REVIEW: Hingham Civic Music Theatre’s ‘Seussical the Musical’ is groovy, dazzling, and endlessly imaginative

What a time to know Dr. Seuss.  Not only was Dr. Seuss’s new book, Horse Museum, recently released from some of Seuss’s old manuscripts, but this month marked the Canadian debut of an immersive, interactive touring exhibition based on his legacy.  “Dr. Seuss Experience” is expected to arrive in Boston later this year.  After all this time, we are still celebrating Theodor Seuss Geisel who would have been 115 years old this year.

Hingham Civic Music Theatre (HCMT) found many reasons to celebrate Dr. Seuss with their family-friendly, brightly imaginative, and insightful Seussical the Musical continuing through Sunday, October 27 at Hingham Town Hall in Hingham, Massachusetts.  Click here for more information and tickets.

HCMT Seussical cast

The cast of Seussical Photo courtesy of Kerry Tondorf/Hingham Civic Music Theatre

From the introspective yearnings of Solla Sollew to the wise, multi-tiered significance of the number, How Lucky You Are, Seussical runs the gamut of silly, sorrowful, and thoughtful musical moments. The catchy, distinct, and clever soundtrack resonated through the live orchestra, newly situated onstage above all the action.

Directed by Victoria Kirichok-Pratt, Seussical is a musical adventure that strings together a few of Dr. Seuss’s most popular works while cleverly weaving in valuable life lessons along the way.  What makes it such a wonderful musical is beneath its comical, brightly-lit fun lie universal truths for the young and old.  Zany, imaginative tales unveil insights about vanity, war, sticking to one’s convictions, and just plain coping with life’s inevitable difficulties.  Even the darker topics remain family-friendly as audiences delve deeper into Dr. Seuss’s vast and unique universe.

HCMT Seussical Jojo and the Whos

Paul Antico as Mayor, Jean Lyon as Mrs. Mayor and Marcus Myers as JoJo Photo courtesy of Kerry Tondorf/Hingham Civic Music Theatre

At the center of this universe is adorable, inquisitive, and charming JoJo Who, portrayed by Marcus Myers.  With wide eyes and a sweet smile, JoJo is starting to learn that life is much more complicated and unpredictable than he ever thought possible.

Much like Dr. Seuss, this wildly dynamic cast is much more than meets the eye and with award-winning costume designer Kathryn Ridder, each character’s outward appearance certainly shines.  The catchy opening number, Oh The Things You Can Think, reveals the brilliant and beautiful costumes which include some that look like they walked right off Seuss’s innovative books.  Bursting with color, mismatched, madcap patterns and edgy, impossible hemlines deliver that peculiar Seuss quality.  One character was even decked out as a Christmas tree.  Bird girls shimmer, Wickershams strut in sunshades and fringe, and the Whos revel in vintage flair.  There’s fine detail in each costume, like a hint of red glimmering under the tails of the Cat in the Hat’s black jacket.

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Wearing his signature top hat and “tails,” Michael Warner mischievously portrays The Cat and the Hat as part Master of Ceremonies, adviser, narrator, and occasional troublemaker.  Warner bounces and glides along the stage, popping in to depict a variety of characters and reveling in the occasional chaos such as Egg, Nest and Tree and It’s Possible.

Justin Grankewicz delivers a sweet and sympathetic performance as ceaselessly faithful and compassionate Horton, who hears a mysterious sound from a speck of dust.    Grankewicz’s earnest face and charming demeanor with JoJo, Gertrude, and the community make him easy to root for.  Myers and JoJo deliver a heartfelt rendition of Alone in the Universe and Jessica DePalo brings unassuming, awkward charm to Gertrude who shines as an avid, amusing storyteller in All for You and Notice Me Horton.

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With a Cheshire grin, Carole Shannon struts and shimmers as self-involved Mayzie, showing great comic timing and chemistry among her girl birds and Gertrude.  Sour Kangaroo, portrayed with a wealth of sass and quite the set of pipes by Katia Green, has plenty to say accompanied by her equally streetwise young sidekick Natalia Tsourides.  They make quite the charismatic pair.  In a robe and festive pajamas, Bruno Barbudo’s bearded Grinch is a creature of few words, but his priceless morose scowl makes a statement all its own.

Hingham Civic Music Theatre continues Seussical the Musical through Sunday, October 27 at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets and follow HCMT on Facebook for upcoming events and more.

