Laurence Lesser shares music memories as New England Conservatory celebrates his 80th birthday and Leonard Bernstein’s centennial in free opening concert

‘You don’t choose music.  It chooses you.’  This is just one of renowned cellist and longtime New England Conservatory (NEC) President Emeritus Laurence Lesser’s thoughts on music as Lesser celebrates his 80th birthday in a big way with the New England Conservatory Philharmonic and acclaimed conductor Hugh Wolff on Wednesday, September 26 at 7:30 p.m.

Taking place at NEC’s Jordan Hall in Boston, Massachusetts, this free concert also pays tribute to Boston native, legendary composer, and NEC Prep alumnus Leonard Bernstein’s centennial with Symphonic Dances from West Side Story and much more.  Click here for more information and how to reserve seats to this extraordinary concert.

NEC’s Laurence Lesser, who will be performing at the concert, discusses his history with music, the cello, career surprises, and recording Hollywood soundtracks from films such as Rosemary’s Baby.

Sleepless Critic:  I understand you were invited to perform with the New England Conservatory Philharmonic and conductor Hugh Wolff for your 80th birthday celebration.  Were you able to choose your own music?

Laurence Lesser:  I asked to do Ernest Bloch’s  Schelomo because it is a wonderful piece full of personal meaning for me.

SC:  What first interested you in music, especially the cello?

LL:  My parents took me to LA Phil Children’s concerts when I was about 5.  I wanted to play the double bass, but they thought that was too big for a little guy and gave me a cello for my 6th birthday.

SC:  I understand you play a 1622 Italian-made cello.  There must be an amazing story behind how you obtained it.

LL:  I was looking for a great old Italian cello with a true solo voice and bigger dimension than what I was using.  I saw it in a shop in London, England, but I was second in line for it.  Fortunately very soon afterwards in 1972, it came my way.

Leonard Lesser

Photo credit to Carlin Ma Photography

SC:  What was it that encouraged you to pursue music as a career?

LL:  My mother was a pianist.  My two older brothers and I had music lessons from an early age.  When I went to college at Harvard to study mathematics, I soon knew that mathematics was the wrong path for me and it had to be music.  You don’t choose music, it chooses you.

SC:  Music afforded you a great deal of opportunities, just a couple of them recording Hollywood soundtracks such as Rosemary’s Baby and Finian’s Rainbow and traveling the world.  What kind of surprise opportunities have you experienced in your career or a moment where you couldn’t believe this is happening to you?

LL:  I played in chamber music concerts with Jascha Heifetz and my teacher Gregor Piatigorsky and we performed at Carnegie Hall.  Such a wonderful place and an amazing memory to be on stage with those musical giants!

SC:  How did you end up working at the New England Conservatory?  I understand during your tenure as President, you were part of the restoration of Jordan Hall and you curated ‘First Mondays at Jordan Hall.’  Please tell me about that.

LL:  I was invited to teach there by then President, Gunther Schuller.  Jordan Hall is one of the greatest ‘rooms’ for music in the world.  It had become shabby.  When I was President, my team joined me in focusing on the restoration.  ‘First Monday’ concerts were the outgrowth of ad hoc faculty chamber concerts.  I decided to put some structure into it and it’s now beginning its 34th season!

SC:  Congratulations!  Jordan Hall is a majestic venue.  You’ve enjoyed a wonderful career in music from teaching to performing.  What kind of music do you like to listen to?

LL:  I can listen to anything that ‘speaks’ to me.  Any medium suits me and I don’t simply listen to pieces I have heard over and over again.

SC:  What music goals are you pursuing now?

LL:  I think it’s too late in my life to go on a completely new road, but I intend to keep pursuing excellence in what I am currently doing.

SC:  For those pursing music as a career, what was the best piece of advice you were given?

LL:  My father, who was not a musician, said you should do what you love in life.  It’s not for personal glory or ego.  Simply keep remembering that you are doing this for listeners who want something.

