No one can make people forget an unforgiving and sweltering heat quite like indie pop neo soul band Fitz and the Tantrums. Though the day called for storms, nothing was going to stop their positive vibes until after these multi-platinum artists finished their set. Their performance was politics-free, but no less personal and full of encouragement with a repertoire of groovy and upbeat sounds that make even those determined not to dance in this heat, bob and sway, get up and get down.
Fitz of Fitz and the Tantrums Photo credit Adam Klein
Fitz and the Tantrums appeared at Indian Ranch in Webster, MA on July 29 and it was one stop on a national tour that continues through October 1…so far. Click here for more information on upcoming Indian Ranch performances and click here for more information on Fitz and the Tantrums latest national tour.
Indian Ranch is an outdoor concert venue and more which features a lakeside view and beach. A portion of the seats do have a cover for rain and the shows are mostly rain or shine. The VIP pre-concert experience that day started at 11:30 am and featured barbeque with a choice of hamburgers, hotdogs, or veggie burgers, baked beans, corn, salads, and an array of desserts. Fitz and the Tantrums took the stage at 1:30pm for an almost 2 hour set including an encore.
Noelle from Fitz and the Tantrums Photo credit Adam Klein
Fitz and the Tantrums took the stage for a feel good set featuring an array of hit tunes and some songs off their new album, Let Yourself Free. Despite the heat, the group remained dedicated to their unique and classy style in dark pants and converse sneakers as the band heated up with horn –infused rhythms and flashing, multi-colored lights.
Most of the songs were infectious, lighthearted, and boasted wild rhythms. The enthusiastic band made the best of the heat as they encouraged the audience to dance and sing-along. A few of the highlights included a tune that lead singer Michael Fitzgerald or ‘Fitz’ wrote for his wife, Silver Platter. It’s a breezy, flirty and snappy single off their new album as he exclaimed, ‘Gimme-gimme that love-that love-that love.’ They also revved the audience up with the inspirational number, 123456 as the audience sang along, ‘Count it out! Shout it out!’
Noelle and Fitz from Fitz and the Tantrums Photo credit Adam Klein
Featuring an amazing saxophone solo by James King and Noelle Scaggs’s rhythmic tambourine, Fitz and the Tantrums grooved to Out of my League’s reverberating synth rhythms before delving into the knock down, get up workday struggle with Living for the Weekend.
Fitz and the Tantrums at Indian Ranch Photo credit Adam Klein
Fitz and the Tantrums kept the party going with their brief, but endlessly catchy title track, Let Yourself Free, the story of a dream with AHHHH! and didn’t leave out their biggest hits such as The Walker to the crowd’s delight.
Fitz and the Tantrums appeared at Indian Ranch in Webster, MA on July 29 and it was one stop on a national tour that continues through October 1…so far. Click here for more information on upcoming Indian Ranch performances and click here for more information on Fitz and the Tantrums latest national tour.
Music lifts, transports, comforts, brings people together, and provides its own therapy to the happy and the hurt. Though the Boy, depicted with earnest and imaginative optimism by Errol Service Jr., is not aware of it yet, a force much bigger than him is going to lead the way to his destiny.
Errol Service Jr. in ‘The Boy Who Kissed the Sky’ Photo by Erin-Crowley
Directed inventively by Summer L Williams with funky musical direction by David Freeman Coleman, joyfully choreographed by Victoria Lynn Awkward and loosely based on legendary guitarist Jimi Hendrix’s life, Company One presents Idris Goodwin’s celestial and groovy The Boy Who Kissed the Sky live and in person at the Strand Theatre in Dorchester, Massachusetts and now streaming through Saturday, August 12. This far out production is 70 minutes with no intermission and pay what you can tickets are available. Part of what makes Company One’s The Boy Who Kissed the Sky special is its commitment to the community and social change by partnering with a number of community organizations including Project Bread, Zumix, and Boston Music Project through this production. Click here for more information and tickets.
Adriana Alvarez, Errol Service Jr. and Martinez Napoleon in ‘The Boy Who Kissed the Sky’ Photo by Erin Crowley
In many ways, musician Jimi Hendrix was deemed ahead of his time. Part biography, part musical and part fantastic trip through time, the cosmos, and through hardship, The Boy Who Kissed the Sky envisions possibly how Hendrix got there. It is noteworthy that Service’s boy is never referred to as Hendrix and can be translated into any dreamer’s potential.
This production boasts a wealth of various projections by Rasean Davonte Johnson including traffic and misty rain as well as kinetic water colored special effects and cosmic imagery. Through all of the pizzazz and psychedelic special effects lies an inspirational tale built for any dreamer attempting to overcome challenging circumstances. Set in Jimi Hendrix’s hometown of Seattle, Washington, It also delivers a strong message about the value of hard work, keeping an eye on the prize, and believing in one’s boundless potential.
