christmas carols | The Sleepless Critic

REVIEW: A feast for the eyes on a grand scale with North Shore Music Theatre’s merry musical treat, ‘A Christmas Carol: A Musical Ghost Story’

Posted on December 16 by The Sleepless Critic

Set in London 1843, A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve. Only second to this tale are the amazing things I have heard about North Shore Music Theatre’s legendary production over the years.

Since 1989, North Shore Music Theatre has carved out a wonderful annual tradition retelling this thrilling Charles Dickens classic, A Christmas Carol: A Musical Ghost Story. What I was unprepared for was how exhilarating the experience would be.

Absorbingly directed and whimsically choreographed by Kevin P. Hill with inventive Music Direction by Milton Granger, Bill Hanney’s North Shore Music Theatre continues A Christmas Carol: A Musical Ghost Story through Sunday, December 21 live and in person at North Shore Music Theatre in Beverly, Massachusetts. This family-friendly theatre-in-the round musical experience is 2 hours and 20 minutes including one intermission. Click here for more information and for tickets.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Haunting, immersive, and meaningful, A Christmas Carol: A Musical Ghost Story is a frequent holiday tradition with good reason. So much more than the Charles Dickens classic, North Shore Music Theatre mixes Christmas Carols, storyline twists, and calls on two athletic, infinitely energetic, and mischievous spirits invisible to the real world portrayed by Amy Bransky and Risa Michina to accompany Tommy Labanaris as an enigmatic magical narrator to unveil this thought-provoking tale of charity, compassion, and redemption. Labanaris’s charismatic vocals as narrator soothes while navigating the stage like a riveting magician.

Tommy Labanaris (Narrator) and Ainsley Moulton (Tiny Tim) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Clocks glow, bookcases float, streets fog and mist, a weather woodstove smokes, windows and lampposts frost and a transparent wrought iron door and ornate chandeliers are all part of the innovative rising and descending set pieces by Howard C. Jones. Wondrous winter landscapes including snow covered rooftops, driving downpours, and festive, timely projections enhanced by twinkling, cheerful and ominous lighting by Jack Mehler as well as heightened special effects not limited the action just onstage engulf you in the unpredictable world of Charles Dickens.

Detailed bustles, pea coats, shimmering Victorian-era dresses in an array of patterns, flowing robes, cloaks, feathered hats and top hats are just a glimpse into Rebecca Glick’s stylish period costumes which certainly helps make A Christmas Carol a feast for the eyes. The uplifting overture, orchestrated by Milton Granger and arranged by Alby Potts and James Woodland, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production. The floating, live orchestra which includes a harp and recorder, are carefully spread out in sections around the theatre above and below the stage.

God Rest Ye Merry Gentlemen, Here we Come A-Wassailing, Ding Dong Merrily on High, We Wish You a Merry Christmas, and We Saw Three Ships are some of the famous Christmas Carols featured in with original songs that brighten this haunting tale.

Kevin Patrick Martin (Bob Cratchit) and David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

North Shore Music Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast led by David Coffee as miserly Ebenezer Scrooge. Coffee adds traces of sadness in Scrooge’s frank and daring boldness as a damaged soul. Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with jubilant warmth and perpetual optimism by Henry Thrasher who delights in pushing his uncle’s buttons in a wide smile. In spectacles and a sour huff, Coffee is best showing hints of melancholy beneath his insistent resistance to kindness. However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly sway to music, offering as increasingly lighthearted Scrooge while observing glimpses of his complicated life.

Kevin Patrick Martin portrays humble, guarded, and sympathetic Bob Cratchit while Daniella Dalli depicts loyal, patient and occasionally exasperated Mrs. Cratchit in a moving performance. Martin and Dalli deliver heartwarming and stirring moments with their large and lovely family including sweet Fiona Kelly as Tiny Tim as their voices lift for We Wish You a Merry Christmas. Kelly charms Martin and Coffee instantly with We Saw Three Ships. The joyfulness in the Cratchit household, despite their circumstances, perhaps mirror the life Scrooge might have had with Caroline Siegrist as steadfast Belle and what might have been.

