REVIEW: With a double dose of vintage flair, Lyric Stage’s ‘Little Shop of Horrors’ will make audiences thirsty for more

This sad little flower shop on Skid Rowe holds a secret.

Tattered, lesser known movie posters such as ‘Mothra,’ ‘Planet of the Vampires,’ and ‘Attack of the Puppet People’ strewn fervently on brick, graffiti-covered walls provide is just a hint of the zany, B-movie glory that opens Lyric Stage Company of Boston’s 45th season with retro sci-fi musical comedy, ‘Little Shop of Horrors’ continuing through Sunday, October 6 at Lyric Stage in Boston, Massachusetts.  Click here for more information and tickets.

From the inventive special effects to the fascinating, ‘blooming’ set,’ Lyric Stage makes two things abundantly clear:  Don’t feed the plants and everyone’s life should be narrated by a streetwise, Greek chorus.

‘Little Shop of Horrors,’ based on Jack Cullier’s 1932 story Green Thoughts, went on to become a cult classic, featuring actors such as Jack Nicholson, Bill Murray, Rick Moranis, Steve Martin, and John Candy stepping into its various film adaptations.  A remake is in the works as it marks its 60th anniversary in 2020.

It’s a seemingly simple tale about young love on Skid Rowe in a fledgling flower shop that houses a curious, unique breed of plant.  Some critics have compared it to the daring tone of the cult classic, ‘Rocky Horror Picture Show,’ but ‘Little Shop of Horrors’ offers a more subtle brand of campy charm.

Lyric Stage's Little Shop of Horrors Trio

From L to R: Pier Lamia Porter as Chiffon, Carla Martinez as Ronnette, and Lovely Hoffman as Crystal Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Janie E Howland’s vivid, transformative set is remarkable right down to its carefully timed shop bell.  Not only does it pay homage to vintage films of its time, but ‘Little Shop of Horrors’ is packed with 50s and 60s references such as ‘I Love Lucy,’ Howdy Doody, Donna Reed, and Betty Crocker.

Before going any further, let’s start with that Greek Chorus.  With few exceptions, the music, with lyrics by award-winning composer Alan Menken, have a catchy, rock n roll vibe including tunes that pay tribute to 60s girl groups.  From casual street garments to flashy glam, these three electrifying vocalists certainly know how to make an entrance.  Pier Lamia Porter as Chiffon, Lovely Hoffman as Crystal and Carla Martinez as Ronnette are a tough, humorous, and street-smart trio who unveil the real ins and outs of Skid Rowe through harmony, kicking it off with the catchy signature track, Little Shop of Horrors.

Lyric Stage Little Shop Remo Airaldi Dan Prior Katrina Z Pavao and Jeff Marcus

L to R: Remo Airaldi as Mr. Mushnik, Dan Prior as Seymour, Katrina Z Pavao as Audrey, and Jeff Marcus as a customer Photo credit to Mark S. Howard/Lyric Stage Company of Boston

The show has a gift for funny, ironic contrasts with a cast that has increasingly complicated motives.  Wearing black-rimmed glasses, a baseball cap, and fervently wiping his brow, Dan Prior gives real heart to Seymour, a sympathetic, yet conflicted botanist.  With an anxious demeanor and a light city accent, Prior emphasizes Seymour’s inherent, inescapable loneliness as he struggles to remain forthright and honest as the show progresses.  He shines in the darkly tender number Grow for Me and in his awkward adoration for trusting and frequently unlucky Audrey, portrayed wonderfully with plucky charm by Katrina Z Pavao.  In a particularly comical moment, Seymour hopes to take Audrey to “a fancy dinner at Howard Johnson’s.”

Pavao’s lovely soprano vocals carry a lullaby or a soulful belt with equal skill.  She shares her simple, 50s domestic dreams in a funny and tender rendition of Somewhere That’s Green and with Seymour in a powerful rendition of Suddenly Seymour.