Attend Leonard Lesser’s 80th birthday and celebrate the music of Leonard Bernstein on Wednesday, September 26 at 7:30 p.m.  New England Conservatory will pay tribute to Leonard Bernstein’s works all season, including the New England premiere of the exhibition, Leonard Bernstein at 100, unveiling on September 24 and continuing through November 11 at NEC’s Student and Performance Center.  Click here to learn how to support NEC and here for all of NEC’s upcoming concerts this season.

REVIEW: Lyric Stage’s ‘Kiss of the Spider Woman’ spins a fascinating web

The Lyric Stage’s powerful musical, Kiss of the Spider Woman, with music by John Kander and lyrics by Fred Ebb, proves escape can take many forms.  Much like Kander and Ebb’s previous works such as Chicago and Cabaret, Kiss of the Spider Woman delves into equal parts fantasy through lavish dance numbers and brutal reality as two very different men are cellmates in a Latin American prison.  Directed and choreographed skillfully by Rachel Bertone, Kiss of the Spider Woman is not just a gripping tale about surviving under profoundly dark circumstances, but an emotional journey, keeping the audience guessing to each character’s complex motives.

Kander and Ebb’s Kiss of the Spider Woman continues at the Lyric Stage in Boston, Massachusetts through Sunday, October 7.  Click here for tickets and more information.

What makes this show particularly fascinating is Bertone’s talent for depicting mounting tension, evident between each character who all share some sort of connection.  Lisa Yuen embodies the Spider Woman/Aurora with dark humor and beguiling charm, a presence who sees and knows all as she proclaims, I Do Miracles.  Her haunting vocals are a magnetic presence as she slinks onstage.  Her dazzling, alluring costumes vary from a shimmering, translucent gown to a bright, multi-colored Bird of Paradise.

Lyric Stage - Cuadros, Yuen, Cavazos, Gamble, Baldassaro

L to R: Arthur Cuadros as Gabriel, Lisa Yuen as Aurora, Eddy Cavazos as Molina, Taavon Gamble as Valentin, and Bernie Baldassaro as a prisoner Photo courtesy of Lyric Stage

Portraying the two cellmates are Eddy Cavazos as imaginative, openly gay window dresser Molina and Taavon Gamble as gruff revolutionary Valentin.  Dressed in a bright scarf and silk robe, Molina is often sinking into his own vivid imagination recalling his favorite film star, Aurora (Lisa Yuen). Cavazos portrays Molina as exceedingly optimistic, vain, and wildly dramatic.  However, with an occasional far off glance or a brief, mournful smile, Cavazos also reveals Molina’s palpable loneliness, wearing his heart on his sleeve.  He and Johanna Carlisle-Zepeda as Molina’s cherished mother share sweet moments, especially during the number, Dear One and You Can Never Shame Me.

Lyric Stage - Cavazos, Carlisle-Zepeda, Zofia, Gamble

L to R Eddy Cavazos as Molina, Johanna Carlisle-Zepeda as Molina’s Mother, Katrina Zofia as Marta, and Taavon Gamble as Valentin Photo courtesy of the Lyric Stage

Taavon Gamble is also impressive as proud, indignant revolutionary Valentin, a man of few words.  His stirring number, The Day After That, offers immense insight into Valentin’s visceral strength.  Cavazos and Gamble’s scenes together are riveting, both delivering shrewd and gritty performances.

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Taavon Gamble as Valentin (center), Eddy Cavazos as Molina and prisoners

Musically directed by Dan Rodriguez featuring songs ranging from haunting to catchy, Kander and Ebb’s Kiss of the Spider Woman continues at the Lyric Stage, 140 Clarendon Street in Boston, Massachusetts through Sunday, October 7.  Click here for tickets and more information.  Subscriptions and dinner packages are also available.  Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.