Caroline Siegrist (Belle) and Nathan Haltiwanger (Young Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Grandly adorned in a gorgeous lit crown, veil and glittering pristine gown and glowing porcelain features, Daniella Dalli delivers warmth and angelic soprano vocals as the Ghost of Christmas Past, especially for the soaring number, Dream within a Dream. Serene and gentle, she brings out thawing in Scrooge’s curmudgeonly soul.

Daniella Dalli (The Ghost of Christmas Past) an David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Majestic in a crown of holly, carrying a staff with and an air of warm yet firm benevolence, Davron S. Monroe skillfully glides across the stage boasting his signature melodious timbre as charismatic, jolly and larger-than-life Ghost of Christmas Present and as half of a pair of mirthful philanthropists alongside returning Russell Garrett. Alongside Davron, Violet Black and Joseph Hobbib captivate as foreshadowing spirits.

Davron S. Monroe as The Ghost of Christmas Present in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

As green lanterns glow, Mark Worth is remarkably ghoulish as Jacob Marley with some very impressive special effects. A ghastly presence with gravelly vocals and chains that seem to go on for miles, Worth as Marley does a marvelous job as a tortured and distressed soul boasted by extraordinary special effects that never overwhelm Worth’s powerful performance. The silence is deafening as Nathan Haltiwanger delivers a veiled and mesmerizing Christmas Yet to Come. I most assuredly cannot leave out Cheryl McMahon’s marvelous return as expressive and hilarious Mrs. Dilber.

David Coffee (Ebenezer Scrooge) and Mark Worth (Jacob Marley) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Even those most familiar with this classic tale will encounter some welcome twists and surprises. If the holiday season is not spreading the merriment that is should be this year, North Shore Music Theatre’s A Christmas Carol will certainly restore that heartwarming feeling, indeed.

Cheryl McMahon (Mrs. Dilber) and David Coffee (Ebenezer Scrooge), both will be celebrating their 31st production of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

A Christmas Carol: A Musical Ghost Story continues at North Shore Music Theatre live and in person in Beverly, Massachusetts through Sunday, December 21. Click here for more information and for tickets.

REVIEW: With a mix of joy, reflection, and sweet surprises, The Holiday Pops’ milestone 50th year continues to make the season bright

Posted on December 22, 2023 by The Sleepless Critic

From hymnal to classical to Santa to the Grinch, The Holiday Pops offers something for everyone and makes it easy to alleviate the stress of the season and happily embrace what truly matters.

Celebrating a milestone 50^th year and the welcome return of the all-volunteer Tanglewood Festival Chorus, The Holidays Pops delivers a tapestry of classical and beloved Christmas carols, spiritual hymns, as well as holiday traditions through art and illustrations which always includes an annual visit from a surprisingly innovative and always jolly Santa Claus. Boston Pops conductor and host, Keith Lockhart garners warmth and reflective holiday cheer weaving in a certain classic Grinch quote by Dr. Seuss, a highly anticipated sing-along, and maybe even a dancing Maestro.

12.1.23 Keith Lockhart conducts Holiday Pops 2023 (Hilary Scott)

Sponsored by Fidelity Investments, led by Keith Lockhart, and ideal for the whole family, The Holiday Pops continues at Boston Symphony Hall through Christmas Eve. The show runs two hours including an intermission. Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies with twinkling lights on thick, festive wreaths is just a sampling of the stunning surroundings inside Symphony Hall. The stage spontaneously comes to life from illuminated gifts to lighted Christmas trees to glimmering dancing snowflakes.

12.1.23 Baritone Andrew Garland performs Vaughan Williams’ Fantasia on Christmas Carols with the Holiday Pops (Hilary Scott)

This beautiful performance delivered equal doses of contemplative material and lightheartedness with the first half fanciful and spiritual. Among the many highlights, Baritone Andrew Garland grandly delivered an eloquent and soaring rendition of Fantasia on Christmas Carols by Ralph Vaughan Williams.