Lyric Stage 'Little Shop of Horrors' Dan Prior as Seymour and Remo Airaldi as Mr Mushnik

Dan Prior as Seymour and Remo Airaldi as Mr. Mushnik Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Disheveled and desperate in an old cardigan, Remo Airaldi takes on the role of frustrated flower shop owner, Mr. Mushnik.  Having delivered a deliciously dark comedic turn as Ben in Lyric Stage’s ‘The Little Foxes,’ Airaldi once again delivers a dark and memorable performance.  He is especially clever with Dan Prior as Seymour for the manipulative and comical number, Mushnik and Son.

Lyric Stage's 'Little Shop of Horrors' Carla Martinez Pier Lamia Porter Lovely Hoffman and Jeff Marcus

From L to R: Carla Martinez as Ronnette, Pier Lamia Porter as Chiffon, Lovely Hoffman as Crystal, and Jeff Marcus as Orin Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Jeff Marcus brings out his campy, satiric best in several roles including a no-holds-barred performance as Orin, a belligerent, narcissistic biker dentist punctuated with a howling, maniacal laugh.  Marcus and Prior are particularly fun to watch, playing well off each other in the number, Now (It’s Just the Gas). 

Lyric Stage's 'Little Shop of Horrors' Dan Prior as Seymour and Audrey II

Dan Prior as Seymour and Yewande Odetoyinbo as Audrey II Photo credit to Mark S. Howard/Lyric Stage Company of Boston

However, the real spectacle is  Audrey II, the sly, soulful plant that changes everything.  With versatile and grimly wise vocals by Yewande Odetoyinbo, inventively manipulated by Tim Hoover, and skillfully designed by Cameron McEachern, Audrey II is a comical, extraordinary specimen right down to her bright colors and shiny, dangling teeth.  Audrey II is handled is such an innovative, natural, and majestic way, the results are truly mesmerizing.

Directed and choreographed by Rachel Bertone, Lyric Stage’s ‘Little Shop of Horrors’ continues through October 6 at the Lyric Stage Company of Boston, 140 Clarendon Street in Boston, Massachusetts.  Click here for more information and tickets and here for what is coming up during Lyric Stage’s 45th season.

REVIEW: Hingham Civic Music Theatre’s ‘The Annulment’ makes parting sweet sorrow

First comes love.  Then comes marriage.   This new musical takes a look at what may come next.

Playwright Sheila Kelleher,  Music Director John Ferguson, and choreographer Cat Umano collaborated for a two day workshop of a world premiere musical destined to be submitted to a future New York festival.  Hingham Civic Music Theatre presented ‘The Annulment’ on Friday, August 23 and Saturday, August 24 at Hingham Town Hall in Hingham, Massachusetts.  This show contains some adult humor.  Click here for more information and more about Hingham Civic Music Theatre’s future productions.

With music accompaniment consisting of Music Director and pianist John Ferguson and percussionist John Duff, the inviting set was well suited for this production as the show travels to different eras and timeframes.

‘The Annulment’ may have been about three different couples and what happens after they said, ‘I do,’ but what truly gives this show more emotional weight are the larger questions it pursues.  What does it take for long-lasting happiness?  What stirs the soul?  What constitutes an annulment and when is it just legal jargon on a piece of paper?  Celia, portrayed with quick-witted cynicism and wistfulness by Carole Shannon, just wants some answers.

Hingham Civic Music Theatre The Annulment Celia and Nadine

Carole Shannon as Celia and Stephanie Blood as Nadine Photo courtesy of Hingham Civic Music Theatre

‘The Annulment’ could very well have developed into a drawn out court battle, but it instead explores the nature of relationships, love, loss, and everything in between.  The cast has a very natural chemistry and it is not difficult to imagine this group being longtime friends.  The show is also not without its share of wild and sometimes cynical humor.  James Swindler channeled a Vince Vaughn vibe as Dave, a playful, party-loving guy who has an uninhibited passion for his equally wild wife Nadine, a lively and comical performance by Stephanie Blood. Their uninhibited and flirtatious antics are among the most amusing parts in the production and they both clearly look like they are enjoying themselves.

