REVIEW:  Based on a true story and featuring music by Cyndi Lauper, Company Theatre’s ‘Kinky Boots’ has some bright ideas

From beige to outrageously bold, Kinky Boots makes the shoes the stars.

‘Walking in another person’s shoes’ may be just a popular expression, but it fits so vividly into this unusual tale that is actually based on a true story.  Set in England, Brandon Wong portrays sensible marketing whiz Charlie, the son of the owner of his family’s men’s shoe factory business, Price and SonsPrice and Sons has been passed down through generations, yet Charlie is not so keen on the world’s obsession with shoes or shoe manufacturing. His wise and distinguished father, memorably portrayed and boasting deep rich vocals by Peter S. Adams, wants to pass the business down to Charlie, but business isn’t what it used to be.

Company Theatre’s ‘Kinky Boots’ Dan Hannafin as George, Brandon Wong as Charlie, and Peter S. Adams as Mr. Price Photo by Zoe Bradford

However, one chance encounter leads to a Eureka moment in spades.

With conscientious direction by Zoe Bradford, upbeat musical direction by Robert McDonough and creatively choreographed by Sally Ashton Forrest, The Company Theatre steps into musical comedy Kinky Boots through Sunday, August 18 live and in person at the Company Theatre in Norwell, Massachusetts.  This layered rock musical has adult themes and runs approximately two hours and 15 minutes with one intermission.  Click here for more information and for tickets.

Originally a 2005 British film of the same name, Kinky Boots musical made its Broadway debut in 2013. Acclaimed singer-songwriter and She’s so Unusual singer Cyndi Lauper, who has always been driven by her unique individuality as much for her distinct talent, is a perfect fit for the musical’s score and became the first solo woman to ever win a Grammy for Best Music Theatre Album for Kinky Boots.

It was a delight to hear her pop synth and rock signature sound in a portion of the songs, especially evident in Charlie’s inspired rendition of Step One and in a standout performance by hilarious Liz Mongrello as Lauren expressively singing The History of Wrong Guys. Mongrello has a charismatic, edgy and lively vibe that was a hit with the audience and it’s easy to imagine a young Lauper in that role.

Company Theatre’s ‘Kinky Boots’ Brandon Wong as Charlie and Liz Mongrello as Lauren Photo by Zoe Bradford

Brandon Wong as humble and innovative Charlie’s best scenes are immediately evident with Gilbert Dabady as Simon aka drag queen performer Lola because most of their scenes are where both characters are at their most vulnerable.  Wong’s Charlie has great ideas, but not without Dabady as Lola/Simon who builds and enriches those ideas and takes the big risks over Charlie’s hesitation.  Along with a humorous performance by Dan Hannafin as factory manager George, their Eureka moment and niche market for saving the shoe company is building shoes for drag queens that accommodates the weight of a man.  However, it is still a mystery how they sold the shoes they already had manufactured in the former style.

Company Theatre’s Kinky Boots Andrew Farina as Don and Gilbert Dabady as Lola Simon and cast Photo by Zoe Bradford

Though being less of a fan of the more rambunctious portions of the musical such as the sultry The Sex is in the Heel, the spirited rendition of The Most Beautiful Thing, powerful duet for Not My Father’s Son, and the touching ballad The Soul of a Man resonates in each character’s struggle for authenticity.  Gilbert Dabady is a remarkable Lola/Simon who commands the room most of the time delivering strong vocals, a sharp sense of humor, and clever quips such as ‘Room full of people who feel normal by comparison.’  Flashy with distinctive taste that does not conform to gender limitations, frank and outspoken Dabady as Lola/Simon has complex confidence that hides veiled insecurity and shines the most at Lola/Simon’s most vulnerable and forthright moments.

Company Theatre’s ‘Kinky Boots’ Kat Murphy O’Connor as Nicola and Brandon Wong as Charlie Photo by Zoe Bradford

Andrew Farina as macho Don also shares some humorous and thought-provoking scenes with Dabady including a tango-infused duet for What a Woman Wants which leads to a stunning revelation.   Kat Murphy O’Connor compellingly portrays bubbly yet pushy with a taste for the finer things Nicola, Charlie’s girlfriend.   Sporting a classic look, O’Connor only has eyes for her future.

Company Theatre’s ‘Kinky Boots’ Kat Murphy O’Connor as Nicola and Brandon Wong as Charlie Photo by Zoe Bradford

Tackling an array of themes including grief and authenticity, Kinky Boots features some catchy tunes including Raise You Up/Just Be, the acoustically rich Take What You Got, and Everybody say Yeah’s notable choreography highlighted by some fancy footwork on conveyer belts.  

Company Theatre’s ‘Kinky Boots’ ‘Take What You Got’ number with onstage orchestration Photo by Zoe Bradford

Dean Palmer Jr. livens the production’s uplifting rock vibe through multicolored, mood-setting lighting that enhances set designer Ryan Barrow’s muted British shoe factory layered in steel and brick.  The rolling set does have its own share of sparkle and is structured to make room for the real stars…the boots!  Joe Michienzie’s dynamic costumes range from factory casual to flashy which includes sparking gowns, tiger furs, neon, and lace.  However, the glittering, wildly stated, eye popping delights are the boots themselves.