12.1.23 12 Days of Christmas with the Tanglewood Festival Chorus (Hilary Scott)

With a generation bombarded with CGI and AI, The Holiday Pops thrilled audiences with author Jan Brett’s colorful, authentic and imaginative illustrations. Accompanied by seamless orchestration by the Boston Pops, the audience absorbed themselves in a Jan Brett children’s book that offers a rich new vision of Tchaikovsky’s classic, The Nutcracker. Among the memorable images was a fire breathing dragon, reindeers that have antlers with lighted candlesticks, dancing bears, and Santa in a headstand wearing a bucket hat.

12.1.23 Tribute to Harry Belafonte at Holiday Pops (Hilary Scott)

The evening also contained a moving tribute to EGOT Winner, activist, and musician Harry Belafonte not only honoring Belafonte’s calypso-inspired classic tunes, but his impressive activism featuring various pictures and video of his part in the March on Washington, supporting Martin Luther King Jr, and his work with UNICEF.

The Pops delivered a captivating gospel tribute in Swahili called The Good News Voyage arranged by David Coleman which contained Go Tell it on the Mountain. In the second half of the show, The Holidays Pops presented a Jewish song sung in Hebrew, Tikkun Olan (Heal the World), a riveting rendition expressing the yearning and urgency to heal and repair the world ‘Pray for peace and justice/For the sake of peace/heal the world’ as the tempo accelerated into a powerful crescendo.

12.1.23 Santa Claus with Keith Lockhart (Hilary Scott)

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle joyfully kicking off with Sebesky’s Frosty All the Way, a jazz-infused medley featuring Jingle Bells, Frosty the Snowman and more. The brass ensemble spinning their instruments was among the playful sights as they performed this catchy and airy collection of carols.

12 Days of Christmas

Boston Pops’ charming signature versions of Sleigh Ride are always clever, cheeky, and increasingly full of madcap high jinks and the 12 Days of Christmas show that anything can happen among illuminated dancing snowflakes. The Holiday Pops also presented a special annual reading of Clement Clarke Moore’s Twas the Night before Christmas, read briskly by enthusiastic special guest WBZ News journalist Matt Shearer to mark its publication nearly 200 years ago before Santa arrived. While bulbs glow to the beat, the jolly Tanglewood Festival Chorus delivered A Merry Little Singalong in Santa hats and ears which included Rudolf the Red-Nosed Reindeer, Walking in a Winter Wonderland, and more.

Holiday Pops concluded with the tender Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveying the quiet hope for the coming New Year.

REVIEW: ‘Christmas Revels In Celebration of Winter Solstice’ a clever and inviting return to the stage

Posted on December 31, 2021 by The Sleepless Critic

Performing for a full and enthusiastic crowd and dedicating the performance to Revels friend Julie Smith, this year’s Christmas Revels offers a lot to its audience, but most importantly, it ushers in the excitement and gratefulness of being together again with a sing-along as well as emphasizing helping those in need.

Christmas Revels’ audience sang live in Sanders Theatre in Cambridge, Massachusetts and now until January 9, you are invited to sing along virtually from your own living room. Be sure to download the program first and follow along to songs from the middle ages to classic Christmas carols to contemporary classic songs. Directed cleverly by Patrick Swanson, The Christmas Revels in Celebration of Winter Solstice is approximately 90 minutes with no intermission. Click here for more information and how to see this year’s show.

Scene from the Mummers Play (William Forchion as The Dragon, Regie Gibson as the MC/referee, and Mark Jaster as Saint George) Photo courtesy of Shep Ferguson

From last year’s selection of new songs mixed in with some of their greatest performances over Christmas Revels’ 50-year run, Christmas Revels is back to a bit of storytelling and theatrics while still tying in the past with the present day – pandemic times, masks, and all. An unconventional battle with a dragon is only portion of this wild and peculiar tale where traditions are challenged and life today takes an unexpected turn for this lively cast during a caroling and Christmas party.

It also weighs in the vintage with the contemporary while infusing its own share of lighthearted humor and enough fantastical elements to create a concise and innovative story. Acknowledging our present woes, Christmas Revels offers insight and hope into how to best help each other through these difficult times.

