Mark Morris Dance Group’s costume designer Elizabeth Kurtzman talks vibrant inspiration behind Beatles show, ‘Pepperland’

According to Rolling Stone, The Beatles hit album Sgt Pepper’s Lonely Hearts Club Band ranked #1 of The 500 Greatest Albums of All Time in 2003.  Not only is this groundbreaking album visually compelling, but songs on the album such as Lucy in the Sky with Diamonds, With a Little Help from My Friends, Penny Lane, When I’m Sixty-Four, and the album’s popular title track are considered rock and roll classics.

What is it like to bring that album to life in vibrant color in its 50th anniversary year?  New York costume designer Elizabeth Kurtzman talks about what it was like to bring Mark Morris Group, Pepperland to the stage.  Celebrity Series of Boston presents Mark Morris Dance Group’s Pepperland, a tribute to Sgt Pepper’s Lonely Hearts Club Band, to the Boch Center Shubert Theatre in Boston February 8-10.  Click here for more information and for tickets.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

Sleepless Critic:  It must be exciting to portray the essence of this classic Beatles album, Sgt Pepper’s Lonely Hearts Club Band in its 50th anniversary year.  Please tell me what your initial thoughts were in taking on this project.

Elizabeth Kurtzman:  I read the email inviting me to work on a project that involved music by the Beatles. I thought I was dreaming and was really intrigued.  Mark Morris and the Beatles are two of my favorite things.  I could not imagine how it would all look and sound. I knew it would not be by-the-book –Beatles and it had to be turned around pretty quickly.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

The 60s brought rapidly changing style. There is a lot of information in the years the Beatles made all that music, so there were a lot of possibilities.

SC:  You have worked with the Mark Morris Dance Group numerous times.  How was this project a unique experience for you and what do you like most about working with them? I know it might have been a challenge to tie in a contemporary feel to such an iconic time period.

EK:  They look great in these clothes/costumes and wish the guys wore these suits all the time.  They are a dream and it isn’t easy to dance in layers made out of corduroy.

Some of Mark’s pieces require more research than others. I spent hours looking up fashion and color from 1960-69. Mark was not interested in dressing the dancers in satin and feathers a la the album cover. It was more about trying to send the message of the early sixties. Simple shapes, but those shapes looked new, fresh, and young. Colored tights were so futuristic and men’s suits got smaller and cuter. I was a kid mid-sixties, but was completely mesmerized by those clothes.

Color was just as important as shape. Colors were new, synthetic fabrics made bolder, brighter fabrics available. The color palette was loosely based on a photo of a mural painted on a corner on Carnaby Street in London.

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‘Pepperland’ performance in Seattle Images by Mat Hayward/Celebrity Series of Boston

SC:  Songs like With A Little Help From My Friends, When I’m Sixty-Four, and the title track are just a few of the songs portrayed visually onstage.  What was that process like and can you offer a hint of the vibe audiences can expect when they see the show?

EK:  I think the show is about the energy of the time which offers a lot of happiness with a little melancholy thrown in.

SC:  From what I have seen of your work, you seem to add a vibrant personality to the performers that take the stage.  The colors and designs really pop.

The dancers are so game and energetic, the color and design only enhance their skill.  I love working with fabric and color and am fortunate to be able to attend rehearsals, which is where I get to see the personality of the dance and how the dancers move.

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‘Pepperland’ performance in Seattle. Images by Mat Hayward/Celebrity Series of Boston

 SC:  What has been the most challenging work you have done in New York or otherwise?

EK:  I can’t say there is one thing I’ve worked on that stands out as most challenging. There are always a few little challenges, but always a way to overcome them. It is more challenging working with small theatre companies that have tiny budgets and lots of costume changes or working with opera singers who hate the way they look in any and everything.  The biggest challenge is sewing it myself.

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‘Pepperland’ performance in Liverpool Images by Robbie Jack/Celebrity Series of Boston

SC:  You also provide art and music for programs for children in New York City.  Please tell me more about that and how you got involved.