The cast of ‘The Boy Who Kissed The Sky’ Photo by Erin Crowley
The Boy Who Kissed the Sky’s energetic cast is lead by Errol Service Jr. referred to only as The Boy. Much of the cast plays more than one role. Service’s Boy is amiable, sympathetic, imaginative and inquisitive as he waits for his mother, depicted warmly by Yasmeen Dunkin. Cedric Lilly is enigmatic and forthright as the boy’s veteran father, Mel and Keira “Kee” Prusmack delivers a humorous yet kindhearted performance as Mrs. Newton, the boy’s nosy neighbor.
L-R Martinez Napoleon and Errol-Service Jr. in ‘The Boy Who Kissed the Sky’ Photo by Erin Crowley
However, grooving through time and space backed by some of Hendrix’s music history and influences is Martinez Napoleon who soars as J. Sonic. With excellent vocals, mystical charisma, and an easy rapport with Service Jr, Napoleon sweeps through the production with a smooth yet caring demeanor as Martinez attempts to demonstrate that the boy, using a broom as a guitar, is more powerful than the boy ever thought possible.
The cast of ‘The Boy Who Kissed The Sky’ Photo by Erin Crowley
Backed by Eugene H Russell IV and Divinity Roxx’s uplifting rock n roll and blues-inspired score especially for numbers A Feeling Without A Name and Way Back, The Boy Who Kissed the Sky is a musical celebration elevated by Jimi Hendrix’s iconic fashion sense and Danielle Dominique Sumi’s dramatic and galactic 60s-inspired costume design. An epic and renowned onstage band trio jams high above the production’s stage alongside a gigantic moon and Wooden Kiwi Productions constructed the rock n roll set equipped with giant wooden amplifiers and stereo speakers under Danielle DeLaFuente’s scenic vision.
Idris Goodwin’s ‘The Boy Who Kissed the Sky’ is appropriate for all ages and a wonderful production to anyone could use a little inspiration.
Directed inventively by Summer L Williams with funky musical direction by David Freeman Coleman, joyfully choreographed by Victoria Lynn Awkward, and loosely based on legendary guitarist Jimi Hendrix’s life, Company One presents Idris Goodwin’s celestial and groovy The Boy Who Kissed the Sky live and in person at the Strand Theatre in Dorchester, Massachusetts and now streaming through Saturday, August 12. This far out production is 70 minutes with no intermission and pay what you can tickets are available. Click here for more information and tickets.
After 300 years, Boston’s Old North Church has stood through some of the most exciting and harrowing moments in our nation’s history. The Old North Church’s clock has consistently kept time since 1726. Playwright Patrick Gabridge pens an original play that explores a particularly intense dialogue set on the eve of the Revolutionary War in 1775. Plays in Place rewinds the clock to 1775 where three individuals contemplate their fates as tensions escalate to panic, gradually making it impossible not to take action.
Nathan Johnson photo-by Nile Scott Studios
In honor of the Old North Church’s 300th anniversary and directed skillfully by Alexandra Smith, Plays in Place presents Patrick Gabridge’s engaging Revolution’s Edge, live and in person at The Old North Church in Boston Massachusetts on select days through September 19. The production is 45 minutes with no intermission and the box pews provide an immersive view. It is an educational production that is appropriate for families. Click here for more information and for tickets.
Brooks Reeves Photo by Nile Scott Studios
From colorful waistcoats to pristine linen shirts to proper vestments, Christina Beam’s elegantly detailed costumes are perfectly authentic to its era and one couldn’t have asked for a better setting than the Old North Church, Boston’s oldest surviving church right along the Freedom Trail.
Evan Turissini and Brooks Reeves Photo-by Nile Scott Studios
Three individuals composed of a reverend/doctor, his slave, and a sea captain are metaphorically tied together during this strained window in history. They are contemplating the state of Boston, the nation, and their future. Each clings to a different perspective of their future in terms of family, loyalty, occupation, politics, and identity. Two are a friendship divided through conflict and one is left without a choice as they articulate their thoughts and struggles while the world seems to be collapsing around them.
Gabridge’s passionate script has an intensity rooted in fear that looms quietly and then builds throughout the production. It also brings out the best in this trio of performers. Revolution’s Edge teeters from warmth to anxiousness to manipulation, but each evokes a note of consideration and compassion, even while blinded by fear.
Evan Turissini and Brooks Reeves Photo by Nile Scott Studios
Evan Turissini portrays American ship captain, vestryman, and patriot Captain John Pulling Jr. with reason, devotion, and compassion for the others, but is squarely dedicated to his cause. Turissini and Brooks Reeves as complicated Rev. Dr. Mather Byles Jr, a reverend and doctor with ties to England and America, share some pivotal and contentious moments that bring out some indelible performances. Huddled closely together, it is engrossing to watch their war of words. Byles’s impatience and manipulative side is particularly exposed in a significant conversation with Byles’s slave Cato, depicted sympathetically and astutely by Nathan Johnson. Johnson is faced with agonizing sacrifices and is truly the heart of this production.
Nathan Johnson and Brooks Reeves Photo by Nile Scott Studios
Revolution’s Edge cleverly weaves some of Boston’s most significant events including the Boston Tea Party and Revere’s Ride while the audience is still privy to dangerous events in motion right outside the church’s windows.