Christmas Revels boasts a large, collaborative cast which includes the lighthearted return of Paula Plum and Richard Snee’s quick-witted observational skills. With dynamic chorography by Kelli Edwards, Tony Tucker, and Gillian Stewart, charismatic David Coffin returns as Master of the Revels leading an uplifting rendition of Lord of the Dance and beautiful a cappella harmonies for Donna Nobis Pacem. Alex Cumming and the Revels Morris dancers also impress with the traditional and eclectic Pudding Jig.

The Elizabethan’s arrive! (William Forchion, Regie Gibson, Mark Jaster) Photo courtesy of Shep Ferguson

William Forchion portrays pub owner Joe with Carolyn Saxon as his wife. Forchion is affable and charismatic keeping a cool head as the pub experiences some unexpected surprises. He shows off some fancy footwork in a drum-infused sword dance and his smooth vocals are also put to the test in a dual role that is anything but cool. Regie Gibson portrays sophisticated and no nonsense Reginald while Sabrina Selma Mandell amusingly delivered cheerful comedic nonsense as Flunky, a seemingly dimwitted jester.

Carolyn Saxon bringing the house down at the George and Dragon’s annual carol party Photo courtesy of Shep Ferguson

Carolyn Saxon gives an amazing performance every time she lifts her voice. Her vibrant vocals shine in her warm delivery of Oh Happy Day, her heartfelt rendition of Lean on Me, and inspiring Someday at Christmas accompanied by the entire cast.

The Ha’Penny Wassail Children also do a splendid job as they join together for a festive “zoom” to We Wish You a Merry Christmas, their own sweet rendition of Someday at Christmas with harp accompaniment, and leading off a glorious Wassail medley while decorating a tree.

Elizabethan’s strut their stuff (dancing) Photo courtesy of Shep Ferguson

Heidi Hermiller’s colorful costumes varies from humorous ugly Christmas sweaters to festive pub wear to resplendent, gold embroidered and delicately laced gowns. Jeremy Barnett’s hospitable and festive pub setting includes subtle sparks of hope and encouragement weaved into the surroundings such as a ‘You’ll Never Walk Alone’ sign by the bar. With a glowing fireplace in the background, the warm atmosphere boasts a festively decorated room enhanced with lit evergreen trim wrapped around the entire theatre as Jeff Adelberg innovative lighting flashes to the beat as the live onstage Pickled Eggs House Band showcase a variety of music styles led by Music Director George Emlen and Associate Music Director Edmar Colon.

The Christmas Revels in Celebration of Winter Solstice continues its virtual run through January 9. Click here for more information and how to see the show.

REVIEW: Company Theatre’s ‘A Christmas Carol’ immersive, haunting, and filled with holiday spirit

Posted on December 12, 2019 by The Sleepless Critic

The Company Theatre’s haunting, immersive, and meaningful A Christmas Carol is a frequent holiday tradition with good reason. So much more than the Charles Dickens classic, the Company Theatre calls on the holiday spirit through subtle nuances in story and song and the exceptional festivities only become more fervent each December it takes the stage. Sure, the Company Theatre weaved in the holiday spirit in other December productions such as last year’s Charles Dickens classic, Oliver the Musical (featuring Matt O’Connor as Oliver who returns as adorable Scrooge as a young boy) but this thought-provoking tale of charity, compassion, and forgiveness is the pinnacle holiday treat.

Company Theatre’s ‘A Christmas Carol’ is sold out! Photo courtesy of The Company Theatre

The Company Theatre presents the Charles Dickens classic A Christmas Carol now through Sunday, December 22 at the Company Theatre in Norwell, Massachusetts. This show is sold out. Click here for their recently announced 2020 theatre season and how to support The Company Theatre.

A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve.

With LED lighting and cinematography, heightened special effects, singing Carolers flooding the aisles, enviable costumes by Kathryn Ridder, and snow glimmering over that bright, familiar cobblestone street where Scrooge must face his worst fears, A Christmas Carol is certainly a feast for the eyes. The uplifting overture, orchestrated by Steve Bass and arranged by Steve Rogers, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production. Ding Dong Merrily on High, O Come O Ye Faithful, Hark the Harold Angels Sing, Joy to the World, and Noel are among the production’s musical highlights.

