REVIEW: Motherhood goes under the microscope in Flat Earth Theatre’s powerful ‘Not Medea’

The mind can be your greatest asset or your worst enemy.  Flat Earth Theatre presents Allison Gregory’s powerful, semi-interactive drama Not Medea at the Black Box at the Mosesian Theatre for the Arts in Watertown, Massachusetts through March 30.  Partially based on the classic Greek myth Medea, the show runs 100 minutes with no intermission.  Click here for more information and tickets.  This show has mature themes.

Flat Earth Theatre Not Medea Juliet Bowler

Juliet Bowler as Woman Photo courtesy of Flat Earth Theatre

As rain pelts an onstage window, water is caught in a bucket.  This is an unintentional issue for director Elizabeth Yvette Ramirez, but this little wrinkle works well.  A storm is brewing, but it doesn’t hold a candle to the storm brewing inside the mind of an overwhelmed mother portrayed convincingly by Juliet Bowler.  Not without its lighthearted and sometimes relatably frank moments, Not Medea tackles love and motherhood in all its triumphs and complexity.

Allison Gregory’s Not Medea gives this classic a modern spin while cleverly keeping the earmarks of the classic intact.  Not enough can be said about Juliet Bowler as Woman.  She is a natural in this meaty and demanding role, navigating in a “show within a show” atmosphere.  We all know this harried woman.  She is rash, impetuous, and temperamental.  She shares too much, talks too loud, and can’t be still only to hide that she is lost in more ways than one.  She is also daring, which is indicative of her exclusively breaking the fourth wall, a modern convention usually reserved only for comedies.

Flat Earth Theatre 'Not Medea' Juliet Bowler and Gene Dante

Juliet Bowler as Woman and Gene Dante as Jason Photo courtesy of Flat Earth Theatre

Woman meets gallant and narcissistic Jason, portrayed with gusto and charisma by Gene Dante.  They share an instant connection.  However, as Woman remarks, “The Gods always have a plan.”

From child to maidservant, Cassandra Meyer skillfully takes on several roles during the production.  Gentle and compassionate, she is the most impressive as Woman’s conscience.

Flat Earth Theatre 'Not Medea' cast

Gene Dante as Jason, Cassandra Meyer as Chorus, and Juliet Bowler as Woman

Flat Earth Theatre continues Allison Gregory’s Not Medea through Saturday, March 30 at the Black Box at the Mosesian Center for the Arts, 321 Arsenal Street in Watertown, Massachusetts.  Click here for more information and tickets.

Partially surrounded by a lush green lawn that gives it a campus feel, The Mosesian Center for the Arts houses a number of productions and exhibits during the year.  Offering free parking and next door to Panera Bread, upcoming exhibitions include Five Stars Regional Exhibition and Please Touch the ArtThe Underlings Theatre Company presents MacBeth April 5-13.  Hosted by WBZ’s Jordan RichUpstage Lung Cancer’s annual fundraiser, Here’s the The Ladies:  From Lady Day to Lady Gaga takes place for one night only on Thursday, April 18..  Click here to see all that Mosesian Center for the Arts has to offer.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: Love and marriage gets wildly complicated in amusing romantic comedy farce, TCAN’s ‘First Things First’

Ever told a white lie that manifests itself into a whopper?  One where the truth becomes hazy?  That’s partly what The Center for the Arts in Natick’s (TCAN) romantic comedy farce First Things First is all about.  Presented by Mutual One Bank, First Things First delves into love, marriage, and what can become of a little white lie.

Written by Derek Benfield and directed by Kathy Lague, TCAN’s First Things First continues its run through Sunday, March 17 at 14 Summer Street in Natick, Massachusetts.  Parking is free on Sundays.  The Center for the Arts in Natick is a charming theatre space that also holds other events including a movie theatre.  Click here for more information, tickets, and how to become a member.

TCAN's First Things First

Photo courtesy of TCAN

This story is outlandish, which is the true nature of a farce.  Boy meets girl.  Boy marries girl.  Girl gets lost on a mountain.  Boy marries another girl.  Then the girl returns.  What’s a guy to do?  Set entirely in the living room of newly married couple Pete and Sarah’s apartment, each character has his or her own ulterior motive of how this story will play out.

Set designer Tom Powers creates a cozy, welcoming environment with warm colors, coordinated paintings on the walls, and a large sofa.  Classic songs about love and marriage by Frank Sinatra and Nat King Cole add a lighthearted, vintage flair.

The cast delivers quite a few surprises on this comedic journey and wait for the twist.  Sarah, portrayed with a good measure of feigned, wide eyed naiveté by Laura Deschaines, is Pete’s wife.  In a business suit and beard is Scott Saley as optimistic Pete, a man in for a surprise.  As the characters delve deeper into deception, credit is due for keeping Derek Benfield’s increasing complicated plot straight.  Scott Saley has a knack for physical comedy.  His amusing facial expressions become more entertaining as the plot thickens.

