REVIEW:  Fandom takes an all-consuming turn in Samantha Hurley’s dark comedy ‘I’m Gonna Marry You Tobey Maguire’

This is not your average teenage crush.

A wild-eyed teenager is determined to make her dreams come true…even if he is under duress.

With zany direction by Sydney T. Grant, Yorick Ensemble continues Samantha Hurley’s dark comedy, ‘I’m Gonna Marry You Tobey Maguire’ live and in person through Saturday, September 13 at Hovey Players in the D’Angio Building in Waltham, Massachusetts.  This semi-interactive fringe production is not limited to the stage, contains some mature language and humor and runs approximately two hours with an intermission.  Click here for more information and for tickets.

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’

Set in 2004 in secluded South Dakota, I’m Gonna Marry You Tobey Maguire infuses online fandom and Y2K pop hits into a dark coming-of-age comedy with hints of Misery for beginners and a whisper of Carrie.  However without the gore, not quite a horror movie and never really takes itself too seriously.

 Alexa Erb’s illustrative scenic and props design produces a brightly colored bedroom with traces of Shelby’s various obsessions including a princess petal bed canapé, flowered walls covered in Tobey Maguire photos, gleeful frog printed bed sheets, Barbie dolls and a curious chart of Tobey’s whereabouts.  Josh Telepman keeps up the show’s seemingly cheerful façade in jungle prints, fanciful pink layered ensembles with lace gloves and a fanciful wedding dress.

Crossing a soft smile with a seemingly vacant stare, Demi DiCarlo impresses and is occasionally sympathetic as intense Shelby who may be calculating but not diabolical, at least according to her trusty issue of Cosmopolitan Magazine.  She quips, “I’m not bad.  I’m romantic.”  However, her anxious smile, madcap reactions and unsettling actions hint at something more just underneath the surface.

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Socially awkward and an only child, Shelby spends her days after school in a basement bedroom as President and founder of the Tobey Maguire Fan Club communicating to members through a handheld camera disassociating and fantasizing about actor Tobey Maguire. Secluded from the rest of the house, her basement bedroom almost seems like she was sent there to be ignored except when her nagging mother needs something. 

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Learning the facts of life through Cosmo, fairy tales and all things Tobey Maguire, delusional Shelby has deduced that the only solution to her isolation and loneliness is to capture and marry Tobey Maguire at the ripe age of 14.

To make matters more absurd, teenage Shelby does (seemingly impossibly) capture Tobey Maguire and has him chained in the basement.  Where is security or his entourage? It is also hard to imagine Tobey Maguire afraid of a 14 year old, but the Tobey in front of her is not the Tobey she imagines.  Sam Hackett is quite fittingly not a Tobey Maguire doppelganger portraying far from that sparkling example of optimism and well meaning persona amplified in Spiderman’s No Way Home. Never meet your heroes, right? 

Alison Butts and Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

As Shelby’s illusions shatter, things really start to get out of hand.

Alison Butts does double time portraying various roles that move the plot along from the voice of Shelby’s mom to a kooky real estate agent. 

With flashes of Y2K nostalgia, I’m Gonna Marry You Tobey Maguire has its moments of intriguing self-aware humor, a wealth of pop culture references and a special appearance which will not be revealed here.  It would do better without its share of superfluous and raunchy gags that do not advance the plot and would benefit spending more time fleshing out what makes Hackett’s egotistical, complaining, irascible and drug-addled Tobey tick. 

Alison Butts in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

I’m Gonna Marry You Tobey Maguire is a cautionary tale of obsession, loneliness, isolation, trauma and infamy which, like Shelby, loses itself a bit along the way.  As someone who has loved something teetering beyond reason, this outlandish tale stretches the imagination to conceive a dark comedy of what happens when fantasy and reality collide.

Demi DiCarlo and Alison Butts in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Yorick Ensemble continues Samantha Hurley’s dark comedy, I’m Gonna Marry You Tobey Maguire live and in person through Saturday, September 12 at Hovey Players in the D’Angio Building in Waltham, Massachusetts.  Click here for more information and for tickets.

REVIEW: In Company Theatre’s ‘Misery,’ fandom takes a dark turn

Think of something so exciting and beloved to you that it may even teeter beyond reason. 

To Annie Wilkes, a particular book series by Paul Sheldon is so real to her and brings immense joy to her lonely existence.  That is until she encounters that author face to face.