 

 

Centastage’s Joe Antoun directs Shakespeare with a comedic, twist-filled spin in new play, ‘Noir Hamlet’

Picture a dark night in 1949 Los Angeles, a mysterious death, a new take on a classic, twist-filled tale, and a play within a…comedy?  That’s what happens when playwright John Minigan melds key elements of Shakespeare’s classic tale while throwing in a doll, a dame, and a detective in Centastage’s Noir Hamlet continuing through Saturday, June 30 at Boston Center for the Arts in Boston, Massachusetts.  Even for those familiar with Hamlet, this tale is full of surprises.  Click here for more information and tickets.

Noir Hamlet Paul Melendy

Paul Melendy as Hamlet in Noir Hamlet

Centastage’s Executive Director, founding member, and Noir Hamlet’s director Joseph Antoun discusses classic noir, Write On, and just where the idea for Noir Hamlet came from.  Joe won an IRNE for Excellence in Theatre.

Sleepless Critic:  Noir Hamlet is a fascinating, inventive play.  Since Shakespeare’s Hamlet has dark and mysterious elements, it’s easy to see the connection to noir.  However, this is a full-length comedy in one act.  How did this show come together?

Joseph Antoun:  John Minigan, part of our Write On playwriting group that meets once a month, wrote Noir Hamlet.  It was read in our playwriting group episodically, which means a couple of scenes brought it every now and then.  Through that process, John was able to shape this show.  Several playwrights bring in their work.

Noir Hamlet has key elements of the famous Shakespeare play such as finding out the mystery behind Hamlet’s father’s death.  Four actors are playing multiple roles.  The secretary’s name is Ray Chio, like ‘Horatio’ in John’s language and the same actor who plays Rey also plays Yorick’s skull.  Hamlet and Gertrude strictly play their roles, but Claude, as in Claudius, also portrays the Ghost of Hamlet and a character named Paolo Niro.  In that case, they are switching characters, but Rae is a love interest for Hamlet.  There’s also questions raised if Claude is also carrying on with Rae.  The show has lots of red herrings.

Noir Hamlet Robert D Murphy and Liz Adams

Robert D Murphy and Liz Adams in Noir Hamlet through June 30. Photo courtesy of Centastage

SC:  It’s vintage noir style.  That must have been fun to put on stage.

JA:  It was a riot!  The comedy has not only the noir look with long trench coats and fedoras, but the stereotypical language such as ‘mug,’ ‘doll,’ and ‘dame.’   It’s a fast moving script with lots of twists.

SC:  It’s a comedy, so I imagine the way this show is put together, even if the audience has read Hamlet, they still won’t know what is coming.

JA:  If the audience knows Hamlet, they’ll get a kick out what is acknowledged and paid homage to.  If they think by knowing Hamlet they’ll figure out the story, they’ll be surprised.

Noir Hamlet Cristhian Mancinas-Garcia

Noir Hamlet’s Cristhian Mancinas-Garcia Photo courtesy of Centastage

SC:  A few local performers are taking the stage such as Liz Adams from Medford.  How was the audition process held?

JA:  It was a very personal type of casting.  I knew I wanted Paul Melendy for Hamlet because I had directed hi m before.  I knew Bob Murphy has the right comic timing.  He understands the show and Hamlet very well, so I knew he could enhance it.  Last year in Newburyport, Cristhian Mancinas-Garcia, who plays Rey, took part in a Noir Hamlet reading and John was pleased with it.  I admired Liz Adams’s work.  She played Julius Caesar in the all-female actor Shakespeare project version of Julius Caesar.  A lot of the audition process was just one-on-one interviews more than monologues or sonnets.

Coincidentally, we’re in the Black Box Theatre for Noir Hamlet, but across the hall in the Plaza Theatre, OWI is performing Red Velvet, calling it an Othello like you’ve never seen before.

Noir Hamlet Paul Melendy as Hamlet

Paul Melendy as Hamlet in Noir Hamlet Photo courtesy of Centastage

SC:  What was most surprising about this production together?