Though this would be especially fascinating for visitors of Boston and historians, Revolution’s Edge is an exciting and deeply educational window into a harrowing moment in history. Witnessing it knowing how the world is now brings intricate and profound meaning.
In honor of the Old North Church’s 300th anniversary and directed by Alexandra Smith, Plays in Place presents Patrick Gabridge’s engaging Revolution’s Edge live and in person at The Old North Church in Boston Massachusetts on select days through September 19. The production is 45 minutes with no intermission and the box pews provide an immersive view. Click here for more information and for tickets.
Life under the sea is better than anything we have up here especially if it is Reagle Music Theatre of Greater Boston’s lively and family-friendly production of Disney’s The Little Mermaid. Having witnessed Disney’s 1989 classic The Little Mermaid several times, one of the many reasons to see Reagle Music Theatre’s stage version is it contains additional songs and scenes while still delivering all the beloved dialogue, music, and costumes from the 1989 film. It was refreshing to see that The Little Mermaid has so much more to say.
Directed and choreographed exuberantly by Taavon Gamble with buoyant music direction by David Coleman, Reagle Music Theatre of Greater Boston presents Disney’s The Little Mermaid through Sunday, August 6 live and in person at the Robinson Theatre in Waltham, Massachusetts. This production is 130 minutes with a fifteen minute intermission. Click here for more information and for tickets.
Ariel (Kayla Shimizu) and Sebastian (Davron and ensemble perform ‘Under the Sea’ in Reagle Music Theatre’s Disney’s The Little Mermaid. Photo by Herb Philpott
Less than 35 years after the release of Disney’s 1989 classic film and not too long after the release of Disney’s live action remake The Little Mermaid this year, Reagle Music Theatre of Greater Boston has chosen a grand time to bring this land and sea classic to life onstage. Some will recognize the set pieces and settings from the 1989 film, but Reagle’s production also boasts a great deal of originality as well.
From shimmering fins to uniquely- shaped, brilliantly colored costumes adorned with carefully structured headdresses, Emerald City Theatrical delivers Caribbean charm in all of its animated splendor. Tony Ferrieri’s layered aquatic scenic design combined with Franklin Meissner Jr’s impressive lighting enhances the complexion and depth of the production’s kaleidoscopic waves, transforming from welcoming to at times threatening along a backdrop steeped in puffy clouds.
King Triton’s Kingdom Disney’s The Little Mermaid presented by Reagle Music Theatre thru August 6 in Waltham Photo by Herb Philpott.
Based on the Hans Christian Anderson tale and the Disney film, The Little Mermaid is about a curious mermaid princess named Ariel, depicted with vibrant charm and soaring vocals by Kayla Shimizu, who falls in love with not only a human prince, but the world on land. She is offered a way to escape the sea, but will she take it?
Ariel (Kayla Shimizu) singing Part of Your World in Reagle Music Theatre’s ‘The Little Mermaid’ through August 6. Photo by Herb Philpott
The Little Mermaid boasts a completely lovable cast led by Ariel, portrayed with enthusiastic, wide eyed wonder by Kayla Shimizu. Shimizu’s compelling performance and powerful vocals are remarkably reminiscent of Jodi Benson, the actress who voiced Ariel in the 1989 film. Shimizu shines with splendid renditions of Part of Your World, The World Above and If Only. Shimizu shares captivating moments with Ray Robinson as amiable and refined Prince Eric, sweet camaraderie with endearing Kenny Lee as shy, friendly and adorable Flounder and brave, streetwise, and frank Jack Mullen as seagull Scuttle. Having depicted Will Parker in Reagle’s previous musical, Oklahoma, Mullen again demonstrates his sharp comic wit and jubilant dance moves in a hilarious rendition of Positoovity.
Positoovity from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.
A vision in deep, sparkling red, Davron S. Munroe is exemplary as strict and critical crab Sebastian who assists King Triton, portrayed with wise regality by Cristhian Mancinas-Garcia. In a display of bursting color and enchanting merriment, Munroe’s calypso-infused rendition of Under the Sea is stupendous and Kiss the Girl not only has tender charm, but delivers a humorous and delightful depiction of twilight, especially as frogs look on.
Ariel (Kayla-Shimizu) and (Sebastian Davron) and ensemble perform Under the Sea in Reagle Music Theatre’s Disney’s The Little Mermaid. Photo by Herb Philpott
Sibling rivalry has never been more fun as showcased through Ariel’s mersisters consisting of Kindred Moore, Aimee Coleman, Joy Clark, Ellie Lauter, Aubrie-Mai Rubel and Olivia Foght. They are gorgeous beauty queens who gossip, laugh and try to upstage each other. They perform a catchy, 50s style rendition of She’s in Love with Flounder where even the fishy puns are cute.
Kenny Lee as Flounder and the Mersisters perform ‘She’s in Love’ from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.
Rich Allegretto as Grimsby is also impressive as Prince Eric’s traditional yet sympathetic advisor and Teddy Edgar as deranged and passionate Chef Louis is hilarious even in a brief appearance for a marvelous rendition of Les Poissons. Edgar’s menacing eyes and passion for food make every moment count!
