friendship | The Sleepless Critic

REVIEW: Kevin T. Durfee’s ‘Scenes of (Dis)Connections’ at NYC’s The Chain Theatre One Act Winter Festival

Posted on March 11 by The Sleepless Critic

Oh, what might have been….

Don’t let the upbeat opening music fool you. This is one intense table.

Three individuals arrive at a poker game. One individual is earnestly present in spite of her current circumstances and two cannot escape their immediate pressures and distractions even though they all share a common goal – to be present together.

Mary McCarthy, Griffin Garnett and Hannah Wu in Kevin T. Durfee’s ‘Scenes of (Dis)connections’ Photo by Shannon Adams Creative

Written and directed thoughtfully by Kevin T. Durfee, Chain Theatre presented Scenes of (Dis) Connections as part of Chain Theatre’s One Act Winter Festival #27 which took place virtually and in person at Chain Theatre in New York City. Due to a blizzard, this program had to be delayed a week. Click here for more information about the production and here for more information about Chain Theatre, which presents over 90 one act productions during its annual winter festival.

Mary McCarthy in Kevin T. Durfee’s ‘Scenes of (Dis)connections’ Photo by Shannon Adams Creative

A small, floral covered table should bring friends together, but they cannot help but misunderstand each other. In their own way, they all secretly plead for help, but cannot be heard. Durfee uses communication breakdown in a clever way to depict each individual’s perspective through Mary McCarthy as struggling mother One, Griffin Garnett portrays struggling worker Another, and Hannah Wu depicts unemployed Alternative. Athleisure, a business suit, and casually dressed respectively fittingly reflect their distinctive life perspectives. They all aptly underline their distress as they long for the comfort of each other’s company, but cannot escape their various individual pressures.

Griffin Garnett in Kevin T. Durfee’s ‘Scenes of (Dis)connections’ Photo by Shannon Adams Creative

Confiding and connecting are so important. Durfee was inspired to write this work through his own experiences meeting up with friends and everyone is so engulfed in their current circumstances, they catch up, but may lack genuine connection. Durfee uses potentially life altering circumstances, but lack of connection is so easy to do in friendship or in any relationship, especially when even the lure of a cell phone is enough of a distraction from making a genuine human connection. Listening, connection and confiding can lighten anyone’s struggles even when things happen.

Hannah Wu in Kevin T. Durfee’s ‘Scenes of (Dis)connections’ Photo by Shannon Adams Creative

Scenes of (Dis) Connections provide just a snapshot of a friendship without a background story, but could be the foundation of a larger narrative. In its brief time, it begs a few questions about these three interesting characters. How they became friends, how they found themselves in these circumstances and how their friendship progresses would make for an excellent larger production.

Mary McCarthy, Griffin Garnett and Hannah Wu in Kevin T. Durfee’s ‘Scenes of (Dis)connections’ Photo by Ryan Blaise and Shannon Adams Creative

Chain Theatre presented Scenes of (Dis) Connections as part of Chain Theatre’s One Act Winter Festival #27 which took place virtually and in person at Chain Theatre in New York City. Click here for more information about the production and here for more information about Chain Theatre.

REVIEW: A summer not soon forgotten in Central Square Theater’s ‘Summer, 1976’

Posted on December 10 by The Sleepless Critic

Some friendships are instant and others form through an inexplicable connection at just the right time.

The latter is the case for Laura Latreille as free spirited Alice who meets Lee Mikeska Gardner as intellectual Diana through a babysitting co-op with their two daughters. The daughters become fast friends and these unfulfilled mothers, fascinated with each other, become friends unexpectedly even in the face of their apparent differences.

Paula Plum’s engaging direction explores friendship, societal expectations and much more in David Auburn’s dramedy, Summer, 1976 which ran at Central Square Theatre in Cambridge, Massachusetts through Sunday, November 30. This candid two hander production contains adult content and runs 90 minutes with no intermission. Click here for more information about Central Square Theatre and more on their upcoming production, Yellow Bird Chase.

Laura Latreille and Lee Mikeska Gardner in Central Square Theater’s ‘Summer, 1976’ Photo by Nile Scott Studios

Set in Columbus, Ohio during the Summer of 1976, two households sit side by side. One is a cheerful yellow while the other is composed of sensible brick. These distinctive houses by set designer Kristin Loeffler reflect two seemingly contrasting mothers’ personalities destined to become friends.

Justin Lahue’s colorful projections with Deb Sullivan’s illuminative lighting offers vibrancy to Kristin Loeffler’s summer set design through fireworks, sunsets, fireflies, clear blue skies and stoner psychedelic imagery.