Company Theatre’s ‘Kinky Boots’ cast Photo by Zoe Bradford

With conscientious direction by Zoe Bradford, upbeat musical direction by Robert McDonough and creatively choreographed by Sally Ashton Forrest, The Company Theatre steps into musical comedy Kinky Boots through Sunday, August 18 live and in person at the Company Theatre in Norwell, Massachusetts.  This layered rock musical has adult themes and runs approximately two hours and 15 minutes with one intermission.  Click here for more information and for tickets.

REVIEW: Reagle Music Theatre’s ‘La Cage aux Folles’ a rollicking, madcap extravaganza with heart

Robin Williams had many memorable roles, but one of his most amusing roles was alongside Nathan Lane in the 1996 film adaptation of “La Cage Aux Folles,” “The Birdcage.”  Who could forget when Robin gave that dance tutorial?

Though “The Birdcage” was set in Miami Beach, the musical production of “La Cage Aux Folles” is set in Saint Tropez, France.  With European flair and heart, Reagle Music Theatre of Greater Boston presents the wild, gender-bending, and hilarious musical, “La Cage Aux Folles” through Sunday, August 18 at Robinson Theatre in Waltham, Massachusetts.  Click here for more information and tickets.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin with the Cagelles

James Darrah as Albin (center) and Les Cagelles Photo courtesy of Reagle Music Theatre of Greater Boston

A translucent, glittering blue curtain was just a glimpse of the glitz behind it as the musical’s catchy and exotic overture began, peppered with European flair.  Directed by Susan Chebookjian with book by Harvey Fierstein and music and lyrics by Jerry Herman, “La Cage aux Folles” is about Georges (J.T. Turner) who runs a drag night club and Albin (James Darrah) is the show’s star attraction.  When Georges’s son announces his engagement, everyone realizes they are in for a lot more than they bargained for.

With amazing choreography by Susan M. Chebookjian and Daniel Forest Sullivan, “La Cage aux Folles” bursts with color, razzle dazzle, and unlike “The Birdcage,” features a lot more dance numbers delivered by the sharp and athletic Les Cagelles.  The opening, gender bending tune, We Are What We Are, is a nimble display of tight choreography while the signature number, La Cage aux Folles is stylized, bizarre, and fascinating.  The show is also semi-interactive, which contributes to some of the productions most amusing moments.

Matthew Wright and Alison Pugh’s fantastic costumes are flashy, elegant, and over the top featuring wild, multi-colored wigs, shimmering gowns accented with furs and other costumes using an array of materials such as velour and silk with a bit of 70s flair.  The colorful set, by David Allen Jeffrey, is equally exotic featuring velvet couches and gold accents as well as its share of seaside, Mediterranean flavor and little French nuances at Cafe Renaud.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

The quirky, madcap cast is an excellent study in contrasting perspectives and family dysfunction.  In a purple velour coat with bowtie, J.T. Turner delivers a charming, comical, and tender performance as Georges.  Love struck and irresistibly likable, Georges is the heart of the show.  He has a beautiful rapport with Jonathan Acorn as his son, Jean-Michel and James Darrah as Albin, delivering heartfelt renditions of Look over There and wistful Song in the Sand.  The impressive comic timing between Turner as Georges and Darrah as Albin doesn’t get much better than during the number, Masculinity, especially while demonstrating their best John Wayne.

Reagle Music Theatre of Greater Boston La Cage aux Folles Cafe Renaud

James Darrah as Albin (center), J.T. Turner as Georges (right) and cast Photo courtesy of Reagle Music Theatre of Greater Boston

James Darrah as Albin, who possesses more than a passing resemblance to Nathan Lane, delivers a dramatic, engaging, and powerful performance as Albin.  Often not so fashionably late, Albin contends with his longing to hide from the world and his undeniable need to make an entrance.  His rendition of I Am What I Am is a Tour de Force performance, the best number of the show.  Full of bravery, yearning, and emotional weight, it is an anthem for those who feel like they do not belong.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin

James Darrah as Albin in Reagle Music Theatre of Greater Boston’s “La Cage aux Folles” Photo courtesy of Reagle Music Theatre of Greater Boston

Jonathan Acorn as anxious Jean-Michel is madly in love with his fiancée Anne.  She delivers a sweet and earnest performance by Lily Steven.  Theirs is a sweet love story and Acorn’s beautiful timbre is on full display during the affectionate number Anne on my Arm.

The show cuts loose with adventurous and delightful Maureen Brennan as Marie up against Rich Allegretto as relentlessly frowning, disdainful and uptight M. Dindon.   Speaking of cutting loose, Benz Atthakarunpan’s energetic, smirking Jacob delivers more than a few self deprecating moments in outrageous and surprising costumes while Ellen Peterson brings cleverness and a great set of pipes to Jacqueline.

Reagle Music Theatre of Greater Boston La Cage aux Folles Dinner

J.T. Turner as Georges, Jonathan Acorn as Jean-Michel, Lily Steven as Anne, Rich Allegretto as Dindon, Maureen Brennan as Marie, and James Darrah as Albin Photo courtesy of Reagle Music Theatre of Greater Boston

The show is a bit lengthy, but delivers more than its share of laughs from the dynamic and charismatic cast.  With pizzazz and heart, Reagle Music Theater of Greater Boston presents their final musical of the summer, “La Cage Aux Folles” through Sunday, August 18 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Click here for more information and tickets.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.