REVIEW: Hingham Civic Music Theatre’s ‘Sweet Charity’ has fun, laughs, and the right moves

She’s just a girl in love with love.  Swipe right for the Tony award-winning, romantic musical dramedy instilled with a dose of cynicism, Sweet Charity.  Unforeseen high jinks and adventures find Charity as she makes her way through what can be a harsh reality.  Before Julia Roberts stepped onto the L.A. streets in the popular film, Pretty Woman, Charity wondered Central Park.  Both have a heart of gold.

With music by Cy Coleman, lyrics by Dorothy Fields, book by Neil Simon, and directed by Nathan Fogg, Hingham Civic Music Theatre (HCMT) continues Sweet Charity through Sunday, May 5 at the Sanborn Auditorium in Hingham, Massachusetts.  This show is for mature audiences and not for young children.  Click here for more information and tickets.

HCMT's 'Sweet Charity' - tap dance

Emilee Leahy as Charity Photo courtesy of Hingham Civic Music Theatre

Sweet Charity is one of those rare opportunities to witness a collaboration featuring theatrical icons playwright Neil Simon and director and choreographer Bob Fosse.  Oh yes, and Fosse’s then wife, muse, and dance dynamo Gwen Verdon starred in the musical’s stage debut in the 60s.

Bob Fosse and Gwen Verdon’s influence is still as lively as ever as FX continues Fosse/Verdon, a biographical miniseries starring Sam Rockwell as Bob Fosse and Michelle Williams as Gwen Verdon.  Coincidentally, Fosse/Verdon also covers in part the making of Sweet Charity.  Fosse Fever has certainly been evident on the South Shore of Massachusetts as two adaptations of Chicago recently took the stage in close succession.

Perhaps it’s the Neil Simon influence, but Sweet Charity seems to tread on the lighter side of Fosse’s popular works.  It has its edgy moments and not for everyone, but Sweet Charity depends much more on humor than darkness.  Though Pretty Woman might be a beloved, yet formulaic tale, Sweet Charity is less predictable and not a by-the-numbers romantic comedy.  The costumes, by Kathryn Ridder and company, are fitted and flashy and the dialogue is snappy and at times, charming.  At one point, Emilee Leahy as Charity sings, “You’re so strong, you have muscles you don’t need.”

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After portraying resourceful criminal Velma Kelly in Massasoit Theatre Company’s production of Chicago,  Emilee Leahy delivers a breezier performance as coy yet sweet, aware and yet sometimes naïve, hopeful and pensive Charity Hope Valentine.  Charity can be a poor judge of character, but Leahy’s Charity proves to be worth rooting for.  She has a pliable vocal range and is certainly light on her feet as she slips into a spontaneous tap routine featuring the famous number, If They Could See Me Now, decked out with a signature Fosse top hat and cane.

Speaking of dance, Sweet Charity offers an array of Fosse-inspired dance sequences, tinged with retro flair.  Choreographer Samantha-Brior Jones, Music Director Sandee Brayton, and Dance Captain Mary Donahue turn up the heat with sharp and distinctive choreography as the Fan-dango Ballroom dancers perform a fierce, steamy, and hip shaking Hey Big Spender.  The sweeping, sophisticated, 60s-inspired Rich Man’s Frug featuring Pompeii Club dancers in all-black has a classic vibe to it while Rhythm of Life is an outrageous, seemingly spiritual journey.

HCMT Sweet Charity - The girls

Kristen Annese as Nickie and Pompeii Club dancers Photo courtesy of Hingham Civic Music Theatre

The characters that Charity encounter seem a bit melodramatic, showing it doesn’t take itself too seriously.  With great New York accents, Kristen Annese as Nickie and Lindsay Warwick as Helene are a plucky, street smart comedy duo.  Their rendition of Baby Dream Your Dream has a lot of reassuring sass and they share playful, if at times mildly-snarky camaraderie with Charity.

Leah Shiels as Ursula and Rob Buckel-Gillis as Vittorio make an exotic celebrity pair, decked out in shimmering attire.   Buckel-Gillis delivers a beautiful rendition of Too Many Tomorrows.  Tony Light is comical as Oscar, a panicked claustrophobic.   Shirtless and in suspenders, Rylan Vachon delivers a wildly energetic, off-the-wall performance as zany preacher Daddy Brubeck.  Mike Warner as Herman also delivers some laughs, but keep an eye on his T-shirts.  Trust me.