Summer, 1976 is a reflective piece driven by a unique narrative. Instead of two women recalling their own memories individually onstage, they share the stage and react to each other’s animated memories conversationally while correcting and playfully ribbing each other along the way. The narration is a novel approach and it certainly draws on the compelling chemistry between Latreille’s Alice and Gardner’s Diana. Their joys, heartbreaks, mischievousness and secrets unfold as the other is engulfed in the other’s story.

Latreille portrays winsome, bold and seemingly carefree married housewife Alice exuberantly who tries not to think too far ahead while Gardner depicts immaculate, studious and practical single mother Diana who is always thinking ahead and encourages Alice to carefully think about her own future. Occasionally engaging with the audience, Gardner and Latreille challenge each other while exposing one another’s hypocrisies and mutual stubbornness with a clever twist which changes the way you witness this tale. It’s an important twist and revelation crucial to keeping this style of storytelling fresh. From migraines to life changing decisions, these two sincerely root each other on and some of the most fulfilling friendships thrive with tough love under the best intentions.

Laura Latreille in Central Square Theater’s ‘Summer, 1976’ Photo by Nile Scott Studios

Taking place during a pivotal and role shifting era for women from the 50s to the 80s, Summer, 1976 insightfully explores these two mothers and their life choices who long to see and understand each other clearly. It is the kind of familiar camaraderie prevalent in so many important relationships. I admire the way the production takes a relatable look at friendship and how it evolves throughout the years through a combination of comic and somber moments. Exploring the joyous and bittersweet, Summer, 1976 delivers a summer not soon forgotten.

David Auburn’s dramedy, Summer, 1976 ran at Central Square Theatre in Cambridge, Massachusetts through Sunday, November 30. This candid two hander production contains adult content and runs 90 minutes with no intermission. Click here for further details and more on their upcoming production, Yellow Bird Chase.

REVIEW: Wishing upon a ‘Soft Star’ at Boston Playwrights Theatre

Posted on November 24, 2024 by The Sleepless Critic

Somewhere in Minnesota, two best friends with a complex history each wish on what is deemed a soft star in the sky. What develops over time will test the limits of their friendship and much more.

Contemplatively directed by Bridget Kathleen O’Leary, Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival. This absorbing production runs 85 minutes with no intermission. Click here for more information and for tickets.

The cast of Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

Boston Playwrights Theatre’s Fall Rep Festival features two new productions from living authors taking place on one stage and scenic designer Maggie Shivers continues to make distinctive use of the space for these two vastly different productions. With fold out compartments that pose as couches, a barbecue grill and shelves, cast members transform the set and props between scenes from a beachside setting to a completely new landscape. Zachary Connell’s starlit and warm lighting adds an ethereal quality to the production featuring lanterns and luminous creatures boosted by Kai Bolman’s mystical sound design. Set within the span of the 70’s and 80s, E. Rosser’s colorful costumes depicts fashion trends of the time such as baby doll dresses, keds sneakers, and Henley shirts.

Annika Bolton and Mairéad O’Neill in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

A complex drama of jealousy, isolation, insecurity, secrets and longing, Soft Star is poignant and wistful as Jane and Belle search for a sense of belonging as they contemplate about the direction their lives have taken. There is a real sense of uncertainty from these individuals as the show progresses. Annika Bolton as Jane, Jesse Kodama as Dick, Mairéad O’Neill as Belle and Kamran Bina as Mitch make up a tightly woven group that also share building tension and passive aggressiveness, especially among Dick and Mitch who are best friends working together as well as a palpable chemistry between Mitch and Jane.

What is wonderfully fascinating about Soft Star is how best friends Annika Bolton as Jane and Mairéad O’Neill as Belle’s connection and priorities mature and evolve over time. From two coming of age girls to established women, Esper’s script explores the transforming interests of these individuals and at the same time, depicts how some reflections on their lives never change.

Annika Bolton in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

With an elements of magic and mysticism, Soft Star is an intriguing and imaginative drama fueled by Esper’s layered script which unfolds from a straightforward narrative to how life becomes immensely complicated through circumstances and when other emotions take hold. Emotions that linger and ripen even as people mature exasperated by a wish.

Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival. The show runs 85 minutes with no intermission. Click here for more information and for tickets.

REVIEW: Experience the magic and the gripping madness of Apollinaire Theatre’s ‘The Antelope Party’

Posted on March 6, 2024 by The Sleepless Critic

In a world gone mad, friendship is tested. How did it all go awry?

