REVIEW:  Witnessing transformation in Gloucester Stage and Teatro Chelsea’s dramedy ‘The Hombres’

Julián seems lonely and misunderstood, but not for long.

Ricardo “Ricky” Holguin delivers a moving performance as gay Latino yoga instructor Julián who has always been intimidated by macho men.  When he realizes he has to deliver a message to a group of construction workers above the yoga studio, he must face his fear to unexpected results.

Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage Company and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29.  The show runs 100 minutes with a 15 minute intermission.  Click here for more information and for tickets.

Jaime José Hernández, Luis Negrón and Arthur Gomez in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

A group of Latino construction workers composed of Arthur Gomez as Héctor, Jaime José Hernández as Beto, and Luis Negrón as Pedro are working above a New Jersey yoga studio.  This fascinating trio shares an easygoing and amusing rapport sharing dirty jokes, intriguing stories or fantasizing how good life must be for the gringos (people who are not Latino) working in the city.  In impressive glowing neon hard hats and jackets by Chelsea Kerl with vivid lighting by John Holmes, they strut and occasionally goof off while on break looking down at the city and the yoga studio does not go unnoticed. 

Ricardo “Ricky” Holguin and the cast of Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

Rivera cleverly overlaps the construction and yoga studio scenes depicting how vastly different these environments are until they inevitably collide.   Scenic designer Kristin Loeffler makes the most of the stage as it highlights these contrasting worlds structurally connected featuring candles, incense, crystal and brass offering bowls, yoga blocks and mats while movable scaffolding and various pieces of equipment adorn the background.   Julian Crocamo’s catchy sound design, highlighted by metal clanging infused rhythms and meaningful club and ruminating music, is a lively addition to this tale.

Ricardo “Ricky” Holguin and Patrick O’Konis in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

In a bandana and loose and flowing clothes, Julián seems tuned in and often empathetic towards others.  An aspiring dancer, Julián is caring, funny, unassuming, sensitive, a bit of an over thinker and an amazing listener often finding himself engaging in other people’s problems and connecting to those around him more often by circumstance than by his own will.   Patrick O’Konis portrays conflicted and friendly yoga member Miles who is also a bit of an enigma.  Holguin is wonderful navigating the trepidation within Julián’s encounters with others with a mix of caution and relatable humor. 

Ricardo “Ricky” Holguin and Arthur Gomez in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

Arthur Gomez as Héctor is earnest, vulnerable, and frustrated with his life and longs to make a change.  Gomez’s Héctor thinks Julián may have the answers to his problems.   The connections established in this show are stirring, heartwarming, and complex as it explores the lives and struggles of these Latino men.  Julián often expresses himself through dance which leads a number of uplifting and humorous situations.

Ricardo “Ricky” Holguin and Luis Negrón in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

The Hombres is a well paced production with a captivating cast as each character undergoes some sort of mental, physical or spiritual transformation.  Even in its unpredictable turn of events, it is a hopeful show that explores friendship, brotherhood, and what is truly means to be a real man.

Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29.  Click here for more information and for tickets.

REVIEW: Fueled by a nostalgic rock soundtrack and a charismatic storyteller, Merrimack Repertory Theatre’s ‘Wild Horses’ a lively and momentous tale

Nothing brings back memories quite like a song.

The power of music is in full force in Merrimack Repertory Theatre’s (MRT) production of Alison Gregory’s Wild Horses streaming on demand through Sunday, October 17.  Merrimack Repertory Theatre previously offered the production in person from September 15 through October 3 at Western Avenue Studios in Lowell, Massachusetts.  The show contains mature language and some adult themes. Click here for more information and tickets to this virtual performance.

Directed with heart and humor by Courtney Sale, Wild Horses delves into the life of the mother of a teenage daughter, portrayed with a blend of lively charm and excitable nervousness by Leenya Rideout, as she gets wrapped up recalling her story of a special California summer during her 13th year in the 70s while onstage at an open mic night.  Rideout evokes a sense of adventure during this musically-fueled Moth Radio Hour featuring lyrics from 70s greats Rolling Stones, Heart, Van Morrison, America, and more.

Having delivered a likable performance in the 2020 indie film, Love, Repeat, Rideout further showcases her dynamic range in this meatier Wild Horses role with a humorous, heartfelt and sometimes raunchy performance.  See what Sleepless Critic had to say about Rideout in Love, Repeat here

With a love for music almost as much as horses, Rideout sings, strums an acoustic guitar, and proves an energetic and engaging storyteller sharing her experiences from a studious perfectionist to a teenager not afraid to break a few rules with the encouragement from her daring friends.   With no shortage of excitement, scandal, humor, and heartache, Rideout’s onstage demeanor switches from responsible mother in need of a night out to wide eyed, youthful innocent with all the angst that goes with it.  She blends what she remembers with her current wisdom, dwelling in the sacredness of youth. Ranging from teenage pranks to rites of passage, Rideout recalls these stories with wistfulness and passion, interacting with the audience like old friends.

Costume designer A. Lee Viliesis has Rideout ready to rock in an animal print scarf, Fender T Shirt, and ripped jeans and accompanied by guitarist Rafael Molina, she slips right into this adolescent spirit longing to be wild and free.  All that is necessary is a little courage.

Here’s to the ‘freedom takers’ with Merrimack Repertory’s production of Wild Horses continues streaming through Sunday, October 17.  Click here for more information and to get a closer look on MRT’s new season.