Hingham Civic Music Theatre offers two remaining performances of Sweet Charity on Saturday, May 4 and a Sunday matinee on May 5 at the Sanborn Auditorium in Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.  Click here for more information and for tickets.  Tickets are also available at the door.  Be sure to follow Hingham Civic Music Theatre on Facebook and click here to learn how to support HCMT’s upcoming productions.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kristen H. Tremblay talks role in Hingham Civic Music Theatre’s ‘Cabaret’ to kick off 70th anniversary season

Hingham Civic Music Theatre (HCMT) is thrilled to kick off their 70th anniversary.  Over the past 7 decades, The Wizard of Oz, Rogers and Hammerstein’s Oklahoma, Young Frankenstein, Disney’s Beauty and the Beast and The Sound of Music are just a few of the wide range of musical productions HCMT has produced on the South Shore of Massachusetts.  They are launching their milestone season with award-winning spring musical, Cabaret, a captivating musical which celebrated its 50th anniversary just a couple of years ago.

HCMT Cabaret poster

Photo courtesy of Hingham Civic Music Theatre

Set in the Kit Kat Club in Berlin, Germany as the Nazi Party was rising to power, Cabaret focuses on nightclub girl Sally who becomes embroiled in a love triangle.  Winner of multiple Tony awards, Cabaret is known for its glamorous dance numbers while dealing with serious issues of the era.  The 1972 film was directed by dance legend Bob Fosse and starred Liza Minnelli in her star making role.  This show is not intended for children and contains mature themes.

Sleepless Critic caught up with Kristen H. Tremblay who will make her HCMT debut as Sally Bowles in Cabaret for two weekends only from Friday, April 20 through Sunday, April 29 at Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and tickets.

HCMT Kristen as Sally

Kristen H. Tremblay as Sally Bowles

Sleepless Critic:  How does it feel to star in the first show of Hingham Civic Music Theatre’s 70th season?  It is quite a milestone.

Kristen H. Tremblay:  I’m so thrilled to be playing a leading role in such a great show as part of this wonderful theater group’s 70th anniversary season! A very special honor for sure!

SC:  What do you like most about being part of Hingham Civic Music Theatre?

KHT:  This is my first production with Hingham Civic Music Theatre. They have such a wonderful reputation and it’s been great getting to know everyone in the group.

SC:  This season also includes the beloved musical, Annie this fall.  You star as Sally Bowles in Cabaret.  Have you ever done this show before?  What was the audition process like for you?

KHT:  I’m a classical soprano and usually play roles very different from Sally. As I get older, I’m trying to challenge myself by going out for roles that might be a stretch for me creatively. Sally Bowles is a complicated, meaty character and love every moment in her shoes.

I auditioned to challenge myself and because I have known the director, Nathan Fogg, for years and think he does great work. I didn’t think I had a shot at getting Sally, but felt really positive about my audition. The day after the audition, I was in line at the grocery store when I got the call. I was shocked and incredibly thrilled.

SC:  The multiple Tony award-winning musical, Cabaret celebrated its 50th anniversary a couple of years ago.  It is a unique musical with memorable songs such as Maybe This Time, Wilkommen, and its famous title track, Cabaret.  What was most challenging about this role?

KHT:  Sally is an iconic character in musical theater. There’s some intimidation associated with the pressure of doing her justice!  She has many sides to her and many intriguing levels. It’s been fun exploring how best to portray her.

HCMT Cabaret production photo 2

Aaron Stolicker as Emcee with cast in production photo

SC:  How has it been putting the show together?

KHT:  I adore everyone in this cast. They are such a fantastic group of kind, talented, and hard working people. We are having a blast and we all have deeply bonded. No question I’ve made lasting friendships.

SC:  What is the best reason one should see Hingham Civic Music Theatre’s Cabaret?

KHT:  Cabaret is a very different theatrical experience unlike anything else out there right now. It will not disappoint!  It’s edgy, honest, shocking, funny, and thought provoking.

Directed by Nathan Fogg, Hingham Civic Music Theatre proudly presents their spring musical, Cabaret for two weekends from Friday, April 20 through Sunday, April 29 at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets.

Click here to take advantage of “Facebook Friday” offer exclusively for the April 20 performance.  Use password “pineapple” to get a pair of tickets for 35 dollars.  Follow HCMT on Facebook.

