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REVIEW: With a mix of joy, reflection, and sweet surprises, The Holiday Pops’ milestone 50th year continues to make the season bright

Posted on December 22 by The Sleepless Critic

From hymnal to classical to Santa to the Grinch, The Holiday Pops offers something for everyone and makes it easy to alleviate the stress of the season and happily embrace what truly matters.

Celebrating a milestone 50^th year and the welcome return of the all-volunteer Tanglewood Festival Chorus, The Holidays Pops delivers a tapestry of classical and beloved Christmas carols, spiritual hymns, as well as holiday traditions through art and illustrations which always includes an annual visit from a surprisingly innovative and always jolly Santa Claus. Boston Pops conductor and host, Keith Lockhart garners warmth and reflective holiday cheer weaving in a certain classic Grinch quote by Dr. Seuss, a highly anticipated sing-along, and maybe even a dancing Maestro.

12.1.23 Keith Lockhart conducts Holiday Pops 2023 (Hilary Scott)

Sponsored by Fidelity Investments, led by Keith Lockhart, and ideal for the whole family, The Holiday Pops continues at Boston Symphony Hall through Christmas Eve. The show runs two hours including an intermission. Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies with twinkling lights on thick, festive wreaths is just a sampling of the stunning surroundings inside Symphony Hall. The stage spontaneously comes to life from illuminated gifts to lighted Christmas trees to glimmering dancing snowflakes.

12.1.23 Baritone Andrew Garland performs Vaughan Williams’ Fantasia on Christmas Carols with the Holiday Pops (Hilary Scott)

This beautiful performance delivered equal doses of contemplative material and lightheartedness with the first half fanciful and spiritual. Among the many highlights, Baritone Andrew Garland grandly delivered an eloquent and soaring rendition of Fantasia on Christmas Carols by Ralph Vaughan Williams.

12.1.23 12 Days of Christmas with the Tanglewood Festival Chorus (Hilary Scott)

With a generation bombarded with CGI and AI, The Holiday Pops thrilled audiences with author Jan Brett’s colorful, authentic and imaginative illustrations. Accompanied by seamless orchestration by the Boston Pops, the audience absorbed themselves in a Jan Brett children’s book that offers a rich new vision of Tchaikovsky’s classic, The Nutcracker. Among the memorable images was a fire breathing dragon, reindeers that have antlers with lighted candlesticks, dancing bears, and Santa in a headstand wearing a bucket hat.

12.1.23 Tribute to Harry Belafonte at Holiday Pops (Hilary Scott)

The evening also contained a moving tribute to EGOT Winner, activist, and musician Harry Belafonte not only honoring Belafonte’s calypso-inspired classic tunes, but his impressive activism featuring various pictures and video of his part in the March on Washington, supporting Martin Luther King Jr, and his work with UNICEF.

The Pops delivered a captivating gospel tribute in Swahili called The Good News Voyage arranged by David Coleman which contained Go Tell it on the Mountain. In the second half of the show, The Holidays Pops presented a Jewish song sung in Hebrew, Tikkun Olan (Heal the World), a riveting rendition expressing the yearning and urgency to heal and repair the world ‘Pray for peace and justice/For the sake of peace/heal the world’ as the tempo accelerated into a powerful crescendo.

12.1.23 Santa Claus with Keith Lockhart (Hilary Scott)

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle joyfully kicking off with Sebesky’s Frosty All the Way, a jazz-infused medley featuring Jingle Bells, Frosty the Snowman and more. The brass ensemble spinning their instruments was among the playful sights as they performed this catchy and airy collection of carols.

12 Days of Christmas

Boston Pops’ charming signature versions of Sleigh Ride are always clever, cheeky, and increasingly full of madcap high jinks and the 12 Days of Christmas show that anything can happen among illuminated dancing snowflakes. The Holiday Pops also presented a special annual reading of Clement Clarke Moore’s Twas the Night before Christmas, read briskly by enthusiastic special guest WBZ News journalist Matt Shearer to mark its publication nearly 200 years ago before Santa arrived. While bulbs glow to the beat, the jolly Tanglewood Festival Chorus delivered A Merry Little Singalong in Santa hats and ears which included Rudolf the Red-Nosed Reindeer, Walking in a Winter Wonderland, and more.

Holiday Pops concluded with the tender Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveying the quiet hope for the coming New Year.