Several years ago, I was involved with the Children’s Museum of the Arts downtown. I was determined to get kids to design and repurpose their clothes. Most of the adults I know do not know how to sew on a button.

I helped put together a program for children on the autism spectrum and their families that provided a place for making great art and music.  I also spent many hours designing and making costumes for the theatre department at my daughter’s high school who graduated in 2017.

Celebrity Series of Boston presents Mark Morris Group, Pepperland, at the Boch Center Shubert Theatre in Boston from February 8-10.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

REVIEW: Lively and insightful, Lyric Stage Company’s award-winning play, ‘The Wolves’ howls

Woven into the lush, green indoor turf is a unique narrative with the clever earmarks of adolescence in Sara DeLappe’s Pulitzer Prize-winning play finalist, The Wolves.  Framed as a soccer match, this unconventional ensemble drama kicks off like a rocket, luring the audience into the tumultuous chattering of a competitive, all-girls soccer team who are about to learn a few valuable lessons about life and themselves in and out of the game.

Directed by A. Nora Long, Lyric Stage Company’s The Wolves continues through Sunday, February 3 at 140 Clarendon Street in Boston.  The show is 90 minutes with no intermission and contains some mature themes.    Click here for more information and tickets.

The Wolves play

Photo courtesy of The Lyric Stage Company of Boston

Taking place entirely in an indoor soccer arena, Shelley Barish and Elizabeth Cahill’s exciting setting fits into the team’s boundless energy.  Sports fans take note:  Trained by soccer consultant Olivia Levine, The Wolves are the real deal, showing off authentic as well as physically complex moves throughout the performance.

What makes this show particularly interesting is the remarkable way the story is told.  With a 90 minute running time matching the length of an average soccer match, a horn blaring not only kicks off the latest match within the performance, but sometimes humorously ties in to interrupt a heated conversation.  As the audience as spectators peek into this team’s lives, the progressive nature in which they learn discipline, tolerance, and how to listen to each other is subtle, yet one of the most powerful parts of this compelling narrative.

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Cast consists of Lydia Barnett-Mulligan, Sarah Elizabeth Bedard, Simone Black, Olivia Z. Cote, Chelsea Evered, Grace Experience, Julia Lennon, Valerie Terranova, and Jurielle Whitney Photo courtesy of Lyric Stage Company

These teammates have a natural and at times, rumbling chemistry in their uninhibited conversations.  Whether they are delving into gossip around school, technology, getting their driver’s permits or scandalized by their maturing bodies, their viewpoints stay consistent with their level of maturity (right down to the abuse of the word, “like”) which can sometimes be insightful and other times, hilarious.

Though each cast member exhibits their own distinct personality in their matching uniforms, Valerie Terranova, who is making her debut on the Lyric Stage with this show, is a particular highlight as serious, optimistic player #25.  The wise, unassuming way she leads the team shows that while the other girls may only see what is right in front of them, #25 sees where the game might take them, united, one victory at a time.

 

The Wolves may even serve as a nostalgic trip down memory lane, when you were a teenager and everything was the best thing in the world or the worst, the raging excitement of life.  It may even leave you scratching your head, trying to recall if being a teenager girl was really like this.  The undeniable answer, for the most part, was yes.

The Lyric Stage Company continues Sara DeLappe’s The Wolves through Sunday, February 3 at 140 Clarendon Street in Boston, Massachusetts.  Click here for tickets and more information.  Subscriptions and dinner packages are also available.  Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.

After a night out, enjoy MET Bar and Grill’s ‘Boston Hot Chocolate Experience’

The holidays may be over, but any time during the winter is a good time for hot chocolate.  The MET Grill and Bar brings back their popular refreshment, ‘Boston Hot Chocolate Experience’ through Valentine’s Day.  With a wide variety of hot chocolate available in ‘adult versions’ topped with extra large marshmallows, whipped cream, and more, it is a special treat at the end of a concert or a great night out.

