REVIEW: Hingham Civic Music Theatre’s compelling musical, ‘Oklahoma’ a stompin’ good time

From the first few angelic notes from one of Oklahoma’s most popular songs, Oh What a Beautiful Morning sung a capella by Jack Cappadona as charismatic Curly, it is easy to see that Hingham Civic Music Theatre’s (HCMT) spring musical is something special.  Celebrating its 75th anniversary, Hingham Civic Music Theatre’s Oklahoma! combines elegant costuming, an impressive, distinctive cast, and an interactive set that makes the audience settle into its own home on the range.  With its wealth of historical references weaved into Rodgers and Hammerstein’s classic soundtrack capturing the spirit of the time, it is no wonder that Oklahoma! won the Pulitzer Prize for musical composition in 1944 and remains relevant today.  Hingham Civic Music Theatre delivers the show’s joyous zest for life, comedy, and, make no mistake, dark moments with zing and suspense.

HCMT Oklahoma Peddler and the Territory Boys

Michael Andre as Ali Hakim and the cast of ‘Oklahoma’ Photo courtesy of Eileen McIntyre/HCMT

Directed by Nathan Fogg and musically directed by Sandee Brayton with choreography by Tara Morrison, Hingham Civic Music Theatre offers two remaining performances of Rodgers and Hammerstein’s musical, Oklahoma! on Saturday, April 29 and a Sunday matinee on April 30 at the Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and for tickets.  Tickets are also available at the door.

Based on Lynn Riggs’ play, Green Grow the Lilacs, an interactive, colorful, and rustic set rewinds the clock to the Oklahoma Indian Territory at the turn of the century, equipped with softly flickering lanterns, vintage photos, bales of hay, colorful blossoms, lush greenery, and interactive props hanging on the walls.  In this particular production, the lighting is its own character, effectively setting the mood from a soft, rising sun to a nightmarish hue.

The splendid costumes, by Kathryn Ridder, are meticulously-detailed from gold embroidered shirts, brightly-colored satin costumes to delicate, richly-designed dresses with thick bows and petticoats.  Whether it is a cow scarf adorning an outfit or a carefully matched wicker hat, those details wonderfully capture the authenticity of the time.

Ruggedly dressed in suede chaps over khaki pants with a button down shirt and cowboy boots, Jack Cappadona portrays Curly McLain with an imaginative streak and a confident and at times, a mischievous smile.  Whether engaging C.J. Hawes as Laurey in a whimsical carriage ride during the playful song, The Surrey with the Fringe on the Top or musing about life in Oh What a Beautiful Morning, with silvery vocals, Jack slides right into the role as Curly with a natural charm.  With curly red hair and green striped overalls, C.J. Hawes portrays sassy, levelheaded Laurey with great comedic timing and sardonic wit.  Jack as Curly and C.J. as Laurey are enchanting together and their soaring vocals make beautiful harmony.

HCMT Oklahoma Laurey and Curly

Jack Cappadona as Curly and C.J. Hawes as Laurey Photo courtesy of Eileen McIntyre/HCMT

With thick curly hair, bright eyes, and a deep drawl, Rylan Vachon portrays Will as fun loving, somewhat hotheaded, and spontaneous.  Will’s rendition of the song, Kansas City, has never been more fun with lively vocals and slick choreography as The Territory Boys stomp, slide, and perform various stunts.  The entire cast captures the distinct spirit of Oklahoma! in all its stomping, sweeping joy.

HCMT Oklahoma Ado Annie and Will

Rylan Vachon as Will Parker and Jess Phaneuf as Ado Annie Photo courtesy of HCMT

Jess Phaneuf as Ado Annie brings a wild-eyed vivaciousness to the role.  She seems to know how to take command of any room she is in one way or another with a wink and a grin.  Her interaction with any cast member is fascinating and her comic timing is infallible.  Her chemistry with both Will and Michael Andre as bewildered peddler Ali Hakim, have their own distinct charm.  Michael Andre as Ali Hakim does a great job of balancing a dynamic character with comedy and cleverness.

