REVIEW: GBH’s inviting virtual ‘A Christmas Celtic Sojourn’ maintains warmth and tradition in 2020

2020 has been many things, but traditional is not one of them.  However, this year’s virtual A Christmas Celtic Sojourn brought back holiday traditions, beautiful performances, reflections, stirring carols, and dare I say a bit of normalcy to 2020.

With a selection of live performances and an option to watch on-demand, GBH’s A Christmas Celtic Sojourn was brought into your home in a warm, inviting, and spirited atmosphere.  From a majestic, candlelit cathedral in Ireland to a festive outdoor step dance in Ottawa, Canada, it unconventionally included all the elements of what is beloved about this annual New England show and somehow broadened its possibilities worldwide. 

Host Brian O’Donovan and fiddle player Jenna Moynihan at Rockport Music Photo credit to Dan Jentzen

Brilliantly directed by Jenna Worden, A Christmas Celtic Sojourn offered seven live streaming opportunities to watch virtually from your home Tuesday, December 15 at THE VETS in Providence, RI, Wednesday, December 15 at Hanover Theatre in Worcester, MA, Thursday, December 17 at The Zeiterion Performing Arts Center in New Bedford, MA, Friday, December 18 at Shalin Liu Performance Center in Rockport, MA, Saturday, December 19 at The Cutler Majestic Theatre in Boston, MA, and Sunday, December 20 in GBH Studios in Boston, MA  These locations are usually where A Christmas Celtic Sojourn tours annually.  A bonus encore presentation also occurred on Christmas Eve. 

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021.  A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Celtic harpist, pianist, and Assistant Music Director Maeve Gilchrist Photo credit to Dan Jentzen

Though a portion of the performers were at home, audiences were treated to harmonies created from multiple locations nationally and internationally while enjoying festive, international scenery.  For a person who has lacked the chance to travel the world this year, it was a more than welcome opportunity to take a glimpse and to share in some international traditions. 

From the stirring, candlelit opening of beloved carol, O Come Emmanuel sung in Latin by Cathy Jordan from gorgeous Sligo Cathedral in Ireland, A Christmas Celtic Sojourn transported audiences to Ireland and to other places around the world as they were unable to bring Ireland to the stage.  The show also boasted dueling harmonies simultaneously sung from Vermont, Scotland, and various parts of Massachusetts. 

Host Brian O’Donovan brought a mix of humor, melancholy, and wistful reflections toward this difficult year, engaging storytelling, and fond tidings.  Though this year has presented its challenges, A Christmas Celtic Sojourn still managed to keep the rituals and long-awaited music right at your fingertips delivering jubilant, soulful moments while still embracing winter’s dark and sacred stillness.

Music Director and multi-instrumentalist Seamus Egan with fiddlers Jenna Moynihan and Maura Shawn Scanlin Photo credit to Dan Jentzen

Thanks to Rockport Music, multi-instrumentalist and Music Director Seamus Egan, Assistant Music Director, Celtic harpist, and pianist Maeve Gilchrist, Bouzouki and Harmonium player Owen Marshall, guitarist Conor Hearn, and fiddle players Jenna Moynihan and Maura Shawn Scanlin returned to perform cheerful medleys and energetic jam sessions filmed in Rockport Music at Shalin Liu Performance Center in Rockport, Massachusetts.  Seamus Egan’s brilliance shone through as he reached for multiple instruments for separate songs and at one point reaching for a banjo for a joyful freestyle. 

Fiddle players Jenna Moynihan and Maura Shawn Scanlin with Bouzouki and Harmonium musician Owen Marshall Photo credit to Dan Jentzen

A traditional wassail in Edinburgh, Scotland, rollicking sing-along carols and dance from A Christmas Celtic Sojourn’s past, a peerless lullaby carol involving a newborn, original song and stirring new renditions of classic carols, a lighthearted percussive dance from Michigan by Nic Gareiss, and returning step dancer and choreographer Cara Butler reveling in her backyard to a jubilant tune in Ottawa, Canada are just some of the highlights of this carefully-executed, moving production.  There were plenty of welcome surprises not to be revealed here.

Spending an awful lot of time at home and not in the car, music is less of a tradition in my house.  GBH’s  A Christmas Celtic Sojourn created a haven of holiday comfort in song that though we are far apart, some rituals and traditions can still stay the same.

