Sting, John Mellencamp, Natalie Merchant, and ‘Jaws’ part of Tanglewood’s summer season

What does an underwater predator and an alien paired with Mozart, Mahler, Sondheim, and some of the biggest names in music have in common?  They are arriving at Tanglewood this summer.

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John Mellencamp, Emmylou Harris,and Carlene Carter perform in Tanglewood July 1 Courtesy of BSO Publicity photo

Overlooking stunning views in the Berkshires, the Koussevitzky Music Shed will once again deliver a wide variety of entertainment on Tanglewood’s stage.  Featuring legendary music guests such as Sting, Diana Ross, Emmylou Harris, James Taylor and more, Tanglewood’s season kicks off with renowned BSO Music Director Andris Nelsons leading the Tanglewood Festival Chorus in a performance of Mahler Symphony No. 2, Resurrection on Friday, July 7.  The season concludes with The Boston Pops featuring Melissa Etheridge on Sunday, September 3.  Performances are held at Koussevitzky Music Shed in Lenox, Massachusetts.  Click here for tickets and further information.

As the Boston Pops season celebrates the movie magic of acclaimed composer John Williams, Tanglewood delivers a few gems from this year’s Boston Pops season. That underwater predator is none other than Jaws as Keith Lockhart conducts the Boston Pops in John Williams’ Academy Award-winning score live along with the film screening.  Directed by Steven Spielberg, Jaws in Concert arrives just before summer on Sunday, June 18.  Celebrating its 25th anniversary, another Spielberg classic getting the screening live with orchestra treatment is E.T. The Extra-Terrestrial in Concert on Friday, August 25.  Keith Lockhart and the Boston Pops will perform the Academy award-winning score by John Williams.

 

Just a few of  the celebrity music guests taking the Tanglewood stage are Diana Ross, John Mellencamp, Natalie Merchant, Sting, Melissa Etheridge, Boz Scaggs and Michael McDonald, as well as Four Voices which includes The Indigo Girls, Joan Baez, and Mary Chapin Carpenter.  Best-selling author and humorist David Sedaris will share his insights and his new book, Theft by Finding in his Tanglewood debut on Sunday, August 20.

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Four Voices: Joan Baez, Indigo Girls and Mary Chapin Carpenter perform on Saturday, June 17 Photo courtesy of the BSO

A number of audience favorites will also return such as five time Grammy award-winner James Taylor, John Williams’ Film Night, Yo-Yo Ma, Emanuel Ax, Tanglewood on Parade, and Tanglewood Family Concert where attendees under age 18 are free.

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The Legendary Diana Ross performs on Wednesday, August 30 Photo courtesy of Al Watson/BSO

Throughout the season, Tanglewood offers a wide array of classical works from Schubert, Tchaikovsky, Prokofiev, Schubert, Mozart, Beethoven, and much more.   Located at 297 West Street in Lenox, Massachusetts, the Tanglewood season also includes special music presentations with Underscore FridaysTicket packages are available and attendees under age 40 can get tickets for just 20 dollars.  Click here for further details. Click here for the entire Tanglewood schedule and tickets or call SymphonyCharge at 1-888-266-1200.  Like Tanglewood Music Festival on Facebook for all the latest updates.

 

 

 

Queen Latifah, Ben Folds, ‘Jaws,’ and ‘E.T.’ part of the Boston Pops ‘Celebrating John Williams’ season

Sometimes the most tremendous talent is located right in the backyard.  Responsible for a wealth of critically-acclaimed and celebrated music scores over a career that spans six decades and beyond, Boston Pops Laureate conductor John Williams has been nominated for 50 Academy Awards, winning five.  Legendary film scores for Star Wars, Indiana Jones, Harry Potter, Jaws as well as the Olympic Fanfare and theme and NBC Sunday Night Football are just a glimpse of the spectacular works by the incomparable John Williams.

In honor of John’s 85th birthday and his incredible accomplishments over the years, The Boston Pops dedicate their season to Celebrating John Williams from Wednesday, May 10 through Saturday, June 17 at Boston Symphony Hall.  The season will kick off with multi-talented actress and singer Queen Latifah from Wednesday, May 10 to Thursday, May 11 and finishing off with the 25th anniversary of Gospel Night on Saturday, June 17.

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Queen Latifah opens the Boston Pops season Photo courtesy of Boston Pops

The Boston Pops also offers a pre-season concert series hosted by Indiana Jones star, Karen Allen and the live recording of Boston Pops CD release on Friday, April 7.  Click here for Boston Pops tickets and here for more information on upcoming BSO concerts.