JA:  One is the lightning pace of the show.  The faster the pacing, the funnier and better the show will be.  What is also surprising is the physical humor in it.  How funny simple actions such as turning the head or stepping out of the scene in film noir style have been.

SC:  His Girl Friday, an old film starring Cary Grant and Rosalind Russell, is not exactly a film noir, but the pacing is also incredibly quick.  One can detect four jokes in one line.  It’s a brilliant film.

JA:  Yes, Noir Hamlet has the same style and it pays homage to that film.  I watched a whole lot of film noir to catch up on the noir language such as Laura, The Big Sleep, and film noir-style films like Who Framed Roger Rabbit and Naked GunNoir Hamlet is its own thing though it has its influences.

SC:  Centastage is in its 28th season.  How has it evolved over the years?

Centastage started with seasons of new plays by local writers and I realized I didn’t think we were serving audiences or playwrights by a season every year of the best plays we received if I didn’t feel like they were ready for production.  Over time, we started putting more energy into the development process of new plays.  Now we do a new play when we think we have a script ready for it.

In 2015, our last full production was IRNE-nominated Academy Fight Song by Andrew Clarke.  It took five years to develop between Andrew Clarke, the playwright, doing readings, rewriting it, and us rereading it.   Centastage is a great community to be a part of and it’s nice to deal with playwrights, actors, directors, and designers.

Centastage New work

Courtesy of Centastage

SC:  Please tell me about Write On, which is how Noir Hamlet came together in the first place.

JA:  Write On has been meeting since 1994 on the first Monday of every month.  We have actors come who like to write plays.  The members bring in work and we read and discuss them.  John Minigan has a dramatic piece that is a Eugene O’ Neill finalist this year.  When he brought Noir Hamlet in the first time, the people laughed their way through acting it.  The theatre group has been great.  We have been through years of big numbers but right now.   My guess is that we are at 12-15 regular playwrights.   It’s a very thoughtful process.  All genres, all forms and open to whoever wants to join.  We also put together readings open to the public, social events, and on the website are playwright and actor head shots as well as show titles that have gone on to Centastage full productions.

SC:  I imagine you hear a lot of shows that come across the board.  How do you decide which on you want to work with?

JA:  That’s a really good question.  A lot of it is my gut.  I enjoy plays with a strong sense of character, good storytelling, and surprising themes.   I have actors that come into the writing group and I also teach at Emerson which exposes me to not only young actors, but professional actors who are on faculty and we have open auditions.

I believe in building bridges between playwrights and artists.  Playwrights that have you read their play in a reading start to build a bridge between you and that work.  I think it’s a good way to connect with new plays coming up.

Noir Hamlet poster

Noir Hamlet continues through June 30 Photo courtesy of Centastage

It sounds like Centastage plays a big part in the whole picture.  Click here for more information and tickets to Noir Hamlet, continuing through Saturday, June 30 at Boston Center for the Arts, 539 Tremont Street in Boston, Massachusetts.  Click here for more information on Centastage and here for Write On.  Follow Centastage on Facebook and Twitter.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

‘Boston Radio for Zumix’ benefit boasted Boston DJ’s dancing, live performances, and a peek inside the radio studio

Zumix Radio DJs

Photo courtesy of Zumix

Just across the East Boston fire station sits a youth haven for music and much more.  Zumix, East Boston’s non-profit organization geared toward empowering youth through music, has to offer.  On Friday, June 8, music lovers united to celebrate Zumix’s 11th annual benefit, ‘Boston Radio for Zumix’ featured a long list of Boston DJ’s past and present, live performances, silent auction, food, refreshments, and much more.  Hosted by Morning Guy Tai and Adam Klein, this sensational benefit will be held at Zumix, 260 Sumner Street in East Boston.  Click here to learn more about opportunities at Zumix.