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Carole Shannon shows a pensive, vulnerable side as Celia, her smooth vibrato poignant during the numbers, When I Used to Sing and What We Missed.  Charlie McKitrick impressively portrays Tony, a critical man who constantly worries more about outward appearances than anything else.  ‘The Annulment’ is skilled at building tension and there is no lack between these two.  Offering a sympathetic, non-judgmental ear is Deanna Lohnes as Celia’s supportive friend Sabrina.  ‘The Annulment’ is a funny, relatable musical comedy with heart when life doesn’t quite deliver a happily ever after.

Hingham Civic Music Theatre has been entertaining audiences for over 70 years.  This fall, ‘The Dr. Seuss Experience’ exhibit will be heading to Boston and Hingham Civic Music Theatre is also presenting ‘Seussical The Musical‘ in October.  Click here for all the details and their recently announced 2020 season.

 

 

 

 

 

 

 

 

REVIEW: Little Theatre of Stoughton’s ‘Anything Goes’ a zany musical comedy on the high seas

The Little Theatre of Stoughton showed off its sea legs with Cole Porter’s musical comedy classic, ‘Anything Goes’ that ran one weekend and concluded on Sunday, August 18 at Stetson Hall in Randolph, Massachusetts.  Directed and choreographed by Christina Maggio with music direction by Jesse Alling, this Tony Award-winning musical boasted a number of legendary composer Cole Porter’s hit songs while revealing a high seas tale of mistaken identity, lurking gangsters, and complicated romance.  Click here for more on the Little Theatre of Stoughton and check back for their upcoming events.

It was a lively, cheering crowd that greeted the cast in the final performance of this show, offering a short applause as each main character first took the stage.  Having never seen a production of ‘Anything Goes’ before, it was surprising to see just how many Cole Porter classics came from this 1934 musical.  You’re the Top, Let’s Misbehave, I Get a Kick Out of You, De-lovely, and the title track are just a few of the American Standards that have been covered by contemporary music artists and live on today.

Little Theatre of Stoughton Anything Goes aboard the ship

Nate Haywood as Billy Crocker (bottom center) and cast Photo courtesy of the Little Theatre of Stoughton

‘Anything Goes’ could very well have also inspired the 1977 television show, The Love Boat because comedy and complex romance runs amok on the SS American where Nate Haywood as Billy Crocker will do virtually anything for a laugh.  Earnest, charming, and complex, Haywood was well-fitted for the role as a man of many faces who wore many hats.

The show has its share of silly moments and Haywood’s scenes with Will Candler as boisterous and demanding Mr. Whitney prompted more than a few laughs.   Haywood’a agile vocals struck a few beautiful harmonies with romantic, optimistic, and forthright Hope, portrayed by Sarah Palmer, a lovely high soprano.

Little Theatre of Stoughton Anything Goes Hope, Billy, and Angels

Sarah Palmer as Hope Harcourt and Nate Haywood as Billy Crocker Photo courtesy of Mikayla Williams Photography/Little Theatre of Stoughton

Haywood’s vocals  were also a great match for Stephanie Wallace’s charismatic and clever nightclub singer Reno during the sweet and playful number, You’re the Top.   Wallace was exemplary as Reno, whether solo or accompanied by her elegant Angels, portrayed by Abigail Merchant, Caroline Tobin, Isabelle O’Connor, and Kelli Neville who were all dressed in bold, vintage gowns. Wallace’s smooth and soulful vocals soared through a spirited I Get a Kick out of You and a cheeky version of Let’s Misbehave accompanied by Matt Maggio’s seemingly stuffy, proper, and amusing Sir Evelyn Oakley.  Both Maggio and Wallace have wonderful comic timing and playful chemistry.

Little Theatre of Stoughton Anything Goes Hope, Billy and the cast

Sarah Palmer as Hope Harcourt, Nate Haywood as Billy Crocker, and the Reno’s Angels Photo courtesy of Little Theatre of Stoughton

With a squeaky high voice and party-loving ways, Whitney Lloyd as Bonnie and Kevin Fortin as smarmy, cool headed Moonface make a great, albeit a bit clichéd pair.