REVIEW: Go see Academy of the Company Theatre’s heartwarming, moving, and family-friendly ‘Joseph and the Amazing Technicolor Dreamcoat’

Posted on April 29, 2022 by The Sleepless Critic

The one thing more magnificent then Joseph’s dream coat is the tale behind it. An interactive, endearing, and humorous production, Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat has been entertaining audiences for over 50 years with its exuberant story and its versatile and brilliant music by the Academy Award-winning team of Andrew Lloyd Webber and Tim Rice. Joseph’s music offers a wide spectrum of music genres for any taste from calypso to rock and roll which accompanies the unique retelling of a sacred tale of treachery and unceasing hope.

Photo courtesy of Zoe Bradford/Company Theatre

A tale so wonderful that it needs three narrators, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information, tickets, and for classes that ACT has to offer.

Based on the Book of Genesis and set in the land of Canaan and Egypt, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph struggles to discover his destiny. It is very much a collaborative, ensemble piece featuring three engaging narrators portrayed by Gilbert Dabady last seen in ACT’s Les Miserables, Cate Healey, and Elizabeth Nunnery as they share Joseph’s tale not only with the audience, but with the surrounding and energetic young cast gathered onstage. Dabady, Healey, and Nunnery all have powerful and very different voices that complement each other throughout the performance.

Brothers – Corin O’Neill – Abington, Jay Feeney- Hansen, Henry Jacobs – Norwell, Colin SanGiacomo – Norwood, Roland Schulze – Hingham, Matthew Porro – Hanover, Tim Bevens (Joseph) – Hingham, Ben Cavallo Smith-Hingham and cast Photo courtesy of Zoe Bradford/Company Theatre

With a sweet smile and unassuming demeanor, Tim Bevens portrays humble, yet forthright dreamer Joseph with instant likability from his first opening number, a warm and melodious rendition of Any Dream Will Do. Bevens delivers a compelling performance as a naïve outsider, his versatile vocal range effortless for the soothing Any Dream Will Do to stirring Close Every Door, his tone heart rendering and sympathetic.

Wearing a white beard, Jacob Yates takes on the mostly silent role of Jacob, Joseph’s devoted father. Yates makes the most out of this role with an amusing walk and some physical humor. Led by Charlie Flaherty’s standout portrayal as Joseph’s smirking and sneaky brother Reuben, One More Angel in Heaven depicts the united camaraderie not only by Joseph’s eleven brothers, but from the cast, all in on a little secret. Another excellent number that depicts the brothers’ united front is delivered by Ben Cavallo-Smith as Judah and his brothers for Roland Schulz as Benjamin, a catchy, amusing song called Benjamin Calypso.

Combining blue, glitter, and gold into dazzling Egyptian attire, Sal Garcia, who was last seen as Jean Val Jean in ACT’s Les Miserables, makes a grand entrance in suave sunglasses and a bouffant hairstyle as Pharaoh, complete with shimmering gold sneakers. Garcia shows off his comedic talent and charisma in the show stopping number Song of the King, combining the essence and high energy of a certain king not to be revealed here and Jack Black. It is fun to watch Garcia in a role where he can let loose.

Sal Garcia as Pharaoh Photo courtesy of Zoe Bradford/Company Theatre

The transformative lighting by Dean Palmer Jr. ranges from a lone spotlight to doubling for the hot, desert sun to flashing, multicolored spotlights for Go Go Go Joseph to the warm candlelight and modest staging of Close Every Door. Though most of the sets are colorful and fun, there is something special about the translucent, simple staging for Close every Door by candlelight, letting Tim Bevens’s poignant rendition speak for itself without distractions.

Elsa Hancock-Happ – Rockland, Calvin Jacobs – Norwell, Reese Warshaw – Hingham, Izzie Donnelly – Hingham, Nora Joyce – Weymouth, Silvia Thompson – Hingham, Tim Bevens – Joseph – Hingham, Laird Lacoste and cast Photo courtesy of Zoe Bradford/Company Theatre

Among the vibrant and bold costumes by John Crampton and Alison Gordon is the famous coat in yellow and green and ochre… Joseph’s magnificent, flowing, and sparkling coat is a head turner decked out in multi-colored stars on the back. The cast wearing sunglasses, an unusual camel, and cute Egyptian “beetles” among the crowd on a unconventional journey to Egypt are just a few of the subtle, cheerful touches added to this lighthearted production that certainly has its share of stirring and difficult moments, but with far more uplifting and spirited ones, it’s difficult to feel down for long.

