indian Ranch

Indian Ranch Open Hous

Get a closer look at Indian Ranch at their Open House on Sunday, May 21/Courtesy of Indian Ranch

Indian Ranch summer series, from June through September, will deliver a variety of live concerts in comedy, country, rock, and much more.  Kick off the season with return of Canadian rock comedy band, Barenaked Ladies (June 18).  Pat Benatar and Neil Girardo (July 23), The Mavericks (July 16), Huey Lewis and the News (June 24), and Eddie Money (July 15) are just a few of the popular artists taking the stage this summer.  A number of country artists will perform including Jake Owen (Sept 24), The Marshall Tucker Band (June 25), Big & Rich (July 9), Josh Turner (July 30), Phil Vassar (Aug 6), Montgomery Gentry (Sept 17), The Charlie Daniels Band (Sept 9), Dwight Yoakam (Aug 13), and Hunter Hayes (Aug 19).

Indian Ranch Local Country Fest

Indian Ranch will debut their Local CountryFest on Sept 16 Photo courtesy of Indian Ranch

Performances are still being added to the summer roster.  Check back for further updates.  Indian Ranch is located at 200 Gore Road in Webster, Massachusetts. This gorgeous venue is an ideal setting for campground sights, private events, and weddings.

Click here for tickets, more information, and VIP parking information. Like Indian Ranch on Facebook for updates, ticket information, and the full schedule of upcoming events.