REVIEW: Reagle Music Theatre of Greater Boston captures virtual musical magic with ‘Entr’acte’

Like many of us, I miss theatre.

When not working on the next house project, the last few months have brought many opportunities as an avid television and film fan to stream from home.  From Knives Out to the Netflix hit, To All the Boys I’ve Loved Before, settling into the living room has been convenient and strongly advised.

However, theatre belongs in a separate category.  It’s not only the buzz of anticipation from an exhilarated crowd as the lights dim, but live theatre begins a journey into a different world upon a unique and dynamic stage as I let the new setting settle into my psyche.   Whatever may come of theatre over the next months or year, a live venue and the slow murmur as the curtain goes up has become more valuable to me than it ever has before.

Theatre has survived everything in history from World Wars to disasters to pandemics.  It has transformed and overcome every obstacle it has faced.  This time will be no different.  Ah, but that glorious feeling.

In the meantime, virtual streaming broadcasts have made their way to center screen.  New content seems to be popping up every day from theatre to music groups that are hoping to keep things afloat and longing to perform for an audience – even if it is one they cannot hear or see.   Some are short, some are interactive, and some don’t translate well.  Virtual award shows have also popped up in the last few months.

Perhaps I’m feeling more nostalgic than usual because each summer, Reagle Music Theatre of Greater Boston sets the stage for a trio of summer musicals ranging from classic to contemporary.  This time last year, Sleepless Critic reviewed Reagle Music Theatre of Greater Boston’s musical classic, The Sound of Music.  It was a glorious production flanked with sprawling sets and an enchanting cast that left you humming the timeless soundtrack long after the show’s moving finale.  Click here for the full review.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children

A few of The Sound of Music’s promising talent lent their voices to Reagle Music Theatre of Greater Boston’s live, theatrical fundraiser Entr’acte that premiered on Sunday, June 28 and is still available on Reagle’s website.   Hosted by Reagle veterans JT Turner and Mark Linehan and directed by Marisa Diamond, Reagle Music Theatre of Greater Boston lifted the virtual curtain and offered a glimpse of summer musical magic featuring a showcase of musical favorites, familiar local and renowned talent,  and some interactive fun while delving into Reagle’s rich history.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

Among the many highlights were Jennifer Ellis who reprised her award-winning role in My Fair Lady with a soaring, blissful rendition of I Could Have Danced All Night.  The Von Trapp children from The Sound of Music delivered their own number and youth performer Kimora Yancey delivered a powerful rendition of I Know Where I’ve Been from Hairspray. Pier Lamia Porter, who has been doing her own wonderful charity work for Covid 19, also shared her flourishing vocals for If I Loved You from Carousel, Reagle’s premiere musical in 1969.  Scott Wahle brought his usual charisma for Music Man’s 76 Trombones, Leigh Barrett reprised her role for It’s Today from Mame, and Dwayne Mitchell sang, I am What I Am from last year’s La Cage Aux Folles.  Found Robert Eagle also shared some of Reagle’s vivid history.

Reagle Music Theatre Entracte performers

Reagle Music Theatre of Greater Boston’s ‘Entr’acte’ performers Photo courtesy of Reagle Music Theatre of Greater Boston

Beloved musical duo Sarah Pfisterer and Rick Hilsabeck were among the many presenters that popped up during the musical benefit.

Reagle's Rick and Sarah

Rick Hilsabeck and Sarah Pfisterer Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre recently celebrated its 50th season and Sleepless Critic has cheered their outstanding work for musicals over the years such as Joseph and the Amazing Technicolor Dreamcoat, La Cage Aux Folles, Wonderful Town, Me and My Girl, and their annual show, ChristmasTime, which has become a traditional favorite.  Without these musical productions though the summer season and the live shows they put on throughout the year, Reagle needs support in order to keep going.

Virtually, they are all singing to that man, woman, or child behind the computer screen, phone, or on television.  While this is flattering, it also makes me a bit sad.  I miss hearing them sing while I quietly sing along, upstaging my performance in every way.  How I have missed most steps in the dance…but can’t see their feet.

From the heart thumping 42nd Street to the cool cats in Guys and Dolls to Singin’ in the Rain to their annual, stunning production of ChristmasTime, their shows must simply go on and spark another 50 years.

Click here for more on Reagle Music Theatre of Greater Boston located at 617 Lexington Street in Waltham, Massachusetts.  Their virtual youth theatre workshops are happening now and their second workshop session will start on July 20.

 

REVIEW: Warmth and humor reign in Company Theatre’s traditional ‘Steel Magnolias’

One of my favorite lines from Robert Harling’s classic comedy drama, Steel Magnolias is stated by sarcastic and dour Ouiser, portrayed here by Ellen Peterson. “I do not see plays, because I can nap at home for free. And I don’t see movies ’cause they’re trash…and I don’t read books, ’cause if they’re any good, they’re gonna make ’em into a miniseries.”