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021

WGBH’s ‘A Celtic Sojourn,’ tributes to Billy Joel & Broadway part of SSC’s ‘Evenings Under the Stars’ concert series

Each summer for over the past twenty years, South Shore Conservatory has been making peerless, sparkling moonlit nights spectacular with a wide variety of live concert performances each Saturday night in July.  South Shore Conservatory’s Evenings Under the Stars made its sold-out concert return on July 8 and will continue its themed music performances through July 29 at the Jane Carr Amphitheater in Hingham, Massachusetts.  The Evening Under the Stars Festival Orchestra traditionally kicked off the season on July 8 with acclaimed conductor Nicholas Palmer as South Shore Conservatory presented Out of this World with Mozart!  Click here for ticket information and further details.

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Nicholas Palmer conducting the EUS Festival Orchestra, Photo Courtesy of Denise Maccaferri

Led by conductor Nicholas Palmer, Evening Under the Stars explored the renowned works of Mozart, featuring a special performance of Mozart’s Clarinet Concerto in A Major, K.622 with South Shore Conservatory clarinet faculty member and guest soloist Peter Bianca.  Prior to the performance, audience members enjoyed a pre-concert reception which is purchased separately.  It includes special sneak peek performances, appetizers, parking pass, and a chance to mingle with the artists.  Nicholas Palmer led the opening night pre-concert talk.  A pre-concert reception is available at every Evenings Under the Stars concert.  Click here for more information.

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Guest soloist and SSC Faculty member, Peter Bianca, Courtesy of South Shore Conservatory

On July 15, Evenings Under the Stars proudly welcomes back WGBH’s A Celtic Sojourn with Brian O’Donovan featuring an exciting lineup of traditional and contemporary Celtic performances.  Brian O’Donovan will deliver a talk at the pre-concert reception.  Catch Brian O’Donovan every Saturday afternoon on 89.7 WGBH on online at 3 p.m.  Follow A Celtic Sojourn on Facebook.

With indelible hits such as Always a Woman, Uptown Girl, Movin’ Out, Piano Man among many others, Billy Joel has made an indelible mark in music in his over 50 year career.  Jon Abrams, singer, pianist, and Broadway star of Billy Joel’s hit musical, Movin’ Out, will pay tribute to Billy Joel for one night only, taking the stage with original Billy Joel guitarist David Brown and six Boston-based musicians on July 22.  Learn how the Billy Joel tribute band came to be during the evening pre-concert reception.

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Billy Joel Tribute – Jon Abrams Photo courtesy of Jon Abrams

On July 29, Evenings Under the Stars closes its summer series with a showcase of classic Broadway tunes with Beguiled Again:  The Songs of Rodgers and Hart.  Featuring former and present South Shore Conservatory faculty members including Beth Canterbury, Beth MacLeod Largent, Sarah Troxler, Devon Morin, and Holly Jennings as well as a festive chorus, enjoy live performances of My Funny Valentine, My Romance, The Lady is a Tramp, and more.

All concerts take place rain or shine at Jane Carr Amphitheater, One Conservatory Drive in Hingham, Massachusetts. See the South Shore Conservatory’s summer spotlight concert series at affordable prices. Click here for more information on South Shore Conservatory or call 1-781-749-7565, ext. 22.  Follow South Shore Conservatory on Facebook and Twitter.

REVIEW: WGBH’s annual ‘A St. Patrick’s Day Celtic Sojourn’ offered humor, inspiration, and vibrant performances

Lighthearted tales of green porridge, an inspirational insect, a hilarious song about classical Greek to more serious fare such as historical anti-war songs, punctuated with the stirring song, Siúil a Rún, sung a capella, highlighted this year’s WGBH’s A St. Patrick’s Day Celtic Sojourn.  This captivating show concluded its run at Harvard University’s famous Sanders Theatre on Saturday, March 18.  The majestic stage has been affectionately likened to a “roll up desk.”  The beautiful, dark wooden stage was softly-lit with two stately, marble Greek statues sitting on each end as a grand, dimly-lit bronze chandelier floats overhead.

