REVIEW: PTP/NYC presents enthralling family mystery, ‘The House in Scarsdale’

Dan has a complicated relationship with his estranged family.

Director Christian Parker of ‘The House in Scarsdale’ Photo courtesy of PTC/NYC

Directed by Christian Parker and written by playwright and actor Dan O’Brien, Dan embarks on more than just a spiritual journey in The House in Scarsdale: a memoir for the stageThe House in Scarsdale is the third play within Potomac Theatre Project(PTP/NYC’s) virtual series that has been running each weekend from September 24 through Sunday, October 18.

 Dan O’Brien’s The House in Scarsdale streamed from Thursday, October 8 through Sunday, October 11 and Caryl Churchill’s Far Away continues through Sunday, October 18 on PTC/NYC’s YouTube channel.   Viewings are free, but donations are welcome to support PTC/NYC with ten percent of the proceeds supporting The National Black Theatre.  Click here for the complete list of productions in PTP/NYC’s virtual series.

 In what can be described as a play within a prospective play, The House in Scarsdale visits the darkest of dysfunction as Dan, a journalist, visits various family members and others to learn more about his family’s past for his upcoming autobiographical play.  Audiences travel alongside Dan on his journey from the Garden State Parkway to as far as Europe as he investigates a possible family secret. What makes this show unique is not only is it a mystery, but as the details unfold, how much of the truth do you really want to know about your family?  Every family has their problems, but some secrets cannot be fathomed. 

The House in Scarsdale stars the show’s own playwright Dan O’Brien as Dan and Alex Draper portrays several dynamic characters throughout the production.  Draper seamlessly sinks right into each role, navigating an assortment of colorful characters from Dan’s resentful grandmother to his eccentric uncle.  Draper is expressive and spirited, clearly enjoying each transition.  His conversations with O’Brien have moments of dark humor, relatable family banter, and a good dose of stark, stirring honesty. 

The show is figuratively and literally on a journey to learn more about Dan’s troubled family, a family so dysfunctional that poor Dan has been cast out of his family circle hence its ironic opening quote by John Cheever, ‘Come back, come back, my wretched, feeble and unwanted child.’ Dan understandably wants to know why. As Dan’s extended family recall his family’s wild tendencies and various psychoses, Dan’s low key and unassuming demeanor makes one think that perhaps he has been through much more than he lets on. 

Dan is a quiet, inquisitive soul and depicts his emotional detachment with a skilled subtlety.  His conflicted nature between trepidation and yearning is fascinating as he ventures deeper into his family history becoming so invested and anxious about what he might find, he even visits a psychic.  Some of his family recollections are universal and lighthearted and every family has a degree of unhealthy dysfunction, but other memories are dreadfully concerning. 

So, as some answers come to light and more questions arise, how much is Dan like his family and how much of the story can be trusted?  The House in Scarsdale lures you in and leaves you engrossed in its outcome, hoping for a light at the end of this tunnel.

Potomac Theatre Project or PTC/NYC is located at 330 West 16th Street in New York City. Click here for more information and how to support PTP/NYC’s current and upcoming productions.

Take a look at Company Theatre’s new logo as co-founder Zoe Bradford discusses the Company Theatre’s exciting future

The Company Theatre is kicking off 2020 with a new look.

Not only are they starting a fun-filled new season that includes The Who’s Tommy, Bring it On, Rock of Ages, and Fun Home, but they recently unveiled their new logo.  Click here to see their new logo.

Sleepless Critic had a chance to interview Zoe Bradford about the Company Theatre’s upcoming projects, their vision for the future, and even walked away with some good advice.  Click here for the full list the Company Theatre’s 2020 season.

Company Theatre co-founders Jordie Saucerman and Zoe Bradford

Company Theatre co-founders Jordie Saucerman and Zoe Bradford, courtesy of Company Theatre

Sleepless Critic:  Congratulations on Company Theatre’s recent 40th anniversary. So much has happened in the last few years from the upgraded, painted theatre with new seating to new, original productions.  Please tell me more about that.

