REVIEW: Reagle Music Theatre of Greater Boston captures virtual musical magic with ‘Entr’acte’

Like many of us, I miss theatre.

When not working on the next house project, the last few months have brought many opportunities as an avid television and film fan to stream from home.  From Knives Out to the Netflix hit, To All the Boys I’ve Loved Before, settling into the living room has been convenient and strongly advised.

However, theatre belongs in a separate category.  It’s not only the buzz of anticipation from an exhilarated crowd as the lights dim, but live theatre begins a journey into a different world upon a unique and dynamic stage as I let the new setting settle into my psyche.   Whatever may come of theatre over the next months or year, a live venue and the slow murmur as the curtain goes up has become more valuable to me than it ever has before.

Theatre has survived everything in history from World Wars to disasters to pandemics.  It has transformed and overcome every obstacle it has faced.  This time will be no different.  Ah, but that glorious feeling.

In the meantime, virtual streaming broadcasts have made their way to center screen.  New content seems to be popping up every day from theatre to music groups that are hoping to keep things afloat and longing to perform for an audience – even if it is one they cannot hear or see.   Some are short, some are interactive, and some don’t translate well.  Virtual award shows have also popped up in the last few months.

Perhaps I’m feeling more nostalgic than usual because each summer, Reagle Music Theatre of Greater Boston sets the stage for a trio of summer musicals ranging from classic to contemporary.  This time last year, Sleepless Critic reviewed Reagle Music Theatre of Greater Boston’s musical classic, The Sound of Music.  It was a glorious production flanked with sprawling sets and an enchanting cast that left you humming the timeless soundtrack long after the show’s moving finale.  Click here for the full review.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children

A few of The Sound of Music’s promising talent lent their voices to Reagle Music Theatre of Greater Boston’s live, theatrical fundraiser Entr’acte that premiered on Sunday, June 28 and is still available on Reagle’s website.   Hosted by Reagle veterans JT Turner and Mark Linehan and directed by Marisa Diamond, Reagle Music Theatre of Greater Boston lifted the virtual curtain and offered a glimpse of summer musical magic featuring a showcase of musical favorites, familiar local and renowned talent,  and some interactive fun while delving into Reagle’s rich history.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

Among the many highlights were Jennifer Ellis who reprised her award-winning role in My Fair Lady with a soaring, blissful rendition of I Could Have Danced All Night.  The Von Trapp children from The Sound of Music delivered their own number and youth performer Kimora Yancey delivered a powerful rendition of I Know Where I’ve Been from Hairspray. Pier Lamia Porter, who has been doing her own wonderful charity work for Covid 19, also shared her flourishing vocals for If I Loved You from Carousel, Reagle’s premiere musical in 1969.  Scott Wahle brought his usual charisma for Music Man’s 76 Trombones, Leigh Barrett reprised her role for It’s Today from Mame, and Dwayne Mitchell sang, I am What I Am from last year’s La Cage Aux Folles.  Found Robert Eagle also shared some of Reagle’s vivid history.

Reagle Music Theatre Entracte performers

Reagle Music Theatre of Greater Boston’s ‘Entr’acte’ performers Photo courtesy of Reagle Music Theatre of Greater Boston

Beloved musical duo Sarah Pfisterer and Rick Hilsabeck were among the many presenters that popped up during the musical benefit.

Reagle's Rick and Sarah

Rick Hilsabeck and Sarah Pfisterer Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre recently celebrated its 50th season and Sleepless Critic has cheered their outstanding work for musicals over the years such as Joseph and the Amazing Technicolor Dreamcoat, La Cage Aux Folles, Wonderful Town, Me and My Girl, and their annual show, ChristmasTime, which has become a traditional favorite.  Without these musical productions though the summer season and the live shows they put on throughout the year, Reagle needs support in order to keep going.

Virtually, they are all singing to that man, woman, or child behind the computer screen, phone, or on television.  While this is flattering, it also makes me a bit sad.  I miss hearing them sing while I quietly sing along, upstaging my performance in every way.  How I have missed most steps in the dance…but can’t see their feet.

From the heart thumping 42nd Street to the cool cats in Guys and Dolls to Singin’ in the Rain to their annual, stunning production of ChristmasTime, their shows must simply go on and spark another 50 years.

Click here for more on Reagle Music Theatre of Greater Boston located at 617 Lexington Street in Waltham, Massachusetts.  Their virtual youth theatre workshops are happening now and their second workshop session will start on July 20.