Katherine Pecevich as Ursula and Eels in Reagle Music Theatre’s Disney’s The Little Mermaid thru August 6. Photo by Herb Philpott.
A trio of dastardly proportions takes shape in Katherine Pecevich as Ursula and Ursula’s two lurking and smirking neon electric eel henchmen portrayed by Miki Grubic as Flotsam and Alan Cid as Jetsam. With wild hair and a black and purple glittering gown, Pecevich’s slippery manipulations and brash, yet shrewd machinations match whatever Cid and Grubic have in their co-conspiring minds. Even though Ursula is the main attraction, Cid and Grubic’s functioning and eye catching costumes do a bit of their own scene stealing. However, Pecevich’s charisma shines in a devious rendition of Poor Unfortunate Souls, her husky vocals only second to her maniacal laughter.
Directed and choreographed exuberantly by Taavon Gamble with buoyant music direction by David Coleman, Reagle Music Theatre of Greater Boston presents Disney’s The Little Mermaid through Sunday, August 6 live and in person at the Robinson Theatre in Waltham, Massachusetts. This production is 130 minutes with a fifteen minute intermission. Click here for more information and for tickets.
Spanning over 150 years and three generations, The Lehman Trilogy’s vast and epic saga infused with Mark Bennett’s melodic retro-inspired original music featuring solo musician Joe LaRocca enhances a trilogy of versatile, pliable, dynamic, and unforgettable talent in three chapters embodying a wide range of characters on their able shoulders. Timed perfectly in the month of July, three Bavarian Jewish immigrant brothers take on America searching for the perfect business venture that personify their vision starting in Montgomery, Alabama and beyond.
Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’sThe Lehman Trilogy live and in person at The Huntington Theatre through Sunday, July 23. The production is three hours and 35 minutes with two intermissions. Click here for more information and for tickets.
Decked out in top hats and tailored black suits embroidered with symbolic imagery on the back by Dede Ayite, it is difficult to fathom how these three actors navigated such an extensive yet detailed story including narration, mastering accents, contorting faces, changing mannerisms, and role changes at the drop of a hat all while making it look so seamless. It is even difficult to imagine such an epic production has been performed twice in one day as scheduled occasionally during the production’s run.
From meager beginnings to extraordinary meaning that spring to life as Steven Skybell as determined and confident Henry Lehman disembarks from a ship with only a mere suitcase in his possession in awe of America. It sounds like a story shared by many immigrants with nothing but a dream, but it’s the chutzpah, persistence and the resilience in everything that makes this particular tale shine. Business through love, children, and every chaos in-between to attempt what seems impossible. Points in history that transformed the United States and yet Lehman stands unrelenting to their dream. Each vision altered to suit what is needed next in the world.
What stunning innovation can spring from a modest factory! Sara Brown’s unassuming wooden warehouse metaphorically transforms through lifelike, mesmerizing and moving projections including illuminating rain, peerless rooftops, and surprising entryways created imaginatively by Jeanette Oi-Suk Yew and fueled by lighting designer Robert Wierzel.
Also noteworthy are the clever scene transitions especially in the third chapter such as the pop of a champagne bottle to the start of a race. It is in these careful details by Carey Perloff that keep up the show’s swift pace.
The show has a sleek sophistication and insightfulness that translate into lessons about navigating life itself. It is lengthy but justified in the expansive history of these visionary brothers. The real draw is not only the talent, but the evolution of this narrative tale. One valuable life lesson is it is not in failure, but how to respond to it that really matters. Mastery leaves no room for shortsightedness, but thrives on evolution and the answer to every problem is there. One just needs to spot it.
Steven Skybell as inquisitive, bright eyed and headstrong Henry Lehman, Joshua David Robinson as strategic Emanuel Lehman, and introduced with a sheepish half smile Firdous Bamji as Mayer Lehman form a trilogy of talent. They navigate these challenging roles with humor, discipline, and fervor and it is astounding to witness these actors onstage exchanging different countenances of various ages and genders, taking over narration, and moving the stories like, not by accident, a well oiled machine. However, the tale is also infused with all the humor, heart, camaraderie and determination demonstrated in groundbreaking and strategic fashion that never becomes ineffective or silly. It is smart, moving and detailed in a way that relates to anyone who has tried, failed, and has resolved to start again.
Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’s The Lehman Trilogy live and in person at the Huntington Theatre through Sunday, July 23. The production is three hours and 35 minutes with two intermissions. Click here for more information and for tickets.
From the first few divine notes of the show’s opening number, Oh, What a Beautiful Morning captured vividly by Jared Troilo’s charismatic Curly, Troilo creates one morning not to be missed. Reagle Music Theatre of Greater Boston’sOklahoma! combines top notch choreography, a jubilant cast, and an interactive set that invites the audience to settle into its own home on the range.
Reagle Music Theatre’s ‘Oklahoma’ Aunt Eller Carolyn Saxon and Ensemble Photo credit Robert Pascucci
With luminous direction and exceptional choreography by Rachel Bertone, Reagle Music Theatre kicks off their summer musical season with the stomping fun of Rodgers and Hammerstein’s musical classic, Oklahoma! continuing live and in person through July 2 at the Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.
