REVIEW: ‘The Mom Show’ a moving recollection of survival and resilience

Michael Levin’s Polish Jewish mother hated one man shows.  Jenny Graubart didn’t think there was anything interesting about someone standing on stage talking through an entire performance.  However, what is so rewarding about Michael Levin’s The Mom Show is not just his reflections and a collection of family photos.  It has wisdom, tragedy, resilience, love, disaster, music, and a cast of multi-faceted relatives existing during one of the most harrowing parts of history.  Accompanied by a collection of original songs performed and composed by Levin (with the exception of one), The Mom Show is an intimate and engaging portrait of a survivor whose son still wonders how she did it all.

Written, composed, and performed by New York Times bestselling author and Tanglewood Festival Chorus tenor Michael Levin, The Mom Show continues live at the Regent Theatre in Arlington, Massachusetts Sundays through July 18 at 7 pm.  It was the first in person theatre production to open in Massachusetts and it follows Covid guidelines.  The show runs 80 minutes without an intermission.  Click here for more information and tickets. 

Unlike Levin’s mother, I think there is something endearing about one man shows if they are delivered with heart, finesse, and has a solid story to tell.  The production explores three generations from 1908 Poland right into the present day exploring Levin’s family’s experiences as they ventured into different parts of the world to escape the Holocaust and ultimately settling in Queens, NY.  Through their ever changing locations, Graubart’s versatility, worldliness, and resourcefulness shine through while overcoming difficult hardships and triumphs that will not be revealed here. We’ll let Levin tell the tale.

Levin is an engaging storyteller, adding humor and spontaneity to this emotional journey.  Musically directed by Nancy Loedy, The Mom Show delves into various musical genres from rockabilly to the blues to a Cuban lullaby.  What We Remember is a particularly stirring piece.   Levin’s sincerity and heartfelt vocals add a lighthearted gleam that keeps in step with each segment of the production.  Levin’s mom was also a big fan of musicals before her death in 2018 and The Mom Show is worthy of her approval. 

The Mom Show continues live at the Regent Theatre, 7 Medford Street in Arlington, Massachusetts Sundays through July 18.  Click here for more information and tickets. 

REVIEW: Company Theatre presents interactive and charming ‘Wonderland: Alice’s Immersive Adventure’

Ever wonder what the Mad Hatter would say if you were welcome to tea or imagining a nonsense word to get you out of a fix or how the guards paint the roses red?

This is just a glimpse into Company Theatre’s Wonderland:  Alice’s Immersive Adventure, a magical, unique and most curious tour with some of Alice in Wonderland’s most iconic characters continuing through Saturday, May 1 at The Company Theatre, 30 Accord Park Drive in Norwell, MA.  Directed by Corey Cadigan, this family-friendly tour, based on the Academy of the Company Theatre’s Theatre Workshop, takes place entirely outdoors on Company Theatre’s surrounding grounds following Covid guidelines.  Click here for more information.

Alice with Dweedle Dum and Tweedle Dee Photo courtesy of Zoe Bradford/Company Theatre

Drawing inspiration from the famous Lewis Carroll tales such as Alice’s Adventures in Wonderland and its film adaptations, Wonderland:  Alice’s Immersive Adventure with Alice as your guide, you follow the White Rabbit while interacting with some of Carroll’s most iconic characters on a wacky journey to defeat the Red Queen.  The colorful characters’ costumes by John Crampton and the sets by Ryan Barrow are fun, detailed and imaginative featuring twinkling lights to guide your way and the enthusiastic, engaging cast make every tour a unique experience. 

Each character may ask you questions and you may ask them according to the rules of Wonderland.   At journey’s end, enjoy a tea party featuring cookies and other goodies.

The Company Theatre presents Wonderland:  Alice’s Immersive Adventure through Saturday, May 1.  Click here for more information, tickets, and how to support The Company Theatre.

REVIEW: Hub Theatre Company of Boston makes virtual ‘Much Ado about Nothing’ something special

It was love in the time of Covid.

Hub Theatre Company of Boston puts a 2020 twist on Shakespearean romantic-comedy classic, Much Ado About Nothing.  This lighthearted production not only battles the perils of love, but a modern-day pandemic. 

Shakespeare was no stranger to the times we are living in today.  He watched theatres close during the Great Plague of London in the 1600s and used his time wisely, writing King Lear, MacBeth, and Antony and Cleopatra during that time of isolation.  Tailoring this romantic comedy into 2020 isn’t too far of a stretch, especially in the humorous and clever manner in which Hub Theatre approaches these changes, not taking themselves too seriously.

Hub Theatre Company of Boston offered live streamed performances of Shakespeare’s Much Ado about Nothing until November 21 on a pay-what-you-can basis.  Astutely directed and adopted by Bryn Boice, the virtual performance is still available to watch on Hub Theatre Company of Boston’s Facebook page.  Click here to learn more about Hub Theatre Company of Boston and their future productions.

It is difficult to put together a show in the best of circumstances so Hub Theatre of Boston smartly steered into the skid by presenting this classic production, developing what theatre would have considered obstacles into strengths using the power of Zoom.  Romantic partners kiss (offstage), couples and groups schedule rendezvous in breakaway rooms, and masks are weaved right into the story varying from silly animals to refined Venetian costume masks.

Part of what keeps Much Ado about Nothing a relevant, insightful, and easily modern piece is its foundations inspired endless inspiration for contemporary rom-coms.  Adding tech talk and Covid-speak such as ‘turn off the cameras,’ ‘swipe right,’ ‘privacy issues,’ ‘your mic is on,’ and ‘venmo to payment’ does not seem too out of place onstage or on a laptop.  Its exuberant and mischievous tone steeped in romance, gossip, tricks, and trappings have universal and timeless appeal. 

This lively cast zealously adapts the production’s modern charm as they deliver wit, humor, and ripening drama in equal measure.  As Hero (Micheline Wu) is getting ready to marry Claudius (Jaime Hernandez), mutual friends decide to do some matchmaking of their own with sworn singles Benedick (Jon Vallente) and Beatrice (Lauren Elias). 

Wu is natural, charming, and sympathetic as blushing Hero and she shares sweet chemistry with Hernandez who delivers a robust performance as lofty and serious Claudio.  Sarcasm, wit, and banter are not lost on outspoken, headstrong, and stubborn Elias and Vallente, who exhibit crackling chemistry as Beatrice and Benedick.  One favorite line Hub Theatre gloriously did not change was when Benedick asks Beatrice, “You take pleasure then in the message?”  Beatrice replies, ‘Yea, just so much as you may take upon a knife’s point.’  Their bickering is as biting as ever.

Nettie Pickering brings gravitas to her portrayal as Don Pedro and providing contemporary comic relief are the hackers or in traditional terms the Watchmen led by officer Dogberry (John Kinsman) boasting a Boston accent.  Kinsman’s conceited and controlling Dogberry is amusing on his own, but shines in scenes with his watchman, portrayed with streetwise sass by Borachio (Lorraine Kanyike) and Conrade (Jessica Golden).   

Chelsea Kerl’s dynamic, edgy costumes and Justin Lahue’s bold digital design keep the show bright and buoyant even in its darkest moments…and there are a few.  Michael John Ciszewski has a flair for portraying dastardly characters and his elitist, tyrannical depiction of Don John is no exception.

The revelations hold up and pay off in Hub Theatre Company of Boston’s modern adaptation of Much Ado about Nothing.  A recorded version is still available on Hub Theatre Company of Boston’s Facebook page.  The production is on a pay-what-you-can basis.  Click here for more information on Hub Theatre Company of Boston and their eighth season.