REVIEW:  Apollinaire Theatre Company’s ‘Every Brilliant Thing’ counts its blessings

As famous author Kurt Vonnegut once remarked, ‘Enjoy the little things in life, for one day you’ll look back and realize they were the big things.’

Bringing to light life’s simple pleasures, Every Brilliant Thing emphasizes that no matter what, there is always something to be grateful for, even when it seems impossible to find.

Amusing, heartfelt, poignant and immersive, Every Brilliant Thing is an interactive piece of experimental theater storytelling that hinges on involvement and its success depends on the combination of a charismatic and efficient storyteller and a game audience.

Cristhian Mancinas-García and Parker Jennings in Apollinaire Theatre Company’s ‘Every Brilliant Thing’ Photo credit to Danielle Fauteux Jacques

Directed insightfully by Danielle Fauteux Jacques and an excellent choice for the New Year, Apollinaire Theatre Company continues Duncan Macmillan with Jonny Donahoe’s Every Brilliant Thing or Cada Cosa Maravillosa live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through January 19.  Alternately starring Parker Jennings and Cristhian Mancinas-García, this refreshing and informative production is presented in both English and Spanish and runs approximately 70 minutes long with no intermission.  Click here for more information and for tickets.

Set in 1988 and beyond, the small but mighty little things in life are easier to find through the eyes of this seven year old storyteller, even when facing traumatic times.  The prospect of dressing up as a Mexican wrestler, roller coasters, and wearing a cape are just a few of the brilliant things that make life worth living.  Why would anyone want to throw it all away?

Cristhian Mancinas-García in Apollinaire Theatre Company’s ‘Every Brilliant Thing’ Photo credit to Danielle Fauteux Jacques

Transforming this Chelsea theater space into a cozy, multi-level room with vintage flair, scenic and sound designer Joseph Lark-Riley invites the audience to feel right at home featuring scattered living room chairs, flowers, plush couches, a dining room, and rugs spread out on the floor.  Danielle Fouteux Jacques as lighting designer adds vintage flair with a variety of eclectic lamps and Lark-Riley’s upbeat selection of American Standards from the swing era and beyond.  Music and exacting sound effects also play a significant and symbolic role in this production which leaves lots of room for originality and imagination with makeshift props and much more.

Cristhian Mancinas-García in Apollinaire Theatre Company’s ‘Every Brilliant Thing’ Photo credit to Danielle Fauteux Jacques

It takes a special ability to solely make an audience comfortable while bringing them into your confidence.  Cristhian Mancinas-García rises to the occasion with unassuming sincerity and playfulness that adds levity to the production’s somber moments.  Sharing his journey with earnestness and ingenuity, he warmly brings this zany and game audience cheerfully into elements of the production.

Every Brilliant Thing is ideal for people who wish to play along and participate in minor ways, but if you are performance shy, maybe sit in the back.  It has some flexibility and a way of bringing the audience uniquely together while leaving you at the edge of your seat for what is next.    

Cristhian Mancinas-García in Apollinaire Theatre Company’s ‘Every Brilliant Thing’ Photo credit to Danielle Fauteux Jacques

Fast paced and improvisational, Every Brilliant Thing infuses a life affirming journey into a shared experience while spontaneously drawing connections into its articulate and occasionally arbitrary script.  Mancinas-García tackles a challenging piece and it is amazing how well he draws each connection into the story as each little joy is revealed in its amusing and ardent beauty that one can only long to reflect on them a bit longer. 

Parker Jennings and Cristhian Mancinas-García in Apollinaire Theatre Company’s ‘Every Brilliant Thing’ Photo credit to Danielle Fauteux Jacques

For some, the New Year can bring great hope and immense reflection.  Every Brilliant Thing has a way of delivering both in love, loss, grief, and trauma with moments of humor and joy.  It is short enough that it never wears thin and long enough to tell a complete, meaningful and relevant tale that will be sure to carry weight for many and a solid reminder of the joy in the smallest of things and a restored appreciation of everything.

Apollinaire Theatre Company continues Duncan Macmillan with Jonny Donahoe’s Every Brilliant Thing or Cada Cosa Maravillosa live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through January 19.  Click here for more information and for tickets.

REVIEW:  Experimenting with connection in The Huntington’s extraordinary ‘Nassim’

So much can be said without saying a word.

Embarking on a new journey into experimental theater after the hilarious and frenetically urgent Stand Up if You’re Here Tonight, The Huntington delivers another unique work where anything is possible.

Eloquently directed by Omar Elerian and featuring a different guest for every performance, The Huntington presents Nassim Soleimanpour’s Nassim live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, October 27.  This fascinating and semi-interactive production runs 75 minutes with no intermission.  Click here for more information and for tickets.

10/09/2024 – Boston, Mass. – Opening of Nassim Soleimanpour’s play Nassim as performed by Jared Bowen in the Wimberly Theatre at the Calderwood Pavillion on the Wednesday, October 9th, 2024. (© Mike Ritter)

With nothing but a sealed box containing an unseen mysterious script sitting on a table labeled only with the guest’s name, the anticipation is high and this particular guest admits that he is terrified as a mysterious person quips, ‘No panic on the Titanic.’

10/09/2024 – Boston, Mass. – Opening of Nassim Soleimanpour’s play Nassim as performed by Jared Bowen in the Wimberly Theatre at the Calderwood Pavillion on the Wednesday, October 9th, 2024. (© Mike Ritter)

Who can blame him?

Being the first guest performer on opening night of a production that can virtually go anywhere should come with understandable trepidation.  GBH’s Jared Bowen stepped out on the stage not knowing what was in store for him and the audience.  This particular performance was deemed the 478th time this production has ever been performed and Jared had to be ready for spontaneity, plenty of improvisation and game for virtually anything.

10/09/2024 – Boston, Mass. – Opening of Nassim Soleimanpour’s play Nassim as performed by Jared Bowen in the Wimberly Theatre at the Calderwood Pavillion on the Wednesday, October 9th, 2024. (© Mike Ritter)

What occurred was genuinely humorous, personal, heartfelt, and revealing.  Nassim contains several moments of moving subtlety and unpredictability that is engrossing from start to finish watching this particular story unfold.  It is also communal, eye opening, educational, and contains compelling experiences that are both simple and challenging, but above all meaningful.

Sound designer James Swadlo and Lighting Designer Rajiv Pattani seamlessly set the tone to this original and spontaneous production that varies from moment to moment.  It is also best not to know what to expect, but to experience it as the story unfolds knowing that each moment of this production serves a profound purpose about connection and much more.

10/09/2024 – Boston, Mass. – Opening of Nassim Soleimanpour’s play Nassim as performed by Jared Bowen in the Wimberly Theatre at the Calderwood Pavillion on the Wednesday, October 9th, 2024. (© Mike Ritter)

Jared thrived through this engaging theatrical experiment and some of the future guest performers include Mike Gorman, Keith Lockhart, Marianne Bassham and Nael NacerNassim is a distinct and creative exploration into the unexpected and it was exciting to take a chance on something new.  It was absolutely worth it.

The Huntington presents Nassim Soleimanpour’s ‘Nassim’ live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, October 27.  This fascinating and semi-interactive production runs 75 minutes with no intermission.  Click here for more information and for tickets.