Zumix Tune in

Courtesy of Zumix

As a hanging portrait of a boom box perches overhead, announcers and Zumix staff took the stage as they broadcast live on their local youth inspired radio 94.9 FM Zumix.  The evening had many humorous and heartfelt moments as members performed excerpts from their comedic shows, music, and an excerpt from their local Wednesday noon news program, ‘What’s Up Eastie’ featuring a person recounting their experience of the devastation in Mexico City in 2017 from a massive earthquake.  Zumix features all kind of music, comedy, and real life stories translated into radio. Zumix also offers a Sprouts program for the younger generation.   Zumix students, some who have performed with Sting, have gone on to do great things, keeping music in their lives.

 

 

Marcus Evans, a member of Zumix, offered tours of the facility which boasted soundproof rooms, impressive digital equipment, music instruments, a radio station tour by DJ Psychedelic, and a particular highlight, a unique purple room named after Prince.  Plenty of food and refreshments were served including Bart’s ice cream (Try flavors Three Geeks and a Red Head or the ever popular Deep Purple Cow).  Zumix’s silent auction items included Sporty Spice featuring Red Sox tickets and a tour of the broadcast booth, Pirates of the Boston Harbor featuring Rum Tasting for 25 people as well as a cruise on the Spirit of Boston, VIP Experience which offers a VIP experience to a Blue Hills Bank Pavilion show, Eastie’s Finest featuring a sunset sail and dinner, Soup Guy featuring tickets to the Joel McHale Show at the Chavelier Theatre in Medford, 90’s Utopia featuring tickets to the Cowboy Junkies, DJ for a Day, The Tables Have Turned offering a Turntable, Daft Punk, and Vinyl Box set, and Mid Life Crisis featuring an autographed DVD from Alice Cooper, a variety of music lessons, and more.  DJ Nomadix included the night with music and dancing before announcing the silent auction’s big winners.

 

 

Having started as a songwriting program, Zumix students enjoy in-school and after school events throughout the year. Songwriting, radio, audio technology, and performance are among the renowned programs offered by Zumix for youth ages seven through eighteen and over 1,000 students attend classes. Click here for more information on their upcoming concerts, events, and festivals! Follow Zumix on Facebook and Twitter.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

REVIEW: Boston Ballet’s ‘The Sleeping Beauty’ is a regal, dazzling achievement

An unexpected hero, an insulted fairy, true love, and a terrible curse make up the enchanting and haunting fairy tale classic as Boston Ballet proudly presents The Sleeping Beauty.  Unfolding with elegant and athletic choreography by Marius Pepita and Sir Frederick Ashton, The Sleeping Beauty has returned to Boston for a limited run by popular demand through Saturday, May 19 at the Boston Opera House in Boston, Massachusetts.  Click here for more information and for tickets.  Click here for a closer look at more of Boston Ballet’s upcoming performances.

A full house including a wealth of excited children gathered inside the Boston Opera House as Ming Luke conducted Tchaikovsky’s famous and dramatic music score, transporting the enthusiastic crowd into a world of royalty, betrayal, innocence, a few familiar fairy tale faces, and a dose of magic.  Disney’s popular animated adaptation possesses a few similarities to this captivating tale, but Boston Ballet delivers more to the story.  At the center of The Sleeping Beauty was raven-haired Lia Cirio as regal and elegant Princess Aurora, a triumph of athletic grace, her limber body mastering a few of ballet’s most difficult dance moves with impeccable balance, an arabesque garnering particular applause.

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Lia Cirio and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Based on Russia’s Imperial Ballet’s 1890 production, The Sleeping Beauty is a visual treat, boasting finely-detailed costumes and a multi-dimensional set design by David Walker.  From ornate, lush and colorful backdrops in gold, red, and green to the enchanting Renaissance era costumes, each scene is a portrait to behold.  Wearing wreathed tiaras and dressed in sparkling pink, green, yellow, and blue, the gracious fairies made up of Dawn Atkins, So Jung Lee, Maria Baranova, Maria Alvarez, and Emily Entingh floated, frolicked, and twirled, each displaying their own unique personalities.  The energetic yellow fairy was a particular highlight, performing a sweet, joyful, and humorous dance.