HCMT Oklahoma Ado and Peddler

Jess Phaneuf as Ado Annie and Michael Andree as Ali Hakim Photo courtesy of Eileen McIntyre/HCMT

Athan Mantalos portrays disheveled, hired hand Jud with a slow burn and deep, compelling, operatic- sounding baritone.  Athan masters this role in the quiet moments, adding tension and making his character that much more mysterious.  His scenes with Curly are especially powerful and their vocals have seamless harmony.

HCMT Oklahoma Jud and Curly

Athan Matalos as Jud Fry and Jack Cappadona as Curly Photo Courtesy of Eileen McIntyre/HCMT

With spectacles and a high collared dress, Kate Fitzpatrick brings sensibility and a bit of sarcasm to the role of Aunt Eller, who is much wiser than she lets on.  Emily Gouillart as Gertie Cummings is a great deal of awkward fun with an unmistakable laugh.

Hingham Civic Music Theatre’s Oklahoma!  offers its share of romance, comedy, and plenty of uproarious moments, but dark moments as well.  Rodgers and Hammerstein wrote their second musical, Carousel, shortly after Oklahoma’s success and both shows share some of the same themes.  Hingham Civic Music Theatre delicately weaves in the themes of loneliness, temptation, and violence effectively, balancing this timeless tale.

Hingham Civic Music Theatre offers two remaining performances of Rodgers and Hammerstein’s musical, Oklahoma! on Saturday, April 29 and a Sunday matinee on April 30 at the Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and for tickets.  Tickets are also available at the door.  Be sure to follow Hingham Civic Music Theatre on Facebook and click here to learn how to support HCMT’s upcoming productions.

 

See Boston Marathon film documentary ‘Boston’ nationwide for one night only

Finding strength and endurance in life’s challenges is easier said than done, especially when it comes to one of the most cherished and epic races in history.  Hailed as one of the most demanding marathons since its inception in 1897, for many, The Boston Marathon encapsulates a lifelong goal.  It takes the utmost endurance, agility, stamina, and determination for some the fastest runners in the world to conquer and suffer through the Boston Marathon’s annual awe-inspiring journey from Hopkinton to Boston.  Boston invites audiences to hear a few of those extraordinary stories and more for just one night on Wednesday, April 19.

In its 120th year, the Boston Marathon will show its first feature-length documentary film, Boston as a nationwide Fathom event on April 19 only.  Narrated by Academy Award-winner Matt Damon, Boston explores the extensive history, the building momentum of the Boston Marathon over the years, the incredible stories of its runners, and continuing the race following the tragic events in 2013.  Sponsored by John Hancock, learn the story of the Boston Marathon’s first charity runner, Stelios Kyriakides, who ran to support poverty-stricken Greece during World War II.  Boston interviews first female runner Bobbi Gibb, the first Kenyan and African to win Boston, Ibrahim Hussein, and shares the story of exceptional runner Johnny Kelly, who ran the Boston Marathon 61 times.

Boston is directed by award-winning filmmaker and marathon runner Jon Dunham, who was able to share exclusive marathon footage, photos and memorabilia with permission from the Boston Athletic Association.  Jazz instrumentalist and Emmy award-winning composer Jeff Beal, best known for creating the haunting score of the Netflix’s drama series, House of Cards, composed Boston’s extraordinary soundtrack, which was recently recorded live at Symphony Hall.

Click here for a closer look and tickets to Boston. Get further details on their Facebook page.

Urban Improv, celebrating its 25th anniversary, presents annual, celebrity-filled improv fundraiser, ‘Banned in Boston’

Urban Improv is celebrating its 25th anniversary and presenting their annual fundraiser, Banned in Boston, an evening of delicious food from top restaurants, celebrity improv, and much more on Friday, April 7 at House of Blues in Boston, Massachusetts at 6 p.m.  This is a 21+ event.

