REVIEW:  Midwinter Revels brilliant ‘The Feast of Fools’ blends hope and laughter in the darkest of times

Dragon battles!  Reindeers dance!  Kings and Fools!  Hope in darkness.

This year’s annual Midwinter Revels is titled The Feast of Fools:  A Medieval Celebration of the Solstice, and though fools may be onstage, not even a fool would miss this production. 

Showing fresh ingenuity and as immersive as ever, The Feast of Fools delivers as much reveling as insightfulness into medieval hierarchy, the contemporary world we live in, and and the importance of eternal peace in this unpredictable world.

L to R: Vincent Ernest Siders (The King), Laurel Swift (Boney), René Collins (Folly), Eliza Rose Fichter (Fiasco), Roger Reed (Flop), and members of the Midwinter Revels Solstice Chorus Photo by Paul Buckley

Directed cleverly by Patrick Swanson and Debra Wise while seamlessly musically directed by Elijah Botkin, Midwinter Revels joyfully presents The Feast of Fools:  A Medieval Celebration of the Solstice through December 28 live and in person at Sanders Theatre in Cambridge, Massachusetts.  The December 16th performance was dedicated to ‘GBH’s legendary and beloved Brian O’Donovan who passed away this year.  This show is translated in ASL and is approximately two hours with one intermission.  Click here for more information and tickets. 

An apt and enthusiastic master of ceremonies, veteran reveler David Coffin grandly declared, ‘We are all here to sing!’ He vigorously prepares the audience pre-production for an afternoon of sing-along carols and interactive fun in the spirit of the season.  

David Coffin and the cast of Midwinter Revels: The Feast of Fools Photo by Paul Buckley

Accompanied by lively fiddle and horn-infused rhythms performed by the onstage Sting and Buzzy Walking Band, scenic designer Jeremy Barnett warmly sets the stage with an inviting red glowing wooden fireplace festively adorned with garland and pewter mugs hanging on both sides of the mantel.   The Yule Log and a Christmas Star are pivotal pieces in this exciting tale and keys to a bright New Year.

Costumes Supervisor Dexter Wadsworth and costume designer Heidi Hermiller deliver a splendid and kaleidoscopic vision of medieval and festive garb from villager to soldier and jester to royalty in gold embroidered velvet, silver and gold detailed armor, shiny red and black scales, a blue-hued pair of enormous ethereal wings, and much more. 

This particular production featured Jeff Adelberg’s gorgeous and luminous lighting for a moonlit night, in a glowing red fire, gleaming lanterns, a haunting twilight on a vastly creative voyage, and in a dazzling solstice flame. Illuminated by gleaming lanterns, Gabriel’s Message is a moving and glorious moment in this touching production.

L to R: René Collins (Folly), Athéna-Gwendolyn Baptiste (Angel), and Laurel Swift (Boney) Photo by Paul Buckley

Rene Collins as Folly, Eliza Rose Fichter as Fiasco, and Roger Reed as Flop form a comical and jovial trio of fools with affable camaraderie who declare they must present The Feast of Fools celebration much to the King’s accommodating dismay.  Where love, joy, peace and hope metaphorically take center stage, the trio wears bright, distinctive, and zany costumes as they navigate this symbolic and exciting tale with juggling and more. 

L to R: Eliza Rose Fichter (Fiasco), Vincent Ernest Siders (The King), René Collins (Folly), and Roger Reed (Flop) Photo by Paul Buckley

The talented Evergreen Children have a larger role in this tale as their angelic falsetto voices partake in carols, games, puppetry and more.  Some of the particular highlights include a beautiful rendition of Lees Wais’ Wassail with David Coffin on recorder and Karen Burciaga on rebec.  Roger Reed not only portrays dimwitted and mustachioed Fop, but pops up in additional roles including a mischievous and expressive participant in a children’s game of Old Roger is Dead before taking on a silent, silly, yet fascinating role later in the production.  Charismatic Rene Collins later demonstrates some unique skills and magnificent courage facing an intriguing domestic beast.

L to R: René Collins (Folly) and Heather Koerber Nunes (Dragon) Photo by Paul Buckley

Wearing animal hats including crow, cow, and sheep, The Evergreen Children chime for an adorable rendition of There was a Pig Went out to Dig and a significant illuminating shadow puppet show for the King, portrayed with a charismatic baritone laugh by Vincent Ernest Siders.  His regal, playful and natural gravitas is a bit scene stealing, even without a crown.  His poignant yet hopeful recitation of the Shortest Day was delivered with full throated gracefulness and one of the most memorable parts of this production.

Accompanied by a concertina, The Pinewoods Morris Men literally revel with bells on in an interactive Morris Dance, an intricate and rhythmic Upton stick dance, and the traditional Mummers Carol.

Andrew Conant, Ewan Swanson, and the cast of Midwinter Revels: The Feast of Fools Photo by Paul Buckley

Soloist Barbara Allen Hill provided rich vocals in various parts of the production including O Cruor Sanguinis chant, the instrumental hymn Dies Irae and in a stirring arrangement by John Fleagle’s Winter Wakeneth.