Company Theatre A Christmas Carol Owen George as Tiny Tim as Bill Carter as Bob Cratchit

Owen George as Tiny Tim and Bill Carter as Bob Cratchit Photo courtesy of Zoe Bradford/Company Theatre

Directed by Zoe Bradford and Jordie Saucerman, The Company Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast. Each cobblestone street character is as enthralling as the immediate cast, each with their own individual story and holiday motivation within the context of this beautiful London setting. The action is so immersive that it can hide the immediate cast a bit. One of the most endearing moments is the return of a lively trio running around the London streets holding up mistletoe for kisses as well as the uplifting and rollicking period dance numbers choreographed with style by Sally Ashton Forrest.

This production boasts a lively cast led by Phillip Hebert as miserly Ebeneezer Scrooge. Hebert exacts Scrooge’s deep, searing signature growl, his sterling vocals cutting into the soul. Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with a crisp accent and inviting demeanor by Christopher Spenser. In spectacles and a sour huff, Hebert is best in his dark gruffness. However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly swayto the music, offering a lighter, increasingly heartening Scrooge.

Company Theatre A Christmas Carol Owen George as Tiny Tim and Philip Hebert as Scrooge

Owen George as Tiny Tim and Philip Hebert as Ebenezer Scrooge Photo courtesy of Zoe Bradford/Company Theatre

Bill Carter portrays humble, guarded, and sympathetic Bob Cratchit. Hebert and Carter skillfully develop palpable tension as Carter, leery, speaks to Scrooge out of turn. Kris Connolly portrays loyal and eternally patient Mrs. Cratchit. Connolly and Carter deliver heartwarming scenes with their large, beautiful family including sweet Owen George as Tiny Tim as their voices lift for the bright and original song, Noel.

Adorned in a gorgeous lit crown and veil, Nicole Hall delivers warmth, yet a foreboding quality as the Ghost of Christmas Past. Serene and gentle, she brings out the best in Scrooge’s curmudgeonly soul. Majestic in a crown of holly and carrying a cornucopia, Dave Daly glides across the stage as charismatic, jolly and larger-than-life Ghost of Christmas Present and the equally endearing Mr. Fezziwig. Lilly George and Brynn Hsu also shine as giggling Christmas sprites. Covered in hazy light, Dan Kelly is remarkably ghoulish and crazed as Jacob Marley with some very impressive special effects.

Company Theatre’s A Christmas Carol pulls off a couple of surprises to this classic tale in the finale, and cannot leave out Megan Boutilier’s expressive and hilarious depiction of The Laundress. She is marvelous. If the holiday season is not spreading the joy that is should this year, Company Theatre’s A Christmas Carol will certainly encourage that heartwarming feeling, indeed.

The Company Theatre continues A Christmas Carol at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts through December 22. The show is sold out, but click here for their exciting 2020 season.

REVIEW: WGBH’s ‘Tis the Night with Ben Folds and Friends’ holiday music special offers some impressive, lighthearted cheer

Posted on December 24, 2018 by The Sleepless Critic

Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public Television, New Hampshire PBS, and WGBH 2 this month. Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer. He is also known for performing with many orchestras throughout the world. Take a closer look at Tis the Night here, click here to find out when WGBH will broadcast this show next, or here to stream it online.

In this WGBH holiday special, Ben hosts for the most part, leaving it to renowned Boston choruses such as the Boston Children’s Chorus, Handel and Haydn Society, the Harvard- Radcliffe Collegium Musicum, and students from the New England Conservatory to bring in the good cheer. However, in the few times he collaborated with the artists, this concert special became that much more engaging.

Ben Folds and Caleb Teicher perform on Tis the Night (Meredith Nierman - WGBH)

Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways. Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.

Handel and Haydn orchestra and chorus perform on Tis the Night (Meredith Nierman - WGBH)2

Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version. It was refreshing to hear, though I prefer the classic interpretation. However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.

Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth. They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner. Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.

Harvard Radcliffe Collegium Musicum performs in Tis the Night (Sam Brewer - WGBH) (1)

Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2

Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight. Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.

New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.

vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on Tis the Night (Sam Brewer - WGBH)2

Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH

Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.

soprano Saori Erickson and pianist Bethany Pietroniro performing Ave Maria (Sam Brewer - WGBH)

Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH

Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.