Eric John Meyer’s The Antelope Party is a multilayered production that dives behind the production’s kaleidoscopic colors into many shades of gray. Many suspicions rise and this tight knit group are stealthily on the hunt for answers.

Directed methodically by Brooks Reeves, The Apollinaire Theatre Company continues Eric John Meyer’s suspenseful The Antelope Party live and in person at Chelsea Theatre Works through Sunday, March 17. The show is two hours and fifteen minutes with one intermission and is not suitable for children. Click here for more information and for tickets.

Put away any preconceived notions of this show. It is much more than any advertisement can suggest. It is raw, funny, suspenseful, gloriously unconventional, thought provoking, and slippery in its intentions. What remain consistent are its views on friendship and its quest for uncovering truth.

Apollinaire Theatre Company The Antelope Party Evan Turissini Christa Brown and Brit Gardner Photo credit Danielle Fauteux Jacques

Cheerfully steeped in rainbow colored brightness and creative nostalgia elevated by a My Little Pony signature blanket, ebullient drapes, and authentic My Little Pony figurines lined up on a dresser, set designer Joseph Lark-Riley certainly knows how to transform a room or in this case, Demetrius Fuller as level headed Ben’s cozy apartment. This multilevel set has a brew shop and lamp lit park setting that leaves everything out in open unlike this enigmatic storyline that houses many secrets.

Apollinaire Theatre Company The Antelope Party Evan Turissini Christa Brown Brit Gardner and Demetrius Fuller Photo credit Danielle Fauteux Jacques

As impressive as the set design is Elizabeth Rocha’s vibrant and fancifully detailed Brony costumes and most notably, Christa Brown’s wonderfully distracting shimmering blue sneakers. Demetrius Fuller as Ben, Christa Brown as Maggie, Evan Turissini as Shawn, Brit Garner as Rachel, and Alex Leondedis as Doug gather together in Ben’s apartment as My Little Ponies or ‘bronies’ to speak minds freely and be heard, listen more than speak, and bond in harmony and understanding in an idyllic land known as Equestria. The group’s joyful camaraderie punctuated by galloping is endearing and hilarious. However, when Danielle Fauteaux Jacques arrives as newcomer Jean, something is off.

Apollinaire Theatre Company The Antelope Party Brit Gardner Christa Brown Demetrius Fuller and Evan Turissini Photo credit Danielle Fauteux Jacques

‘Pegasisters pump’, ‘going for a trot’, and ‘klopper’ are just some of the terminology used by self proclaimed Bronies or superfans of My Little Pony which is laid out in the production’s program. This type of fan base actually exists according to the 2012 documentary, Bronies: The Extremely Unexpected Adult Fans of My Little Pony that focuses on diehard fans of the 2010 series, My Little Pony: Friendship is Magic. However, this is only the tip of this intense and multidimensional iceberg that Eric John Meyer’s The Antelope Party systematically lays out set in a highly populated and high poverty stricken Western Pennsylvania mill town. Outside Ben’s apartment, we are not in Equestria anymore.

This show would not be as appealing if not for its powerful cast who delivers sharp comic timing with dramatic flair. They consistently translate what can at times be interpreted as silly to unmitigated believability. The Antelope Party weaves in My Little Pony, but also relatable fears, paranoia, obsession, powerful messages, and the fragility of true friendship.

Apollinaire Theatre Company The Antelope Party Evan Turissini as Shawn Photo credit Danielle Fauteux Jacques

Evan Turissini stands out as Pinky Pie or insecure wild card Shawn and Danielle Fouteaux Jacques as Jean. Turissini is all at once sympathetic and difficult while always longing for acceptance and Fouteaux Jacques delivers comical rationale at the most inopportune times. Christa Brown adds convincing bite to Rarity or overconfident and connected Maggie and Demetrius holds his own as Fluttershy or good natured Ben. Brit Gardner as Twilight Sparkle or conflicted Rachel and Alex Leondedis as Rainbox Dash or distant Doug round out this excellent cast.

The Antelope Party is a fascinating and introspective production in a world gone mad and should not be missed.

REVIEW: Company One Theatre with The Theater Offensive explores the power of friendship and an absorbing mystery with ‘The Interrobangers’

Posted on February 7, 2024 by The Sleepless Critic

Small town Foggy Bluffs, New York has things that bump in the night, but can a group of young sleuths solve the case?

