REVIEW: Moonbox Productions presents Regina Taylor’s soul stirring ‘Crowns’

 ‘When I’ve done the best I can, I want my crown.’

This is one of a few significant songs led by Lovely Hoffman in a production about faith through grief and much more.  Through testimonies, reflections, and soul stirring music, Regina Taylor’s inspiring Crowns explores life’s journey through hats which can make a profound statement, represent a lot of sacrifices, and ultimately stand for something greater. 

Mildred E. Walker, Cortlandt Barrett, Mirrorajah, Janelle Grace, Elijah Brown, Kaedon Gray, Cheryl Singleton* in ‘Crowns’
Photographer: Chelcy Garrett

With Regine Vital’s soul stirring direction, Kurt Douglas’s upbeat choreography, and David Coleman’s powerful music direction, Moonbox Productions continues Regina Taylor’s Crowns live and in person at Arrow Street Arts in Cambridge, MA through Sunday, May 4.  Perfectly timed around Easter and prior to Mother’s Day, this semi-interactive production is an uplifting 90 minutes with no intermission.  It is not limited to the stage and its church atmosphere has a collection benefiting Rosie’s Place.  Click here for more information and for tickets.

Hats in ‘Crowns’ Photographer: Chelcy Garrett

One may stay silent and observe, but this show is quite a celebration and the audience is invited to show their enthusiasm and engage in a joyful noise, clap and sing along.  The Crowns cast is friendly, warm, welcoming and makes it easy to join in as part of their community.  Having attended a previous Moonbox production, it is also comforting that a teleprompter is available to follow and sing along to a vast selection of powerful gospel works.

Mildred E. Walker and Mirrorajah in ‘Crowns’ Photographer: Chelcy Garrett

Demure and delicate or a sparkling showstopper, Crowns show that hats hold greater meaning than an article you place on your head, especially to a group of southern women who have welcomed a young girl from Brooklyn named Yolanda into their church.  After Yolanda’s brother in killed, Yolanda is sent to live with Mildred E. Walker as wise Mother Shaw, Yolanda’s grandmother in South Carolina. Mirrorajah portrays Yolanda, a city girl who looked up to her brother and had not had much guidance in her life.  Yolanda’s fish out of water experience makes room for compelling comical moments and soul stirring revelations with an excellent cast who takes on various roles as their stories unfold. 

The Cast of ‘Crowns’ Photographer: Chelcy Garrett

With gray columns and offstage instrumentalists David Freeman Coleman and Brandon Mayes, Issak Olson’s transformative lighting illuminates the altar in Baron S. Pugh’s modest set design enhanced by a variety of multicolored hats, hat boxes, flowers and vanity mirrors hung on each side of the stage.   Eye catching and detailed lace parasols also make a strong impression.  Decked out in distinctive hats, E. Rosser and wig designer Schanaya Barrows makes each character stand out sharply dressed in vibrant and bold colors as Yolanda makes her own impression in a colorful jacket and shining shoes.

Lovely Hoffman*, Mirrorajah and Cortlandt Barrett in ‘Crowns’
Photographer: Chelcy Garrett

Crowns is a collection of music, stories, testimonials, traditions and reflections exploring the meaning behind ‘hattitude’ while delving into cultural, ancestral and historical context including segregation.  From how to wear a hat to what type of hat to wear, structure, fabric, etiquette and significance, each character has an original reflection on how their hats made an impact in their lives and to those around them.

Kaedon Gray, Lovely Hoffman* and Janelle Grace in ‘Crowns’ Photographer: Chelcy Garrett

The entire cast which includes Cortlandt Barrett, Janelle Grace, Lovely Hoffman, Cheryl D. Singleton, Mildred E. Walker and Kaedon Gray boasts soaring vocals as well as irresistible charm in their lively and witty dialogue.  Mirrorajah delivers a moving performance as leery yet curious Yolanda, especially as she proclaims, ‘I don’t know how a dead soul can rise again’ and shines in the upbeat number I’ve Got Joy like a Fountain.  Dressed all in white, Walker as Mother Shaw exuberantly sings, In the Morning, blends beautiful harmony for Ol Ship of Zion and delivers an amazing a capella rendition of Take me to the Water with the cast.  Lovely Hoffman as Velma’s rendition of His Eye is on the Sparrow also boasts incredible harmony as well as the spiritual Wade in the Water featuring the cast.  It is difficult to choose standouts when they are all so brilliantly done.

