REVIEW: Company Theatre’s ‘Paragon Park the Musical’ is one amazing ride

The Company Theatre is reprising their original, award-winning production of ‘Paragon Park the Musical‘ to cap off their 40th season from Friday, July 26 through Sunday, August 18 with a VIP reception taking place on Saturday July 27.  Winner of the Moss Hart Award in 2012 for Best New England Production, ‘Paragon Park the Musical’ returns with a new cast including Michael Hammond as George A. Dodge and some returning cast members.

A portion of the proceeds from the tickets will be donated to the beloved Paragon Carousel.  Performances will take place at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.  Tickets are selling fast.  Click here for more information and how to get tickets and here about the Paragon Park VIP reception.

Click here for a clip of the original production.  Here is what the Sleepless Critic had to say about this production when it first debuted onstage in Summer 2012…

As the dazzling chandelier is to the musical, ‘Phantom of the Opera’ or a certain symbolic revolving stage is to ‘Les Miserables,’ the original, historic carousel used in the Company Theatre’s exciting production of ‘Paragon Park the Musical’ exudes its own brand of theatre magic.  It serves as a pulsing centerpiece into creator George A. Dodge’s timeless imagination as well as the depth and delight of what made children and adults embrace that revolutionary park in Hull, Massachusetts for nearly 80 years and beyond.

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‘Paragon Park the Musical’ is an original production by Company Theatre co-founder Zoe Bradford and director Michael Hammond with lyrics and music by composer Adam Brooks.  Performances continue through Sunday, August 19, 2012 at 30 Accord Park Drive in Norwell, Massachusetts.  This highly-anticipated musical is enjoying a brilliant run, with nearly every show sold out weeks in advance.

What makes this particular production so popular is it depicts the history of a beloved beachside amusement park that closed in 1984 and actually existed in Hull, Massachusetts.  Historic Paragon Park encapsulates many happy memories to Massachusetts natives, especially those in the South Shore.

‘Paragon Park the Musical’ tells the story of warm, ambitious, and imaginative whaling mogul George A. Dodge, who was passionately inspired to entertain Massachusetts residents and beyond with a revolutionary beachside amusement park.  It also tells a story of forbidden romance and a glimpse into the lives of the real people who resided in that little seaside town in Hull.  The Company Theatre’s ‘Paragon Park the Musical’ not only shines a historical lens into a piece of the South Shore’s dynamic history, but the picturesque settings paint a crisp portrait with each scene.

'Paragon Park the Musical' 2012 production

Scott Wahle as George A. Dodge with cast in the 2012 production Photo courtesy of Zoe Bradford/Company Theatre

The cast is very much an ensemble and delves into various social issues, family issues and immigration, giving insight into each character’s devotion to the park, showing what truly made the park endure for nearly 80 years.  Boston broadcast veteran Scott Wahle is charming and clever as George A. Dodge, portraying him with a twinkle in his eye.   He is full of charisma and authenticity throughout the show and is a delight to watch with children.

It is wonderful to see so many strong female characters such as strong willed Tilly, portrayed with vivacity by Joyce McPhee, discerning Amira, played by Maya Carter, sharp and spirited journalist Floretta Vining, depicted by Victoria Weinstein, and spunky and ambitious Mrs. Rose Stone, played by Juliana Dennis.  The practical Mrs. Rose Stone’s strong presence is a fine match for George A. Dodge’s relaxed humor.  Rinado, portrayed by Nick Cox, is a combination of rugged good looks and captivating naivety, while John King’s Ogden has a spectacular sneer.  Dave Daly is refreshing as lively and cheerful Honeyfitz, who showcases soaring vocals and can play a spirited rendition on a ukulele too!

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Each of Paragon Park’s original 18 numbers are polished and lyrically rich.  The musical’s exhilarating songs, One Last Ride and Paragon Park are delivered with spectacular energy and passion.   The humorous song, Over the Bridge sets a cheerful tone and depicts a few glorious aspects of being young through the wonder of the park.  Joyce McPhee’s Long Lost Love compliments her stunning vocal range and was a crowd favorite.  Massachusetts residents will delight in many well-known local references in the show, especially in the welcoming number, Nantasket for a Day. and A Proper Life.

The sets and costumes range from elegant and sophisticated to colorful and humorous.  The question, “Did I really wear that?” may also come to mind.  The sets are colorful, detailed, and the backdrops are simply stunning.

Through meticulously detailed costumes, ‘Paragon Park the Musical’ brings to life important eras of the park’s history with ease.  With 18 original numbers, a powerful 20-piece orchestra, and the enthusiasm of each cast member, the Company Theatre’s ‘Paragon Park the Musical’ is a beautiful creation, a love letter to its creator and the many people who hold dear memories of the park’s heyday.