Led by accomplished conductor Keith Lockhart, a compelling roster of renowned artists and celebrity appearances enliven this spring’s Boston Pops season.  The stage and screen have never been brighter with iconic artists such as musicians Ben Folds, Leslie Odom, Jr, and the Party with the B-52s.  Other highlights include The Beatles & Beyond, Jaws in Concert, Mamma Mia, E.T. in Concert, Cirque De la Symphonie,  Lights, Camera, Music, The Music of John Williams, and more.

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Ben Folds Photo courtesy of the Boston Pops

The Boston Pops presents the always phenomenal and wildly-popular Gospel Night once again led by Charles Floyd and the return of Film Night with John Williams.  Click here for a full list of performances.

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Leslie Odom, Jr from Hamilton will perform with the Boston Pops Photo courtesy of the Boston Pops

Click here for tickets, call SymphonyCharge at 1-888-266-1200, or visit the Symphony Hall box office during business hours at 301 Massachusetts Ave in Boston, Massachusetts.  Follow The Boston Pops on Facebook and Twitter for updates.

 

New England Philharmonic President Ann Teixeira talks anniversary concert, NEP’s future plans, & more

New England Philharmonic President Ann Teixeira is often encouraging music lovers to broaden their horizons.  From taking field trips to see the Detroit Symphony Orchestra to becoming the President of the New England Philharmonic (NEP), Ann became a music lover at a young age having been exposed to a variety of music throughout her life.  The NEP offers a unique blend of contemporary and traditional classical music, which has enraptured audiences for decades.

The New England Philharmonic has a great deal to celebrate.  Led by Music Director Richard Pittman, who is starting his 20th anniversary year, New England Philharmonic presents its 40th Anniversary Concert:   A Child of Our Time. This exciting concert, featuring a number of special guests, soloists, and musicians, takes place at the Tsai Performance Center at Boston University on Saturday, March 4 at 8 p.m.  Click here for more information and for tickets.

Ann Teixeira gives an inside look at the NEP orchestra, shares her music background, fond memories with the New England Philharmonic, and NEP’s future plans.   The New England Philharmonic thrives on the support of the community.  Click here to support the NEP, sign up for their newsletter for upcoming performances, and more.

Jeanne Denizard:  What first inspired your love for music and what led you to pursue a career in the music industry?

Ann Teixeira:  I was fortunate to grow up in a suburb of Detroit, Michigan with an excellent and well-funded school system.  We took field trips to Detroit to hear the Detroit Symphony, attend plays, and visit the art museum.  I participated in music and art classes at school and had friends who took piano lessons, ballet, and acting.  That gave me a great deal of exposure to the arts and I found myself attracted to music.

By the time I was in junior high school, I was part of a music club and we attended performances.  I also took piano lessons until my piano teacher told my parents it was not a good use of their money.  That didn’t dampen my interest in music, but it did puncture a hole in my balloon.  Growing up in the 1950s, I was always exposed to classical music and the only contemporary or popular music I heard was on the radio.

JD:  Please tell me how you first got involved with New England Philharmonic.

AT:  At intermission at the Boston Symphony, I often chatted with a man I worked with a number of years ago and he was on the NEP board.  Seeing me at Symphony, he thought I might be interested in joining the board of an orchestra and asked if I’d be interested.  He told me about NEP and the rest is history.

I had been a member of the Board of Overseers of Opera Boston which had closed down about a year before and was wondering how I might get involved with another music organization.  That was spring 2012, and the New England Philharmonic had distinctive programming like Opera Boston, so I thought it would be a good fit for me.

JD:  What is it like as President of NEP?  I’m sure being part of the arts everyday is an exciting venture with its share of surprises.

AT:  It is interesting, challenging, gratifying, and demanding.  Having a Composer-in-Residence program with a volunteer orchestra, a Call for Scores competition, and a Young Artist Competition, NEP is unusual if not unique.  In Boston’s rich music environment, NEP’s programming, which includes composers and compositions without wide-name recognition and premieres of new works during almost every concert, makes it a constant challenge to attract an audience.  Though reviewers laud the challenge, creativity, and interest of NEP’s programs, it is challenging to fill the hall with people willing to try something new.