A St. Patrick’s Day Celtic Sojourn always strikes a delicate balance between the rollicking and a sweet lullaby.  Wearing coordinated black dresses, Scottish musicians Jenna and Mairi Chaimbeul struck the first chords for an afternoon of celebration, comedy, rebellion, and joy wrapped up in the roots and branches of Irish music.  A high energy number greeted the enthusiastic crowd as the rest of this dynamic ensemble took the stage including returning Music Director and multi-instrumentalist Keith Murphy, The Karan Casey Band, fiddle champion Liz Carroll, and the Miller Family with the Goulding School of Irish Music.  Joined by host WGBH’s Brian O’Donovan, A St. Patrick’s Day Celtic Sojourn was brought to a thrilling start as it traditionally does each year.

Dressed in a black and red dress, Karan Casey’s vocals soar with a tone a bit reminiscent of Linda Ronstadt.  She embraced Buile Mo Chroí’s passionate lyrics such as “the palm of my hand” and “the beat of my heart” accompanied by a concertina, blues guitar, and piano.   She also gave an enthralling performance later as Brian O’Donovan shared how the Irish spontaneously sings in public places.  Karan Casey then offered an impromptu a cappella version of Siúil a Rún as the audience fell into hushed tones before bursting into applause.

All Ireland fiddle champion Liz Carroll, dressed in a red shirt and black pants, offered some welcome comedic storytelling before each of her performances.  Hailing from Chicago, she humorously named a song she’s written on her slide-style fiddle after her brother’s leading film role in The Relic.  She also talked about composing songs for seven rooms in a Chicago art museum containing ceramics, musical instruments, and metal.  Her dry sense of humor combined with her uplifting, toe-tapping songs were wonderful to witness.

Liz was joined by Keith Murphy, who spoke of green porridge on St. Patrick’s Day, for two songs, one amusingly called Barbara Streisand Trip that had the mounting energy and pulsing rhythms of a moving train.  From Newfoundland, Keith Murphy’s performances are always stellar, with a song named after a Tennyson poem about seafaring and the great beyond. He was accompanied by harpist Jenna Moynihan.  His rich, resonant, smooth sound, which possesses a hint of James Taylor and John Denver, is always remarkable.

As for the inspirational insect, Scottish fiddler Jenna Moynihan and harp player and composer Mairi Chaimbeul, competing in a harp festival in April, judged that a particular song was good by an insect that made its presence known after the song, Dancing in Absence was completed.  With the chime of the harp distinct over the fiddler’s subtle rhythm, the energetic tune built into a quick step.

Sam Miller, athletic and blindingly swift, kept the energy high as he performed solo with high leaps, kicks, and complicated stepping.  The Miller dancers and the Goulding School of Irish Music, in coordinated black traditional garb, offered their own moments of comedy, one involving a hat.  They also skillfully navigated though a slip jig and hornpipe reel, showing just why they ranked 5th place at the Glasgow competition traditional set dance.

 

A St. Patrick's Day Celtic Sojourn

Past photo of ‘A St. Patrick’s Day Celtic Sojourn’ Courtesy of A St. Patrick’s Day Celtic Sojourn/WGBH

Keeping up with tradition, Brian O’Donovan, with his wife and the ensemble took the stage to pay tribute to The Clancy Brothers with the catchy tune, The Leaving of Liverpool.

The second half tackled anti-war songs, immigration, and its fair share of comedy mixed in.  Not only did Brian O’Donovan proudly share a comedic song on classical Greek and education at Harvard University accompanied by fiddler Kevin Burke, but on a solemn note, also paid a compelling tribute to the late Leonard Cohen with a song about rebellion called The Partisan.  Brian and Keith Murphy created beautiful harmony, enhanced exquisitely by Mairi Chaibeul’s harp.

The afternoon also boasted collaborative jam sessions that brought the audiences to a stomping rhythm and ending with Karan Casey leading a sing-along on immigration with the entire ensemble, showing how music always makes a difference in the world.

A Celtic Sojourn presents their summer Roots and Branches concert in July, A Christmas Celtic Sojourn, and other events during the year.  For a taste of Irish and Celtic traditions each Saturday afternoon, click here to tune in to A Celtic Sojourn hosted by Brian O’Donovan on 89.7 FM WGBH from 3 – 6 p.m.  Follow A St. Patrick’s Day Celtic Sojourn on Facebook for updates and much more.