REVIEW:  Things more than go bump in the night in gripping ‘Paranormal Activity’

Full Disclosure:  I saw Paranormal Activity Live on Stage alone.

Not necessarily a fan of horror with few exceptions, my interests lean more towards thought-provoking science fiction or a psychological thriller.  I was hesitant as I arrived at Emerson Colonial Theatre facing a black curtain, but left riveted by the production’s depth, intensity, and a truly remarkable cast. 

Paranormal Activity can be chilling, but is also rooted squarely in the human condition with a great deal of darkly relatable humor and lots of twists and turns.  It lured me in and never let go.

 Superbly directed by Felix Barrett, Levi Halloway’s Paranormal Activity Live on Stage continues its pre-Broadway run through Thursday, July 30 at Emerson Colonial Theatre in Boston, Massachusetts.  For the squeamish, this intense and immersive production is not gory.  It does contain explicit language, some dark themes and runs two hours and 20 minutes with one intermission.  Click here for more information and for tickets.

Cher Álvarez and Travis A. Knight in Paranormal Activity. Photo by Teresa Castracane Photography.

Metal, alternative and hard rock 90s music from musicians such as Soundgarden revs up the audience before the production begins.  Paranormal Activity Live on Stage is considered a new story from the original film which inspired six sequels.  A seventh film sequel has an anticipated 2027 release date.  The original film latched onto the clunky, grainy and less polished amateur film style of The Blair Witch Project which enjoyed great success at the time.

However, the stage production greatly improves on the film predecessor in multiple ways. The film has a grainy home video quality, but this production is all encompassing and in vibrant color.   Having witnessed the original film, the Paranormal Activity play is more effective, allowing the audience to experience multiple scenarios at once led with sterling timing by lighting designer Anna Watson. Scenic and costume designer Fly Davis crafts an elaborate and functional dual level house which includes five detailed and sophisticated rooms featuring a modern kitchen, hanging plants and a smart flat screen television.  Illusion designer Chris Fisher, the illusionist behind Harry Potter and the Cursed Child on Broadway, creates plenty of riveting moments that will have you fully invested in what will happen next.

Cher Álvarez in Paranormal Activity. Photo by Kyle Flubacker. 

Contributing to the production’s unfettered tension, Gareth Fry’s mesmerizing sound design ranges from a steely and hollow hum to sudden rings to what can be likened to a deafening and reverberating wind tunnel.

This engaging cast is so in sync and polished that they will make you almost forget you are watching a horror stage play.  Cher Álvarez as Lou Singer and Travis A. Knight as James Singer are incredibly charming as a newly married couple who have just moved into a house in London.  Playful with a dynamic sense of humor, Álvarez and Knight demonstrate a heartwarming and genuine connection as they embrace and warmly support each other.

Cher Álvarez and Travis A. Knight in Paranormal Activity. Photo by Teresa Castracane Photography.

Shannon Cochran is impressive as James’s religious and pushy southern mother who only wants what is best for her son and Eva Kaminsky is captivating as an eerie and insightful famous podcaster Etheline Cotgrave.  Kaminsky was understudying for Andrea Syglowski that night.

Paranormal Activity boasts many darkly funny moments while also delving into serious issues such as depression, trauma, secrets, marital challenges, spiritual warfare and much more with a wealth of unpredictable twists and turns.  At one point, this fully invested audience (including me) was at the edge of our seats rooting on the characters and united in the action.  Although I came alone to the production, I did not feel alone with this intense and excited crowd.

Cher Álvarez and Travis A. Knight in Paranormal Activity. Photo by Teresa Castracane Photography.

Isn’t that what live theatre is all about?

Levi Halloway’s Paranormal Activity Live on Stage continues its pre-Broadway run live and in person at Emerson Colonial Theatre in Boston, Massachusetts through Thursday, July 30.  Click here for more information and for tickets.

REVIEW:  A thrilling race against time in wondrous ‘Harry Potter and the Cursed Child’

This production boasts a great deal of elaborate presentation and what an amazing presentation it is! 

John Tiffany’s innovative direction, Gareth Fry’s robust sound design and a gleaming set by Christine Jones paves the way for more than a little magic as Harry Potter and the Cursed Child continues live and in person at Emerson Colonial Theatre in Boston, Massachusetts through Saturday, December 20.  This exciting production runs two hours and 50 minutes with one intermission and some dark imagery may not be appropriate for children.  Click here for more information and for tickets.

David Fine, Adam Grant Morrison, and Maren Searle in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

Set Designer Christine Jones’s sterling and multi-dimensional set boasts gleaming wood and fine detail with stars and moons etched into a dome trim.  Featuring spinning clocks, animated books, vaulted ceilings and swerving grand staircases, this sliding set follows its own meticulous rhythm integrating shadows which brilliantly capture the essence of Hogwarts and the iconic events of the beloved series and films.  Capes swing in succession to its own mesmerizing beat in sharp and sweeping choreography that enhances the swift pace of this production.