With captivating choreography by Christina Maggio, this bustling musical certainly showed off its sea legs for a few showstopping dance numbers including a dazzling, adrenaline-soaked tap routine during the title track, Anything Goes.  From there, the choreography certainly hit next level status with the spinning and lively number Blow Gabriel Blow and lighthearted Heaven Hop.

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The Little Theatre of Stoughton will soon announce its 62nd season.  Click here for more on the Little Theatre of Stoughton and get their latest updates on Facebook.

 

 

 

 

 

 

 

 

 

REVIEW: ‘Star Wars: A New Hope in Concert’ with live orchestration from the Boston Pops a thrilling cinematic achievement

No better way to witness a galaxy far, far away.

It has become a beloved Boston Pops tradition to exhibit the finest films in cinema history enhanced by the stellar sounds of the Boston Pops, an immersive film experience performed so eloquently, one may never watch the film quite the same way again.  In the past few years, The Boston Pops has inventively breathed new life into film classics such as ‘The Wizard of Oz,’ ‘West Side Story,’ ‘Singin’ in the Rain,’ ‘Psycho,’ ‘Home Alone,’ ‘Raiders of the Lost Ark,’ and ‘Nosferatu‘ through stunning live orchestration and Star Wars lives up to that sterling reputation.

The re-mastered, extended version of ‘Star Wars: A New Hope in Concert‘ with live orchestration by the Boston Pops was held at Symphony Hall earlier this spring and then recently in the Koussevitzky Music Shed at the Tanglewood in Lenox, MA on August 16.  The ninth film and epic conclusion of the Star Wars series, ‘Star Wars: The Rise of Skywalker‘ arrives in theatres in December and what better way to welcome the end than by remembering the beginning.

John Williams at Tanglewood (Hilary Scott)

John Williams conducting Film Night at Tanglewood Photo credit to Hilary Scott

Academy award-winning composer John Williams has been the name on everyone’s lips at Tanglewood for the past couple of weeks with ‘Star Wars: A New Hope in Concert‘ on Friday, August 16 and then the ever-popular ‘Film Night’ on August 24, an annual tribute concert featuring just a few of the acclaimed film scores of John Williams.  Not only did John Williams make an appearance at the end of the August 16th performance, but Patriots owner Robert Kraft was also in the audience.  Click here for more information, tickets, and a look at Tanglewood’s full schedule.

Keith Lockhart Leads the Boston Pops at Tanglewood (Hilary Scott)

Keith Lockhart leads the Boston Pops at Tanglewood Photo courtesy of Hilary Scott

Conducted by acclaimed Boston Pops conductor Keith Lockhart, The Boston Pops launched an enthusiastic audience into that beloved galaxy with ‘Star Wars: Episode IV A New Hope,’ the first film in what would become a beloved series of films in 1977.  The rising swell of the perilous, suspenseful, triumphant, and Academy award-winning Star Wars Main Theme from John Williams was just the start of this exciting film that has been thought to be a touchstone to future films in that genre while also possessing some classic Shakespearean roots.

The intense score, each crisp note from the orchestra, the sound that thundered in the Koussevitzky Shed was nothing that can be relived in front of a television screen or in a movie theatre.  It felt like being in the studio with the cast, enhancing their already outstanding performances, and scoring the film for the first time.

Star Wars A New Hope

Mark Hamill as Luke Skywalker, Carrie Fisher as Princess Leia, and Harrison Ford as Han Solo in ‘Star Wars: A New Hope’ Photo credit to Disney/Lucasfilm

The lively audience was clearly composed of some of the most devoted Star Wars fans cheering   not only the opening of the film, but each major character as they were first introduced onscreen.  Familiar faces such as the twinkling eyes and swaggering charisma of Harrison Ford’s Han Solo, Peter Mayhew’s towering presence as Chewbacca, Carrie Fisher’s holographic appearance as Princess Leia as she utters the classic line, “Help me, Obi-Wan Kenobi.  You’re my Only Hope,” Alec Guinness as the wise and mysterious Obi-Wan Kenobi, Mark Hamill’s naïve Luke Skywalker, and James Earl Jones as the timeless voice of Darth Vader were all greeted with rousing applause.

