REVIEW: Chocolate promises and shattered dreams as Arlekin Players turn over a bizarre ‘Stone’
It is a show unlike anything the Sleepless Critic has ever seen before. Arlekin Players is currently celebrating their 10th anniversary season as they present Marius von Mayenburg’s avant-garde production, ‘The Stone‘ (remount in English) through Sunday, September 29 in Needham, Massachusetts. Click here for more information and tickets. Click here for an interview done last year with director Igor Golyak.
Directed by Igor Golyak, ‘The Stone’ explores the history of a German house before and beyond World War II and its various owners which includes a Jewish family and their ancestors. Quite a few revelations and family secrets are revealed through traumas and triumphs inside this haunting structure.
The Arlekin Players stage is an overwhelming experience told in the theatre round without a bad seat. With vintage lighting by Jeff Adelberg, ‘The Stone’ features very few props and unconventionally arranged set pieces which includes a partially buried piano, a vintage chandelier, and a chair hanging upside down from the ceiling. As characters emerge and exit almost supernaturally from the floor in head-to toe-white with black paint splotches staining their pants, it quickly became clear that this would not be an orthodox production.
With wild white hair, a pair of navigators called the conductors, portrayed with bizarre humor by Jenya Brodskaia and Misha Tyutyunik, are seemingly mad scientists that conduct and calculate time travel. They take the audience through the history of the house before and beyond World War II, one of the most tumultuous times in history. The time travel is a raging, jarring experience with special effects that may have been effective the first couple of times, but starts to distract from the tale as the show moves along.
The characters march strangely and unnaturally, sometimes under a plastic umbrella, an urgent tale with segments between the characters so brief, it is difficult to develop an attachment to them. The cast is stoic for the most part, especially from Mieze, portrayed with a guarded, calculating air by Rimma Gluzman. When Viktoriya Kovalenko as idealistic Heidrun discovers a small box in the house that she believes was her father’s, portrayed with complexity by David Gamarnik as Wolfgang, the moment Heidrun has with her mother Witha, portrayed by Darya Denisova, provides a touching moment in the production.
I’m sure there is an audience for experimental theatre and the actual tale is powerful, but too unconventional and at times confusing for my taste. It chooses to be different and complex when the story can be told in a straightforward way. It is still art and it’s unforgettable.
Arlekin Players presents ‘The Stone’ through Sunday, September 29 at 368 Hillside Ave in Needham, Massachusetts. Click here for more information and tickets and here for more information on the Igor Golyak Acting Studio.