Company Theatre reprises ‘Paragon Park the Musical’ from Friday, July 26 through Sunday, August 18.  Click here for more information and tickets or call the box office at 781-871-2787. Follow Company Theatre on FacebookInstagram and Twitter for more on their upcoming events.

Company Theatre’s co-founder Zoe Bradford talks 40th anniversary, ‘Ragtime’, and the theatre’s exciting future

Underneath a tent on a bright summer day, Company Theatre’s co-founder Zoe Bradford, enthusiastic and smiling, has a lot to celebrate.  The award-winning Company Theatre is as busy as ever as they prepare to open their 40th season with beloved musical, Ragtime   July 27.  Click here for more information and tickets.

Zoe reflects on how Company Theatre has evolved over the years and her extraordinary vision for the future which goes well beyond their 2.3 acres in Norwell, Massachusetts.

Sleepless Critic:  Congratulations on Company Theatre’s 40th anniversary. Even in the last five years, so much has happened from the upgraded, painted theatre with new seating to new, original productions.  Please tell me more about that.

Zoe Bradford:  Now that the theatre is beautiful, we’re envisioning the potential of our outdoor property.  We’ve done a lot with Academy of the Company Theatre (A.C.T.) having an expanded outdoor stage and new pavilion.  Our growing summer program is currently at capacity with 200 kids.  Not only do we need more space and with everybody addicted to their screens, I believe in getting kids outside.  We now have a path to the pond front and we’re holding classes there for water coloring and creative writing.

Freedom for creative expression has been the key for me, so I know it is the key for them.  It’s why I desperately wanted my own theatre and thank God it happened.  It’s not stimulating to work in the confines of another person’s building or organization.  That’s one of the draws here.

Company Theatre's Paragon Park cast

The 2012 ‘Paragon Park’ cast, photo courtesy of Company Theatre

SC:  The original musical Paragon Park took place in 2012.  Are there any original shows you are working on?

ZB:  Michael Hammond and I loved working on Paragon Park together and we want to do another one.  We’re bookending our 40th anniversary with the start of Ragtime and ending summer to summer with a revival of Paragon Park in 2019 as opposed to the season running January to December.

Paragon Park will be the pinnacle of our 40th celebration with a wonderful night of dinner and dancing at Nantasket Beach Resort in Hull.  Preceding that will be a VIP cocktail reception where guests can go on the Carousel and ride the ponies if they wish.  Then we’ll trolley to the hotel for celebration and fundraising.

Company Theatre's original production, 'Paragon Park'

TV personality Scott Wahle with ‘Paragon Park’ cast The Company Theatre’s will reprise its original production of Paragon Park the Musical, which premiered in 2012, image by Zoe Bradford

We’ll also have an outdoor VIP cocktail reception before opening Ragtime and featuring the Model T Ford, which is integral to Ragtime’s story.  It looks like the real thing, built exactly to scale.  Bob Grazioso, who has since retired from technical director but is still active at Company Theatre, built the Model T Ford when we did the show in 2003.  The Ford Motor Company wanted to buy it from us, but we kept it because we wanted to do the show again.

Ragtime's Booker T. Washington with the Statue of Liberty

Todd McNeel Jr. of Boston as Booker T. Washington in ‘Ragtime’ Photo courtesy of Zoe Bradford

SC:  When you revive a show like Ragtime, what kind of changes do you make?

ZB:  Life happens.  My thinking has evolved from 2003 to 2018 just from life experience and I have approached Ragtime differently than I did then.  We have three actors reprising their roles and 40 cast members who all feel it is a different experience than last time.

We did Ragtime in 2003 because there are strong, underlying themes of racism in the early 1900s and our attitude was thank God this is all behind us.  Now this show has never been needed more.  Shockingly, things have gone backwards and we have to speak out.  Being a huge sympathizer of Black Lives Matter and having a black adopted daughter puts a lot of things into perspective.

Back then, immigration was sort of in the forefront of the news, but not like it is today.  The show is about immigrants, which is about America and coming to America.

My passion lies in great storytelling.  Ragtime is a prevalent, uplifting show with three beautiful, intertwining stories involving a Jewish immigrant and his daughter, a New Rochelle family, and jazz musician Colehouse Walker Jr. who buys the Model T.  It’s a moving, relatable show about family, choosing family, and acceptance.  It also has a brilliant score and we have a fifteen piece live orchestra.  In my long theatre career, Ragtime is one of my top three shows.  People will leave feeling good.

