Robin Williams had many memorable roles, but one of his most amusing roles was alongside Nathan Lane in the 1996 film adaptation of “La Cage Aux Folles,” “The Birdcage.” Who could forget when Robin gave that dance tutorial?
Though “The Birdcage” was set in Miami Beach, the musical production of “La Cage Aux Folles” is set in Saint Tropez, France. With European flair and heart, Reagle Music Theatre of Greater Boston presents the wild, gender-bending, and hilarious musical, “La Cage Aux Folles” through Sunday, August 18 at Robinson Theatre in Waltham, Massachusetts. Click here for more information and tickets.
A translucent, glittering blue curtain was just a glimpse of the glitz behind it as the musical’s catchy and exotic overture began, peppered with European flair. Directed by Susan Chebookjian with book by Harvey Fierstein and music and lyrics by Jerry Herman, “La Cage aux Folles” is about Georges (J.T. Turner) who runs a drag night club and Albin (James Darrah) is the show’s star attraction. When Georges’s son announces his engagement, everyone realizes they are in for a lot more than they bargained for.
With amazing choreography by Susan M. Chebookjian and Daniel Forest Sullivan, “La Cage aux Folles” bursts with color, razzle dazzle, and unlike “The Birdcage,” features a lot more dance numbers delivered by the sharp and athletic Les Cagelles. The opening, gender bending tune, We Are What We Are, is a nimble display of tight choreography while the signature number, La Cage aux Folles is stylized, bizarre, and fascinating. The show is also semi-interactive, which contributes to some of the productions most amusing moments.
Matthew Wright and Alison Pugh’s fantastic costumes are flashy, elegant, and over the top featuring wild, multi-colored wigs, shimmering gowns accented with furs and other costumes using an array of materials such as velour and silk with a bit of 70s flair. The colorful set, by David Allen Jeffrey, is equally exotic featuring velvet couches and gold accents as well as its share of seaside, Mediterranean flavor and little French nuances at Cafe Renaud.
The quirky, madcap cast is an excellent study in contrasting perspectives and family dysfunction. In a purple velour coat with bowtie, J.T. Turner delivers a charming, comical, and tender performance as Georges. Love struck and irresistibly likable, Georges is the heart of the show. He has a beautiful rapport with Jonathan Acorn as his son, Jean-Michel and James Darrah as Albin, delivering heartfelt renditions of Look over There and wistful Song in the Sand. The impressive comic timing between Turner as Georges and Darrah as Albin doesn’t get much better than during the number, Masculinity, especially while demonstrating their best John Wayne.
James Darrah as Albin, who possesses more than a passing resemblance to Nathan Lane, delivers a dramatic, engaging, and powerful performance as Albin. Often not so fashionably late, Albin contends with his longing to hide from the world and his undeniable need to make an entrance. His rendition of I Am What I Am is a Tour de Force performance, the best number of the show. Full of bravery, yearning, and emotional weight, it is an anthem for those who feel like they do not belong.
Jonathan Acorn as anxious Jean-Michel is madly in love with his fiancée Anne. She delivers a sweet and earnest performance by Lily Steven. Theirs is a sweet love story and Acorn’s beautiful timbre is on full display during the affectionate number Anne on my Arm.
The show cuts loose with adventurous and delightful Maureen Brennan as Marie up against Rich Allegretto as relentlessly frowning, disdainful and uptight M. Dindon. Speaking of cutting loose, Benz Atthakarunpan’s energetic, smirking Jacob delivers more than a few self deprecating moments in outrageous and surprising costumes while Ellen Peterson brings cleverness and a great set of pipes to Jacqueline.
The show is a bit lengthy, but delivers more than its share of laughs from the dynamic and charismatic cast. With pizzazz and heart, Reagle Music Theater of Greater Boston presents their final musical of the summer, “La Cage Aux Folles” through Sunday, August 18 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.