REVIEW:  Boston Ballet off to a brilliant ‘reSTART’

Boston, it’s time to reSTART.

Embarking on a journey from beloved local landmarks to overseas to inside the Boston Ballet studios, Boston Ballet’s reSTART amps up the excitement of their highly-anticipated return live onstage in time for the holidays.

With a versatile lineup that includes recently filmed jazz-infused contemporary dance, classic tales, traditional dance, and a season preview as well as a full range of costumes including street wear by Yin Yue and Jens Jacob Worsaae and Judanna Lynn’s spectacular royal fashion, Boston Ballet’s virtual reSTART, available through November 7, delivers an elegant and dynamic show for dance lovers everywhere.  Click here for more information and for Boston Ballet’s full season.

Boston Ballet in Yin Yue’s A Common Movement, photo by Brooke Trisolini; courtesy of Boston Ballet

Over the past year and a half, the renowned Boston Ballet has become much more than a force onstage.  It has been inspiring to see this sophisticated and athletic company in various settings, using creative and unconventional methods to evoke their passion for their extraordinary work.  Lighthearted, romantic, and refreshing, Boston Ballet’s season premiere reSTART demonstrates a brilliant new season to come.

It all starts right in the city of Boston.  Renowned contemporary choreographer Yin Yue delivers jazz-infused spirit into the Boston Common as fifty dancers brighten this beloved October landscape in A Common Movement.  In comfortable and modest attire, the dancers come together in a joyful and sweeping dance as horns blare creating a vintage vibe under a peerless sun.  With catchy tunes performed by Quincy Jones and Alice Coltrane, these charismatic dancers take over the Common with a swift beat in a smooth, mischievous, and calibrated performance enhanced by a slick dance by Maria Alvarez, Louise Hautefeuille, Lauren Herfindahl, Sangmin Lee, Ao Wang, and Patrick Yocum on the Boston Public Garden Foot Bridge.

Haley Schwan and My’Kal Stromile in Yin Yue’s A Common Movement, photo by Brooke Trisolini; courtesy of Boston Ballet

Clever choreography and digital technology bring together pairs Ji Young Chae and Tyson Clark and Haley Schwan and My’kal Stromile in an unexpected way for a fascinating performance in the Public Garden.

Boston Ballet delves into a classic tale with fantasy flair featuring Soo-bin Lee and SeokJoo Kim, a stunning duo as they perform a deeply romantic Pas de Deux in an excerpt from Romeo and Juliet.   Angelically adorned in a halo of ribbons and flowing gown by Song Bohwa and Hanna Kim, Lee is a vision in an idealistic dark forest.  Despite a hint of foreboding, Prokofiev’s score is uplifting and glorious as Lee and Kim enchant each other building into bursts of joy, seeming to move as one into an embrace.

Addie Tapp and Lasha Khozashvili in Jorma Elo’s Ruth’s Dance, photo by Brooke Trisolini; courtesy of Boston Ballet

From classic tale to classic dance, another highlight of reSTART features Bach’s soothing, piano-driven rhythms as Addie Tapp and Lasha Khozahvili perform a tender and delicate dance as Khozahvili quite literally sweeps Tapp off her feet.  

Muses take on full form as Paul Arrais beguiles inspiration as bold and fresh faced Apollo in a pivotal classic work which first brought choreographer Balanchine and composer Stravinsky together.  What is particularly captivating about Balanchine’s choreography is the mechanical synchronization between muses Lia Cirio as majestic Terpsichore, Viktorina Kapitonova as mysterious and foreboding Calliope, and Chryrstyn Fentroy as jubilant and charismatic Polyhymnia.  Their dance is meticulously precise as they rhythmically pivot in unison, at one point forming a beautiful silhouette until each have a chance to portray their own distinct chemistry with Arrais’s mesmerizing Apollo.  They join together, hinging onto each other and one might wonder who is in control.

The Boston Ballet kicks off their new season with virtual reSTART continuing through Sunday, November 7.  Click here for more information and a closer look at Boston Ballet’s new season.

Tony Williams Dance Center’s ‘Urban Nutcracker’ an immersive heartfelt letter to Boston in 2020

2020 has made an indelible impact on our society affecting family life, schools, businesses, the arts, and the very nature in which we live.  When Urban Nutcracker returned for its 19th season in 2019 and took the stage at Boch Center’s Shubert Theatre, it delivered dazzling style, live, multi-genre music, and the thrill of a classic tale with a unique perspective.  It was one of the many inventive performances taking the stage at Shubert Theatre or at any venue in Boston during the holiday season.