Set on the planet with two suns, the subtle humor, the scheming, the epic adventure, George Lucas’s marvelous characters, the dazzling technology of its time, the bickering between R2-D2 and C-3PO and between Han Solo and Princess Leia are all recaptured in this unforgettable cinematic experience.

The Lawn at Tanglewood 2016 (Hilary Scott)

The Lawn at Tanglewood 2016 Photo credit to Hilary Scott

Located in the Berkshires at 297 West Street in Lenox, Massachusetts and now year-round, Tanglewood’s outdoor venue is a must see, whether under the tent at Koussevitzky Shed or under the stars for a lawn picnic.  Click here for Tanglewood’s full schedule follow them on Facebook.

REVIEW: Reagle Music Theatre’s ‘La Cage aux Folles’ a rollicking, madcap extravaganza with heart

Robin Williams had many memorable roles, but one of his most amusing roles was alongside Nathan Lane in the 1996 film adaptation of “La Cage Aux Folles,” “The Birdcage.”  Who could forget when Robin gave that dance tutorial?

Though “The Birdcage” was set in Miami Beach, the musical production of “La Cage Aux Folles” is set in Saint Tropez, France.  With European flair and heart, Reagle Music Theatre of Greater Boston presents the wild, gender-bending, and hilarious musical, “La Cage Aux Folles” through Sunday, August 18 at Robinson Theatre in Waltham, Massachusetts.  Click here for more information and tickets.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin with the Cagelles

James Darrah as Albin (center) and Les Cagelles Photo courtesy of Reagle Music Theatre of Greater Boston

A translucent, glittering blue curtain was just a glimpse of the glitz behind it as the musical’s catchy and exotic overture began, peppered with European flair.  Directed by Susan Chebookjian with book by Harvey Fierstein and music and lyrics by Jerry Herman, “La Cage aux Folles” is about Georges (J.T. Turner) who runs a drag night club and Albin (James Darrah) is the show’s star attraction.  When Georges’s son announces his engagement, everyone realizes they are in for a lot more than they bargained for.

With amazing choreography by Susan M. Chebookjian and Daniel Forest Sullivan, “La Cage aux Folles” bursts with color, razzle dazzle, and unlike “The Birdcage,” features a lot more dance numbers delivered by the sharp and athletic Les Cagelles.  The opening, gender bending tune, We Are What We Are, is a nimble display of tight choreography while the signature number, La Cage aux Folles is stylized, bizarre, and fascinating.  The show is also semi-interactive, which contributes to some of the productions most amusing moments.

Matthew Wright and Alison Pugh’s fantastic costumes are flashy, elegant, and over the top featuring wild, multi-colored wigs, shimmering gowns accented with furs and other costumes using an array of materials such as velour and silk with a bit of 70s flair.  The colorful set, by David Allen Jeffrey, is equally exotic featuring velvet couches and gold accents as well as its share of seaside, Mediterranean flavor and little French nuances at Cafe Renaud.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

The quirky, madcap cast is an excellent study in contrasting perspectives and family dysfunction.  In a purple velour coat with bowtie, J.T. Turner delivers a charming, comical, and tender performance as Georges.  Love struck and irresistibly likable, Georges is the heart of the show.  He has a beautiful rapport with Jonathan Acorn as his son, Jean-Michel and James Darrah as Albin, delivering heartfelt renditions of Look over There and wistful Song in the Sand.  The impressive comic timing between Turner as Georges and Darrah as Albin doesn’t get much better than during the number, Masculinity, especially while demonstrating their best John Wayne.

Reagle Music Theatre of Greater Boston La Cage aux Folles Cafe Renaud

James Darrah as Albin (center), J.T. Turner as Georges (right) and cast Photo courtesy of Reagle Music Theatre of Greater Boston

James Darrah as Albin, who possesses more than a passing resemblance to Nathan Lane, delivers a dramatic, engaging, and powerful performance as Albin.  Often not so fashionably late, Albin contends with his longing to hide from the world and his undeniable need to make an entrance.  His rendition of I Am What I Am is a Tour de Force performance, the best number of the show.  Full of bravery, yearning, and emotional weight, it is an anthem for those who feel like they do not belong.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin

James Darrah as Albin in Reagle Music Theatre of Greater Boston’s “La Cage aux Folles” Photo courtesy of Reagle Music Theatre of Greater Boston

Jonathan Acorn as anxious Jean-Michel is madly in love with his fiancée Anne.  She delivers a sweet and earnest performance by Lily Steven.  Theirs is a sweet love story and Acorn’s beautiful timbre is on full display during the affectionate number Anne on my Arm.