This type of straight shooting and self deprecating humor is what has made Steel Magnolias thrive over the last 30 years.  Steel Magnolias has been adapted so many ways from stage to screen, but what Ouiser leaves out is her unmitigated opinion about a partial true story.

Company Theatre Steel Magnolias

Company Theatre continues with the comedy drama ‘Steel Magnolias’ through Sunday, February 16.  Photo courtesy of Company Theatre

Robert Harling’s Steel Magnolias originated as a screen play in 1987 and is based off of real people Harling knew in Louisiana.  In the popular 1989 film (which included a parade of famous actresses including Dolly PartonOlympia DukakisDaryl Hannah,  and Shirley MacLaine), M’Lynn was portrayed by Sally Field and Julia Roberts was Shelby.  Harling based M’Lynn on his own mother and Shelby (whose real name was Susan) on his sister.

In that same vein, who better to direct Steel Magnolias than someone native to this popular play’s southern setting?  Directed with local flair by Natchitoches native Johnny Nichols, Jr, The Company Theatre presents Steel Magnolias through Sunday, February 16 at the Company Theatre in Norwell, Massachusetts.   Click here for more information and tickets.

Unlike the film, the play is set entirely in Truvy’s Beauty Spot in 1980’s Louisiana.   This bittersweet tale follows a group of vastly different women who find strength in each other through hardships and triumphs with a great deal of understanding, humor, and hairspray.

Director Johnny Nichols, Jr not only adds local attributes unique to the show’s setting such as the voice of local DJ Rick Terrell, but the 80s come alive with music distinctive to the era and various references such as Princess Grace, Cher, and Elizabeth Arden.  Costume designer Paula Ninestein and Wig Master Ryan Barrow emphasize the era with fringe and florals highlighting each woman’s distinct personality while Truvy’s is an expansive salon that includes a boom box and  a wall to wall mix of pastel floral and lace on busy wallpaper and curtains.  However, what was most refreshing about this era is to look back at a time before the internet where people shared time, recipes, and hair tips in person.

Company Theatre Steel Magnolias cast 2

From L to R: Juliana Dennis as Clairee, Ellen Peterson as Ouiser, Karen Cavallo as M’Lynn, Stephanie Wells as Truvy, Hannah Cunniff as Annelle, and Abilgail Chase as Shelby (center) Photo courtesy of Company Theatre

Though other productions have put a daring spin on Steel Magnolias over the years, Company Theatre’s production is traditional, warm, and thrives on the growth between these primarily outspoken southern women.  With her signature blond locks and a gift for gab and gossip, Stephanie Wells depicts fun loving salon owner, Truvy.  As a big fan of the movie, it is hard to imagine this part for anyone other than Dolly Parton, but in a black fringe blouse and pumps, Wells puts her own spin on sweet, welcoming, and confident Truvy.  Her scenes with Hannah Cunniff as mysterious and humble Annelle make for some quirky, heartwarming moments.  Wearing an awkward smile, Cunniff portrays Annelle with quiet unpredictability.

Ellen Peterson’s sardonic and darkly amusing Ouiser delivers some of the most entertaining moments in the show.  A bit softer than other productions but no less amusing, Peterson depicts Ouiser more dramatic than sour.  Ouiser has a casual style, but costume designer Ninestein make an intriguing statement by having her also wear a distinctive string of pearls, showing Ouiser may not be quite who she seems. Her sarcastic facade rings true with the priceless line, “I’m not crazy.  I’ve just been in a bad mood for forty years.”

Widow Clairee, portrayed with warmth and stylishness by Juliana Dennis, is a down to earth perfectionist with an interest in keeping up with the times while Ouiser couldn’t be bothered.  With good intentions and a knowing smile, Clairee amuses herself by teasing Ouiser and their exchanges create their own spark.

However, the most compelling relationship exists between Karen Cavallo as M’Lynn and Abigail Chase as M’Lynn’s daughter Shelby.  Though Sally Field depicted M’Lynn with a tough sadness, Cavallo’s M’Lynn exudes a sweet demeanor and quiet anxiousness. Cavallo is impressive navigating this complicated character.  Chase as Shelby seems cast on the younger side, but exhibits growing maturity as the show progresses.  It is easy to see why they are mother and daughter and not just by their remarkable resemblance.  Cavallo is sensible while Shelby is impulsive and as with any mother-daughter relationship, one minute they exchange nagging barbs and the next, nurturing affection.

Company Theatre photo booth

Company Theatre’s Beauty Spot photo booth in lobby Photo courtesy of Jeanne Denizard

Rewind the clock and take a trip south to Truvy’s for Company Theatre’s Steel Magnolias at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts through Sunday, February 16.  Click here for more information and tickets, here for details on their upcoming “Galentine’s Day” and here for more on their 2020 season.