Cathy Merlo portrays Pete’s steely and judgmental mother in law.  Her pink suit is the only thing demure about her.  She’s a woman used to being in charge and her schemes with Laura Deschaines are fun to watch.  David Rustin as Pete’s unwitting friend George offers a great deal of observational humor as does Alessandra Horton as sweet and mysterious Jessica.

TCAN - The cast and crew of First Things First

The cast and crew of TCAN’s ‘First Things First’

The Center for the Arts in Natick present romantic comedy farce First Things First through Sunday, March 17.  Click here for more information and tickets.  Click here for more on TCAN’s 2019 season.

REVIEW: Beneath its potent calculations, Flat Earth Theatre’s ‘Delicate Particle Logic’ is a compelling love story

Flat Earth Theatre’s Delicate Particle Logic by Jennifer Blackmer pays an unforgettable visit into the complex mind of the wife of Noble Peace prize recipient and renowned German chemist Otto Hahn, artist Edith Hahn.  Multilayered in its telling with an interactive flair, this intriguing play takes a look back at three distinctive individuals that historically impacted the world during World War II, rooted in its intrinsic connection between art, science, logic, and love.

With sign language interpreters on scene on Oct 13, Flat Earth Theatre’s Delicate Particle Logic continues at the Black Box Theatre in the Mosesian Center for the Arts through Saturday, October 13.  The Mosesian Center for the Arts boasts free parking, general admission, and not a bad seat in Black Box’s half moon staging. Click here for more information and tickets.

Boasting recitations of the periodic table and a script with scientific verbiage that must have at times challenged this talented group, Delicate Particle Logic is a dark, emotional, thought-provoking, historical drama as renowned physicist and Otto Hahn’s work partner, Lise Meitner visits Edith Hahn as they recall their part in a significant era in World War II history.  With its share of surprising breakthroughs and revelations, it is a multilayered perspective on science, logic, art, and its driving force – love.

DPL - Otto, Edith, and Lise

From L to R: Thomas Grenon as Otto, Barbara Douglass as Edith and Christine Power as Lise Meitner Photo courtesy of Flat Earth Theatre

With blond braided hair and a voice rich in inquisitive charm, Barbara Douglass as uninspired, complicated artist Edith Hahn is the emotional core of the piece.  Douglass reveals her naiveté and warmth with a wide-eyed perspective as Lise and Edith recall the momentous events that ultimately lead to the Atom Bomb.  Edith’s bursts of creative energy tying into Christine A Banna’s Projection Design and PJ Strachman’s lighting design work well together to launch some exciting, yet haunting moments.  As passionate and she is moody, Douglass’s passionate performance as Edith is a particular highlight.

Christine Power exudes a veiled, cold practicality as physicist and Otto Hahn’s “work wife” Lise Meitner.  As serious as she is shrewd, Lise is at times determined beyond reason, but with an emotional attachment to her work that makes her willing to sacrifice everything for it.  With a tight bun secured in her hair and a simple dress, she rarely lets herself see beyond the next calculation.  As Edith observes, “Lise wants to give herself to science while men want to conquer it.”

DPL Lise and Otto

Christine Power as Lise and Thomas Grenon as Otto Hahn at work Photo courtesy of Flat Earth Theatre

In a full suit and tweed jacket, Thomas Grenon portrays serious and stern father of nuclear chemistry, Otto Hahn.  Grenon skillfully depicts Otto’s enigmatic personality under two contradicting perspectives as an unrelenting, meticulous perfectionist and a smitten, caring husband.

Portraying multiple roles from a scientist to a soldier to a nephew and a few between, chorus members Matt Arnold and Michael Lin slide into each of their roles with easy-to- follow, distinct subtlety.

Directed by Betsy S. Goldman, Delicate Particle Logic by Jennifer Blackmer continues at the Mosesian Center for the Arts, 321 Arsenal Street in Watertown, Massachusetts through Saturday, October 13.  Click here for more information and for tickets.

Partially surrounded by a lush green lawn that gives it a campus feel, The Mosesian Center for the Arts houses a number of productions and exhibits during the year.  Offering free parking and set next to Panera Bread, current exhibitions include a Member Exhibition and Levon Parion Photographs.  The Improbable Players presents A Restaging of the End of the Line on October 17 for free.  Some other highlights include Watertown Children’s Theatre’s 35th Anniversary Celebration There’s No Place Like Home and Upstage Lung Cancer’s annual fundraiser, Barbra, Bette, and Bernadette hosted by Arts and Entertainment critic, Joyce Kulhawik.  Click here to see all that Mosesian Center for the Arts has to offer.