Tim Bevens (Joseph) and cast Photo courtesy of Zoe Bradford/Company Theatre

Directed by Zoe Bradford with lively choreography by Sally Ashton Forrest and musically directed by Melissa Carubia, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information and for tickets.

REVIEW: Reagle Music Theatre of Greater Boston’s lighter ‘Joseph and the Amazing Technicolor Dreamcoat’ a stunner

Posted on June 16, 2017 by The Sleepless Critic

Kicking off their 49^th annual summer musical series with Andrew Lloyd Webber’s uplifting Joseph and the Amazing Technical Dreamcoat, Reagle Music Theatre of Greater Boston unveils an everlasting world in rich, glorious color. An interactive, endearing, and humorous production, Joseph nears its 50 year mark with exuberance and a bit of modern subtlety stirred in the funniest and unlikeliest of places.

Reagle Music Theatre of Greater Boston proudly presents Joseph and the Amazing Technicolor Dreamcoat through Sunday, June 18 at Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Based on the Book of Genesis, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph discovers his destiny. Click here for more information and tickets.

Bursting with vibrant, dynamic costumes by Goodspeed Musicals, wardrobe supervisor Amelia Fitch not only rose to the occasion, but makes a distinct, daring, and memorable impression in each spectacular ensemble and most notably in Joseph’s magnificent coat. From stunning, glimmering headdresses to brightly colored, heavily-embroidered designs that recalled another era, the costumes were consistently remarkable. The scenic design by Peter Colao and Richard Shreiber and David Wilson’s lighting design further enhance the show’s visually spectacular nature in multi-colored lights and innovative sets. The versatile and brilliant music, by the Academy Award-winning team of Andrew Lloyd Webber and Tim Rice, offers a wide spectrum of music for every taste from calypso to rock and roll, accompanying the unique retelling of a sacred tale of treachery and unceasing hope.

With wide eyes and an unassuming demeanor, Peter Mill portrays humble, yet forthright Joseph with instant likability. Peter gives a multi-dimensional, powerful performance as a naïve outsider who is transformed by his destiny. Peter’s versatile, soothing, vocals master signature numbers Any Dream Will Do and Close Every Door, his tone heart rendering and sympathetic.

Waltham native, singer, and American Idol contestant Ayla Brown returned and delivers a powerful performance as Narrator, ten years after she last performed Joseph and the Amazing Technicolor Dreamcoat at Reagle. Clever, sunny, and engaging, silvery soprano Ayla Brown has a relaxed charm with each cast member, but was particularly sweet with the Children’s Choir, a small group of boys and girls. Carefully arranged as a coordinated rainbow in pinks, greens, purples, blues, yellows, reds, the choir’s angelic, soaring voices blend in perfectly at different points in the songs. Their choreography, helmed by Susan Chebookjian, mix well with Ayla during the number, Go, Go, Go, Joseph, as the kids performed the hand jive. It is also worth mentioning that one of the child singers at intermission was dressed like a mini-Joseph, wearing a lit multicolored hat and a cleverly designed mini Technicolor Dreamcoat made entirely of beach towels.

Courtesy Reagle Music Theatre/©Herb Philpott Ayla Brown (right) as NARRATOR with children’s chorus performing A Pharaoh’s Story.

Charming and funny even whether they are rejoicing or scheming, the united choreography between Joseph’s eleven brothers reflects the wonderful camaraderie between each of them. This was most evident during a country themed tune, One More Angel in Heaven with Bernice Baldassaro, who does a wonderful job chewing the scenery as Judah. Another excellent number that depicts the brothers’ united front was delivered by Taavon Gamble as Naphtali, a catchy, amusing song called Benjamin Calypso.

Bernie Baldassaro (center) as JUDAH with male ensemble.

Rock n roll royalty takes on a new meaning in the show’s rollicking, show stopping number, Song of the King, featuring Andrew Giordano’s always impressive comedic talent and zany charisma as Pharoah. It’s a shimmering display in blue and gold as Andrew flawlessly captures the essence of a certain king in a high energy number not to be revealed here. It is one of the great highlights of the show in every joyous, silly moment.

The cast wearing sunglasses and a unconventional journey to Egypt are just a few of the subtle, modern touches added to this lighthearted production that had its share of stirring moments, but offers so many more uplifting, spirited moments, it’s difficult to feel down for long.

Reagle Music Theatre of Greater Boston’s Joseph and the Amazing Technicolor Dreamcoat continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, June 18. Click here for more information, tickets, group rates, and more. Follow them on Facebook and Twitter to get updates on its stellar summer musical season.