The cast of ‘Harry Potter and the Cursed Child’ Photo By Matthew Murphy

The spellbinding and pulsating special effects by Jamie Harrison as well as the nostalgic return of beloved places and characters are the essential reasons why anyone, but especially Harry Potter fans, will delight in this show. As an avid Harry Potter fan having read the all the books including this screenplay and witnessed all the films, Harry Potter and the Cursed Child’s Easter eggs and recognizable spells are all familiar and welcome territory.  A wizard disappearing into a mailbox, characters drifting through walls, and haunting characters looming larger than life is just a glimpse into the stupendous magic that takes place live onstage. 

‘Harry Potter and the Cursed Child’ national cast Photo By Matthew Murphy

Seeing magic during recorded films is one thing, but to witness this magic materialize onstage is more than exciting.  It is a thrill each and every time.

Starting during Harry Potter and the Deathly Hallows epilogue, Harry, Ginny, Ron and Hermoine are at King’s Cross Station sending their children on the Hogwarts Express as new students to Hogwarts much like when Harry, Ron and Hermoine embarked on the Hogwarts Express for the first time years ago.

Much like J.K. Rowling’s beloved book series, this topsy turvy plot contains themes of family love, enduring friendship, and coming of age love that materializes between Adam Grant Morrison as Albus and David Fine as Scorpius.  It also focuses on parenting, reputation and the consequences of one’s actions. Its winding plot is just intriguing enough to revel in the appearances of these characters and goes to great lengths to stretch the plot for the purpose of justifying revisiting all these iconic places through a time turner.  

David Fine and Adam Grant Morrison in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

The production brings together both generations as Juliana Nightingale remarkably portrays mysterious Delphi Diggory and Larry Yando as sympathetic Amos Diggory urges Nick Dillenberg as Harry Potter to bring back Amos’s son Cedric using a time turner.  When Harry refuses, Albus and Scorpius see it as an opportunity to prove themselves as great wizards.

Nightingale, Fine, and Morrison in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

What I did feel like the production lacked is the amount of time given to other students at Hogwarts.  So much time was dedicated to the OG characters that aside from acquaintances, Albus and Scorpius seem to be the only two people that truly connect in Hogwarts which is hard to believe at such a large university with numerous cast members.  Perhaps this is due to the shortening of the production which was once divided into two parts and clocked in at over four hours.

Fine is exuberantly expressive, anxious and excitable as Scorpius Malfoy.  Fine defines Scorpius with bursts of chatter and bravery infused with an occasional unhinged edge while Morrison as Albus Severus Potter is more introspective and resentful trying to live up to his father’s image.

David Fine in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

Tom Felton may have returned in his OG role as Draco Malfoy on Broadway, but Ryan Hallahan is certainly up to the task in menacing and sarcastic ways punctuated by a delightfully upturned sneer and rich vocals as Draco.  Hallahan’s Draco is an impressive adversary and protective father to David Fine as Scorpius while infusing traces of Draco’s own father, Lucius. 

Dillenburg as Harry Potter is well suited for the role, though the character has become more egotistical and stubborn thinking he knows best which makes for fascinating scenes with Trish Lindstrom as softer spoken Ginny.  Lindstrom amiably demonstrates Ginny’s maturity and bolder practicality, especially as she tempers Harry’s  anxieties.

Matt Harrington amusingly captures quirky, outspoken, and underestimated Ron who provides more than a few playful moments.  He also shares some sweet scenes with Rachel Leslie as shrewd and determined Hermoine.   

David Fine, MacKenzie Lesser-Roy, and Adam Grant Morrison in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

Some actors in this large cast take on multiple roles with finesse.  MacKenzie Lesser-Roy as giddy, giggling, bold and flirtatious Moaning Myrtle is an over the top scene stealer and unrecognizable in a dual turn as serene Lily Potter.  Katherine Leask closely exacts Maggie Smith’s glorious timbre and cadence as firm, yet compassionate Professor McGonagall with winking good humor before stepping into the shoes of one of Harry Potter’s perilously disdainful villains not to be revealed here.  Larry Yando impressively takes on the challenge of triple roles though some land better than others.

Wands abaze in ‘Harry Potter and the Cursed Child’ Photo By Evan Zimmerman

Twists, turns, rumors and revelations abound in this elaborate production tailor made for Harry Potter fans and for those who truly enjoy onstage wizardry!  Harry Potter and the Cursed Child continues live and in person at Emerson Colonial Theatre in Boston, Massachusetts through Saturday, December 20.  Click here for more information and for tickets.