 

REVIEW: Motherhood goes under the microscope in Flat Earth Theatre’s powerful ‘Not Medea’

The mind can be your greatest asset or your worst enemy.  Flat Earth Theatre presents Allison Gregory’s powerful, semi-interactive drama Not Medea at the Black Box at the Mosesian Theatre for the Arts in Watertown, Massachusetts through March 30.  Partially based on the classic Greek myth Medea, the show runs 100 minutes with no intermission.  Click here for more information and tickets.  This show has mature themes.

Flat Earth Theatre Not Medea Juliet Bowler

Juliet Bowler as Woman Photo courtesy of Flat Earth Theatre

As rain pelts an onstage window, water is caught in a bucket.  This is an unintentional issue for director Elizabeth Yvette Ramirez, but this little wrinkle works well.  A storm is brewing, but it doesn’t hold a candle to the storm brewing inside the mind of an overwhelmed mother portrayed convincingly by Juliet Bowler.  Not without its lighthearted and sometimes relatably frank moments, Not Medea tackles love and motherhood in all its triumphs and complexity.

Allison Gregory’s Not Medea gives this classic a modern spin while cleverly keeping the earmarks of the classic intact.  Not enough can be said about Juliet Bowler as Woman.  She is a natural in this meaty and demanding role, navigating in a “show within a show” atmosphere.  We all know this harried woman.  She is rash, impetuous, and temperamental.  She shares too much, talks too loud, and can’t be still only to hide that she is lost in more ways than one.  She is also daring, which is indicative of her exclusively breaking the fourth wall, a modern convention usually reserved only for comedies.

Flat Earth Theatre 'Not Medea' Juliet Bowler and Gene Dante

Juliet Bowler as Woman and Gene Dante as Jason Photo courtesy of Flat Earth Theatre

Woman meets gallant and narcissistic Jason, portrayed with gusto and charisma by Gene Dante.  They share an instant connection.  However, as Woman remarks, “The Gods always have a plan.”

From child to maidservant, Cassandra Meyer skillfully takes on several roles during the production.  Gentle and compassionate, she is the most impressive as Woman’s conscience.

Flat Earth Theatre 'Not Medea' cast

Gene Dante as Jason, Cassandra Meyer as Chorus, and Juliet Bowler as Woman

Flat Earth Theatre continues Allison Gregory’s Not Medea through Saturday, March 30 at the Black Box at the Mosesian Center for the Arts, 321 Arsenal Street in Watertown, Massachusetts.  Click here for more information and tickets.

Partially surrounded by a lush green lawn that gives it a campus feel, The Mosesian Center for the Arts houses a number of productions and exhibits during the year.  Offering free parking and next door to Panera Bread, upcoming exhibitions include Five Stars Regional Exhibition and Please Touch the ArtThe Underlings Theatre Company presents MacBeth April 5-13.  Hosted by WBZ’s Jordan RichUpstage Lung Cancer’s annual fundraiser, Here’s the The Ladies:  From Lady Day to Lady Gaga takes place for one night only on Thursday, April 18..  Click here to see all that Mosesian Center for the Arts has to offer.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: Hingham Civic Music Theatre’s ‘Shrek the Musical’ an absolute treat for the whole family

Hingham Civic Music Theatre’s fun-filled Shrek the Musical has all the earmarks of a delightful Halloween treat for the entire family.  Some audience members were seeing double as the musical’s dynamic duo, Shrek and Donkey, were not only present onstage, but also in the crowd.  In the spirit of the season, some children opted to dress as their favorite Shrek character, which is encouraged (though not required).  This exciting production balances sweetness and hilarity through a few amusing tricks and special effects, which is all part of the story.  However, what makes Shrek’s tale so enduring and lovable is its underlying authenticity.  Underneath it all, life is best lived without a mask.

Chris DiOrio as Shrek

Chris DiOrio as Shrek Photo courtesy of Hingham Civic Music Theatre

Directed by Lisa Pratt, musically-directed by Mark Bono with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre continues its 69th season with Shrek the Musical in its final weekend from Friday, October 27 through Sunday, October 29 at Hingham Town Hall in the Sanborn Theatre in Hingham, Massachusetts.  Click here for more information and for tickets.  Click here for a clip from the musical.