Sharply directed by Michael Hammond on the eve of Stephen King’s 50th anniversary as an author, The Company Theatre presents Stephen King’s Misery by William Goldman live and in person at the Company Theatre in Norwell, Massachusetts through October 29.  The show is not for children.  Click here for more information and for tickets.

Company Theatre presents ‘Misery’ Carol Laing Stearns as Annie Wilkes and Joe Siriani as Paul Sheldon Photo by Zoe Bradford

Fear not. 

Misery is written by Stephen King, but is much more of a psychological thriller than horror, with only a few squeamish exceptions.

King’s well known books such as The Shining, Carrie, Pet Cemetery, Salem’s Lot and It are tales that might conjure up a nightmare or two,  but Misery rides much more on tension than gore.  It also could stand as a personal account for King.  Though the book takes place in snowy Colorado, director Michael Hammond wisely added a more personal touch by moving the production to fellow New England state Maine where several of King’s novels are set and where King himself resides.  Oh, and Misery is also about an author and his number one fan.

Aside from being a horror mastermind, King is an intuitive observer of the dark recesses of the human condition which is one of the keys to his long term success.  It is wonderfully evident in The Body (King’s novella that became the film, Stand by Me), The Shawshank Redemption, The Green Mile, and Hearts in Atlantis.  Misery does not address supernatural or mythical monsters, but is a cautionary tale of obsession, loneliness, isolation and infamy while also delving into two characters tied together by literature deep in the woods of Silver Creek, Maine.

Company Theatre presents ‘Misery’ with Joe Siriani as Paul Sheldon Photo by Zoe Bradford

Misery is also popular as the acclaimed film that shot first time leading actress Kathy Bates to stardom and to her first Academy Award in 1990.  Famous novelist Paul Sheldon, portrayed by James Caan, gets into a car crash in a snow storm.  Former nurse Annie Wilkes, portrayed by Kathy Bates, rescues him and takes him to her remote cabin to recover.  Buster, depicted by Richard Farnsworth, is investigating Paul Sheldon’s mysterious disappearance.

A trio of pivotal actors drives this intense and mysterious tale led by Carol Laing Stearns as Annie Wilkes. King drew inspiration from a real person for Wilkes and Stearns makes confiding, matronly, condescending and delusional Annie Wilkes her own, though Stearns’s drawl and some inflections resemble Bates’s depiction.  Stearns delivers a chilling performance as she partakes in psychological gymnastics with Joe Siriani as famed author Paul Sheldon.  The two have potent adversarial chemistry and though tough guy James Caan was known for his powerful and fierce acting roles, Joe Siriani depicts Paul Sheldon as a more sympathetic, self effacing, yet moody character.  A particular highlight is Stearns and Siriani’s darkly humorous depiction of Sheldon’s agonizing writing process which surely drew on King’s own experiences and Stearns’s quick thinking in handling a technical issue.  Peter S. Adams amplifies the production’s dire tension as suspicious, yet affable Buster who pops in from time to time.

The Company Theatre presents ‘Misery’ with Carol Laing Stearns as Annie WIlkes and John Stamos as Barkley

With weathered floral wallpaper, a large wooden cross, vintage candelabra, and dark floor paneling, set designer Ryan Barrow reflects Wilkes’s fondness for the past in a detailed, rustic, dilapidated and functional remote cabin with complete front porch surrounded by evergreen trees.  Scattered about the cabin are Easter eggs from the book and film including a couple of pig statues in the dining room and bedroom.  Dean Palmer Jr’s dynamic lighting demonstrates not only extreme weather conditions and the passage of time through a secluded window, but a creepy foreboding subtly lurking throughout the production.  Sally Ashton Forrest’s darkly humorous sound design is peppered with vintage classic tunes that articulate each scene and along with Cathy Torrey’s regional costume design including plaids and boots and realistic makeup, these elements complete the stark isolation prevalent in the deep woods of Maine.

As a book lover, writer, and someone who has loved something that teeters beyond reason, Stephen King’s Misery is a suspenseful and dark tale of what happens when that love goes awry.

Company Theatre presents ‘Misery’ Carol Laing Stearns as Annie Wilkes and Joe Siriani as Paul Sheldon Photo by Zoe Bradford

Sharply directed by Michael Hammond on the eve of Stephen King’s 50th anniversary as an author, The Company Theatre presents Stephen King’s Misery by William Goldman live and in person at the Company Theatre in Norwell, Massachusetts through October 29.  The show is not for children.  Click here for more information and for tickets.