134549_BIB_Invite

Photo courtesy of Urban Improv

Hosted by Jim Braude and Margery Eagan, this year’s celebrity roster is once again brimming with acclaimed faces in entertainment such as WGBH’s Jared Bowen and Emily Rooney, Matt Siegel from Kiss 108, WCVB’s JC Monahan, Tom Hamilton from Aerosmith, and musician Sally Taylor.  Political leaders such as Governor Charlie Baker and Mayor Marty Walsh, arts and educational leaders will be present such as Matthew Teitelbaum of Museum of Fine Arts and Anita WalkerMassachusetts Cultural CouncilEnjoy delicious food from a wide array of restaurants such as Mei Mei, Roxy’s Grilled Cheese, East Coast Grill, Eastern Standard, and Area FourClick here for the full guest list, ticket information, and more.

Cissa Campion, Marketing Director of Urban Improv, offers a closer look at Urban Improv, its mission, and why their annual musical revue Banned in Boston is the funniest fundraiser of the year.

Jeanne Denizard:  The annual Banned in Boston fundraiser provides educational workshops guiding youth on how to best deal with tough, real life situations such as racism, violence, and bullying.  Please tell me more about the workshops.

Cissa Campion:  Banned in Boston is Urban Improv’s only annual fundraiser.  Urban Improv’s highly effective, interactive drama programs help young people explore challenging situations in their lives. We work with kids from 4th grade through high school. Whether it is peer pressure, cyber bullying, racism, homophobia, or violence, students role-play scenarios based on their own choices and experience the consequences of their actions in a safe environment.

Our atmosphere of openness and respect allows students to express themselves, leading to stronger self-esteem and improved conflict resolution, cooperation, and leadership skills.  Urban Improv helps students grapple with issues they face every day and equips them with the skills they need to become leaders who communicate our messages of nonviolence, tolerance, and respect. We call it “A Rehearsal for Life.”

Urban Improv has presented to thousands of students at schools and community groups throughout Boston, New England, and beyond.  It has been able to provide thousands of free workshops to Boston schools since its inception in 1992, 25 years ago.

JD:  What would you say is the best reason one should attend Banned in Boston?

CC:  Come for the laughs and because it’s such a good time. It’s a one-night-only event on Friday, April 7. We have this incredible roster of celebrities under one roof and all bets are off!  No rubber chicken and boring speeches at this fundraiser and enjoy delectable food provided by the city’s top restaurants.  Support a great cause that is having a powerful effect in this city.

Click here for more information and tickets to this hilarious, one night only event starting at Lansdowne Pub for a cocktail reception at 9 Lansdowne Street at 6 p.m.  Banned in Boston musical revue at House of Blues, 15 Lansdowne Street kicks off at 7:45 p.m.

Urban Improv is located at 670 Centre Street in Jamaica Plain, Massachusetts.  Click here for more information on Urban Improv, its upcoming events, and how to support this dynamic organization.

Milton Players present comedy, ‘Vanya and Sonia and Masha and Spike’ as well as upcoming auditions

vanya-sonia-masha-spike-credit-to-elizabeth-bean

‘Vanya and Sonia and Masha and Spike’ cast Courtesy of Elizabeth Bean

Taking a zany, comedic look at a dysfunctional family’s bickering and grudges, Milton Players proudly present the Tony award-winning play, Vanya and Sonia and Masha and Spike through Sunday, February 5 in Canton, Massachusetts.  The original, off-Broadway cast included Emmy and Tony award-winner David Hyde Pierce and Golden Globe-winner Sigourney Weaver.  Click here for more information and tickets.