Through its richly-painted set pieces by Lisa Pratt and colorful, meticulous costumes by award-winning costumer, Kathryn Ridder, the visuals in Shrek the Musical are likened to the popular Dreamworks film adaptation, right down to the Gingerbread Man’s gumdrop buttons.  However, having seen the film adaptation, Shrek, based on the book by William Steig, and the film’s many film sequels, Shrek the Musical expands the film’s premise, offering additional scenes and an upbeat, fanciful, rock-tinged soundtrack, composed by Jeanine Tesori.  I’m a Believer by the Monkees is also included.  Shrek’s real magic lies is its innovative ability to cleverly blend authenticity, sadness, adventure, and humor.  Tesori’s soundtrack encapsulates this tone in songs such as Big Bright Beautiful World, a sometimes humorous number about strength in the face of adversity and loss.  Debbie Rawson Stratton and Danny Hannafin as Mama and Papa Ogre offer a tender blend of impressive harmony as an adorable Young Shrek, portrayed by Nolan McHugh, looks on.

Shrek the Musical focuses on a lone, but not seemingly lonely green ogre portrayed with warmth, pensiveness, and gruff charisma by Chris DiOrio.  Shrek lives a quiet life in a swamp until some of literature’s most beloved fairy tale creatures arrive, forcing him to embark on an epic quest to save life as he knows it.

Chris DiOrio steps right into Shrek’s quiet awkwardness and offers a softness in his quiet moments as well as an amusing ferocity when his temper flairs.  Stubborn and humble, DiOrio is thrown for a loop when he meets Brendan Smith as Donkey, who keeps the energy kicking as a cheerful chatterbox.  Their instant, snappy chemistry clearly demonstrates why they are a dynamic duo for the ages.  A towering presence, Brendan offers a hint of Eddie Murphy’s iconic vocals combined with his own charm.  A particular highlight is Brendan’s slick choreography and gravitas during a James Brown-style rendition of the song, Make a Move.  Packed with familiar anecdotes and fairy tale references, Chris and Brendan also have some fun with their duet, The Travel Song.

Shrek and Donkey

Leslie DiOrio, Chris DiOrio’s real life wife, portrays bold, graceful, and idealistic Princess Fiona.  Wearing a shining green renaissance gown, Leslie depicts Princess Fiona with grace, humility, and earnestness, especially in a many-faceted, tender rendition of I Know it’s Today.  Chris and Leslie have a lively and sweet chemistry, even when they don’t see eye to eye.  Chris DiOrio’s endearing version of If Words Fail is also not to be missed.

From his first appearance onstage, Anthony Light literally and figuratively takes his character, Lord Faquaad, to a whole new level.  Absurd and hilarious, Anthony Light’s delusional arrogance and clever costuming is a treat, showing off his unapologetic pompousness in The Ballad of Faquaad, accompanied by the show stopping Duloc Dancers.

HCMT's 'Shrek the Musical' - The cast

Brendan Smith as Donkey, Chris DiOrio as Shrek, Anthony Light as Lord Faquaad, and the Duloc Dancers: Halle Pratt, Molly McLellan, Nicole DiRuzza, Alex Huntington, Catherine Bennis, Hannah Ford, Denise Feeney, and Abbey Randall Photo courtesy of Pat Sherman/Hingham Civic Music Theatre

Hingham Civic Music Theatre has a few tricks up their sleeves by way of special effects as each cast member delivers their own wild, off-beat charm.  With a large cast full of iconic fairy tale creatures including a magnificent dragon, a deceptive Pinocchio, Three Little Pigs, Witch, and a Gingerbread Man equipped with an uproarious squeal, the impressive cast is non-stop fun and never loses heart.

Hingham Civic Music Theatre presents Shrek the Musical with Facebook Friday Ticket discount special on Friday, October 27 at 7:30 p.m.  Click here for discount details.  A final evening performance will be held on Saturday, October 28 at 7:30 p.m.  Sunday’s final matinee performance takes place on October 29 at 2 p.m.  All shows are held at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.

Click here for further details, tickets, and how to support Hingham Civic Music Theatre.  Be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

An avid fan of all things Disney, Sarah Kelly discusses being cast as Disney princess Ariel in Company Theatre’s ‘The Little Mermaid’

To Sarah Kelly, award-winning Company Theatre actress, Plymouth State University student, and ardent fan of anything Disney, becoming a Disney princess is another dream come true.  Sarah spent last summer on the Company Theatre stage as sunny Elle Woods in the frothy musical, Legally Blonde the Musical, calling it the best summer of her life.  She spends this summer under the sea as Disney Princess Ariel in Company Theatre’s production of Disney’s The Little Mermaid from July 28 to August 20 at The Company Theatre in Norwell, Massachusetts.  Whether portraying California fashionista turned Harvard law student or a love struck, fish out of water fork enthusiast, what Sarah shares with all of them is her ceaseless optimism.

