REVIEW: Featuring John Williams’s multi-faceted score, ‘Home Alone in Concert’ made a bustling, merry return to Symphony Hall

Kicking off with the familiar drumbeat of the 20th Century Fox fanfare performed live before the film’s opening credits, The Boston Pops presented Home Alone in Concert with style and a few surprises as this popular 1990 Christmas comedy film returned to Symphony Hall from December 29 and 30. Much like the Boston Pops’ ‘in concert’ predecessors featuring classic films such as West Side Story, Raiders of the Lost Ark, Nosferatu, Singin’ in the Rain, and Psycho, the Boston Pops enhances the unique tone of each film from score to sound effects, making it an unforgettable cinematic experience.  Led by Keith Lockhart, it doesn’t get much better than watching a feature film on the big screen alongside the Boston Pops’ clever orchestration.  Click here for more information on the Boston Pops.

It was a particular treat to be greeted by the Wellesley High School Keynote Singers and Rice Street Singers who performed a few lighthearted a capella holiday hits as the audience filed into the Symphony Hall lobby before the film started.  The anticipation of Home Alone in Concert was palpable, heightened by an uproarious applause as the film started and enthusiasm that continued throughout the performance.

A heartwarming film full of high jinks and relatable family humor, Home Alone features the McAllister family as they prepare to embark on a Christmas trip to Paris and through a series of unforeseeable circumstances, leave their youngest child, Kevin, portrayed by Macaulay Culkin, home alone.  Directed by Christopher Columbus, Home Alone features a hilarious cast that includes the late, great John Candy, Joe Pesci, Daniel Stern, Catherine O’Hara, and John Heard.

From heartwarming to hectic to haunting, Academy award-winning composer John Williams offers a bit of everything in Home Alone’s multi-faceted score.  Songs from the film’s soundtrack such as Run Run Rudolph by Chuck Berry and I’m Dreaming of a White Christmas by the Drifters are left to the original artists, but John Williams’s compelling score featuring the Academy Award-nominated song, Somewhere in My Memory were performed by the orchestra.

Home Alone writer John Hughes was gifted with the ability to capture the voice of a young generation and he does a remarkable job depicting the perspective of mischievous and utterly adorable Kevin McAllister as he attempts to fend for himself.  Though some of the movie is a bit far-fetched, it remains as enjoyable as it was close to 30 years ago before cell phones were a daily part of life.

Home Alone in Concert

Holiday Pops presents ‘Home Alone in Concert’ Photo courtesy of Jeanne Denizard

Not only is Home Alone on the verge of celebrating its 30th anniversary since its release, but Macauley Culkin is all grown up and has reemerged recently in a reenactment of pivotal scenes from the original film to demonstrate the magic of Google Assistant.  With the same twinkle in his eye, Culkin adds a new dimension to those film scenes while keeping the spirit of the original film intact.

Home Alone in Concert was produced by Film Concerts Live!  In August, Keith Lockhart will conduct the Boston Pops to perform Star Wars:  A New Hope in Concert at Tanglewood.  Click here for more information on the Boston Pops and upcoming Boston Symphony Orchestra events.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.

REVIEW: Captivating and lighthearted, Boston’s annual Holiday Pops as festive as ever

In its 23rd year, The Holiday Pops are in full swing and as festive as ever!  Illustration and illumination dominated this year’s performances woven into a wide spectrum of Christmas carols, spiritual hymns, and holiday traditions.  Whether it’s the excitement of the all-volunteer Tanglewood Festival Chorus, the Boston Pops adding their own unique, personal flair, or their highly anticipated sing-along, The Holiday Pops makes it easy to alleviate the stress of the season and happily embrace what truly matters.  Sponsored by Fidelity Investments and led by Keith Lockhart, The Holiday Pops at Boston Symphony Hall continues through Christmas Eve.  Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies are twinkling lights on thick, festive wreaths, just a sampling of the stunning surroundings inside Symphony Hall.  During the show, the stage spontaneously came to life with a variety of scenery illuminated above the stage from flickering candles to colorful, dancing snowflakes.

This beautiful performance of Holiday Pops delivered equal doses of reflective material and lightheartedness, the first half playful and spiritual.  Leroy Anderson’s A Christmas Festival which included Deck the Halls, God Rest Ye Merry Gentlemen, and Silent Night kicked off a memorable first half. The Boston Pops orchestra performed a harmonious and airy rendition of Parade of the Wooden Soldiers accompanied by a bright, festive short film created with original artwork and animation by FableVision Studios.