The show cuts loose with adventurous and delightful Maureen Brennan as Marie up against Rich Allegretto as relentlessly frowning, disdainful and uptight M. Dindon.   Speaking of cutting loose, Benz Atthakarunpan’s energetic, smirking Jacob delivers more than a few self deprecating moments in outrageous and surprising costumes while Ellen Peterson brings cleverness and a great set of pipes to Jacqueline.

Reagle Music Theatre of Greater Boston La Cage aux Folles Dinner

J.T. Turner as Georges, Jonathan Acorn as Jean-Michel, Lily Steven as Anne, Rich Allegretto as Dindon, Maureen Brennan as Marie, and James Darrah as Albin Photo courtesy of Reagle Music Theatre of Greater Boston

The show is a bit lengthy, but delivers more than its share of laughs from the dynamic and charismatic cast.  With pizzazz and heart, Reagle Music Theater of Greater Boston presents their final musical of the summer, “La Cage Aux Folles” through Sunday, August 18 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Click here for more information and tickets.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.

REVIEW: Hub Theatre Company of Boston’s ‘Steel Magnolias’ boasts humor, heartache, and hairspray

A good story is usually rooted in truth.

Robert Harling’s ‘Steel Magnolias’ is partially based on a true story.  Harling wrote the play, ‘Steel Magnolias’ in 1987 and based it off of real people he knew in Louisiana.  In the popular 1989 film (which included a parade of famous actresses such as Dolly Parton, Olympia DukakisDaryl Hannah,  and Shirley MacLaine), the part of M’Lynn was portrayed by Sally Field and Julia Roberts was Shelby.  Harling based M’Lynn on his mother and Shelby (whose real name was Susan) on his sister.

Directed by Paula Plum, Hub Theatre Company of Boston celebrates the 30th anniversary of the 1989 film with comedy drama ‘Steel Magnolias’ continuing at Hub Theatre Company of Boston’s summer home, Club Cafe through Sunday, August 3.  This show is on a pay-what-you-can basis.  Click here for more information and tickets.

The Sleepless Critic also recently spoke to Hub Theatre of Boston Artistic Producing Director’s Lauren Elias about ‘Steel Magnolias,’ the future of Hub Theatre Company of Boston, and more.  Click here for the podcast.

Set entirely in Truvy’s Beauty Shop in Chinquapin, Louisiana in 1985, this bittersweet tale follows a group of vastly different women who find strength in each other through hardships and triumphs with a great deal of understanding, humor, and hairspray.  Though it has its share of serious themes, ‘Steel Magnolias’ offers more humor and relatable moments seeped in a wealth of 80s references that include mentions of Jane Fonda, and Elizabeth Arden.

Hub Theatre Company of Boston Steel Magnolias full cast 2

From L to R: Maureen Adduci as Ouiser, Liz Adams as M’Lynn, Oye Ehikhamhen as Shelby (center), Lauren Elias as Annelle, June Kfoury as Clairee, and Catherine Lee Christie as Truvy Photo courtesy of Hub Theatre Company of Boston

With bold costumes by Chelsea Kerl and Wig Master Caroline Clancy, the show impressively rewinds the clock into the 80s big hair era and memorable fashion sense while highlighting each woman’s distinct personality.  It is also refreshing to look at back at life at a time before the internet where people shared time, recipes, and hair tips in person.

Directed impressively by Paula Plum, ‘Steel Magnolias’ also thrives through its smart casting and the developing chemistry and growth between these primarily outspoken southern women, keeping this popular show fresh.  With a gift for gab and gossip, Catherine Lee Christie portrays Truvy Jones with charm and sass.  As a big fan of the movie, it is hard to imagine this part for anyone other than Dolly Parton, but Christie, in an array of distinct, sparkling, and mismatched fashion, rises to the occasion.  Her scenes with Lauren Elias as mysterious and humble Annelle make for some quirky, heartwarming moments.