REVIEW: Grammy award-winning Soweto Gospel Choir makes a mesmerizing and festive Celebrity Series of Boston return

Posted on December 22, 2018 by The Sleepless Critic

It was a special evening for the Soweto Gospel Choir having recently learned that their latest album, Freedom has been nominated for a Grammy on December 7. Marking their 15^th anniversary as a group, this Grammy award-winning South African Gospel group has toured all over the world and shared the stage with legendary performers such as Bono and Queen.

Celebrity Series of Boston presents Soweto Gospel Choir 'Songs of the Free'

Soweto Gospel Choir Photo courtesy of Celebrity Series of Boston

Marking their sixth appearance since 2005, Celebrity Series of Boston welcomed back this renowned group to the Berklee Performance Center in Boston, MA for one night only to pay special tribute to the late Nelson Mandela who would have celebrated his centenary this year, Aretha Franklin, and perform a bit of James Brown’s fancy footwork. Combining African Gospel, reggae, and American pop music and sung in six of South Africa’s eleven official languages, The Soweto Gospel Choir’s expressive rhythms, mesmerizing harmony and lively choreography is amazing to behold. Click here to find out where the Soweto Gospel Choir will perform next and here for more information on Celebrity Series of Boston’s 80^th season and more.

Accompanied by a keyboardist, slide whistle, and a drummer who performed a captivating drum solo, the concert’s first half was dedicated to depicting the realities of apartheid as well as perform songs from their latest album. Dressed in colorful, coordinating traditional garb, The Soweto Gospel Choir’s energy is contagious whether they are sharing a powerful message or joyfully ringing in the Christmas season.

Celebrity Series Soweto Gospel Choir Dance

Photo courtesy of Celebrity Series of Boston

Though each song delivered flawless harmony and the captured the spirit of their message, a few of the particular highlights were Sabashiya a Abuzai, Sabela, Thua Mtanami Medley, Johnny Clegg and Peter Gabriel’s Asimbonanga/Biko, and Letta Mbulu and Mbongeni Ngema’s Freedom Songs Medley: Jikiela, Rolihlahla Mandela. They also sang a heartfelt Amazing Grace in smooth harmony and beautiful baritone.

The second half delivered a wide range of Christmas Carols including an enthralling version of Go Tell in On the Mountain/He’s Got the Whole World in His Hands and a partially acapella version of Silent Night. Soweto Gospel Choir delivered a spiritual Wade in the Water which included a drumming dance competition. What makes this group unique is the joy and power they evoke though their music, their compelling rhythms, and their freestyle, free spirited choreography that will make you get on your feet.

Celebrity Series of Boston Soweto Gospel Choir 2

Soweto Gospel Choir Photo courtesy of Celebrity Series of Boston

Ending the evening is was a grateful, heartening version of Leonard Cohen’s Hallelujah, dedicating the song to their latest Grammy nomination. With talent like this, Soweto Gospel Choir has a lot to be grateful for.

Celebrity Series of Boston is currently offering big savings for the holiday season, which expires on December 28. Click here for information about that special offer.

A few of the Celebrity Series of Boston’s 2019 highlights include the debut of guitarist Pablo Sainz Villegas in January, Mark Morris Dance Group and Mnozil Brass, Cirque in February, Voci Angelica, and Castle of Our Skins in February, and the return of NPR’s Rob Kapilow’s What Makes it Great on Bands of the Swing Era in March. Click here to see all that Celebrity Series of Boston has in store.

REVIEW: Captivating and lighthearted, Boston’s annual Holiday Pops as festive as ever

Posted on December 19, 2018 by The Sleepless Critic

In its 23^rd year, The Holiday Pops are in full swing and as festive as ever! Illustration and illumination dominated this year’s performances woven into a wide spectrum of Christmas carols, spiritual hymns, and holiday traditions. Whether it’s the excitement of the all-volunteer Tanglewood Festival Chorus, the Boston Pops adding their own unique, personal flair, or their highly anticipated sing-along, The Holiday Pops makes it easy to alleviate the stress of the season and happily embrace what truly matters. Sponsored by Fidelity Investments and led by Keith Lockhart, The Holiday Pops at Boston Symphony Hall continues through Christmas Eve. Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies are twinkling lights on thick, festive wreaths, just a sampling of the stunning surroundings inside Symphony Hall. During the show, the stage spontaneously came to life with a variety of scenery illuminated above the stage from flickering candles to colorful, dancing snowflakes.