Sarah Kelly talks about her returning to the Company Theatre, her new sidekicks, future plans, and her unconventional audition.  Click here for further information and for tickets to Disney’s The Little Mermaid.

Sleepless Critic:  You seem to fit right into your role of Ariel in The Little Mermaid just a smoothly as you did as Elle in Company Theatre’s Legally Blonde last summer, a role you won an award for.  What it was like to win for your first lead role?

Sarah Kelly:  Whenever I talk about being a part of Legally Blonde with Company Theatre, I always say it was the gift that kept on giving. It gave me the opportunity to experience leading a show as Elle Woods, work with some of the most incredible and genuine people I’ve ever met, and yes, so blessed to receive ‘Best Actress in a Musical’ from Broadway World Boston.  Receiving this award was an absolute cherry on top of the best summer of my life because I didn’t expect to be nominated at all. To be considered was prize enough and winning is one of the most amazing things that has ever happened to me.  That official validation meant so much to me.

SC:  What interested you in returning to the Company Theatre as Ariel this summer?

SK:  Last year in our interview for Legally Blonde, I talked about how Company Theatre’s family vibe and atmosphere immediately stole my heart. I saw a couple of different shows that were put up this past school year.  When I returned, I was welcomed back with open arms and felt so at home again. Company Theatre is so much fun and I treasure each day.  When I heard they were doing The Little Mermaid, I had to audition because it’s one of my favorite Disney movies and I adore Alan Menken’s work.

SC:  How was the audition process for Ariel different from last year’s and how did you prepare?

SK:  My audition was extremely different for this role because I did a video audition as opposed to last year where I attended the actual audition at Company Theatre. Unfortunately, I was away at school and auditions for Plymouth State University’s fall season were the exact same days as The Little Mermaid’s auditions and callbacks. It’s easier to show your truest colors at an “in person” audition.  Showing what you have as a human being that will make that character you’re trying for special and real is the most important part of an audition.  However, I did my best, memorized the sides that were sent to me, and the song I was asked to sing for my callback.  I guess it really paid off.

Company Theatre Flounder with cast

Colin SanGiacomo as Flounder with cast Photo courtesy of Zoe Bradford/Company Theatre

SC:  It sure did.  Rather than Bruiser from Legally Blonde, you now have a couple of new sidekicks in Flounder and Sebastian.  Please tell me what it is like to work on a Disney musical.  Is this your first one?  The Company Theatre recently completed The Lion King Jr earlier this year.

SK:  Yes, unfortunately, I wasn’t able to see their production of The Lion King Jr, but I heard wonderful things and saw some of the gorgeous costumes.  Aside from playing Kaa the Snake in The Jungle Book Jr in fourth grade, this is my first Disney show and I am living for it. I grew up purely on Disney movies and music, so to be a part of this kind of process and play a Disney princess is a dream come true. The show is so bright, alive, and magical and the direction this specific production is going does the show itself absolute justice.

SC:  I’m sure it must feel a little different to work with a cast who are playing animated characters and creatures.  Such a beautiful set!

SK:  Yes, we have some of the most passionate humans working on this show. The ever so dedicated James Valentin works extremely hard alongside our own personal superman, Ryan Barrow, who is also known as the hot UPS guy from Legally Blonde last summer.  They go above and beyond creating, building, and painting sets. Ryan is one of the many Disney fan girls in our little family and literally will not sleep until everything is perfect.   So many talented hands are helping to interpret the movie’s magic and that magic is right onstage.   It’s so beautiful.  I don’t know how they do it because these two guys are also a part of the cast.  I can’t forget the spectacular Bri Plummer, who brings her unique costume designs to life perfectly.

James Valentin with Flounder and Ariel

Colin SanGiacomo as Flounder, James Valentin as Grimsby, and Sarah Kelly as Ariel Photo courtesy of Zoe Bradford/Company Theatre

Our absolutely brilliant choreographer, Sally Forrest, has such an incredible vision for this show that people need to see to really understand. She wants the audience to believe they are watching the original Disney movie and trains us to think and be animated characters, which is a lot of fun.  The extremely specific motivation and movement direction she gives creates this beautiful and nostalgic picture both children and parents are going to be mesmerized by.