Hub Theatre Company of Boston Steel Magnolias full cast

From L to Right: Maureen Aducci as Ouiser, Liz Adams as M’Lynn, Oye Ehikhamhen as Shelby (center), Lauren Elias as Annelle, June Kfoury as Clairee, and Catherine Lee Christie as Truvy Photo courtesy of Hub Theatre Company of Boston

Maureen Adduci’s sardonic, frank, and darkly amusing Ouiser delivers some of the most entertaining moments in the show.  Adduci’s exhausted scowl alone in Truvy’s cheery beauty salon is enough to crack a smile.  Her sarcastic facade rings true with the priceless line, “I don’t see plays because I can nap at home for free…and I don’t read books because if they are any good, they are going to make them into a miniseries.”  June Kfoury as Clairee, a stylish and gossip-driven widow with good intentions and a knowing smile, amuses herself by teasing Ouiser and their exchanges create their own spark.

However, the most captivating relationship is the family dynamic between Liz Adams as M’Lynn and Oye Ehikhamhen as M’Lynn’s daughter Shelby.  The push and pull between the two make it easy to see them as mother and daughter.  As in any mother-daughter relationship, one minute they exchange nagging barbs and the next, nurturing affection.

Hub Theatre Company of Boston Steel Magnolias Liz Adams as MLynn and Oye Ehikhamhen

Liz Adams as M’Lynn and Oye Ehikhamhen as Shelby Photo courtesy of Hub Theatre Company of Boston

Liz Adams portrays M’Lynn with a quiet, palpable tightness and a bundle of suppressed feelings.  It is easy to feel the weight of the world on her shoulders.  This M’Lynn has a bit of a tougher edge and a dry sense of humor as she meticulously looks after everyone but herself.  Though M’Lynn and Shelby are both dramatic and stubborn, Oye Ehikhamhen as Shelby is a ceaselessly optimistic force where happiness is a requirement, not an option.  With a broad smile and easy chemistry with the entire cast, Oye as Shelby shines in a charismatic, compassionate performance.

Club Cafe’s stage is an air-conditioned, intimate space that includes tables set up for food and drinks.  In honor of the production, Club Cafe offers themed specialty cocktails such as Truvy’s Twister, Blush and Bashful, Wack-A-Ouiser, and Chinquapin Parish Punch.

Directed by Paula Plum, rewind the clock and take a trip south to Truvy’s for Hub Theatre Company of Boston’s ‘Steel Magnolias’ at Club Café  at 209 Columbus Ave through Saturday, August 3. This show is on a pay-what-you-can basis.  Click here for more information about Hub Theatre and tickets.  Hub Theatre Company of Boston is also taking donations of beauty products and toiletries at every performance to be donated to Rosie’s Place and other charities.

REVIEW: Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ a moving summer gem

The Sleepless Critic has reviewed a few beautiful productions of ‘The Sound of Music,’ a riveting true story set in Austria about the resilient Von Trapp family who not only attempt to resist the Nazi regime in 1938 Pre-war Salzburg, but also attempt to move on without their late mother.  A blend of grace, faith and strength in the face of an indelible sadness, no doubt makes it a stirring classic.  Yet, with the exception of Audra McDonald’s brilliant turn as Mother Abbess in NBC’s 2013’s ‘The Sound of Music Live‘ musical, her extraordinary vocals lifting Fox’s arguably mediocre production with this glorious anthem, Climb Every Mountain, the music to ‘The Sound of Music’ has generally never been my favorite.

Make no mistake, Rodgers and Hammerstein’s classic, Academy Award-winning musical score is nevertheless respected and appreciated for its mark in musical history.   However, what makes Reagle Music Theatre of Greater Boston’s musical, ‘The Sound of Music’ particularly special is its resonant harmonies, a brilliant lead in Aimee Doherty as Maria, and the lively vocals and playful choreography delivered by this wonderful, lighthearted cast.  It convinced me to care for ‘The Sound of Music’ score, which has never sounded lovelier.