The surprise has been the success of the Chamber Players small ensembles from within the orchestra who have been welcomed by major institutions in the area to present chamber concerts, such as the Boston Athenaeum, the Peabody Essex Museum, the Children’s Museum, King’s Chapel, the Newton Library, and the Harvard Business School Chapel among others.  These ensembles are greatly expanding the audience for the NEP, and the musicians love the opportunity to prepare pieces written for quartets, quintets, and septets.

JD:  Do you have any exciting or memorable stories over your time in NEP that you’d like to share?

AT:  Several experiences stand out.  In April 2013, the NEP played former Composer-in-Residence Michael Gandolfi’s Chesapeake: Summer of 1814 which culminated with The Star Spangled Banner which was written in the summer of 1814, a piece just written that summer.  The chorus sings the verse we are know very quietly, and then sings three unfamiliar verses, rising in volume along with the orchestra for each subsequent verse.  It still gives me goose bumps.

Gunther Schuller, a good friend of our Music Director, Dick Pittman, whose music the NEP often played, continued to attend performances throughout his life.  In 2014, he was named NEP Composer Laureate.  The last time he attended a concert and spoke with the audience, he was in a wheelchair and quite weak.  His appearance at our concert may have been his last public appearance.  He died six weeks later.

I remember their fondness for the NEP and the generosity of former Composers-in-Residence who contributed compositions, fanfares to start the three principal concerts this season.  Robert Kyr, the first Composer-in-Residence, wrote a lovely tribute to the longevity of the NEP, its commitment to contemporary music, and the fact that there is only ‘one music.’

I am also so proud  for the NEP that The Boston Globe recognized NEP’s 2012 War Requiem by Benjamin Britten as the ‘best classical performance of 2012’ and ArtsFuse called NEP ‘best local musicians’.

The NEP Chamber Players emerged as a new component of the NEP, enthusiastically supported by musicians who already hold full-time jobs outside the NEP, play in the NEP and sometimes in other orchestras as well.  They have families and are still willing to take on new music in new ensembles playing in new venues, all for NEP’s benefit.

JD:  I understand part of what sets NEP apart from other orchestras is it is an all-volunteer orchestra with a composer-in-residence.  The NEP sets great stock in original, contemporary work and commissions a new work each season from its resident composer.

AT:  Yes, NEP is one of a few all-volunteer orchestras.  Ours is made up of trained musicians, many of them from major university schools of music and nationally-known conservatories who make their living in another profession including research scientists, physicians, a pilot, sales people, music teachers, and many other professions.  Dick Pittman’s challenging music programming requires substantial personal practice between orchestra rehearsals and sometimes section rehearsals.  Their time commitment to the NEP is mind-boggling and impressive.

The Composer-in-Residence and Call for Scores programs were established in 1985. The Call for Scores is an open competition.  Composers are invited to submit a recently composed work without regard to any theme or other programmatic criteria. The Composer-in-Residence writes a new composition each season to be premiered by the NEP, and he judges the compositions submitted to the Call for Scores competition, selecting finalists for review by the Music Director and their joint decision on a winner.

The winner almost always attends and speaks to the audience about the winning piece, when it is performed during the following season.  Thus the Composer in Residence program ensures a minimum of two premieres each season, one a world premiere and the other a Boston or U.S. premiere.

However, it is not unusual for each program during the season to a premiere of a recently composed piece.  Consistent with the NEP’s tagline: ‘Innovation and Tradition in Concert,’ every program includes several contemporary classical music and typically one lesser known or less frequently performed traditional classical piece.

JD:  Please tell me what other works you are looking forward to this season and what are NEP’s future plans?

AT:  Our final concert of this season is on April 29.  We are particularly looking forward to Concertmaster Dani Maddon’s annual performance as soloist for a violin concerto.  This year, it will be the world premiere of Current Composer-In-Residence David Rakowski’s Violin Concerto No.2 written for her to perform on this occasion.  Andy Vores and Bernard Hoffer also have written pieces for Dani to perform.

We also look forward to performing the Boston premiere and Call for Scores 2016 winner, Liliya Ugay’s Oblivion.  Former Composer-in-Residence Peter Child is also contributing a world premiere fanfare to open the concert.

The program is rounded out by Aaron Copland’s Orchestral Variations, Sebastian Currier’s Microsymph and Zoltan Kodaly’s Peacock Variations.  This program should be a wonderful end to the 40th Anniversary season.

New England Philharmonic presents the 40th Anniversary Concert:  A Child of Our Time at the Tsai Performance Center at Boston University on Saturday, March 4 at 8 p.m.  Click here for tickets, how to become a subscriber, and more.