Company Theatre 'The Little Mermaid'

Ronald Vorce as Ursula Photo courtesy of Zoe Bradford/Company Theatre

SC:  Have there been any surprises in portraying Ariel?  Unexpected challenges?  It’s such a fun role.

SK:  Ariel is so much fun to portray. I don’t support all of her life choices considering she gives up her gift of a voice for a legs and a man, but that doesn’t mean she’s not a blast to play on stage. She’s sweet, spunky, lovely, and lively.  A challenge that I knew I was bound to run into with her is letting Elle from Legally Blonde pop in and out. With Elle, I had much more liberty in character choices and playing up my ‘Sarah-isms.’  Ariel is such an iconic animated figure, not to mention princess, so I really wanted to bring her to life in an organic way while staying true to the original cartoon.

Company Theatre Ariel's Royal Princess Celebration

Photo courtesy of Zoe Bradford/Company Theatre

SC:  You’ll be a part of the Company Theatre fundraiser, Ariel’s Royal Princess Celebration on Saturday, August 5 in full Disney princess mode.  I’m sure that will be exciting for you.

SK:  I’m very excited to be a part of the Princess Celebration!  I love working with kids as a day job.  Even when I was in the Hingham Parade on July 4, seeing those beautiful little faces looking up at me like I was an actual Disney princess, made me want it to last forever.  I look forward to creating some real magic for the kids right here in Norwell on August 5.

Company Theatre 'The Little Mermaid' Hingham Parade

Sarah Kelly as Ariel with Flounder at the Hingham Parade on Independence Day

SC:  What are your future plans?  Do you have new acting projects in the works after this?

SK:  My university is putting on Merrily We Roll Along this fall and I was cast as ‘Gussie.’   I’m looking forward to it.  I love a good Sondheim show and I’m portraying a super awful character, but also fun and flirty. Gussie is definitely on the crazy side, which is always a blast!  It’s also directed by one of my favorite people, Beth Daily, and assistant directed by my best friend, Val Umbro, a dynamic duo for sure. I’m also grateful to be assistant directing The Trial with Paul Mroczka in the fall.  It’ll be such a great challenge and growing experience for me.

Click here to learn more about Ariel’s Royal Princess Celebration fundraiser on August 5.  Click here or call the box office at 781-871-2787 for tickets to Company Theatre’s production of Disney’s The Little Mermaid from Friday, July 28 through Sunday, August 20 at The Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.   Follow Company Theatre on FacebookTwitter, and Instagram for updates and more.

Tickets for 12th annual Duxbury Music Festival, featuring live seaside concert music & more, go on sale June 1

For the past twelve years, South Shore Conservatory’s Duxbury Music Festival (DMF) has welcomed summer with seaside entertainment and extraordinary live music along the South Shore of Massachusetts.  With more than a week-long concert extravaganza exploring reggae, jazz, classical, and blues, the Duxbury Music Festival kicks off their summer series at a seaside tent on Duxbury Bay at Freeman Place for Blues on the Bay Cabaret Concert on Friday, July 14.  The evening offers cocktails and appetizers featuring live music from Sugar Ray and the Blue Tones at 6:30 p.m.  Tickets go on sale to the public on Wednesday, June 1.  Call 781-934-2731, ext. 11 or click here for the full list of events and tickets.  Follow Duxbury Music Festival on Facebook for updates.

Duxbury Music Festival Logo

Photo courtesy of South Shore Conservatory

Set in in several locations in Duxbury, Massachusetts, the Duxbury Music Festival will be held from Friday, July 14 through Friday, July 28.  On Sunday, July 16, the Duxbury Music Festival continues at the seaside tent at Freeman Place with Festival Overture Concert and Reception featuring works from Haydn and Hurnik at 6:30 p.m.

Duxbury Music Festival Sunday-in-the-Park-2015

Photo courtesy of Kathy Dixon

Founding Duxbury Music Festival faculty member and soloist Oxana Yablonskaya returns to the festival on Tuesday, July 18 for the All-Rachmaninoff Faculty Concert at South Shore Conservatory, Ellison Center for the Arts, 64 George Street in Duxbury, Massachusetts at 7:30 p.m.  This special concert funds scholarships for Duxbury Music Festival students.