The Holidays Pops reflected on the revelation of Jesus during Shepherd’s Chorus as well as The Festival of Lights in an increasingly uplifting Songs of Freedom:  A Celebration of Chanukah featuring detailed portraits illustrated by children’s book artist, Judith Clark.  With stirring excerpts from O Little Town of Bethlehem, What Child is This, Go Tell it On the Mountain, and more, acclaimed baritone David McFerrin narrated The Christmas Story illustrated with Tomie dePaola’s original artwork.

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle.  While bulbs glowing to the beat, the jolly Tanglewood Festival Chorus delivered a string of Christmas waltzes, singalongs, and more including the annual reading of Clement Charke Moore’s Twas The Night Before Christmas, read enthusiastically by special guest, Boston journalist Janet Wu.

Boston’s charming signature versions of Sleigh Ride and the always clever and amusing 12 Days of Christmas were welcome additions to the mix as Santa Claus made his grand entrance.  Holiday Pops concluded with Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveyed the quiet hope for the coming New Year.

BSO - home-alone-345

The Boston Pops presents the beloved holiday film, ‘Home Alone in Concert’ with live orchestra December 29 and 30. Photo credit to Twentieth Century Fox/Boston Pops

Before ringing in the New Year, The Boston Pops will offer special presentations of Christmas film favorite, Home Alone featuring the music of John Williams with live orchestra at Symphony Hall on December 29 and 30.  The Boston Pops will cap off the year with their annual New Year’s Eve concert led by actor, animator, singer, and filmmaker, Seth McFarlane.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.  The Holiday Pops are also available at home with A Boston Pops Christmas: Live from Symphony Hall album through ITunes, Amazon, and Amazon MP3.

 

REVIEW: Company Theatre’s enhanced, lively production of Lionel Bart’s ‘Oliver! ‘kicks this classic up a notch

It was a nostalgic night witnessing Company Theatre’s livelier version of Lionel Bart’s musical, Oliver! having performed in the musical production in high school.  While my part was limited to selling roses on a busy London street, the Company Theatre opened up an entire world for the holidays with enhanced flair for Lionel Bart’s Oliver! continuing through Sunday, December 16 at The Company Theatre in Norwell, Massachusetts.  The production has recently sold out.  Click here for more information on the Company Theatre and their future productions.

Directed by Zoe Bradford and Jordie Saucerman and musically directed by Steve Bass with choreography by Sally Ashton Forrest, Lionel Bart’s Oliver!  is the latest version of this Charles Dickens’ classic.  This family production has enjoyed several tours and revivals in different parts of the world in its close to 60-year history.

It’s is the tale of a workhouse orphan who get entangled in a series of unfortunate events that lead him to face many adversaries, but stays strong in his search for hope and love.  With a large cast featuring memorable numbers such as Consider Yourself, As Long as He Needs Me, I’d Do Anything, and the title song, Oliver, this tale has its share of dark and humorous moments while delivering an important message about humanity that is especially relevant during the holidays.

Company Theatre's Oliver

Matthew O’Connor as Oliver Photo courtesy of Company Theatre

During the holiday season, the Company Theatre tends to make whichever production they have chosen bigger and more spectacular in line with the spirit of the season.  Lionel Bart’s Oliver! stays consistent with that tradition featuring extended, more upbeat musical numbers, grander sets,  and sharper choreography, especially during the sweeping numbers and quicker pacing of Food, Glorious Food and Consider Yourself.

From the humble, stone-lined workhouse surroundings with a single banner that reads, ‘God is Love’ to a bright street setting, Ryan Barrow’s impressive, rolling set design details the diversity of 1840’s London.  Set pieces dropping from the ceiling was a particular highlight.

The musical’s classic line, ‘I want some more’ has never sounded more humble than from the adorable countenance of Matthew O’Connor as Oliver, a sweet, naïve, but daring workhouse orphan boy who, by uncontrollable circumstances, has an opportunity to see life beyond the workhouse walls.  He shares some amusing camaraderie with Colin Paduck as the Artful Dodger, portrayed with a thick, regional accent and a charismatic grin.  They stay in time with the children’s ensemble’s compelling choreography, an energetic bunch light on their feet during some of the production’s most challenging numbers.