Having never been swept up in the moment of the production, it was exhilarating to participate in the interactive and traditional Lord of the Dance as revelers and audience members joined arms in the halls dancing jubilantly into intermission and in the lobby of the Sanders Theatre.

The Midwinter Revels Solstice Dancers Photo by Paul Buckley

From Sing We Noel to the Peasant Dance to the Traveler’s Prayer to the Village Bransle Ding Dong Merrily on High to the marvelous Lord of the Dance dynamically choreographed by Susan Dibble, the Midwinter Revels will have everyone on their feet to ring in a wondrous New Year.    

Directed cleverly by Patrick Swanson and Debra Wise while seamlessly musically directed by Elijah Botkin, Midwinter Revels joyfully presents The Feast of Fools:  A Medieval Celebration of the Solstice through December 28 live and in person at Sanders Theatre in Cambridge, Massachusetts. This show is translated in ASL and is approximately two hours with one intermission.  Click here for more information and tickets. 

REVIEW:  GBH’s ‘A Christmas Celtic Sojourn’ full of gratitude, wistfulness, and holiday cheer

As the world shut down last year and domestic and international performers could not take the stage on A Christmas Celtic Sojourn’s usual tour around Massachusetts, GBH decided to bring the audience virtually to them in 2020.  From stunning Sligo Cathedral in Ireland to Scotland to Canada and various parts of Massachusetts, viewers could see a mix of Christmas traditions and scenery on location right from their own living room as well as experience traditional and contemporary harmonies performed simultaneously internationally through brilliant technology.  What hadn’t changed was A Christmas Celtic Sojourn’s master of ceremonies, Brian O’Donovan who delivered a mix of humor, melancholy, and warm reflections through engaging storytelling and fond tidings.  

From L to R: Windborne, Brian O’Donovan and Moira Smiley Photo credit to Matthew Muise

This year should seem more familiar.  Host Brian O’ Donovan and a mix of renowned performers from around the world returned to the stage for A Christmas Celtic Sojourn to deliver glad and wistful tidings through uplifting Celtic step dancing, musings, music, and storytelling while making stops in Rockport and Boston. 

Brian O’Donovan and the Christmas Celtic ensemble Photo credit to Matthew Muise

Directed with a mix of festiveness and reflection by Jenna Worden, the live and in person tour included a sold-out show at Shalin Liu Performance Center in Rockport, Massachusetts on December 14 and at the Cutler Majestic Theatre from December 17 through 19 in Boston, Massachusetts.  The show is 90 minutes with no intermission.

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through December 26.  A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Nearing its 20 year-anniversary, what this annual production and concert certainly masters is the quiet and stirring.  That is just how the show begins as A Christmas Celtic Sojourn welcomed the audience with crisp, a cappella harmonies led by singer-songwriter Moira Smiley accompanied by returning folk singers Windborne.  Weaving in contemporary songs with God Rest Ye Merry Gentlemen, their chiming vocals brought distinctive warmth so prevalent to the production.

In front of a painted mural of a serene Irish countryside transforming from dawn to dusk by innovative light designer Dan Jentzen, remarkable Christmas carol compositions, stirring remembrances, lively Celtic step dancing, and rousing jam sessions or  Celtic ‘round robins’ brought beauty, celebration, and stillness into the season. 

Speaking of ‘round robins,’ the Christmas Celtic ensemble composed of co-music director and multi-instrumentalist Seamus Egan, Celtic Harpist, pianist and co-music director Maeve Gilchrist, multi-instrumentalists Owen Marshall and Yann Falquet, Fiddler Jenna Moynihan, Kate McNally and Neil Pearlman on Fiddle and Piano, and Chico Huff on Bass, dedicated an uplifting and freestyle number to Paddy Moloney of The Chieftains who passed away in October.  It was fascinating to see how pianist Neil Perlman keeps the lively beat playing as his feet danced along. 

By candlelight and Christmas tree, host Brian O’Donovan recalls childhood memories in Ireland where Protestants and Catholics were brought together singing Christmas carols and the lingering smell of bacon wafted through his home weaving in anecdotes from Welch poet Dylan Thomas.  Brian also shared historical musings and performed a humorous rendition of Miss Fogarty’s Christmas cake

Singer-songwriter Moira Smiley Photo credit to Matthew Muise

Singer-songwriter Moira Smiley also delivered a mix of reflective and ruminating lyrics with Days of War about hard times as well as the rich folk lullaby Johanna Dreams on banjo.  Smiley’s remarkable, round, and velvety vocals enrich each verse.  She also shares the stage with Windborne and Brian O’Donovan in a stirring and gorgeous rendition Silent Night, O Holy Night and with the entire cast joined in for a treasured and traditional Auld Lang Syne and Here We Come A-Wassailing.

Entire Company of ‘A Christmas Celtic Sojourn’ Photo credit to Matthew Muise

However, most memorable is a vivid gathering as the stage transforms into a warm and inviting living room with the atmosphere of family and friends singing around the piano sharing various Christmas carols such as Joy to the World.  The stage is bright and festive as Celtic step dancers join in this familiar picture of the spirit of the season joyfully leaping in velvet attire and bejeweled shoes led by Ashley Smith-Wallace.  It is a picture treasured for the Christmas season and reflective of what is soon to come. 

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through December 26.  A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

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