Zoe Bradford:  Now that the theatre is beautiful, we’re envisioning the potential of our outdoor property.  We’ve done a lot with Academy of the Company Theatre (A.C.T.) with an expanded outdoor stage and new pavilion.  We have a growing summer program that has been at full capacity.   Not only do we need more space and with everybody addicted to their screens, I believe in getting kids outside.  We have a path to the pond front and we’ve held classes there for water coloring and creative writing.

ACT summer program

A group of past A.C.T. students Photo courtesy of The Company Theatre

Freedom for creative expression has been the key for me, so I know it is the key for them.  It’s why I desperately wanted my own theatre and thank God it happened.  It’s not stimulating to work in the confines of another person’s building or organization.  That’s one of the draws here.

SC:  You once said you chose popular shows that sell, but in the last few years, The Company Theatre has been delving into uncharted waters a bit with musicals such as Carrie the Musical, Lizzie Borden, and American Idiot.

ZB:  It’s financially difficult to do that, but we are trying to give the young people what they want.  Lizzie Borden went well because people love local history and some said they have been to her house.  It’s a gruesome tale, but it was also a nice psychological thriller.

We changed how we choose our shows a little, but we still have to please our general audience and offer something for the family, something mature, and our team knows their demographic well and what will be successful.

I’m passionate about big musicals and there’s nothing like the thrill of a live orchestra.  People in the professional theatre world, mentors, and colleagues say they will put eight pieces in here and do a lot of synthetic and prerecord.  You can make a lot of money that way, but we can’t do that.  Michael Joseph said that is standard while he was here and we’ve maintained it.

SC:  What shows do you still dream of doing?

ZB:  I’d love to do WickedThe Hunchback of Notre Dame, and I’m also waiting to do Mamma Mia!  We’ll get to it.  It’s all about rights and I’m sure there are new shows coming out that I’d love to get my hands on.

As a non-profit, whatever comes in has to support what we are doing and help us be self-sustaining.  Grants, gifts, and tax deductible donations are the key.  We have better opportunities for community support such as new packages for corporate sponsorship due to having higher end computer capabilities, a better website, and a ticketing service that allows people who wish to support us to advertise.

SC:  What has been your most challenging musical?

ZB:  The Wizard of Oz because the movie is a masterpiece and any derivation from the film would be a disappointment for those who truly love it.  People would fight me on that, but if you take on The Wiz, you can do what you want because no one has a preset notion of it.

The Company Theatre The Wiz auditions

Company Theatre’s ‘The Wiz’ auditions will be held on January 22. Photo courtesy of the Company Theatre

SC: The Wiz is also part of Company Theatre’s 2020 season.  What advice would you give someone taking on a business in theatre or similar?

ZB:  It’s highly competitive.  Know your vision, don’t give up, and try to think of something that someone else hasn’t already thought of.  Be fresh and original when you can and make sure people know of your existence without being obnoxious about it.  We still struggle with it.  Some people say they didn’t know a theatre is here.

SC:  What do you envision for the Company Theatre’s future?

ZB:  We have to keep growing and we set up the Legacy Fund.  Our money rolls in and out with the tide as any non-profit would, but we’re actively fundraising to ensure another 40 years and beyond.

For over ten years, I’ve wanted to design a new logo.  I remember sitting at a little drafting table back in the 70s and hand drew it when we didn’t have any money or resources.

With art being cut in classrooms and attending theatre in Boston can be so expensive, we’re looking to keep this going so it’s accessible for everyone and expand.  I can see us taking on more property and A.C.T. quadrupling over the next ten years.  We’re not a community theatre anymore, but a year round professional and we’ll evolve again.  We provide many jobs for people, but the other part of my vision is to create more jobs for artisans in the area.  The more people that are working and inspiring people, the better.

Company Theatre's The Who's Tommy

Photo courtesy of the Company Theatre

The Company Theatre kicks off their 2020 season with A.C.T’s The Who’s Tommy from January 17 through January 26.  Click here for tickets and here for more on Company Theatre’s 2020 season.  You can also get tickets by calling the box office at 781-871-2787.  Located at 30 Accord Park Drive in Norwell, Massachusetts, click here for how to support the Company Theatre and be sure to follow them on FacebookTwitter, and Instagram.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

 

‘Boston Radio for Zumix’ benefit boasted Boston DJ’s dancing, live performances, and a peek inside the radio studio

Zumix Radio DJs

Photo courtesy of Zumix

Just across the East Boston fire station sits a youth haven for music and much more.  Zumix, East Boston’s non-profit organization geared toward empowering youth through music, has to offer.  On Friday, June 8, music lovers united to celebrate Zumix’s 11th annual benefit, ‘Boston Radio for Zumix’ featured a long list of Boston DJ’s past and present, live performances, silent auction, food, refreshments, and much more.  Hosted by Morning Guy Tai and Adam Klein, this sensational benefit will be held at Zumix, 260 Sumner Street in East Boston.  Click here to learn more about opportunities at Zumix.