With compelling direction by Josh Glenn-Kayden, Company One Theatre in partnership with The Theater Offensive and the Boston Public Library presents The Interrobangers, a new play by M Sloth Levine live and in person at the Central Branch of the Boston Public Library through February 24. The productions is free with pay what you want tickets and action is not limited to the stage. The Interrobangers is recommended for ages 13 and up. Click here for more information and for tickets.

Schanaya Barrows, Chris Everett, Anderson Stinson, III, Jenine Florence Jacinto, and Jay Connolly in ‘The Interrobangers’ Photo by Erin Crowley

Quaint, old towns can have such history including spooky legends, myths, and strange occurrences. Foggy Bluffs, New York is no exception but here also lies a big secret beneath its quiet façade. Accompanied by an adorable dog named Hoover, childhood friends Zodiac, Hank, Luna, and Dani must band together to uncover just what this little town has been hiding.

Founded in 1691, set designer Danielle DeLaFuente with Projections Designer Maria Servellon has carved out Foggy Bluffs, an impressive and realistic fictional town with rolling fog, haunting landscapes, and lively and colorful hangouts such as the Jackalope, Flatwoods Pizza, and Roswell’s Thrift n’ Find which is complete with a wide selection of authentic Foggy Bluffs souvenirs. The occasional grainy vintage town video footage is also a real treat. Lighting designer Elmer Martinez with sound designer Anna Drummond keeps the exciting pace of its interspersed friendly and eerie lighting as Drummond delivers a catchy and funky soundtrack.

Anderson Stinson, III and Jay Connolly in ‘The Interrobangers’

Taking place sometime in the 80s, the production has the earmarks of a Scooby-Doo vibe and it is amazing to observe the overall zany, spooky, and thoughtful tone including the making of a familiar van. E. Rosser’s trendy and multihued costume design highlights each character’s distinct personalities. Even during its comedic moments though, it tackles the angst, confusion, pressure to be perfect, identity, peer pressure, acceptance, trauma and other serious topics kids can experience growing up. An interrobanger is described as a bundle of emotions wrapped up into one word and suitably describes the show that delivers light and reflection in a unique manner.

Jenine Florence Jacinto, Anderson Stinson III, Schanaya Barrows, and Jay Connolly in ‘The Interrobangers’ Photo by Erin Crowley

It delves into the nature of friendship from a dynamic cast who share a warm and engaging rapport. Friendship as children grow up that may sometimes mean growing apart or those rare friends that even if time has passed, they can still find their groove. How a class president portrayed by Schanaya Barrows as Dani, a timid yet brilliant student depicted by Jenine Florence Jacinto as Luna, a fascinating and troubled bohemian portrayed by Anderson Stinson III as Zodiac with Jupiter Lê in a remarkable depiction of Zodiac’s energetic and empathetic dog Hoover, and popular jock depicted by Jay Connolly as Hank form a mischievous group that all might have more in common than they realize.

Anderson Stinson III and Jupiter Lê in ‘The Interrobangers Photo by Erin Crowley

Each character offers engaging and nuanced performances, especially Stinson as Zodiac who movingly depicts what it is like to struggle with issues that cannot easily be explained and still remain an open, inquisitive and loving person. In a gray suit and aviator sunglasses, Alex Jacobs is a hypnotic force as the mysterious Mr. Dahl to show that even a little town like Foggy Bluffs always has a mystery to be solved.

REVIEW: Well suited for the holiday season, The Huntington’s ‘The Heart Sellers’ a true Friendsgiving

Posted on December 12, 2023 by The Sleepless Critic

For some, the holidays can be the most wonderful time of the year and for others, the loneliest. What good fortune to find someone to make the holidays brighter.

Heartwarmingly and wistfully directed by May Adrales with Jenny S. Lee, The Huntington presents Lloyd Suh’s The Heart Sellers live and in person at the Calderwood Pavilion in Boston, Massachusetts through December 23. This charming show is 85 minutes with no intermission. Click here for more information and for tickets.

Judy Song, Jenna Agbayani; photo by T Charles Erickson

It seems like destiny that Luna and Jane should meet. On Thanksgiving Day 1973, imaginative Korean chatterbox Luna, exuberantly portrayed with an infectious smile by Jenna Agbayani, invites quiet Filipino Jane, depicted with reserved and humorous wit by Judy Song, to her apartment shortly after meeting that day. Not only do they happen to be wearing the same colorful coat from Kmart, but they also see a familiarity in each other that they cannot quite place.