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Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

With a cruel, mocking laugh and appearing in a dark, glimmering carriage was Dalay Parrondo as treacherous Carabosse.  Accompanied by a group of monstrous henchmen performed by Tyson Clark, Derek Drillon, August Generalli, and Christian Pforr, Dalay delivered an electrifying performance as an insulted fairy in a haunting display of sharp, rigid movements.

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Kathleen Breen Combes and Boston Ballet in Marius Petipa’s The Sleeping Beauty; photo by Liza Voll Photography, courtesy Boston Ballet

Tchaikovsky’s uplifting score hit a crescendo as Rachel Buriassi appeared as the Lilac Fairy.  In this adaptation, she acted as a guide, her quick thinking and courage setting her apart.  Her skillful performance was most evident among her lively, energetic lilac fairy attendants in a glorious display of fouettes, plies, and pirouettes.  She was also impressive in a compelling scene with Lasha Khozashvilli as Prince Desire.  Lia Cirio as Aurora and Lasha Khozashvili as Prince Desire had instant chemistry and perfectly complemented each other in a dream-like dance, swept up in love.

The Sleeping Beauty delivers many magnificent performances within this large cast, many taking on multiple roles.  From a fascinating, thrilling duet from Maria Alvarez as Little Red Riding Hood and Alexander Maryianowski as the Wolf to a humorous, feline flirtation from Emily Entingh as The White Cat and Irlan Silva as Puss ‘N Boots, many beloved fairy tale characters took the stage in a joyous celebration.

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With two intermissions, The Boston Ballet also offers an opportunity to learn more about ballet through The Warm Up, an interactive, photo friendly display located in the lower lobby.   Boston Ballet presents The Sleeping Beauty through Saturday, May 19 at the Boston Opera House.  Click here for more information and follow the Boston Ballet on Twitter and Facebook.

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Acrobat Nathan Knowles talks circus and inspiration as Celebrity Series of Boston presents award-winning show, Circa ‘S’

With sensational feats sure to cause the audience to look twice in amazement, the award-winning, animal free Australian circus, Circa is not only fun for the whole family, but has been enchanting audiences all over the world since 2004.  With a revamped cast making its third thrilling return to Boston, Celebrity Series of Boston proudly presents Circa ‘S’ for three performances only from Friday, March 2 through Sunday, March 4 with a post- performance artist talk on March 3 at Boch Center Shubert Theatre in Boston, Massachusetts.  Click here for more information and for tickets.

Joining the circus was a fire that burned the brightest for young Canadian acrobat, Nathan Knowles. Having been with Circa ‘S’ for 18 months, he learns something new and exciting every day.  Nathan talks about discovering the circus, what it takes to become an acrobat, and his future.

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Acrobats Photo courtesy of Darcy Grant

Sleepless Critic:  What first inspired you to become an acrobat and when did you decide it was your calling?

Nathan Knowles:  In my hometown of Maple Ridge, British Columbia, a clown first introduced me to the circus at age six during an extra-curricular program at my primary school. I went home from school that day and told my parents that one day I’ll be running away with the circus. They laughed it off thinking, ‘What kid doesn’t joke about that?’ I actually manifested it.

SC:  Was there something you wanted to be first, or was it always an acrobat?

NK:  As per a normal childhood, I had a few fleeting ideas of what I would do professionally one day, but the circus was always the fire that burned the brightest.

SC:  What kind of skills do you think it takes to become an acrobat?

NK:  It takes motivation, hunger, discipline, a healthy dose of insanity, and natural or developed physical talent.

Circa - S

Photo courtesy of Steve Eggelton

SC:  How did you get involved with Circa?