Zumix Tune in

Courtesy of Zumix

As a hanging portrait of a boom box perches overhead, announcers and Zumix staff took the stage as they broadcast live on their local youth inspired radio 94.9 FM Zumix.  The evening had many humorous and heartfelt moments as members performed excerpts from their comedic shows, music, and an excerpt from their local Wednesday noon news program, ‘What’s Up Eastie’ featuring a person recounting their experience of the devastation in Mexico City in 2017 from a massive earthquake.  Zumix features all kind of music, comedy, and real life stories translated into radio. Zumix also offers a Sprouts program for the younger generation.   Zumix students, some who have performed with Sting, have gone on to do great things, keeping music in their lives.

 

 

Marcus Evans, a member of Zumix, offered tours of the facility which boasted soundproof rooms, impressive digital equipment, music instruments, a radio station tour by DJ Psychedelic, and a particular highlight, a unique purple room named after Prince.  Plenty of food and refreshments were served including Bart’s ice cream (Try flavors Three Geeks and a Red Head or the ever popular Deep Purple Cow).  Zumix’s silent auction items included Sporty Spice featuring Red Sox tickets and a tour of the broadcast booth, Pirates of the Boston Harbor featuring Rum Tasting for 25 people as well as a cruise on the Spirit of Boston, VIP Experience which offers a VIP experience to a Blue Hills Bank Pavilion show, Eastie’s Finest featuring a sunset sail and dinner, Soup Guy featuring tickets to the Joel McHale Show at the Chavelier Theatre in Medford, 90’s Utopia featuring tickets to the Cowboy Junkies, DJ for a Day, The Tables Have Turned offering a Turntable, Daft Punk, and Vinyl Box set, and Mid Life Crisis featuring an autographed DVD from Alice Cooper, a variety of music lessons, and more.  DJ Nomadix included the night with music and dancing before announcing the silent auction’s big winners.

 

 

Having started as a songwriting program, Zumix students enjoy in-school and after school events throughout the year. Songwriting, radio, audio technology, and performance are among the renowned programs offered by Zumix for youth ages seven through eighteen and over 1,000 students attend classes. Click here for more information on their upcoming concerts, events, and festivals! Follow Zumix on Facebook and Twitter.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

REVIEW: ‘L.A. Dance Project’ closed Celebrity Series of Boston’s season with powerful, message-driven performances

Another spectacular season of Celebrity Series of Boston has come to an end, but not without an intriguing and dynamic finale by L.A. Dance Project, packing a punch with their surprising footwork.  The final performance also featured a free, interactive post-show talk with Ballet Master Sébastien Marcovici.  Celebrity Series of Boston’s 2017-18 season will premiere in October with multi-talented performer Alan Cumming.  Click here for more information and for tickets.

Playful, vibrant, and at times haunting, L.A. Dance Project, closed out the Celebrity Series of Boston’s season at the Shubert Theatre from May 19-21. Led by Benjamin Millepied, an acclaimed dancer and choreographer known for choreographing the award-winning film, Black Swan, L.A. Dance Project’s three complex and contemporary dance segments offer its share of joy and conflict while inspiring strong emotions throughout the performance.

L.A. Dance Project

‘Harbor Me’ (Morgan Lugo, Robbie Moore, Aaron Carr) Photo courtesy of Robert Torres/Celebrity Series of Boston

Accompanied by a haunting oboe featured in a dynamic medley by Park Woojae, Harbor Me by Sidi Larbi Cherkaoui delivers a powerful message about human nature and looking past what is on the surface.  Fragments of light stripe the floor as shadows sway ominously on the walls.  Dressed in fatigues and urban clothing in browns, blues and greens, Stephanie Amurao, Julia Eichten, and Lilja Ruriksdottir interact with each other in a ballet-infused variation of unity, imitation, reflection, and conflict.  They move in a fascinating flurry of abstract movement that both celebrates unity as well as emphasize the dark side of human nature as the music intensifies.