Agbayani as Luna warmly exclaims, ‘We have nothing so it is not a mess!’ Scenic and costume designer Junghyun Georgia Lee’s modest one bedroom studio apartment impressively rewinds the clock to the 70s featuring wood paneling, a burnt orange couch, retro wallpaper and dated appliances. The apartment has quite a realistic and detailed appearance right down to the dingy surface on the sliding glass doors. Lee’s retro costumes add cheerful splashes of color to the setting.

Jenna Agbayani, Judy Song; photo by T Charles Erickson

This dynamite duo has crackling and good humored chemistry that make the show a treat. It is not only in what they say, but the way they communicate without words. Agbayani and Song exhibit sharp physical comic timing in an overwhelmed glance, awkward mannerisms, and relatable reactions to the other’s way of life. Song as Jane is exceedingly polite and timid, but her expressions often give away what she really thinks.

Both are immigrant housewives who have never heard of Thanksgiving before and it is endearing to watch them share a genuine interest in each other’s stories, dreams, memories, how they are adjusting to life away from home, and in their fervent attempts to celebrate together.

With more than a generous helping of heart and humor, The Heart Sellers also comes with a great deal of realizations and reflections questioning where these two women belong in their new world during a pivotal time. They are important questions still addressed today.

The Heartsellers stands as a lively, wonderful and worthy visit centered on friendship. Bring a friend, a date, or a loved one because this is one story meant to be shared.

REVIEW: ‘Friendship Bonds’ shorts reveal new perspectives at New Ohio Theatre’s New York City’s Indie Theatre Film Festival

Posted on March 3, 2023 by The Sleepless Critic

The New Ohio Theatre presented its 7^th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. The New York City Indie Film Theatre Festival offered a variety of films from shorts to features on a wide range of topics and some of the film selections contain mature themes. Click here for more information and to learn more about New Ohio Theatre.

The Sleepless Critic was knee deep in short films and tackled Dating Drama and Friendship Bonds shorts which focused on a variety of perspectives on relationships. Friendship Bonds explores the value and challenges of friendships in various circumstances. Click here for the Dating Drama short film review.

Shorts: Friendship Bonds ‘Andy and Kaliope’ Photo credit to New Ohio Theatre

Beautifully written and produced by Rachel Handler with stirring direction by Crystal Arnette and Catriona Rubenis-Stevens, Andy and Kaliope is a touching short film starring Jai Ram Srinivansan in a sweet portrayal as Andy, a foster child whose big imagination is in a war with his darkest fears. Accompanied by Rachel Handler as warm and encouraging Jamie, Colin Buckingham as Cole, and an extraordinary gift, Andy must muster the courage to move forward. It is a wonderful short film about the power of hope.

Shorts: Friendship Bonds Two Women on A Bridge Photo credit to New Ohio Theatre

Exceptionally directed, written, and edited by Tom Bean, Two Women on a Bridge is a thought provoking journey over the Williamsburg Bridge in May 2020 in a captivating display of black and white cinematography. Starring Karen Maine and Suzanne Lenz to Michael Abiuso’s gentle score, Two Women on a Bridge delves into a fractured friendship and reflects on the overwhelming changes in the world while engaging and hypothetical popup endings instill light humor to some serious themes.

Shorts: Friendship Bonds ‘Eyeballs’ Photo credit to New Ohio Theatre

In a quirky but realistic zoom scenario, a group of students are brought together by a group school project in Eyeballs. Written by Molly Powers Gallagher and starring as Nadine, Ola Pater as Cara, and Zack Palomo as Dev, the small zoom group convincingly conveys the nervousness and the hesitation to share ideas and connect. Directed and edited by Robert Thaxton Stevenson, stay put for this cute comedy’s end credit scene.

Shorts: Friendship Bonds ‘Lindsay, Lindsey, Lyndsay’ Photo credit to New Ohio Theatre

Lindsay, Lindsey, Lyndsey is not an exaggeration, but a tale of three different Lindsays. Lindsay’s fabulous new house. However, things are not quite as they seem. Dan Kuan Peeples, Cameron Cronin, and Daphne Overbeck deal with jealously, unrequited love, and a renewed sense of belonging as they reminisce over old times. Though some of the themes are a bit repetitive, this dramedy examines the complications of long term friendships and what keeps them going through it all.

Shorts: Friendship Bonds ‘The One They Wanted’ Photo credit to New Ohio Theatre

Directed by Catrina Rubenis-Stevens and written by Bryan Harlow, The One they Wanted is an absorbing and important short film about the challenges veterans face from within after they come home. It is a beautiful and poignant look at a pair of brother and sister veterans who share in their internal battles as sister Gabi faces difficulty in daily activities. Margo Serrano as Gabi embodies the veiled emptiness and depression over recent events while Writer Bryan Harlow also stars as Gabi’s nurturing brother Patrick as they attempt to find connection in their shared experiences. It is a genuine and affective short film not to be missed.