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(L to R) Finn Clougherty, Jillian Griffin, Cristian Sack, Hannah Dwyer as Little Girl, Michael Hammond as Tateh, Barbara Baumgarten, Brenna Kenney, Melissa Carubia as Emma Goldman (on soapbox), Hilary Goodnow Photo courtesy of Zoe Bradford

SC:  Period pieces can be difficult from costuming to the fine details and Ragtime must be a monster to put together.

ZB:  It’s challenging, but we have our costumer Bree Plummer.  We would love to have her as a resident, but she is also a teacher so we get her when we can.  I work with a great team of designers including Ryan Barrow and James Valentin to make the most beautiful show possible.  We love period pieces because we can make it interesting.

I’m trying to let others set design because people have to carry the legacy on just in case.  I probably won’t ever retire, but will let people take over certain aspects.  As I let some things go, I plan to write more.

Company Theatre's  2018 'Ragtime'

(L to R) Hannah Dwyer of Scituate as Little Girl with Michael Hammond of Holbrook as her father Tateh Photo courtesy of Zoe Bradford

SC:  Spring Awakening also took place in the last five years, another daring show.

ZB:  I didn’t cut it, though it was handled carefully.  Though it happened in a different era, the themes are also relevant today and people need things they can relate to.  I also love a good score.  Steve Bass came on in 2016 and we’ve made him our resident Music Director and may keep him on indefinitely.  He’s a young, brilliant pianist and has his PhD from the Conservatory.

Company Theatre's musical, Spring Awakening

Company Theatre’s 2014 musical, ‘Spring Awakening’  Photo courtesy of The Company Theatre

SC:  You once said you chose popular shows that sell, but in the last few years, The Company Theatre has been delving into unchartered waters a bit.  Last year was haunted with Carrie the Musical and Lizzie Borden.

ZB:  It’s financially difficult to do that, but we are trying to give the young people what they want.  Lizzie Borden went well because people love local history and some said they have been to her house.  A gruesome tale, but it was also a nice psychological thriller.

We changed a little how we choose our shows, but we still have to please our general audience and offer something for the family, something mature, and our team knows their demographic well and what will be successful.

I’m passionate about big musicals and there’s nothing like the thrill of a live orchestra.  People in the professional theatre world, mentors, and colleagues say they will put eight pieces in here and do a lot of synthetic and prerecord.  You can make a lot of money that way, but we can’t do that.  Michael Joseph said that is standard while he was here and we’ve maintained it.

SC:  What shows do you still dream of doing?

ZB:  I’d love to do Wicked, The Hunchback of Notre Dame, and I’m also waiting to do Mamma Mia!  We’ll get to it.  It’s all about rights and I’m sure there are new shows coming out that I’d love to get my hands on.

As a non-profit, whatever comes in has to support what we are doing and help us be self-sustaining.  Grants, gifts, and tax deductible donations are the key.  We have better opportunities for community support such as new packages for corporate sponsorship due to having higher end computer capabilities, a better website, and a brand new ticketing service that allows people who wish to support us to advertise.

SC:  What has been your most challenging musical?

ZB:  The Wizard of Oz because the movie is a masterpiece and any derivation from the film would be a disappointment for those who truly love it.  People would fight me on that, but if you take on The Wiz, you can do what you want because no one has a preset notion of it.  The Wiz was recently in Boston and the star of Ragtime portrayed the Wizard.

SC: What advice would you give someone taking on a business in theatre or similar?

ZB:  It’s highly competitive.  Know your vision, don’t give up, and try to think of something that someone else hasn’t already thought of.  Be fresh and original when you can and make sure people know of your existence without being obnoxious about it.  We still struggle with it.  Some people say they didn’t know a theatre is here.

The Company Theatre logo

Company Theatre’s logo, a design Zoe Bradford hand drew 40 years ago

SC:  What do you envision for the Company Theatre’s future?

ZB:  We have to keep growing and in our 40th year, we are finally setting up the Legacy Fund.  Our money rolls in and out with the tide as any non-profit would, but we’re actively fundraising to ensure another 40 years and beyond.

For the last ten years, I’ve wanted to design a new logo.  I remember sitting at a little drafting table back in the 70s and hand drew it when we didn’t have any money or resources.

With art being cut in classrooms and attending theatre in Boston can be so expensive, we’re looking to keep this going so it’s accessible for everyone and expand.  I can see us taking on more property and A.C.T. quadrupling over the next ten years.  We’re not a community theatre anymore, but a year round professional and we’ll evolve again.  We provide many jobs for people, but the other part of my vision is to create more jobs for artisans in the area.  The more people that are working and inspiring people, the better.