vanya-masha-liz-eacmen-kevin-lowney-elizabeth-bean-credit

Liz Echmen as Cassandra and Kevin Lowney as Vanya Courtesy of Elizabeth Bean

Written by Christopher Durang and directed by Wendy Stuart, Milton Players’ 84th season offers a show about middle-aged siblings and their wild circumstances, culminating in a fight over their ancestral home.  With sharp dialogue derived from Anton Chekhov, ‘Vanya and Sonia and Masha and Spike’ feature local cast members Kevin Lowney as Vanya, Barbara Schapiro as Sonia, Claire Lukazcyn as Masha, Chris Cartier as Spike, Liz Eacmen as Cassandra, and Jana Urban-Geyer as Nina.

vanya-jana-urban-geyer

Jana Urban-Geyer as Nina and Chris Cartier as Spike Courtesy of Elizabeth Bean

Remaining performances take place on Friday, February 3 and Saturday, February 4 at 8 p.m.  One matinee show will be held on Sunday, February 5 at 2 p.m.  All shows are held at Brayton School Auditorium in Canton, Massachusetts. Click here for tickets, here for directions, call 617-698-7469, or email them at email@miltonplayers.org for further information.

Milton Players changes gears with their spring production, Frederick Knott’s ‘Dial M for Murder’ directed by Eric Stulb.  Adapted into a thrilling film by Alfred Hitchcock, auditions will be held on Tuesday, February 7 and Wednesday, February 8 at 7 p.m.  The show kicks off in April.  Click here for more information on auditions and more.  Follow Milton Players on Facebook for further updates.

‘Steel Magnolias’ and ‘Children of Eden’ part of the exciting premiere season of South Shore Theatre Works

From Sondheim’s enchanting fall musical, Into the Woods to the upcoming beloved spring musical, Children of Eden, South Shore Theatre Works (SSTW) in Holbrook, Massachusetts, is having a stellar premiere season.  With a group of dedicated volunteers and Board of Directors, Executive Director and President Richard Bento is thrilled about South Shore Theatre Works’ promising future.  In a “sink or swim” sort of industry, Benton says South Shore Theatre Works is “Michael Phelps-ing” it.  Click here for more information on auditions, how to support and becoming a member of South Shore Theatre Works, and more on upcoming performances.

 Jeanne Denizard:  Your first musical was Sondheim’s Into the Woods.  For a first show, that must have been quite an undertaking.  I understand you had a very good turnout though.

Richard Bento:  Yes, we had about 64 people from across Massachusetts and Rhode Island that came and auditioned. Into the Woods is a very difficult show acting-wise because it’s about relationships. It’s about relationships between mothers and daughters, husbands and wives, children and their grandparents, brothers, and new found love.  It’s a very challenging piece, not just vocally, but we wanted to do a production that shows people we’re really out to play. We want to be on the map as one of the best community theaters in the area, and doing a show like Into the Woods really put us out there. You know, it’s one of those “sink or swim” shows and we didn’t just float.  We definitely Michael Phelps-ed it and we swam successfully.

sstw-cast-of-into-the-woods

The cast of ‘Into the Woods’ Photo courtesy of Rachel Nope Beasley

JD:  To start the New Year, you presented the musical comedy, The Big Bad Musical.  Please tell me about that.

 RB:  The Big Bad Musical is part of our junior production season for young performers under the age of 19.  It was a great production. I think it really piggybacked on the production of Into the Woods with some of the characters, like Little Red Riding Hood and the Big Bad Wolf, and brought it to a different world.  It had a lighter side that Into the Woods does not necessarily have and brought a sense of humor to the fairy tale stories.  It introduced other characters like The Boy Who Cried Wolf and the Three Little Pigs. The Big Bad Musical was an exciting adventure to work with young children and see how they grow.  It’s amazing how they step up to the plate. With an adult who is performing in community theatre, you expect to have a certain level of professionalism and respect for the craft, but to see these kids who are young adults doing a show unknown to most people, doing music that people don’t know, and having to do a show that has so much dialogue, and really putting it on themselves, is something great to be a part of.  I’m honored to be a part of it.

sstw-big-bad-musical

Rehearsal for the musical comedy, ‘The Big Bad Musical’ Photo courtesy of Rachel Nope Beasley

JD:  Please tell me how can someone participate in these educational workshops?