Shorts: Friendship Bonds ‘Scene Study’ Photo credit New Ohio Theatre

Scene Study is a sly short film about mixed signals. Written and directed with a few twists and turns by Trace Pope, Russell Sperberg as shy Cal and Joshua Ciccel as charismatic Ryan rehearse a scene study together when something unexpected happens. Director Trace Pope does a remarkable job in this brief time frame to create a light, unpredictable drama that keeps the viewer guessing till the very end.

Remarkably directed by Bandar Albuliwi, Sakrə Fīs (Sacrifice) is a riveting Iranian story about Azaheh, impressively depicted by Tiffany Ariany and Johnny Ferdosi as playful and fascinating Aadan who find themselves in a suspenseful and life threatening situation during a football game. Enhanced by Joe Aguirresarobe’s gripping cinematography and Nima Fakhrara’s affective score, Ariany and Ferdosi’s natural and sweet chemistry and the dangers of daily life in present Iran is what makes this increasingly tense and unpredictable tale such an engrossing and heartrending journey.

Shorts: Friendship Bonds ‘The Bottom’ Photo credit New Ohio Theatre

Do the ends justify the means? A man, at his most vulnerable, is being forced into a mysterious lake at gunpoint. Hostility and tension reach its boiling point in this eerie confrontation between James Kautz as Jude and Alex Grubbs as John before the plot thickens. With harrowing direction by Morgan O’Sullivan and James Kautz and fueled by Adam Bloch’s haunting sound effects, The Bottom is an dark, deeply psychological look at the affect of toxic relationships and may cause more than a chill.

Shorts: Friendship Bonds ‘We (Don’t) Know How to Live Photo credit New Ohio Theatre

On a lighter note, We (Don’t) Know How to Live is a comical and somewhat liberating look at life when reaching a milestone birthday. Four friends unite for Claire’s 30^th birthday party, but Claire receives some distressing news before she arrives which may ruin the whole thing. Jayne McLendon as Betty, Hilary Wirachowsky as Claire, Khadijah Roberts-Abdullah as Darcy and Gordon Harper as Daniel all give off some Friends vibes as they reflect upon the direction of their lives. Reflectively written by Jayne McLendon, Hilary Wirachowsky, and Khadijah Roberts-Abdullah, the festive and inviting setting keeps the mood light as the group tackles relatable and age appropriate musings.

REVIEW: Boasting two stellar leads, Central’s Square’s ‘The Half Life of Marie Curie’ full of inspiration and crackling chemistry

Posted on November 26, 2021 by The Sleepless Critic

For revolutionary physicist and chemist Marie Curie, not everything can be solved through a calculation.

On the verge of her second Noble Prize for Chemistry, anxious and introspective Marie Curie finds herself embroiled in a scandal and at one of the lowest points of her life. Quite literally bursting onto the scene is brilliant and charismatic electromechanical engineer and suffragette Hertha Ayrton ready to bring humor and optimism to what seems like a bleak situation.

Lee Mikeska Gardner as Marie Curie Debra Wise as Hertha Ayrton Photo courtesy of Nile Scott Studios

Brimming with crackling chemistry between Lee Mikeska Gardner as Marie Curie and Debra Wise as Herthe Ayrton, Central Square Theater opened their fall season with Lauren Gunderson’s The Half Life of Marie Curie continuing through December 12 at the Central Square Theater in Cambridge, Massachusetts. The show is 85 minutes with no intermission. Click here for more information and tickets.

The stage is deceptively serene for Lauren Gunderson’s The Half Life of Marie Curie. Lindsay Genevieve Fuori’s colorful, innovative, and functional scenic design comes to life as stirring sound effects and a mysterious and foreboding piano score by sound designer Elizabeth Cahill make an intriguing combination fused with Whitney Brady-Guzman’s dynamic and surreal lighting.

A production that picks up from the very start, these two driven pillars of science with contrasting personalities are a fascinating pair to watch and listen to their musings. Gunderson’s sharp script strikes a delicate balance between intellectual prowess and absorbing dramedy. They share their views on life, family, and work with wit, humor and candor, yet instinctually encourage each other forward with respect and admiration. Both are widows and mothers who struggle with how women were perceived in the early 20^th century, but their sheer determination and passion for science ultimately make an indelible mark on the world.