With its wealth of historical references weaved into Rodgers and Hammerstein’s classic soundtrack capturing the spirit of the time, it is no wonder that Oklahoma! won the Pulitzer Prize for musical composition in 1944 and is still thriving after 80 years.
Musically directed and conducted by Dan Rodriguez, Reagle Music Theatre delivers the production’s joyous zest for life, the thrill of camaraderie, timeless messages as well as dark, tense and suspenseful moments. Rodgers and Hammerstein wrote their second musical, Carousel shortly after Oklahoma’s success and both shows share some of the same themes. Reagle Music Theatre delicately weaves its joyous moments with themes of loneliness, temptation, and obsession effectively especially through its powerful chorography and soundtrack, balancing this timeless tale.
Based on Lynn Riggs play, Green Grow the Lilacs, a colorful and rustic set rewinds the clock to the Oklahoma Indian Territory just after the turn of the century, equipped with softly flickering lanterns, vintage photographs, wooden fences, prairie landscapes, a wooden and winding fence, and interactive props hanging from the walls. Franklin Meissner Jr.’s evolving lighting gradually becomes its own character, effectively transforming the mood from a soft rising sun to a nightmarish hue.
Emerald City Theatrical wonderfully captures the authenticity of the time with cheerful costumes from plaids to pinstripes as well as richly colored bandanas, suede stirrups, leather vests, cowboy boots, and pastel puffed sleeved dresses with stylish Victorian boots.
Reagle Music Theatre’s ‘Oklahoma’ Curly (Jared Troilo) and Laurey (Kayla Shimzu) Photo credit Robert Pascucci
Ruggedly dressed in suede chaps with a button down shirt, leather vest, and cowboy boots, Jared Troilo’s Curly McLain has an imaginative streak and an innate zest for life albeit infused with an occasional bit of overconfidence. Whether engaging Kayla Shimizu as Laurey in a whimsical carriage ride during the imaginative TheSurrey with the Fringe on Top or musing about life in Oh What a Beautiful Morning, Troilo puts his heart into Curly delivering an inspired performance. Troilo also has a sweet rapport with Carolyn Saxon who brings wise sensibility and playfulness to Aunt Eller through her considerable grin, yet she is a woman not to be trifled with.
Reagle Music Theatre’s ‘Oklahoma’s’ Aunt Eller and Curly Photo credit Robert Pascucci
In a fishtail braid and striped overalls, Shimizu depicts headstrong and practical Laurey with sass, strong vocals, and introspective charm. The production more clearly examines nonconformist Laurey who wants to do anything but what is traditionally expected, yet still yearns for a big love. Through refined, twirling and ballet-infused choreography that combines the traditional with the contemporary topped with lace lined parasols, Many a New Day illustrates that contrast as Laurey longs for her own path.
Reagle Music Theatre’s ‘Oklahoma’ Laurey and Girls (Out of My Dreams) Photo credit Robert Pascucci
Jack Mullen has many standout moments showing off rodeo and dance skills as fun loving, somewhat hotheaded, and spontaneous Will. Will’s rendition of Kansas City has never been more fun with lively vocals and slick choreography as The Territory Boys stomp, tap, and perform various stunts.
Oklahoma’s Ado Annie (Rebekah Rae Robles)and Will Parker (Jack Mullen) Photo credit Robert Pascucci
A vision in pink, Rebekah Rae Robles depicts excitable Ado Annie with a feigned wild-eyed innocence and childish mischievousness. With a glimmer in her eye, Robles’s chemistry with both Will and Johnny Gordon as bewildered peddler Ali Hakim has its own distinct charm. Wearing a green suite, Gordon as Ali Hakim cleverly balances this dynamic character with comedy and slyness. Rick Sherburne also makes a lasting impression as Andrew Carnes, Ado’s intimidating and overprotective father, especially during the number, The Farmer and the Cowman.
Reagle Music Theatre’s ‘Oklahoma’ Dream Laurey and Jud Daniel Forest Sullivan. and Girls Photo credit Robert Pascucci
Daniel Forest Sullivan brings a deeper sadness to skilled hired hand and loner Jud residing in a one room smokehouse. Sullivan masters this role in its quieter moments, amplifying each scene’s tension and making his character that much more mysterious. His scenes with Curly are somber and powerful even through Jud’s twisted judgment. With an unmistakable laugh, Caitlin Zerra Rose as Gertie Cummings is a great deal of frivolous fun.
Reagle Music Theatre’s ‘Oklahoma’ Dream Ballet Dream Laurey (Nicole Volpe) and Dream Curly (Joel Douglas) Photo credit Robert Pascucci
However, the biggest reason to see Oklahoma! is Bertone’s stellar choreography from the powerful and symbolic ballet Out of My Dreams to the snappy excitement of its title track. The show exemplifies the closeness and camaraderie of simpler times. It captures the joy of being in one another’s company which has become more precious in the last couple of years. The entire cast captures the distinct spirit of Oklahoma! in all its sweeping joy.
