REVIEW: True North and Exiled Theatre’s ‘M. Refractions from an Evil Act’
A man disoriented on the floor and a door seemingly with a mind of its own.
A sophisticated Parisian hotel holds a lot more than secrets in James Wilkinson’s M: Refractions from an Evil Act. Is this place escape or a trap?
With unpredictable direction by Joe Juknievich, Exiled Theatre recently presented the world premiere of mystery thriller drama, M: Refractions from an Evil Act live and in person at Boston Playwrights’ Theatre in Boston, Massachusetts through Sunday, August 9. This bilingual production in French and English contained some adult themes and was part of Boston University’s Boston Playwrights’ Theatre’s Incubator productions. It ran 2 hours with a 15 minute intermission. Click here for more information.
With a classic soundtrack that added a vintage flair, M. Refractions from an Evil Act is an intriguing production that does a lot in its two hour run time. It reaches into a realm of possibilities such as time travel, paranormal activity, possession, loneliness, guilt, and grief when a mysterious woman claims an intruder was in her hotel room. However, when her claims, sordid history and circumstances for being in Paris suspiciously change on a dime, she becomes a person of interest that cannot be trusted.
Glamorously dressed in a blue romper with a coordinated scarf, Julia Hertzberg as seemingly self-centered “M” is one moment lonely, the next sharing her grim thoughts and then overwhelmed, disoriented and frustrated at her ordeal wishing to drown her sorrows. However, this is no ordinary hotel and the people around her have secrets of their own.
Out of the characters presented, Peter Tone is the most likable as a Hotel Clerk. Tone is instantly accommodating, genuinely concerned and a sincere listener with good chemistry with Hertzberg’s M while Sydney Grant as brisk, determined, genteel and no nonsense Jolene is laser focused on cleanliness and order. Grant as Jolene and Hertzberg as M share an intense dynamic while M’s relationship with Tim Hoover as Lone is a striking puzzle. As soon as things start to become clearer, more and more questions arise.
Producer and costume designer Laura Crook Waxdal delivers chic Parisian style in attire which includes coat and tails, a classic French maid uniform and tailored suit with a brimmed hat. Nick Duffy’s flickering lighting design lends to the production’s suspense and enlivens Joe Juknievich’s foreboding set depicting a historic hotel room with wooden furnishings.
M does not know and is not interested in learning French and much of the production is in French without translation perhaps to put the audience in M’s shoes. For those who understand French, you are in the right place. However, it does make this already complex show more difficult to follow.
This production was inspired by the playwright’s bizarre three-day Parisian weekend and I wish I knew more about that experience. Though this thrilling production boasts a lineup of compelling characters while delivering a chilling vibe somewhere between Twilight Zone and Hitchcock with a cryptic sense of humor, it also spends a lot of time deciding the direction of its narrative. This work in progress touches on a lot of themes presented seemingly out of sequence yet does not fully commit to them. There’s loss, crime, revenge, special effects and even some mind tricks and while I love a good mystery and appreciate the concept, so many elements are left to interpretation which becomes confusing and frustrating. The show offers so many possibilities, but leaves more questions than answers.
Exiled Theatre recently presented the world premiere mystery thriller drama, M: Refractions from an Evil Act live and in person at Boston Playwrights Theatre in Boston, Massachusetts through Sunday, August 9. Click here for more information.