Company Theatre's Oliver - Sowerberrys

The Sowerberrys Christopher Spencer as Mr Sowerberry and Christa Dunn as Mrs. Sowerberry Photo courtesy of The Company Theatre

Mr. and Mrs. Sowerberry are wonderfully wicked together.  With a nasal voice and prominent sideburns, Christopher Spencer is quite comical as dour Mr. Sowerberry and Christa Dunn as stern and maybe a bit tipsy Mrs. Sowerberry.  With a prominent stance and a great voice, Francis Sheehan takes on the gruffly bombastic parish beadle Mr. Bumble.

Company Theatre's Oliver - Oliver Fagin and Artful Dodger

Colin Paduck as The Artful Dodger, Christopher Hagberg as Fagin, Matthew O’Connor as Oliver and the children’s ensemble Photo courtesy of Company Theatre

With a white beard, black hat, and flowing overcoat, Christopher Hagberg delivers a limber, stealthy performance as Fagin.  Hagberg captures the magic of Fagin, his deceptively good nature and comic greediness put on display in the number, You’ve Got to Pick a Pocket or Two and the fiddle-infused Reviewing the Situation.

Company Theatre's Oliver- Nancy, Oliver, Bet, and Artful Dodger

Brittany Rolfs as Nancy, Matthew O’Connor as Oliver, Aliyah Harris as Bet, and Colin Paduck as the Artful Dodger Photo courtesy of the Company Theatre

Brittany Rolfs brings sass and saavy to the role of Nancy, a sweet but tough woman who has mixed with the wrong crowd.  From her passionate, tenacious version of As Long as She Needs Me to the catchy harmony of the playful, rollicking number, Oom-Pah-Pah, Nancy is a force of her own onstage, sweet with the children, but always certain of what she wants.

With a deep seated growl and a menacing stare, Damian Smith steps into the role of troubled Bill Sikes.  In this production, The Company Theatre brings a new dimension and lesser known angle to this character as he stalks the city streets.  Remington is a welcome addition to the cast as scene stealing Bullseye, Bill Sikes’s dog.

The Company Theatre is capping off its 40th season with Lionel Bart’s Oliver! continuing through Sunday, December 16.  Click here for how to support the Company Theatre and here for more on their 2019 season.

 

REVIEW: Reagle Music Theatre’s 35th anniversary of ‘ChristmasTime’ is most wonderful

Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before.  Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years.  These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin.  ChristmasTime continues through Sunday, December 10.  Click here for more information and for tickets.

Christmas Time Photo 4

Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston

Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels.  Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.

Christmas Time Photo 2

ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston

From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments.  During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz.  Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.

Christmas Time Photo 7 - Fred Van Ness Soloist

Renowned Tenor Fred C. VanNess Jr in The Living Nativity

The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals.  Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way.  Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more.  ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.

As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic.  Click here for further details.

This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now.  Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10.  Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever:  An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.

 

 

Americana Theatre Company’s David Friday and Nick Mitchell talk ‘It’s a Wonderful Life: A Live Radio Play’

Over 70 years ago, despair, hardship, hope, and generosity encompassed a holiday tale that quickly became a film classic.  Based on Philip Van Doren Stern’s short story, The Greatest Gift, Frank Capra’s It’s a Wonderful Life became an annual family tradition for generations and The Americana Theatre Company is bringing back this popular, unique retelling of this beloved story suited to the film’s time period.  With a small cast inhabiting over 40 roles with a Christmas Eve setting, It’s a Wonderful Life: A Live Radio Play is performed as a 1940s radio play with a cast of just five actors.  The show runs from Wednesday, December 6 through Saturday, December 16 at Plymouth Center for the Arts in Plymouth, Massachusetts.  Click here for more information and tickets.

American Theatre Company cast 2017

A few cast member from Americana Theatre Company’s ‘It’s a Wonderful Life: A Live Radio Play’ through December 16 Photo courtesy of Americana Theatre Company

Managing Director of the Americana Theatre Company David Friday and Director Nick Mitchell discuss the inspirational transformation of It’s a Wonderful Life into an interactive, onstage, and in-studio live radio show.

Sleepless Critic:  What I like so much about It’s a Wonderful Life:  A Live Radio Play is the nostalgic 1940s setting fits right in line with the time period of the film.  How did this idea come about?

Nick Mitchell:  Radio plays have taken off and a lot of companies are doing live, mock radio plays by bringing in the effects and the different voices from the actors.  It was only a matter of time before authors got a hold of pieces like It’s a Wonderful Life.  Two different versions of the script are available for It’s a Wonderful Life that is a formatted radio play.  The one we’re using is by Joe Landry who condensed it into anywhere from 40 actors, but five are recommended and five is what we are going with.