Click here for tickets or call the box office at 781-871-2787.  Located at 30 Accord Park Drive in Norwell, Massachusetts, click here on how to support the Company Theatre and be sure to follow them on Facebook, Twitter, and Instagram.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

 

Renowned Broadway producer Ken Davenport talks Tony Awards, Hollywood, and ‘Gettin’ the Band Back Together’

Ambitious Tony award-winning Broadway and off-Broadway theatre producer and writer Ken Davenport has had a passion for theatre his entire life.  He has produced renowned musicals from Godspell to Kinky Boots to this year’s Tony-nominated Once on This Island and helms the North American activity for Andrew Lloyd Webber’s Really Useful Group.  Dedicated to bridge the gap between the stage and its audience, he is also behind an interactive theatre app, Didhelikeit as well as the hit board game, Be a Broadway Star.

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Ken Davenport Photo courtesy of Ken Davenport

Ken talked to Sleepless Critic about when he first discovered the theatre, Hollywood and the Tony Awards, and his upcoming musical comedy, Gettin’ the Band Back Together.  Click here for more on Ken Davenport and see who the the big winners are on the 72nd annual Tony Awards on Sunday June 10.

The 72nd Annual Tony Awards hosts

Hosts Josh Groban and Sara Bareilles Photo credit: Cliff_Lipson-CBS

Sleepless Critic:  What awakened your interest in theatre and how did the opportunity to become a Broadway producer come about?

Ken Davenport:  My mom told me I first kicked when she was watching a production of Godspell, so I think I’ve always wanted to be part of the theatre.  I produced the first revival of Godspell on Broadway in 2011.

Being a producer is like starting your own business.  Opportunities don’t come about.  You have to make them happen.

SC:  What do you like most about producing and what production did you find to be the most challenging?

KD:  I love watching the audience’s expressions on their faces at the end of the show whether they are laughing, crying, or cheering.  We’ve affected them and that’s a joy to watch.

The most challenging part of producing is getting everyone on the same page.  It’s like getting ten people to paint the Mona Lisa.

SC:  Is there a show you turned down that you ended up wishing you were a part of?

KD:  Nah, I have no regrets.  I’ve passed on shows that have gone on to be hits, but they weren’t me.  They still wouldn’t be me, even if I had a few more bucks in my pocket.  I’d much rather stay true to what I want to do.

SC:  The musical, Mean Girls is one of the big Tony nominees this year and it is one of many Hollywood to Broadway musical crossovers.  From Pretty Woman to Heathers, do you think that this method has been an effective way to draw a wider audience to Broadway?  From what I’ve seen of Mean Girls and having recently seen Waitress, it seems to be working well.

KD:  Movies have become a common source for adaptations in the last ten years, but it doesn’t guarantee success.  I think the adaptations that work best are the ones that don’t have super popular source material.  It’s like when a movie is made from a book.  Most people think the book is better.  That happens a lot when popular movies are made into musicals.  It’s a very high hurdle to jump over.

SC:  What has been your favorite Hollywood to Broadway crossover musical so far?

KD:  Kinky Boots because I am one of the producers.

SC:  From classic musicals like Rogers and Hammerstein’s Carousel to Spongebob Squarepants, what nominations most surprised you and which did you think should have been nominated?

KD:  I think my choreographer from Once on this Island, Camille A. Brown should have been nominated as well as Alex Newell.

SC:  Which do you predict will be the standout production to win?  I’m sure you were thrilled when Once on This Island was nominated, a show you have produced.

KD:  I think the awards this year will be spread out amongst several shows rather than one big winner taking home multiple awards.

SC:  You work to make Broadway a more interactive experience.  Please tell me about the apps you promote.

KD:  We have an app for our website, Didhelikeit.com that gives you a snapshot of show reviews and focuses on the New York Times.

Gettin the Band Back Together

‘Gettin’ the Band Back Together’ premieres on July 19.

SC:  Just a few of the productions you have worked on is Groundhog DaySpring Awakening, and The Play That Goes Wrong.  The musical comedy, Getting the Band Back Together is coming up.

KD:  I’m super excited about Gettin’ the Band Back Together, which starts performances on July 19.  It’s such a fun show to be a part of and totally original.  It has an original story, music, etc.  It’s going to be a blast so come see it!

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Click here for more information on Ken Davenport and here for more on Ken’s current project, Gettin’ the Band Back Together.  Hosted by Josh Groban and Sara Bareilles, find out who wins on CBS for the 72nd annual Tony Awards on Sunday June 10 at 8 p.m.  Follow The Tony Awards on Facebook.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.