This beautiful performance of Holiday Pops delivered equal doses of reflective material and lightheartedness, the first half playful and spiritual. Leroy Anderson’s A Christmas Festival which included Deck the Halls, God Rest Ye Merry Gentlemen, and Silent Night kicked off a memorable first half. The Boston Pops orchestra performed a harmonious and airy rendition of Parade of the Wooden Soldiers accompanied by a bright, festive short film created with original artwork and animation by FableVision Studios.

The Holidays Pops reflected on the revelation of Jesus during Shepherd’s Chorus as well as The Festival of Lights in an increasingly uplifting Songs of Freedom: A Celebration of Chanukah featuring detailed portraits illustrated by children’s book artist, Judith Clark. With stirring excerpts from O Little Town of Bethlehem, What Child is This, Go Tell it On the Mountain, and more, acclaimed baritone David McFerrin narrated The Christmas Story illustrated with Tomie dePaola’s original artwork.

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle. While bulbs glowing to the beat, the jolly Tanglewood Festival Chorus delivered a string of Christmas waltzes, singalongs, and more including the annual reading of Clement Charke Moore’s Twas The Night Before Christmas, read enthusiastically by special guest, Boston journalist Janet Wu.

Boston’s charming signature versions of Sleigh Ride and the always clever and amusing 12 Days of Christmas were welcome additions to the mix as Santa Claus made his grand entrance. Holiday Pops concluded with Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveyed the quiet hope for the coming New Year.

The Boston Pops presents the beloved holiday film, ‘Home Alone in Concert’ with live orchestra December 29 and 30. Photo credit to Twentieth Century Fox/Boston Pops

Before ringing in the New Year, The Boston Pops will offer special presentations of Christmas film favorite, Home Alone featuring the music of John Williams with live orchestra at Symphony Hall on December 29 and 30. The Boston Pops will cap off the year with their annual New Year’s Eve concert led by actor, animator, singer, and filmmaker, Seth McFarlane.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts. Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts. The Holiday Pops are also available at home with A Boston Pops Christmas: Live from Symphony Hall album through ITunes, Amazon, and Amazon MP3.

Plymouth Community Theatre’s annual musical show ‘The Christmas House’ boasts Christmas carols, intriguing tales, and more

Posted on December 4, 2017 by The Sleepless Critic

‘Tis the season once again for The Christmas House, an annual musical gathering to hear a blend of beloved Christmas carols, festive, original music by Marianne Withington, and intriguing holiday tales nestled in the Spire Center for Performing Arts in Plymouth, Massachusetts for one weekend only Friday, December 8 through Sunday, December 10. Click here for tickets and more information.

Written and directed by Marianne Withington, The Christmas House is an original story that explores the magic and meaning of Christmas through the warm memories and celebrations inside an old house since 1788. Along with traditional Christmas carols by the PCT singers, the cast will narrate and sing original music composed by Marianne Withington.

Plymouth Community Theatre is proud to present The Christmas House musical for three performances only on Friday, December 8 and Saturday, December 9 at 8 p.m. One Sunday matinee will be held on December 10 at 4 p.m. All performances are held at Spire Center for Performing Arts, 25 ½ Court Street in Plymouth, Massachusetts.

Click here for tickets, call 617-308-7834, and tickets will also be available at the box office. Follow Plymouth Community Theatre on Facebook and Twitter for auditions, how to donate, and their upcoming performances.

The Spire Center for Performing Arts boasts a wealth of exciting concerts, performances, and much more, especially during the holiday season. Tour the Spire Center for Performing Arts, learn about becoming a member, and click here for a diverse roster of exciting events at the Spire or call 1-508-746-4488. Spire Center for Performing Arts is also available on Facebook.