‘Boston Hot Chocolate Experience’ is offered at MET Bar and Grill locations in Natick and Back Bay in Boston, Massachusetts.  Click here for more information.

Hot chocolate options include Classic Hot Chocolate featuring vanilla chocolate and whipped cream, Spiced Mexican with chili and grated Mexican chocolate, Dolce De Leche with marshmallows and salted caramel, and Peppermint White Hot Chocolate featuring candy cane flavors and whipped cream.  Each treat can be enhanced with Peppermint Liquor, Caramel Vodka, Bailey’s, and more.

Enjoy them as ‘A Flight of Four’ experience featuring four miniature glasses or attendees can order one flavor as ‘One Big One’ presentation.

Visit MET Back Bay in Boston and in Natick, Massachusetts.  MET offers breakfast, lunch, and dinner as well as Saturday and Sunday Brunch. They also are available for private events and gift cards are available online for the perfect gift.

REVIEW: WGBH’s ‘Tis the Night with Ben Folds and Friends’ holiday music special offers some impressive, lighthearted cheer

Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public TelevisionNew Hampshire PBS, and WGBH 2 this month.  Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer.  He is also known for performing with many orchestras throughout the world.  Take a closer look at Tis the Night here,  click here to find out when WGBH will broadcast this show next, or here to stream it online.

In this WGBH holiday special, Ben hosts for the most part, leaving it to renowned Boston choruses such as the Boston Children’s Chorus, Handel and Haydn Society, the Harvard- Radcliffe Collegium Musicum, and students from the New England Conservatory to bring in the good cheer.  However, in the few times he collaborated with the artists, this concert special became that much more engaging.

Ben Folds and Caleb Teicher perform on Tis the Night (Meredith Nierman - WGBH)

Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways.  Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.

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Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH 

Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version.  It was refreshing to hear, though I prefer the classic interpretation.  However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.

Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth.  They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner.  Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.

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Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2

Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight.  Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.

New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.

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Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 

Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.

soprano Saori Erickson and pianist Bethany Pietroniro performing Ave Maria (Sam Brewer - WGBH)

Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH

Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.

Review: Packed with inspiring music, Lyric Stage Company and Front Porch Arts Collective’s ‘Breath and Imagination’ soars

It often takes a village to become great.  In Daniel Beaty’s Breath and Imagination:  The Story of Roland Hayes, lyric tenor and composer Roland Hayes embarks on a tremendous journey from a shy, sulky church boy to the trials and sacrifices that were made in order for him to become an established singer.  He was often plagued by insecurity and faced backlash in many forms, but the heart of this piece lies in the ones who believed in him even when he wasn’t sure how to proceed, ultimately proving, as the production proclaims, “pain and promise make you great.”

Co-produced by Front Porch Arts Collective, directed by Maurice Emmanuel Parent, and musically directed by Asher Denburg, Lyric Stage Company proudly presents this interactive, uplifting musical helmed by a stellar cast, Daniel Beaty’s Breath and Imagination:  The Story of Roland Hayes continuing through Sunday, December 23 at 140 Clarendon Street in Boston, Massachusetts.  This is a 90-minute musical with no intermission.  Click here for more information and for tickets.

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Music Director Asher Denburg and Davron S. Monroe Photo courtesy of Lyric Stage Company of Boston

Packed with impressive performances, Breath and Imagination is an important musical, especially fitting for Boston since Roland Hayes is the first soloist of color to perform at Symphony Hall.  Accompanied by a grand piano sitting in front of an illuminated, sliding paneled backdrop, this interactive, concert musical draws the audience into the performance with its small and mighty cast.

If I thought Davron S. Monroe was terrific in Lyric Stage’s Kiss of the Spider Woman or on the Company Theatre stage in the powerful musical, Ragtime, nothing could quite prepare me for the magnificent performance he delivers as lyric tenor and composer Roland Hayes.  Not only does Monroe beautifully depict Roland Hayes’s journey as he matures from a humble childhood in a wool cap to adulthood in bow tie and tails, he also shows Hayes’s progressive vocal maturity, his powerhouse vocals rising to new, complicated heights as he masters everything from spiritual hymns to internationally-renowned classical works.