With a mix of tradition, opulence, and a few songs not featured in the iconic 1965 film starring Julie Andrews, Reagle Music Theatre’s ‘The Sound of Music’ is the perfect lighthearted summer treat, even in its serious moments.  ‘The Sound of Music’ continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, July 21.  Click here for more information and tickets.

Reagle Music Theatre The Sound of Music Aimee Doherty as Maria Confidence in Me

Aimee Doherty as Maria I Have Confidence Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

The Sound of Music has many highlights, but one of its brightest is Aimee Doherty’s glowing, enchanting turn as Maria.  This Maria is a tad more youthful, boasting flowing dark hair and a wide, playful smile.  Doherty brings light and gravitas to the role, her infectious charm and soaring vocals especially noticeable during the playful, yet pensive number, I Have Confidence.  Paired with Daniel Forrest Sullivan’s buoyant choreography, it is one of Maria’s more subtle, but powerful moments.

Reagle Music Theatres The Sound of Music Von Trapp Children

Emma Heistand as Leisl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, Libby Sweder as Gretl, and Aimee Doherty as Maria  Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Each of the adorable Von Trapp children featuring Emma Heistand as sweet, but rebellious Liesl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as precocious Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, and Libby Sweder as Gretl have their moment to shine, and their charming number Do-Re-Mi with Doherty is a delight.  The children’s colorful, identical, and traditional Austrian wardrobe enhance each scene.  Liesl, portrayed by Emma Heistand and Rolf, depicted by Max Currie impressively develop swift chemistry over the playful number, Sixteen Going on Seventeen, largely thanks to Sullivan’s breezy choreography.

Reagle Music Theatre's The Sound of Music Sixteen Going on Seventeen

Emma Heistand as Liesl and Max Currie as Rolf in ‘Sixteen Going on Seventeen’ Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

There is a moment during the production where Doherty states, “When God closes a window” and Mark Linehan completes her sentence with, “he opens a door.”  The expression is actually the other way around, but Mark Linehan as Captain von Trapp instantly picks up on her phrase and completes her statement, indicating how in tune they both are onstage.  Mark Linehan has shown a natural charisma in other productions and there is no shortage of that here, delivering a powerful performance in the dour, firm, but forthright Captain.  However, his biggest strength is in the quieter moments of the show, especially in the moving reprise of the title song The Sound of Music and bittersweet Edelweiss.

Reagle Music Theatre The Sound of Music Captain Elsa and Max

L to R: Mark Linehan as Captain von Trapp, Janis Hudson as Elsa, and Robert Orzalli as Max Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

From the first few notes of the Nuns’ gorgeous, a capella chant, Preludium, Reagle Music Theatre of Greater Boston have certainly outdone themselves.  Their resonant harmonies are among the production’s most beautiful moments.  Mara Bonde delivers an understated performance as patient, insightful, and ceaselessly faithful Mother Abbess, enhanced by a soaring rendition of the show’s inspiring anthem, Climb Every Mountain.  Ever the standout, Yewande Odetoyinbo also makes a remarkable impression as outspoken Sister Berthe.

Reagle Music Theatre of Greater Boston The Sound of Music Aimee Doherty as Maria and Mara Bonde as Mother Abbess

Aimee Doherty as Maria and Mara Bonde as The Mother Abbess Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Elsa, portrayed with flashy elegance by Janis Hudson, is a sophisticated, marginally manipulative socialite, with a taste for the finer things.  In what could be a potentially unlikable character, Hudson strikes a delicate balance of a woman who struggles with what she wants and yet, wishes to do the right thing.  She and Robert Orzalli as comical and seemingly smarmy Max are quite a comical pair, especially during the little known number, How Could Love Survive.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

As wonderfully potent to the ears as visually vibrant, experience Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ though Sunday, July 21 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.  Reagle Music Theatre will soon cap off its summer musical season with the comedy classic, ‘La Cage aux Folles’ in August.  Click here for more information and tickets.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.