Seeing it now evokes an air of wistfulness.  Being a lover of city life in Boston for decades, seeing it now makes me long for Boston’s exciting streets, sit in the Boston Common, walk through Faneuil Hall in its crowded, bustling glory, and watch people marvel at the lights and holiday spirit of the city.  Make Way for Ducklings, the Duck Boats, the Boston Harbor, live music at the Hatch Shell, and the crowds filing into Fenway Park are a memory this year.  Especially at this glorious time of year, the warmth of the holidays in phenomenal Boston fills this city-lover’s mind with nostalgia and an enduring fondness for its boundless energy and heart.  How it is missed.

Filmed in 2019 at the Boston’s Shubert Theatre and featuring the City Ballet of Boston, Tony Williams Dance Center’s Urban Nutcracker continues streaming for free for its 20th anniversary through Christmas Eve.  Click here to see the show and more information on Tony Williams Dance Center.

Nutcracker Prince portrayed by Tony Tucker battles Haissen Booth as the Rat King Photo credit to Peter Paradise Michaels/Urban Nutcracker

The dynamic orchestra is the first to set the show’s immersive tone as they greet the setting audience traveling through the aisles playing their horn-infused, big band sound on instruments stringed in colorful lights.   As the band settles inside a replica of the Hatch Shell above the stage amid Janie Howland’s amazing scenic design, identifiable landmarks such as the CITGO sign, Massachusetts State House, and Downtown Boston’s Custom House Clock Tower are set strategically on Boston’s city skyline.  The orchestra plays above the performers, delivering a robust sound in a plethora of music styles that match the cornucopia of festive costumes by Dustin Todd Rennels and Rebecca Cross as cultures from around the world unite onstage. 

Gianni Di Marco as Drosselmeyer and Juliet Brown as Ruby and the cast Photo credit to Peter Paradise Michaels/Urban Nutcracker

When Tchaikovsky, Duke Ellington, and David Berger combine for the eclectic score musically directed by Bill Whitney, it is a journey of unfettered entertainment.  Urban Nutcracker has a modern, relaxed, family-friendly vibe which is depicted in the show’s bright and jubilant colors, an urban-chic apartment with a distinctive tree, and the dance styles intonate a party that could happen anywhere in the city today especially as kids gather for a picture using a selfie stick.

Urban Nutcracker depicts all the classic scenes from Tchikovsky’s production with an inviting twist featuring a diverse, multi-talented cast.  In a magnificent coat and top hat, Gianni Di Marco is captivating as wise, charismatic and exuberant Drosselmeyer.  He not only wows adults and children alike with tricks and presents, but his sweet interactions with Ruby, portrayed by enchanting Juliet Brown and Stella Kotter, provide some of Urban Nutcracker’s most memorable moments.

Khalid Hill dazzles in multiple roles, but his tap dancing shines most on the city streets as dancers synchronize beats on trash cans.  Ronnie Thomas is excellent as a funky soldier doll bouncing and coasting around the stage.

The Snow Queen and King, portrayed by Ruth Whitney and Joe Gonzalez, is the picture of elegance surrounded by luminous snowflake dancers and a glittering view of the Boston Common.  Gonzalez also delivers a visually-rich and daring performance in a duet with Ruth Whitney as Arabian dancers.

Betsy  Boxberger Khalil stuns as the Sugar Plum Fairy not only in a beautiful, upbeat solo but in a later performance with Joe Gonzalez and Gianni Di Marco during a jazz-infused Nutcracker Suite.  The lifts themselves are spectacular.

Several fun performances included athletic hula hoop dancers featuring Kendra Frank, a high-energy performance featuring skilled, tap-dancing workmen, Urban Nutcracker’s amusing answer to Bo Peep, but Urban Nutcracker’s answer to Make Way for Duckling featuring Michael Oliver Slayton as a tap dancing cop and an adorable troupe of ducklings led by Simone Wolfhorst, is a favorite, an unforgettable and endearing performance.

Urban Nutcracker offers something for everyone without being boxed into any particular music taste while also delivering a timeless message of the season.   It also pays unparallel tribute to Boston and if you are feeling nostalgic for the city, make sure to see this show.

Tony Williams Dance Center’s Urban Nutcracker continues streaming for free through Christmas Eve 2020.  Click here for more information, how to access the show, and how to support this organization.