Guiding him on this audacious journey is his no nonsense, strict, and faith-filled mother, Angel Mo’, portrayed by Yewande Odetoyinbo in a captivating performance that makes it easy to see where Roland Hayes gets his inspired vocal chops.  Odetoyinbo as Angel Mo’ is fierce yet humble, a quick witted woman in a shawl who shows Hayes what is truly important in life and song.  She reflects the pain of her past and the weight of the immense obstacles in front of her, but consistently holds her own with faith and love.

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Davron S. Monroe as Roland Hayes, Yewande Odetoyinbo as Angel Mo.’ and Nile Scott Hawver Photo courtesy of Lyric Stage Company of Boston

Odetoyinbo and Monroe teamed up earlier this year in Lyric Stage’s spring musical, The Wiz and their sweet chemistry make it no surprise they are collaborating again.  Much of this musical tackles the highs and lows of their relationship as he makes his way into the world.

Rounding out this stellar cast is Doug Gerber as Mr. Calhoun and Nile Scott Hawver, who portrays multiple roles seamlessly from a preacher to a teacher, his enthusiasm makes way for some exciting, touching, and humorous moments.

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Asher Denburg, Doug Gerber, Nile Scott Hawver, Davron S. Monroe and Yewande Odetoyinbo Photo courtesy of Lyric Stage Company of Boston

Enjoy the Lyric Stage Company and The Front Porch Arts Collective’s compelling musical, Breath and Imagination:  The Story of Roland Hayes at 140 Clarendon Street in Boston, Massachusetts through Sunday, December 23.  Click here for more information and tickets.  Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Designer and CEO Sara Campbell talks giving bigger as she hosts Boston Women in Media and Entertainment charitable event on Giving Tuesday

Sara Campbell Ltd. knows about giving.  They have donated to a long list of organizations nationwide over the years from the American Cancer Society in Atlanta, GA to the Young Women’s League of Canaan in Caanan, CT.  On Giving Tuesday on November 27, it was just another day for this shop to give back.

Dressed in a stylish blue and black dress is Sara Campbell, designer, founder and CEO of women’s clothing boutique shop, Sara Campbell Ltd.  She hosted Boston Women in Media and Entertainment (BWME) for Giving Tuesday, opening up her shop for great deals on her fashion line with 20 percent of the proceeds benefiting Cradles to Crayons, a local non-profit that fights childhood poverty.  On Giving Tuesday, attendees were encouraged to contribute a new coat for a child age 5 to 17 to be delivered to Cradles to Crayons.

This is Sara’s second time hosting BWME at this location and her sixth year hosting this event.  Designed in the USA, Sara Campbell Ltd. has 25 locations nationwide.  The Sleepless Critic and BWME co-founder and Magic 106.7’s Candy O’Terry spoke with this event and the act of giving.  Click here to learn more about BWME, how to join, and the opportunities they offer all year.  Click here to learn more about Sara Campbell, her collections, the company’s community involvement and much more.

Sleepless Critic:  You work a lot with Cradles to Crayons.  What does Giving Tuesday mean to you?

Sara Campbell:  Giving Tuesday means nothing to me because I don’t believe it should be one day a year.  As a shop owner, a manager to my employees, and all the people I am responsible for, our mission is to give back and serve our customers, our community, serve each other as a company, and everyone who works together.  It’s service.  I believe that is what small business is and should be.  It’s delivering that act of kindness that makes a difference in somebody’s life today.  Every day, I have my employees write up an act of kindness they did today in our stores.  When I get a blank, I am not happy.

I raised my business knowing I was supposed to give back, whether it’s buying someone a cup of coffee or paying a toll which could be 25 cents at the meter.  I was taught to give what you can and that’s your way of putting back what has been given to you.  It is what feeds our business, but it doesn’t mean it’s easy.  You have to have faith for whatever the journey is.