NK:  My involvement with Circa began at a workshop in Montréal with our Artistic Director, Yaron Lifschitz during my graduating year from National Circus School. A few months later, I had a signed contract and was hopping on a plane to Brisbane to start the adventure!

SC:  What is your favorite act to perform?

NK:  My acrobatic specialties are hand balancing and contortion, but in terms of the company’s repertoire, I’d have to say ‘Snap’. ‘Snap’ is a scene from our show Il Ritorno where the rest of the ensemble manipulates my body into seemingly impossible shapes and leaves me to sort myself out and bring my body back to normal.

SC:  Wow, that is wild.  Aside from excluding animals, in what way is Circa a unique experience?  I understand that ‘S’ stands for sinuous, seductive, sophisticated, sensual and savage.

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Photo courtesy of Steve Eggelton

NK:  Circa, a show for all ages, is a stand out company based on our artistic approach to the simply physical and spectacular nature that circus is known for. The company is known for not only demonstrating extreme physical prowess but also our storytelling and capabilities to strike a nerve emotionally and reflectively in the souls of our audiences.

SC:  Circa has been established since 2004. How has this production evolved over the years?

NK:  Circa has grown immensely and has doubled, if not tripled in size. Our reputation for high quality work and innovation has been acclaimed and recognized in 36 different countries. We live up to our reputation without being elitist. We’re a group of fun loving, curious, and professional people from all walks of life.

SC:  What does Circa ‘S’ have in store for Boston? Does the act change a bit with each destination?

NK:  Boston is in for an exciting treat! Although ‘S’ has been performed in many venues around the world, it’s an almost completely revamped cast this time around, yet still holds true to the original concept and structure of the show.

SC:  What do you think makes Circa different from other circuses around the world?

NK:  What makes us different is our hunger and fearless drive to continue chipping away at the future of the circus. Our work is an honest extension of our own humanity, not simply physical prowess coated in fancy costuming, booming budgets, and heavy makeup.

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Photo Courtesy of Justin Nicholas

SC:  I understand Circa also has a training center for young people from age 3 to 16. Please tell me more about that.

NK:  Circa Zoo, our training program, is an after school program for young people who either are looking for a fun way to stay active or develop the tools to one day break out into the professional market. They also do outreach and external projects in regional Australian towns.

SC:  What do you hope to accomplish with Circa in the future and in your career as an acrobat?

NK:  I prefer to view it as taking it one day at a time. I’ve worked for the company for 18 months now and there hasn’t been a day where I leave the studio or theatre without having learned something new. I’m unable to say at this point whether my career will extend to other companies apart from Circa. I’m happy where I am and have no intention of leaving any time soon. I am also highly interested in making my own work later in life, hopefully in the form of a solo show.

Circa - S -

Photo courtesy of Justin Nicholas

 

SC:  What is the best reason people should see Circa as it makes its third return to Boston with Celebrity Series?

NK:  We’ll have you on the edge of your seats, full to the brim with wonder and questioning!  We aim for you to walk away from the show with a sense of being changed or even a new flame of inspiration to take with you into your life.

Celebrity Series of Boston presents Circa ‘S’ from Friday, March 2 through Sunday, March 4 at Boch Center Shubert Theatre.  Click here for tickets and more about Celebrity Series of Boston as well as their upcoming events.  Follow them on Facebook and Twitter.

 

 

 

 

REVIEW: Reagle Music Theatre’s 35th anniversary of ‘ChristmasTime’ is most wonderful

Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before.  Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years.  These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin.  ChristmasTime continues through Sunday, December 10.  Click here for more information and for tickets.

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Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston

Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels.  Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.

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ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston

From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments.  During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz.  Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.

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Renowned Tenor Fred C. VanNess Jr in The Living Nativity

The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals.  Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way.  Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more.  ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.

As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic.  Click here for further details.

This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now.  Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10.  Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever:  An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.