Mirrorajah and company in ‘Crowns’ Photographer: Chelcy Garrett

Eshe O Baba is Yoruba for ‘Thank you father’ which is a significant phrase in Crowns. Fueled by love, experience the wonder of Crowns.   

Moonbox Productions continues Regina Taylor’s Crowns live and in person at Arrow Street Arts in Cambridge, MA through Sunday, May 4.  Click here for more information and for tickets.

REVIEW: Boston Lyric Opera’s season opener ‘Cavalleria Rusticana’ a passionate and magnificent affair

Not even Easter Sunday can stop a scandal in the Sicilian countryside.

Featuring distinct, eye-popping costumes, a glorious Opera Chorus led Brett Hodgdon, and a full orchestra, Boston Lyric Opera (BLO) opened their season on a grand scale with the renowned one act Italian libretto, Cavalleria Rusticana for just two performances on October 1 and 3.  Boston Lyric Opera was greeted by an enthusiastic crowd anticipating BLO’s return to a live venue for 18 months.  Delivered on a concert scale, Cavalleria Rusticana was presented under Leader Bank Pavilion’s open air tent in the Seaport District in Boston, Massachusetts.  It ran for 1 hour and 10 minutes with no intermission.

JAVIER ARREY AS ALFIO WITH DANCERS VICTORIA L. AWKWARD, MICHAYLA KELLY, AND MARISSA MOLINAR Photo by Liza Voll/Boston Lyric Opera

Loyalty, love, honor, and faith are tested among this group of passionate players.  Led by Music Director David Angus, the seemingly joyous overture delivers an exciting rush woven into a sense of foreboding, hinting at turmoil among still waters on the holiest of days, Easter Sunday.  Introducing the libretto is an interactive and unparalleled performance of Pagliacci’s Prologue by Javier Arrey.  Taking a reflective, humorous, and philosophical tone addressing the audience over what they are about to see, Cavalleria Rusticana becomes a passionate and cautionary tale, pleading about the affects of love and the human spirit.

Julia Noulin-Merat’s standalone set pieces, including overturned chairs piled high in pale pink as well as bright yellow chairs lining the stage, pop as does Gail Astrid Buckley’s distinct, vivid costumes with blooming flowers set against the orchestral backdrop depicting the emergence of a Sicilian spring. 

CHELSEA BASLER AS LOLA WITH DANCER MICHAYLA KELLY Photo by Liza Voll/Boston Lyric Opera

It is easy to get invested in these headstrong characters and Cavalleria Rusticana hits the ground running steeped in a complex love affair as the sacredness of Easter surrounds them, emphasized by ethereal dancers Victoria Awkward, Michayla Kelly, and Marissa Molinar and the swelling of the Boston Lyric Chorus’s powerful and spiritual lyrics.

Michelle Johnson as conflicted Santuzza leads this magnificent cast, delivering a splendid, heartrending performance.  Filled with sorrow and longing, Johnson’s tremendous vocals and her searing confrontation with Turiddo, portrayed with a charismatic yet manipulative mystique by Adam Diegel, show Johnson is a force to be reckoned with.  Chelsea Basler depicts alluring and complicated Lola with infuriating and masterful charm and the heart of the show lies with loyal and compassionate Nina Yoshida Nelsen as Mamma Lucia who observes it all much like the audience, with bated breath.

The show is delivered entirely in Italian and with subtitles at significant parts of the production.  However, for someone who does not know Italian and with a production so captivating, it is difficult having to forego not knowing every single word spoken from this enthralling cast.

Cavallaria Rusticana takes place in 1900’s Sicily and yet this opera is as timeless as any contemporary story told today and a perfect choice to open Boston Lyric Opera’s new season which includes virtual and live and in-person performances including jazz-themed opera Champion and Svadba through operabox.tv.  Click here for more information and a closer look at BLO’s new season.