It’s getting more and more obvious these days how much we have to breed kindness, thoughtfulness, and empathy.  Faith is hard, especially when it’s eCommerce and it is Cyber Monday.  The tariffs in China are hugely impacting me.  I’m made in the USA and we don’t make zippers in the US.  I have to import supplies and it’s going to be passed to the consumer because my payroll is increasing.  My staff deserves raises, healthcare, insurance, everything.  As a strategy, the only way we are getting through it is hopefully to grow and have our bricks and mortars survive and prosper, but it takes our loyal customers to make that happen.

Candy O’Terry:  I’m a loyal customer!

Sara:  You are!  Giving Tuesday drives a lot of prosperity to different organizations that wouldn’t get it otherwise.  To that end, I am for Giving Tuesday.  The drive to get bigger is I can give bigger.  I can do more.  It’s not that we are getting bigger and getting a bigger house.  I’d like to get out of debt (laughs.)

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Candy:  The Sara Campbell brand is selling all across the country.

Sara:  It takes a village of friends, customers, team workers in this office, in the sample shop, and in our stores.  I’ve had this idea that I’m going to take a picture of all our stores and we’re going to cut out paper dolls.  They are all going to be holding hands around the building.  That’s what community and this wonderful night is all about.  It’s the women who are part of Boston Women and Entertainment.  So much camaraderie excites us and helps us get through the dark days.

Candy:  I met Sara about ten years ago.  I interviewed her for a show called Exceptional Women on Magic 106.7 and she became my friend.  As the years passed, it doesn’t matter if I do 50 or 60 events a year, if I can show up wearing a Sara Campbell dress and say in front of 1,000 people if they like my Sara Campbell dress.  I am so loyal to her because she is a local designer with a heart of gold.

Sara:  I will never say no to you.  I don’t care what you need or want because you are delivering the message through you to bigger places.

Candy:  See that is what Giving Tuesday is all about.  Good goes around.  That’s why we are here tonight because if I can introduce ten new people to the Sara Campbell brand and they buy Sara Campbell and they tell their friends, it’s a win-win all around.

We love local charity Cradles to Crayons so much and will leave this place with two giant bags for them.  Sara donated about ten jackets for children.  We’re going to write them a nice check and I’m going to show up with this stuff to our giving factory tomorrow.  We’re going to help local Boston kids walk to school with a beautiful, warm pink coat on looking like a million bucks.

Sara:  I learned the beauty of giving a brand new coat to a child from Kids Clothes Club, another local organization started in Brookline, MA.  We have had kids write us to say they slept in their new coat in the kitchen last night because they just didn’t want to take it off.  It’s so good for their self esteem.  I’m going to write Cradles to Crayons a check so they can go get the size for the exact kid they have in mind.

Candy:  When we walk out of here tonight because of the kindness of these women and Sara, we’ll be able to donate something to children in our own community and that means so much to us.

Sara:  We have to take care of each other.  Candy, thank you for orchestrating such a fun night.  You are a change maker.

REVIEW: SpeakEasy Stage’s riveting musical, ‘Fun Home’ unveils the illusion of perfection

Every home withholds a multitude of secrets.  Under a softly lit, lattice rooftop, The SpeakEasy Stage Company takes an intimate look inside a family seemingly full of zeal and an old Victorian house so tidy and flawless on the outside, flanked with a towering bookshelf, a grand piano, and oriental rugs, it neatly hides the cracks and crevices underneath.  With clever scenic design by Cristina Todesco, SpeakEasy Stage unveils this absorbing musical as an interactive treat, every seat a good one, luring the audience into the Bechdel family’s complicated world.

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COME TO THE FUN HOME.  Marissa Simeqi, Luke Gold, and Cameron Levesquue in SpeakEasy Stage’s production of FUN HOME. Photo by Nile Scott Studios.

Based on the graphic novel memoir by Alison Bechdel and directed by Paul Daigneault, The SpeakEasy Stage presents the five-time Tony award-winning musical Fun Home through Sunday, November 24 at the Calderwood Pavilion at the Boston Center for the Arts in Boston, Massachusetts.  Click here for more information and tickets.