SC:  Those five actors will play 40 roles as I understand.

NM:  Yes, indeed.  George Bailey is played by Jesse Sullivan, Emily Turner Marsland as Mary. They play just those roles, but Josh Nicholson, David Friday, and Erin Friday, the Director of Education for Americana Theatre, play everybody else.

SC:  I understand your voices will be enhanced with microphones, sound effects, and there will also be an authentic ‘Applause’ sign.

NM:  The ‘Applause’ sign is funny.  David made this fully working sign.  I kept thinking during the rehearsal process whether it is bright enough for the audience to see it.  However, audiences have responded to it the minute that sign lit up.  It was fun to watch.

It's a Wonderful Life A Live Radio Play

Cast of It’s a Wonderful Life In Studio Photo courtesy of Americana Theatre Company

SC:  It also makes it more interactive for the audience too.

DF:  The opening speech of the show explains to the audience that the broadcast will be in a radio studio.  Other performances of this show have to be done on a large stage and broadcast on the radio to a different venue.  In the opening speech, the announcer says that people at home are going to be able to hear you so laugh, applaud, cry, and it will all be part of the show.  It really tries to get everybody involved including our stage manager.  He can be seen in the production booth window.  We added that nice little twist.

SC:  Have there been any surprises during this show’s run such as unexpected reactions to certain scenes?

DF:  It’s one of my favorite movies of all time.  I see it every year just like most people do and get a little misty when I watch it.  At the end of one evening’s performance, quite a few audience members were crying or very close to it.  It is good for us.  It just tells us we’ve been able to capture the spirit of the original film.

It’s nice and I’ve actually seen a couple of online Facebook comments that people can’t wait to go home and watch it.  They enjoyed the show and want to watch it because the show recaptured something in a way that they have never seen it and want to go back and relate it to what they know.  People even thinking that way is a large victory for us.

SC:  What is the best reason one should come see the production?

NM:  In this digital age, we get entertainment where and when we want it with a push of a button.  I think at this time of year, a show and format like this reminds us to set aside some time with people that mean something to us and be entertained.  In the process, see how many lives we’ve touched in the meantime.

SC:  It’s a live show so anything can happen.

NM:  It will, believe me.

It’s a Wonderful Life: A Live Radio Play continues through Saturday, December 16 at Plymouth Center for the Arts, 11 North Street in Plymouth, Massachusetts. Reserve tickets by clicking here or call 1-508-591-0282. Tickets will also be available at the door.  Follow the Americana Theatre Company of Facebook for more information about this amazing theatre company and future productions.

 

REVIEW: Festive and moving, Massasoit’s production of ‘It’s a Wonderful Life’ is time well spent

Soft, twinkling lights and vintage multi-colored bulbs frame the Buckley Performing Arts Center stage as beloved Christmas carols ring in the holiday cheer in anticipation of a beloved tale.  That familiar sign, “You are Now in Bedford Falls” rings true as Massasoit Theatre Company opened a four show, two weekend run of It’s A Wonderful Life continuing through Sunday, December 3 at Buckley Performing Arts Center, part of Massasoit Community College in Brockton, Massachusetts.  Craig O’Connor, who acts as part narrator and full-time aspiring angel, warmly recalls a beautiful and haunting tale of the value of a life well spent.  Click here for more information and for tickets.

It's a Wonderful Life Bedford Falls

Curtis J. Bellafiore as George and Elizabeth Lovley as Mary Hatch and the cast Photo courtesy of Massasoit Theatre Company

Massasoit has an affinity for festive onstage caroling during annual holiday productions and We Wish You a Merry Christmas is just one of an array of classic tunes to set the mood.  The rolling stage, designed impressively by Nathan Fogg DeSisto, hearkens not only to its vintage 1920s to 40s setting, but visually captures some of the tale’s most iconic moments from the cold, snow covered bridge to a wooden bench frequently shown in Bedford Falls, a setting inspired by Seneca Falls, New York.  Jennifer Spagone’s distinct costume design make the cast looked sharp as women wore brightly colored dresses from polka dots to paisley in signature hairstyles of the period and the men in a variety of suits, ties, and winter coats faithful to the season.