Lee Mikeska Gardner as Marie Curie and Debra Wise as Hertha Ayrton in 1910s swimwear Photo courtesy of Nile Scott Studios

Adorned in a lovely feathered black hat and flowing emerald green dress, Debra Wise brings gravitas, confidence, ego, and clever charm as Hertha Ayrton. From the moment Ayrton bursts onto the stage with a confident cock of her head, gleam in her eye, and cheerful intonation, a lightheartedness sets in to her passionate and outspoken persona as opposed to Curie’s darker sensibilities. Dressed demurely in a rich purple dress, Gardner skillfully embodies tense Curie in her careful and calculated movements. You can practically see the wheels turning in Curie’s constantly analyzing mind and consider the lengths she would go for the sake of her work.

Marie Curie and Hertha Ayron’s exchanges are no ordinary gabfests. From sexual politics to love to family and everything in between, Wise and Gardner, as different in their approaches are and as opposite their personalities, they understand each other as equals, colleagues, and kindred spirits. Celebrating each other’s triumphs and supportive in hardship, theirs is a true testament to unyielding and enduring friendship and it stands at the center of this auspicious and biographical story.

Directed astutely by Bryn Boice, Central Square Theater presents Lauren Gunderson’s The Half Life of Marie Curie through December 12 at the Central Square Theater in Cambridge, Massachusetts. The show is 85 minutes with no intermission. Click here for more information and tickets.

REVIEW: Hingham Civic Music Theatre’s ‘The Annulment’ makes parting sweet sorrow

Posted on September 3, 2019 by The Sleepless Critic

First comes love. Then comes marriage. This new musical takes a look at what may come next.

Playwright Sheila Kelleher, Music Director John Ferguson, and choreographer Cat Umano collaborated for a two day workshop of a world premiere musical destined to be submitted to a future New York festival. Hingham Civic Music Theatre presented ‘The Annulment’ on Friday, August 23 and Saturday, August 24 at Hingham Town Hall in Hingham, Massachusetts. This show contains some adult humor. Click here for more information and more about Hingham Civic Music Theatre’s future productions.

With music accompaniment consisting of Music Director and pianist John Ferguson and percussionist John Duff, the inviting set was well suited for this production as the show travels to different eras and timeframes.

‘The Annulment’ may have been about three different couples and what happens after they said, ‘I do,’ but what truly gives this show more emotional weight are the larger questions it pursues. What does it take for long-lasting happiness? What stirs the soul? What constitutes an annulment and when is it just legal jargon on a piece of paper? Celia, portrayed with quick-witted cynicism and wistfulness by Carole Shannon, just wants some answers.

Hingham Civic Music Theatre The Annulment Celia and Nadine

Carole Shannon as Celia and Stephanie Blood as Nadine Photo courtesy of Hingham Civic Music Theatre

‘The Annulment’ could very well have developed into a drawn out court battle, but it instead explores the nature of relationships, love, loss, and everything in between. The cast has a very natural chemistry and it is not difficult to imagine this group being longtime friends. The show is also not without its share of wild and sometimes cynical humor. James Swindler channeled a Vince Vaughn vibe as Dave, a playful, party-loving guy who has an uninhibited passion for his equally wild wife Nadine, a lively and comical performance by Stephanie Blood. Their uninhibited and flirtatious antics are among the most amusing parts in the production and they both clearly look like they are enjoying themselves.

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Carole Shannon shows a pensive, vulnerable side as Celia, her smooth vibrato poignant during the numbers, When I Used to Sing and What We Missed. Charlie McKitrick impressively portrays Tony, a critical man who constantly worries more about outward appearances than anything else. ‘The Annulment’ is skilled at building tension and there is no lack between these two. Offering a sympathetic, non-judgmental ear is Deanna Lohnes as Celia’s supportive friend Sabrina. ‘The Annulment’ is a funny, relatable musical comedy with heart when life doesn’t quite deliver a happily ever after.

Hingham Civic Music Theatre has been entertaining audiences for over 70 years. This fall, ‘The Dr. Seuss Experience’ exhibit will be heading to Boston and Hingham Civic Music Theatre is also presenting ‘Seussical The Musical‘ in October. Click here for all the details and their recently announced 2020 season.