Reagle Music Theatre kicks off the summer musical season with Rodgers and Hammerstein’s musical classic, Oklahoma! continuing live and in person through July 2 at the Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.
When a house is chock full of memories, sometimes it is difficult to let go.
Shortly after the death of brothers Nesto and Richie’s parents in Laredo, Texas, the aptly titled 619 Hendricks is an address which holds the livelihood of Nesto and Richie’s immediate futures, but for very different reasons.
Directed thoughtfully by Armando Rivera, Teatro Chelsea continues the world premiere of Josie Nericcio’s family dramedy, 619 Hendricks live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through July 1. Though it is not necessary to understand both Spanish and English to enjoy this production, those who understood some of the dialogue in Spanish may have been at an advantage. This bilingual production is 100 minutes with one 10 minute intermission. Click here for more information and for tickets.
Cristhian Mancinas Garcia as Richie and Juan Carlos Pinedo-Rivera as Nesto in ‘619 Hendricks’ Photo credit to Teatro Chelsea
619 Hendricks is an affecting and sincere dramedy of a vibrant Latino family with some tough decisions ahead of them.It achieves a delicate balance of sentimentality and practicality as Nesto and Richie discuss the future of their family house which will be financially split between the two of them. Scenic designer Payton Tavares creates an appropriately tattered atmosphere including intricately torn brick walls and strips of blue wallpaper under vintage photographs perhaps symbolizing the house’s need of repair is not just external. The intimate manner in which the audience is situated offers a uniquely exclusive peek into this house of many secrets. 619 Hendricks explores grief, jealousies, stubbornness, sibling rivalry, and desperation as the show teeters between humor and tension even occasionally within a single statement.
Juan Carlos Pinedo-Rivera as Nesto, Juan Pedro Paniagua as Tio Chago, and Cristhian Mancinas Garcia as Richie in ‘619 Hendricks’ Photo credit to Teatro Chelsea
This lively cast captures a natural and animated familial rhythm as they lovingly tease and chide each other as they roam the house. Nesto and Monica Risi as wise and tolerant Marta make an amiable pair striving to do what is best for their family. Juan Pedro Paniagua as Tio (Uncle) Chago and Eliza Guzman-Hostas as Tia (Aunt) Carolina provide a refreshing lightheartedness as they humorous banter while the brothers discuss a topic that is all too universally familiar within families, especially after a loved one has passed.
Two brothers are at odds over the family house, but the house is just the tip of the iceberg. Their family issues run deep and the drama unfolds steadily and consistently as tension mounts. Nesto and Richie have contrasting temperaments which make their bickering, needling, and manipulations that much more explosive. Nesto, portrayed with a big personality and even loftier ideas by Juan Carlos Pinedo-Rivera, thinks he has a fool proof plan for the house while Richie, portrayed with sympathetic and quiet introspection by Crishian Mancinas Garcia, is not so sure. With Felix Ramos as business minded agent Hector’s added pressure, determined Pinedo-Rivera and Garcia deliver meaty performances as they cut each other to the quick, a consequence of fighting for the upper hand at any cost. The fights are genuine, tense, and so universally familiar that it is easy to relate to their situation in all of its complications.
Cristhian Mancinas Garcia as Richie in 619 Hendricks Photo credit to Teatro Chelsea
Directed by Armando Rivera, Teatro Chelsea continues the world premiere of Josie Nericcio’s family dramedy, 619 Hendricks live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through July 1. This bilingual production is 100 minutes with one 10 minute intermission. Click here for more information and for tickets.
Two pairs of British honeymooners embark on a luxurious beachside vacation without a care in the world…until their exes come into view. Then panic sets in.
Directed with vintage finesse by Diego Arciniegas, Gloucester Stage presents the amusing and at times hilarious romantic comedy, Private Lives live and in person at Gloucester Stage in Massachusetts through June 25. The show is presented in three acts and is approximately two hours with two intermissions. Click here for more information and for tickets.
Gloucester Stage’s ‘Private Lives’ Gunnar Manchester as Elyot and Katie Croyle as Amanda Photo Credit to Jason Grow
Seeing an ex can be excruciating, embarrassing, and depending on the circumstances in which it ended, a resentful experience. Every individual is different, but unless one parts way in a resplendent and amicable manner resembling a typical Reese Witherspoon romantic comedy where everyone is cheerfully and most times unrealistically understanding, seeing an ex can take the wind out the sails and become a harrowing and at best, brief and awkward experience. During what should be the happiest time in these honeymooners’ lives, encountering a complicated ex can spell disaster.
Gloucester Stage’s ‘Private Lives’ Serenity S’rae as Sibyl Photo Credit to Jason Grow
Private Lives may be a bit outdated in some of its thinking, but the nature of love remains the same. It boasts Noel Coward’s snappy dialogue that resembles 1940 classic comedy His Girl Friday about ten years before that film existed. Set in the 1930s, Private Lives features gorgeous classic love songs designed by Eric Hamel and possesses the charm of times gone by including marvelous vintage couture and outdoor wear by Nia Safarr Banks and landline telephones back when no one could identify who was on the other end of the line until it was picked up. Refreshingly, not a cell phone in sight. Another bright facet of Private Lives is Izmir Ickbal’s elegant scenic design that matches the show’s pristine sophistication from matching French-style furniture and grand piano to a pristine marble patio, balustrades, and lush greenery.