Duxbury Music Festival - Tent crowd shot

Photo courtesy of Kathy Dixon

Travel to Duxbury Town Green and enjoy Reggae on the Green featuring the Berklee Reggae Ensemble with opening act and South Shore Conservatory rock band, Toast on Friday, July 21 at 7 p.m.  Other events on the Duxbury Town Green include Rhythm and Blues on the Green Dinner Dance with party band In the House Saturday, July 22, Family Fest with plenty of kids entertainment and interactive activities featuring South Shore Conservatory’s ImagineArts band followed by Picnic in the Park featuring live entertainment from DMF students, lobster roll, and concessions on Sunday, July 23.  Back at South Shore Conservatory in Duxbury, take in Duxbury Music Festival’s All That Jazz featuring quintet Elan Mehler and a Duxbury Wine and Spirits tasting on Wednesday, July 26.

The Duxbury Music Festival concludes with a Winners Concert and Farewell Reception including a Duxbury Wine and Spirits Tasting on Friday, July 28. Tickets go on sale June 1, but subscriptions are now available.  Call 781-934-2731, ext. 11 or click here for tickets, see the full schedule, and all that the Duxbury Music Festival has to offer.

 

 

Urban Improv, celebrating its 25th anniversary, presents annual, celebrity-filled improv fundraiser, ‘Banned in Boston’

Urban Improv is celebrating its 25th anniversary and presenting their annual fundraiser, Banned in Boston, an evening of delicious food from top restaurants, celebrity improv, and much more on Friday, April 7 at House of Blues in Boston, Massachusetts at 6 p.m.  This is a 21+ event.

134549_BIB_Invite

Photo courtesy of Urban Improv

Hosted by Jim Braude and Margery Eagan, this year’s celebrity roster is once again brimming with acclaimed faces in entertainment such as WGBH’s Jared Bowen and Emily Rooney, Matt Siegel from Kiss 108, WCVB’s JC Monahan, Tom Hamilton from Aerosmith, and musician Sally Taylor.  Political leaders such as Governor Charlie Baker and Mayor Marty Walsh, arts and educational leaders will be present such as Matthew Teitelbaum of Museum of Fine Arts and Anita WalkerMassachusetts Cultural CouncilEnjoy delicious food from a wide array of restaurants such as Mei Mei, Roxy’s Grilled Cheese, East Coast Grill, Eastern Standard, and Area FourClick here for the full guest list, ticket information, and more.

Cissa Campion, Marketing Director of Urban Improv, offers a closer look at Urban Improv, its mission, and why their annual musical revue Banned in Boston is the funniest fundraiser of the year.

Jeanne Denizard:  The annual Banned in Boston fundraiser provides educational workshops guiding youth on how to best deal with tough, real life situations such as racism, violence, and bullying.  Please tell me more about the workshops.

Cissa Campion:  Banned in Boston is Urban Improv’s only annual fundraiser.  Urban Improv’s highly effective, interactive drama programs help young people explore challenging situations in their lives. We work with kids from 4th grade through high school. Whether it is peer pressure, cyber bullying, racism, homophobia, or violence, students role-play scenarios based on their own choices and experience the consequences of their actions in a safe environment.

Our atmosphere of openness and respect allows students to express themselves, leading to stronger self-esteem and improved conflict resolution, cooperation, and leadership skills.  Urban Improv helps students grapple with issues they face every day and equips them with the skills they need to become leaders who communicate our messages of nonviolence, tolerance, and respect. We call it “A Rehearsal for Life.”

Urban Improv has presented to thousands of students at schools and community groups throughout Boston, New England, and beyond.  It has been able to provide thousands of free workshops to Boston schools since its inception in 1992, 25 years ago.

JD:  What would you say is the best reason one should attend Banned in Boston?

CC:  Come for the laughs and because it’s such a good time. It’s a one-night-only event on Friday, April 7. We have this incredible roster of celebrities under one roof and all bets are off!  No rubber chicken and boring speeches at this fundraiser and enjoy delectable food provided by the city’s top restaurants.  Support a great cause that is having a powerful effect in this city.

Click here for more information and tickets to this hilarious, one night only event starting at Lansdowne Pub for a cocktail reception at 9 Lansdowne Street at 6 p.m.  Banned in Boston musical revue at House of Blues, 15 Lansdowne Street kicks off at 7:45 p.m.

Urban Improv is located at 670 Centre Street in Jamaica Plain, Massachusetts.  Click here for more information on Urban Improv, its upcoming events, and how to support this dynamic organization.