RB:  Our Junior Workshop programs are for anyone under the age of 19 who want to participate in a youth production. We not only teach them about the acting side of dramas and musicality of musicals depending on the show, but also what it is like to put on a show and be involved from beginning to end. We are very fortunate for our summer junior workshop. This summer, we’ll be performing Disney’s The Little Mermaid, Jr.  Keep a lookout on our website, and join our email list for updates.  Auditions would be in the late spring for this August production. It’s open to anyone under the age of 19 who wants to participate, have some fun, learn, and improve their skills.

sstw-big-bad-musical-dress-rehearsal

South Shore Theatre Works dress rehearsal for youth production, ‘The Big Bad Musical’ Photo courtesy of Rachel Nope Beasley

JD:  Now, South Shore Theatre Works is producing the lauded play, Steel Magnolias, a classic story featuring a much smaller cast.  When does that show kick off?

RB:  We had auditions for that show right after Into the Woods in November and we’ve been rehearsing throughout the holiday season. We’re really focusing on it now that it is the New Year. It’s a great, well-known show, not just for the play, but also for the movie. They’re very similar to one another, but also extremely different because the play only takes place at Truvy’s Hair Salon. It really involves the six actresses on stage connecting with the audience on a different level that they would be if it was a different type of show. The show is about emotion, the interaction between friendships, and also the interaction between all different kinds of relationships. I think the motif of South Shore Theatre Works 2016-2017 season has been about relationships.

sstw-steel-magnolias

‘Steel Magnolias’ from Friday, February 17 through Sunday, February 19

JD:  South Shore Theatre Works runs fundraising campaigns, most recently with the restaurant, Not Your Average Joes.  In what ways can people support South Shore Theatre Works?

 RB:  We partner up with local restaurants and local businesses throughout the year.  We’re very fortunate to have the support of The Chateau in Stoughton, who held a fundraiser for us last year. Uno’s Chicago Bar and Grill helped us out as well. We had our good friends at Five Below on the Stoughton/Brockton line continually help us out with our endeavors by holding numerous fundraisers for us, which is greatly appreciated. Not Your Average Joe’s, the last one we just did in the month of December, was a great way for people to be able to go out to eat like you normally would and support a great cause. We’ll be continuing to do this with other restaurants in the area. Another one is scheduled for February in Holbrook. It is a great way to get some extra revenue in and for people to participate without having to do lot of work while you are putting on a full season.

sstw-board-of-directors-including-richard-bento

South Shore Theatre Works Play Reading Committee led by Richard Bento Photo courtesy of Kelly Webber

We here at SSTW are very ambitious!  We technically have been putting on a main stage and junior season, two seasons simultaneously.  To be able to do that financially, we need the support of the community.  Not just by supporting us on these fundraising events, but helping us with sponsorships and ads.  If there’s someone in the community who would like to support the arts and see it continue in their community, check out our website to see how they can assist us, whether it’s a program ad or a sponsorship.  Someone once told me it takes a village to raise a child. It’s the same thing with a community theater. It takes the town and the surrounding communities to raise and bring up a successful community theater.

Volunteers are always needed, whether you can sew, help with the box office, hang up or design a flyer or a poster, or with media.  Volunteer your talents, whatever that talent may be.  You can start off assisting a stage manager or helping on a crew and by the next show, you can get more and more involved.  We would greatly appreciate it.

sstw-children-of-eden

South Shore Theatre Works present the beloved musical, ‘Children of Eden’ Photo courtesy of South Shore Theatre Works

Click here to get involved with South Shore Theatre Works, join their mailing list, and learn about their upcoming productions.  South Shore Theatre Works is also on Facebook.