Director Matt Silva and ‘Waist Watchers the Musical’s’ cast talks improvising, exercise, and girl’s night out

Posted on June 10, 2017 by The Sleepless Critic

Since April, Alan Jacobson’s Waist Watchers the Musical, a musical comedy from the production team responsible for You Say Tomato, I Say Shut Up, My Mother’s Italian, My Father’s Jewish, and I’m in Therapy, and Menopause The Musical, has been taking a frank and lighthearted look at four women’s struggle with dieting, body image issues, exercise, and much more. Perfect for a date night or a girl’s night out, this musical comedy continues through Sunday, June 25 at the Regent Theatre in Arlington, Massachusetts. Click here for the full schedule and for tickets.

‘Waist Watchers the Musical’ cast Photo courtesy of Playhouse Productions/Regent Theatre

The atmosphere was full of excitement and laughter as the cast and director of Waist Watchers the Musical, having just performed a weekday matinee, spoke about the unique preparation for this show, working with the choreographer of the acclaimed film, Silver Linings Playbook and Hairspray Live, and keeping the show fresh and more hilarious each and every night. Director Matt Silva and cast members Kiley McDonald, Stephanie Genovese, and Krissy Johnson all agree they are having a blast.

Sleepless Critic: Waist Watchers the Musical tackles a unique and sometimes sensitive subject. How does this show balance comedy with working out?

Kiley: We’ve talked about that a lot and how to approach the material knowing about body image and social media. It really takes a toll on women and how they envision what’s perfect. This show does a really good job of making light of everything and reminding us to laugh, accept, and love who you are. Everyone has flaws and trouble with something. That can’t hold you back and rule the choices you make in life.

‘Waist Watchers the Musical’ cast at Cook’s Gym Photo courtesy of Playhouse Productions/Regent Theatre

SC: Waist Watchers The Musical’s choreographer, Dani Tucci-Juraga, was behind the choreography for the acclaimed film, Silver Linings Playbook and Hairspray Live, which featured some amazing dance moves. Did you find learning the dancing particularly challenging?

Stephanie: Dani is fantastic. She is the sweetest woman I’ve ever met, but she is tough. She knows exactly what she wants and pushes you to become a better dancer, performer, and in this case, athlete. There were times when we were sore and complaining and she told us to deal with it and try harder.

SC: What attracted you to this show and these roles?

Matt: I am the orchestrator for this company who had taken on the show. It was out in Phoenix and I didn’t have anything to do with it. I went to see the show and thought the material was cool, acceptable, and empowering for women. The production itself wasn’t all that successful in terms of the talent, choreography, and the production value. I was really excited to take the message, empowerment, and the women’s process and collaborate with them and make it fun. I thought the production was lot of fun, but I thought the show I saw needed a little injection.

‘Waist Watchers the Musical’ cast Photo courtesy of Playhouse Productions/Regent Theatre

SC: The cast has very unique roles to prepare for. Aside from the dancing, what other preparation was involved?

Kiley: We knew right away that we needed to condition our bodies for the show because it is non-stop, 90 minutes of cardio. We would have to sing and dance without a lot of time to breathe. We also don’t leave the stage very often. It took us a little while to get our bodies moving, figure out where to breathe, and where to sing. A lot mental preparation goes into it.

SC: This show features all new and original music by Vince Di Mura. Do you have any favorites that stand out for you?

Stephanie: I love Lazy.

Kiley: My top favorite is The Morning After.

Chrissy: Eat it.

SC: You have been performing this show since April and the final show will be on Sunday, June 25. How does the show stay fresh each time you perform? I understand the show involves a lot of improvisation.

Stephanie: We try to make new discoveries each night. Every audience is different and they react to different things, so every performance stays different and fresh.

SC: You must encounter your share of surprises improvising and trying new things. Any memorable moments that occurred onstage?

Krissy: At this one performance, we had a new sound system. It was the first time using this wireless microphone. The mic cracked and made a loud noise onstage right before one of my lines. It frightened me so badly, I screamed! From that moment to the end of that scene, I could not stop laughing or get my lines out. It was quite amusing.

SC: You all obviously have really snappy chemistry on and off-stage.

Kiley: We are very fortunate to all get along and appreciate each other’s sense of humor.

SC: What is the best reason to see Waist Watchers The Musical?

Stephanie: It is definitely a girl’s night out and one hundred percent campy. It’s a feel good show with lots of laughs. Good clean fun, but definitely PG-13.

Presented by Playhouse Productions, Waist Watchers the Musical continues at the Regent Theatre until June 25. After the Regent Theatre, the show continues its tour in Huntington Beach and Sacramento, California. Click here for further details and for tickets or call 781-646-4849. Group rates are also available at 888-264-1788.