REVIEW: Witnessing transformation in Gloucester Stage and Teatro Chelsea’s dramedy ‘The Hombres’
Julián seems lonely and misunderstood, but not for long.
Ricardo “Ricky” Holguin delivers a moving performance as gay Latino yoga instructor Julián who has always been intimidated by macho men. When he realizes he has to deliver a message to a group of construction workers above the yoga studio, he must face his fear to unexpected results.
Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage Company and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29. The show runs 100 minutes with a 15 minute intermission. Click here for more information and for tickets.

A group of Latino construction workers composed of Arthur Gomez as Héctor, Jaime José Hernández as Beto, and Luis Negrón as Pedro are working above a New Jersey yoga studio. This fascinating trio shares an easygoing and amusing rapport sharing dirty jokes, intriguing stories or fantasizing how good life must be for the gringos (people who are not Latino) working in the city. In impressive glowing neon hard hats and jackets by Chelsea Kerl with vivid lighting by John Holmes, they strut and occasionally goof off while on break looking down at the city and the yoga studio does not go unnoticed.

Rivera cleverly overlaps the construction and yoga studio scenes depicting how vastly different these environments are until they inevitably collide. Scenic designer Kristin Loeffler makes the most of the stage as it highlights these contrasting worlds structurally connected featuring candles, incense, crystal and brass offering bowls, yoga blocks and mats while movable scaffolding and various pieces of equipment adorn the background. Julian Crocamo’s catchy sound design, highlighted by metal clanging infused rhythms and meaningful club and ruminating music, is a lively addition to this tale.

In a bandana and loose and flowing clothes, Julián seems tuned in and often empathetic towards others. An aspiring dancer, Julián is caring, funny, unassuming, sensitive, a bit of an over thinker and an amazing listener often finding himself engaging in other people’s problems and connecting to those around him more often by circumstance than by his own will. Patrick O’Konis portrays conflicted and friendly yoga member Miles who is also a bit of an enigma. Holguin is wonderful navigating the trepidation within Julián’s encounters with others with a mix of caution and relatable humor.

Arthur Gomez as Héctor is earnest, vulnerable, and frustrated with his life and longs to make a change. Gomez’s Héctor thinks Julián may have the answers to his problems. The connections established in this show are stirring, heartwarming, and complex as it explores the lives and struggles of these Latino men. Julián often expresses himself through dance which leads a number of uplifting and humorous situations.

The Hombres is a well paced production with a captivating cast as each character undergoes some sort of mental, physical or spiritual transformation. Even in its unpredictable turn of events, it is a hopeful show that explores friendship, brotherhood, and what is truly means to be a real man.
Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29. Click here for more information and for tickets.