It's a wonderful life Baileys

Patricia Straight-McGrath as Mother Bailey and Curtis J. Bellafiore as George Photo courtesy of Massasoit Theatre Company

Told partly in vignettes and flashbacks, It’s a Wonderful Life focuses on a morbidly downtrodden George Bailey, portrayed with a unique charisma by Curtis J. Bellafiore, who reaches a pivotal moment in his life that makes him question the value of his existence.  Enter mild-mannered Clarence Odbody, portrayed with warmhearted sincerity by Craig O’Connor, who questions whether he can produce a Christmas miracle.

It's a wonderful life Uncle Billy

Curtis J. Bellafiore as George and Danny Hannafin as Uncle Billy Photo courtesy of Massasoit Theatre Company

Director Tony Ruscio masters the challenging task of capturing the charm of this small town through the cast’s jocular and moving camaraderie.  The children have small roles, but each engages the audience in their own distinct way.  With a winning smile and apprehensive verbal style only mildly reminiscent of Jimmy Stewart’s portrayal, Curtis J. Bellafiore, embodies endearing dreamer George Bailey with a unique charisma.  His instant chemistry with Elizabeth Lovley as jubilant, yet mysterious Mary Hatch is captivating to watch.  Lovley’s real skill as Mary is not just in the scripted word, but in the subtlety of her performance.  Lovley’s quiet serenity perfectly complements Bellafiore’s charming optimism.  Craig O’Connor harnesses such a natural presence as lovable Clarence that it is difficult to imagine the actor himself any other way.

Chris DiOrio, last seen as grouchy but lovable Shrek in Hingham Civic Music Theatre’s fall production of the same name, takes a gloriously dark turn as the infamous Mr. Potter.   As he makes his demands from a sitting position, his presence casts a constant shadow, his deep, gravelly, and well spoken demeanor brimming with unflinching practicality.  His calculating exchanges with each cast member are riveting to say the least.

It's a wonderful life Potter

Chris DiOrio as Mr. Potter, Jim Gross, and Margaret O’Brien as Bank Examiner Photo courtesy of Massasoit Theatre Company

Massasoit Theatre Company’s festive and moving It’s A Wonderful Life continues through Sunday, December 3 at Buckley Performing Arts Center, One Massasoit Boulevard in Brockton, Massachusetts.  Call 508-427-1234 or click here for tickets and further details.  Follow Massasoit Theatre Company on Facebook for upcoming events and more.

Holiday Pops makes annual return to Symphony Hall with sing-a-long carols, holiday cheer, and Santa Claus

The spirit of the season comes knocking as the Holiday Pops make their way to Symphony Hall bringing sing-a-long carols and brimming with holiday cheer.  For over 20 years, decking out Symphony Hall has become an annual Boston tradition, seeped in the luminous sights and sounds of the season and welcoming audiences from near and far.  At the helm once again is renowned maestro Keith Lockhart to conduct Holiday Pops 2017 from Tuesday, December 5 and continuing through Christmas Eve.  Cap off the year and return to Symphony Hall for a special New Year’s Eve Party featuring the Boston Pops led by returning bandleader Bo Winiker. Click here for more information and for tickets.

Holiday Pops Christmas

Keith Lockhart leads the Holiday Pops Photo courtesy of Stu Rosner/BSO

Holiday Pops features approximately 40 evening and matinee performances featuring an array of beloved carols, storytelling, and a traditional holiday sing-along.  Morning kid matinees are also available which includes photos with Santa and much more.  Children under 2 get in free.  Kicking off on December 2, The Holiday Pops will also be on the road touring New England with Keith Lockhart and Santa in tow for The Boston Pops Holiday Tour. Click here for tour dates and locations.

Bring Holiday Pops home with the Boston Pops all-live CD.  Savor the sounds of the season right in the living room with A Boston Pops Christmas: Live from Symphony Hall, virtually bringing the listener right through the Symphony Hall doors to enjoy a time-honored Christmas tradition for the entire family.

With Keith Lockhart leading the Boston Pops, A Boston Pops Christmas:  Live from Symphony Hall features a gorgeous Christmas medley from American Idol finalist Melinda Doolittle along with audience favorites such as Dr. Seuss’s How The Grinch Stole Christmas, The Twelve Days of Christmas, Sleigh Ride, The Christmas Song, Rudolph the Red-Nosed Reindeer, and Merrily We Sing Along.

NYE Bo Winiker Symphony Hall 2017

Photo courtesy of Bo Winiker

Click here for tickets, call SymphonyCharge at 888-266-1200, and are also available at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.  A Boston Pops Christmas: Live from Symphony Hall CD is available through ITunes, Amazon, and Amazon MP3.