Looking back on life, it’s funny what you recall. Memories can be tricky.  As time goes by, perspective changes as a person grows, transforming a memory, gradually revealing details once never thought of or understood before.  That lattice rooftop seals in cartoonist Alison Bechdel’s intimate memories as she writes her memoirs through her work, ruminating on her childhood and upbringing to find out what ultimately makes her feel like she is stuck in life.  Alison uses cartoons because drawing as a child, she mused, “I need real things to draw from because I don’t trust memory.”

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Marissa Simeqi and Todd Yard in SpeakEasy Stage’s production of FUN HOME. Photo by Nile Scott Studios

Told through Alison’s perspective, she looks back on her relationship with her enigmatic, intellectual father Bruce and her traveling and ill at ease mother, Helen.  The show is a musical drama with its share of comedic, uplifting moments.  Alison is the only individual that outwardly transforms in this piece, thanks to the intense, meticulous work by Marissa Simeqi, adorably and precociously portrayed by Small Alison and Ellie van Amerongen, exceptional as naïve, charming, and nervous Medium Alison.

With black rimmed classes with short dark hair, Amy Jo Jackson slips into Alison’s façade, a mature, jaded and intellectually-driven individual.  With a dark sense of humor, Jackson narrates this emotional journey, evoking confusion, warmth, sorrow, and frustration in her fine features, building her strength in each new discovery.

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ALISON AT DESK. Marissa Simeqi and Amy Jo Jackson in SpeakEasy Stage’s production of FUN HOME. Photo by Nile Scott Studios.

Todd Yard, in a searing performance, masters the many sides of Alison’s father Bruce, who seems to juggle who is or should be to everyone, but cannot openly face his true nature.  With black rimmed glasses and dressed in khakis and a blue sweater, he is serious man with a brilliant intellect, aiming to be an expert on most everything.  Friendly, strict, and responsible, but as much as he loves his family, secretive and closed off.  Each Alison does a brilliant job in portraying their wrought frustration in every moment they attempt to make a genuine connection to him, but especially in the bittersweet song, Telephone Wire.  Yard’s vocals have a lovely, emotionally-rich quality reflected in whatever he sings including the poignant number Pony Girl, and most notably his harrowing rendition of Edges of the World  – a must see.

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EDGES OF THE WORLD. Todd Yard in SpeakEasy Stage’s production of FUN HOME. Photo by Nile Scott Studios.

Laura Marie Duncan portrays Alison’s complicated and misunderstood mother.  Surrounding herself with outward perfection, like her husband, Bruce, she lives her life distancing herself from reality, reflected in the moving number, Days and Days.  She personifies a woman with the traditional values of her generation, building security within the walls of her home.  Duncan, a beautiful soprano, is behind the house that shines, keeping the flaws out of sight.

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Led by and musically directed by Matthew Stern, the small onstage orchestra, spread out in front of the bookcase, features a soothing, fiddle-laden soundtrack that is a combination of light, airy, and melancholy.  From its opening song, It All Comes Back to the Flying Away finale, Jeanine Tesori’s captivating musical numbers hold a spectrum of rich, multi-faceted meaning.  The catchy, Partridge Family-inspired song, Rainbow of Love is a particular highlight, enhanced by bright colors and retro costumes, but sung in Small Alison’s hope of escaping reality.

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RAINCOAT OF LOVE. The cast of SpeakEasy Stage’s production of FUN HOME. Photo by Nile Scott Studios.

Some things cannot be fixed.  The painful and difficult moments, and those joyful moments, that might not have been as once imagined.  The best thing is to learn from it and take the next step.

SpeakEasy Stage Company’s Fun Home continues through Sunday, November 24 at the Calderwood Pavilion at the Boston Center for the Arts in Boston, Massachusetts.  Click here for more information and tickets.  Follow Speakeasy Stage on Facebook for more on their upcoming events.