LA Dance Project Murder Ballades

Murder Ballades (Nathan Makolandra, Rachelle Rafailedes) Photo courtesy of Robert Torres/Celebrity Series of Boston

Worn sneakers possess a mighty significance as dancers, dressed youthfully in shirts and shorts, unite in a vigorous and charming performance, the second dance segment of the afternoon.  The lighthearted, violin-infused music possesses a mounting urgency set upon a vibrant water, gold, and black background.  The lithe men and women ensemble, featuring Stephanie Amurao, Aaron Carr, Julia Eichten, Nathan B. Makolandra, Robbie Moore, and Rachel Rafailedes, are blissful and uplifting in smooth, sweeping steps.  They perform pirouettes with zeal, twirl, dip, and hook arms in a display of sweet innocence.  In a particularly humorous moment, as the dancers exited the stage, rambunctious dancer Janie Taylor, carried away by the music, was yanked offstage at the last moment. The performance, entitled Murder Ballades by Justin Peck, is a response to real life, tragic events that children have endured in Aurora and Sandy Hook.  It is a beautiful, spirited tribute to youth, but not without a sense of foreboding.

LA Dance Project Janie Taylor

‘Murder Ballades’ (Janie Taylor) Photo courtesy of Robert Torres/Celebrity Series of Boston

The final dance, On the Other Side, is an intriguing compilation by acclaimed artistic director and choreographer Benjamin Millepied.  With an extraordinary emphasis of color by costume designer Alessandro Sartori and bright, multicolored background art by Mark Bradford, On the Other Side taps into a wondrous reverie featuring dancers Stephanie Amurao, Aaron Carr, David Adrian Freeland Jr., Morgan Lugo, Robbie Moore, Rachel Rafailedes, Lilia Ruriksdottir, and Janie Taylor.  Each color in the artwork seems to come to life in each dancer as they spin, twirl, and skip along.  The piano tune, by Philip Glass, also builds to a crescendo as duets perform a mix of traditional ballet and contemporary dance and then gather center stage, as if yanked out of a reverie.

LA Dance Project Rachelle Rafailedes

‘On the Other Side’ (Rachelle Rafailedes) Photo courtesy of Robert Torres/Celebrity Series of Boston

Click here to learn more about L.A. Dance Project and future performances.  Follow L.A. Project on Facebook.  Celebrity Series of Boston will be back for another stellar season featuring celebrity appearances, dance, comedy, and more.  Click here for more information, subscriptions, tickets, and how to support Celebrity Series of Boston.  Get further updates on Celebrity Series of Boston on Facebook.

Cohasset Dramatic Club presents the local premiere of the romantic musical, ‘If/Then’

It’s a story about love and the single woman in the Big City with a twist.  For Elizabeth, portrayed by Ann McCoy, a newly-single woman about to make a fresh start in New York City, life has become a world of daunting, yet wonderful possibilities.  From the producers of the Pulitzer prize-winning team behind the show, Next to Normal Cohasset Dramatic Club is proud to present the first non-professional production of If/Then, an insightful, contemporary musical about a recently divorced woman caught between choice and chance.

Originally starring Idina Menzel and based on a book by Tom Kitt with music and lyrics by Brian Yorkey, If/Then contains moving musical numbers such as A Map of New York, You Never Know, and Surprise.  Directed by Lisa Pratt, musically directed by Sarah Troxler, and choreographed by Tara Morrison, Cohasset Dramatic Club presents If/Then for two weekends only on March 17, 18, 23, 24, and 25 at 7:30.  One matinee performance takes place on March 19 at 2 p.m.  All performances will be held at Cohasset Town Hall at 41 Highland Ave in Cohasset, Massachusetts.   Click here for more information and for tickets.

Other ways to support Cohasset Dramatic Club is to become a volunteer, become a subscriber, and make a donation.  Sign up for their email list to learn about upcoming events and more.  Click here for more about the Cohasset Dramatic Club and follow them on Facebook.