Gloucester Stage’s ‘Private Lives’ Stephen Shore as Victor and Katie Croyle as Amanda Photo Credit to Jason Grow
Essentially though, it explores the good, the bad, and the ugly side of love. The patterns of falling in and out of love while learning from what went wrong. When it comes to love on a scale of when it’s good, it’s perfect, but when it becomes ugly, watch out.
Gloucester Stage’s ‘Private Lives’ Jennifer Bubriski as Louise Photo Credit to Jason Grow
Each character has an eloquent speaking style and sophistication in manner, tone, and behavior evident even in chatty, young, and impressionable Sibyl depicted with vigor and excitable humor by Serenity S’rae. S’rae as Sibyl is not to be underestimated and her scenes with Gunnar Manchester as Elyot are full of idealistic expectations. Manchester certainly has the charisma for it as brooding, mysterious and a gambler in every sense of the word Elyot. While his motives are often in question, Elyot is a fascinating sort that never walks blindly into a situation. Katie Croyle embodies headstrong Amanda with wit and cynicism, yet still idealistic about love and hoping she has outsmarted her past. Stephen Shore, who shares a passing resemblance to Matt Damon, depicts chatty, protective, yet heart on his sleeve Victor while Jennifer Bubriski portrays Louise, a comedic bystander in this situation with perfectly timed, deadpan one-liners. The cast have compelling chemistry as well as quick witted comedic timing. Each character also demonstrates various outlooks on love, but will it serve them well?
Gloucester Stage’s ‘Private Lives’ Stephen Shore as Victor Serenity S’rae as Sibyl and Gunnar Manchester as Elyot Photo credit to Jason Grow
Energetic, tense, and with plenty of engaging physical and absurd humor, Private Lives is a smart, lighthearted, and hopeful romantic comedy about searching for love that is perfect in its imperfection.
Gloucester Stage presents the amusing and at times hilarious romantic comedy, Private Lives live and in person at Gloucester Stage in Massachusetts through June 25. The show is presented in three acts and is approximately two hours with two intermissions. Click here for more information and for tickets.
Plant a tree and save the planet. Be a ‘smartie plants’ and explore the ‘wood wide web.’
That is a few of the many mottos and a bit of humor uttered by Emery, a disabled recluse spending life in a tree house in the small town of Millersville, Pennsylvania. Emery talks to plants more than people with the exception of her sister and caretaker Hazel as well as her cousin who she depends on for everything. Longing for companionship she is comfortable with, Emery decides to post about her plants on YouTube. What could go wrong?
L to R Lisa Tucker as Emery and Karen MacDonald as Hazel Photo by Ken Yotsukura Photography
Directed conscientiously by Courtney O’Connor, Lyric Stage Company presents Deborah Zoe Laufer’s dramedy Rooted continuing live and in person at Lyric Stage Company in Boston, Massachusetts through June 25. The show is 100 minutes without one intermission. Click here for more information and tickets.
The stage unfolds with blooming splendor as a lively, bending tree hovers over the cast. Soothing and eclectic music by Dewey Dellay as well as streaming and transformative lighting by Karen Perlow provide a warm and peaceful vibe as Emery carefully handles the greenery surrounding her. Janie E. Howland’s meditative and functioning set at first sight provides an oasis from the real world.
Lisa Tucker as Emery Photo by Ken Yotsukura Photography
Rooted explores various topics such as the internet, climate change, healing, taking risks, and companionship with insightfulness and humor as Hazel and Emery manage one surprise after the next. The small cast is rooted in connection to one another. With sun hat and a mix of modest and eccentric attire by Chelsea Kerl, Lisa Tucker portrays plant loving and serious Emery with fragility and compassion while evoking determination and anxiety bubbling just under the surface as she faces decisions she has never encountered before in her sheltered existence. Karen MacDonald portrays Emery’s sister and lifetime caretaker Hazel, an adventurous spirit who longs to ‘spread her leaves’ beyond this small town. Dressed in a short diner uniform with white go-go boots, MacDonald lights up as chatty Hazel, exuding Hazel’s frank and responsible yet opportunistic spirit as Hazel struggles with day-to-day-life. With Emery as careful observer and Hazel’s big and cynical personality, Tucker and MacDonald are definitely yin and yang in this production, but manage at times to streamline their differences. Katherine Callaway as impressionable and naïve East Coopersville native Luanne brings a unique outlook and has an ultimately calming effect on the group.
L to R Katherine Callaway as Luanne Karen MacDonald as Hazel and Lisa Tucker as Emery Photo by Ken Yotsukura Photography
Finally, the plants themselves by Props Artisan Lauren Corcuera deliver subtle charm as these sentient beings gauge the frequently changing energy and emotion of the production’s increasingly complex environment.
Rooted challenges a few of life’s bigger questions and is ultimately one wild and engaging production about what can come from good intentions as three uniquely flawed individuals work together to maneuver hope and healing to the masses during life’s surprising turns.
Katherine Callaway as Luanne and Lisa Tucker as Emery
Photo by Ken Yotsukura Photography
Lyric Stage Company presents Deborah Zoe Laufer’s dramedy Rooted continuing live and in person at Lyric Stage in Boston, Massachusetts through June 25. The show is 100 minutes without an intermission. Click here for more information and tickets.
During a dark and stormy night, a group of strangers are required to gather in a mysterious mansion under puzzling circumstances. The real reason for the gathering is just one of many twists and turns in this famous dark and comedic murder mystery.
Last year, Ryan Reynolds announced he would star in a new Clue film reboot for 20th Century Studios which, like a lot of reboots, seems unnecessary since the 80’s film Clue is an enduring cult classic. The popular Parker Brothers board game (now owned by Hasbro) has been revamped a number of times as a board game and has been translated into various forms of entertainment including a live Scavenger Hunt and interactive dinner theatre. This is one mystery that people have been anxious to solve for generations. Having seen the 80’s film many times over as well as played the popular board game, this is the first time seeing it done live onstage.
The Players of ‘Clue: On Stage’ Photo credit to Nile Scott Studios
Directed mischievously by Weylin Symes, Greater Boston Stage Company continues Sandy Rustin’sClue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25. Clue: on Stage is family friendly, but after all, a black comedy murder mystery which has its dark turns. The violence is not gruesome, but like the Parker Brothers board game, probably most appropriate for kids ages 8 and up. This show is 90 minutes with no intermission. Click here for more information and for tickets.
Clue is a great murder mystery farce, but it really takes a cohesive cast led by famous butler Wadsworth to make this production simmer. Recent Elliot Norton Award winner Paul Melendy is just the man for the job not only bringing a unique twist to resourceful Wadsworth, but by fostering a new take on the character as does Bryan Miner as Mr. Body. Tim Curry will always be THE Wadsworth, but Melendy makes this refreshing interpretation his own while keeping Curry’s core characteristics still intact right down to his playful eyebrow lift and smirking grin.
Paul Melendy as Wadsworth and Maureen Keiller as Miss Peacock Photo credit to Nile Scott Studios
Whether in moments of scheming or over thinking, the cast has compelling chemistry as funny and fascinating adversaries. Genevieve Lefevre makes a mischievous Yvette while Jennifer Ellis is pitch perfect as Miss Scarlet creating a wonderful balance of sophistication and dry humor. Maureen Keiller portrays chatty, nervous, and panicky Miss Peacock. Wearing signature black glasses, Miss Peacock’s character could be interpreted as shrill and abrasive, but Keiller’s distinct comic timing makes Miss Peacock one of the funniest parts of the production.
L to R: Paul Melendy as Wadsworth Bill Mootos as Colonel Mustard and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios
In a classic mustache, Bill Mootos brings comic wit to somewhat dim witted Colonel Mustard while Mark Linehan as Professor Plum and Stewart Evan Smith as squeamish Mr. Green both bring an enigmatic quality to their characters.
Sara Coombs is a good Mrs. White, but would have liked Mrs. White to be less soft spoken and more humorously cryptic. From stern to silly, Katie Pickett juggles a number of memorable roles as the story unfolds.
Paul Melendy as Wadsworth, Stewart Evan Smith as Mr. Green and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios
Whether in Miss Peacock’s spectacular blue and green glittering dress, Colonel Mustard’s military garb, Miss Scarlet’s vampy red dress, Yvette’s classic French maid costume, Wadsworth’s coat and tails or Mrs. White’s jet black furs, costume designer Deirdre Gerrard creates an elegant and vintage look authentic to each of the character’s iconic personas.
Paul Melendy as Wadsworth and Jennifer Ellis as Miss Scarlet Photo credit to Nile Scott Studios
Keeping its vintage 50s charm, Clue on Stage’s set by scenic designer Katy Monthei injects some similarities to the 80s film cult classic from the haunting and soft glow at the iconic mansion’s enigmatic front door to the comical and sophisticated portable set pieces. Lighting designer Jeff Adelberg and sound designer Caroline Eng work overtime to seamlessly and simultaneously up the ante on suspense, humor, and drama through the evolving lighting from foreboding to revealing to flashing to playful while the sound design transforms from sinister to lively to jolly.
The show’s innovative blocking and moving staging is a riot as it cleverly makes the most of every inch of the space with its transformative style and the cast’s ‘athletic’ movements choreographed by Alexander Platt and Cait Zweil.
The Players of ‘Clue: On Stage’ Photo credit to Nile Scott Studios
Sandy Rustin’s fun and comical script is no rehash of the film adaptation, but delivers fresh humor without leaving out some of the iconic quotes and scenes from the 80s film. Revisiting Clue was such an entertaining experience that I would gladly see it again.
Greater Boston Stage Company continues Sandy Rustin’s Clue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25. This show is 90 minutes with no intermission. Click here for more information and for tickets.