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Hingham Civic Music Theatre will soon debut the humorous fairy tale with a twist, ‘Shrek the Musical’

Shrek the Musical

Hingham Civic Music Theatre debuts ‘Shrek the Musical for two weekends only from Oct 21 through Oct 29 Photo courtesy of Hingham Civic Music Theatre

Can an intimidating green ogre have what it takes to become an unlikely hero?  Get to know Shrek, Donkey, the Gingerbread Man, Three Blind Mice, The Three Little Pigs, Pinocchio, and many more iconic fairy tale creatures in an entirely new way as Hingham Civic Music Theatre debuts Shrek the Musical at the Sanborn Auditorium in Hingham Town Hall Saturday, October 21 and continuing for two weekends through Sunday, October 29.  Based on William Steig’s imaginative fairy tale that later launched into a beloved animated film starring Mike Myers and Cameron Diaz followed by many popular film sequels, Shrek the Musical adds a bit more to this thrilling, family adventure.  Click here for more information, tickets, and how to participate in the HCMT Fundraising campaign.

Featuring real life husband and wife Chris DiOrio as Shrek and Leslie DiOrio as Princess Fiona, Shrek is a lone, but not lonely, green ogre who lives a quiet swamp life until life as he knows it is threatened, forcing him to embark on an daunting quest to save a mysterious princess.  With heartwarming songs such as Don’t Let Me Go, Big Bright Beautiful World, This is How Dreams Come True, and the Monkees classic, I’m a BelieverShrek the Musical offers enough witty humor and heartwarming moments that will entertain children and adults alike.

Directed by Lisa Pratt, music by Jeanine Tesori, musically-directed by Mark Bono, with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre presents Shrek the Musical on Saturdays, October 21 and 28 as well as one Friday performance on October 27 at 7:30 p.m.  Sunday matinees will be held on October 22 and 29 at 2 p.m.  All shows take place at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.  Click here for further details, tickets, and be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

Hingham Civic Music Theatre announces ‘Shrek the Musical’ auditions

Everyone’s favorite ogre, Shrek is heading to Hingham Civic Music Theatre.  Based on William Steig’s imaginative fairy tale, the Dreamworks Animation film adaptation, Shrek was an instant hit in 2001 starring Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow.  Several sequels followed and was also adapted an innovative, fun-loving musical on Broadway.

Hingham Civic Music Theatre is searching for an all-new, fun-loving cast to join Shrek the Musical as it makes its Hingham debut in October.  Auditions for Shrek the Musical will be held at the Sanborn Auditorium at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts on Monday, June 26 and Tuesday, June 27 at 7 p.m.  Callbacks will take place on Wednesday, June 28 at 7 p.m.  Click here for more information on auditions, cast descriptions, rehearsal schedule, and to download the audition form.  These will be closed auditions.

Shrek is a lone, but not lonely, green ogre who lives a quiet swamp life until life as he knows it is threatened, forcing him to embark on a daunting quest and tremendous adventure.  Featuring a large cast of beloved fairy tale characters with a few new faces added to the tale, Shrek the Musical is a parody, offering its own fairy tale twist with plenty of witty humor, family fun, and life lessons.

Directed by Lisa Pratt, musically directed by Mark Bono, with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre presents Shrek the Musical for two weekends from Saturday, October 21 through Sunday, October 29.  Follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

REVIEW: Hingham Civic Music Theatre’s compelling musical, ‘Oklahoma’ a stompin’ good time

From the first few angelic notes from one of Oklahoma’s most popular songs, Oh What a Beautiful Morning sung a capella by Jack Cappadona as charismatic Curly, it is easy to see that Hingham Civic Music Theatre’s (HCMT) spring musical is something special.  Celebrating its 75th anniversary, Hingham Civic Music Theatre’s Oklahoma! combines elegant costuming, an impressive, distinctive cast, and an interactive set that makes the audience settle into its own home on the range.  With its wealth of historical references weaved into Rodgers and Hammerstein’s classic soundtrack capturing the spirit of the time, it is no wonder that Oklahoma! won the Pulitzer Prize for musical composition in 1944 and remains relevant today.  Hingham Civic Music Theatre delivers the show’s joyous zest for life, comedy, and, make no mistake, dark moments with zing and suspense.

HCMT Oklahoma Peddler and the Territory Boys

Michael Andre as Ali Hakim and the cast of ‘Oklahoma’ Photo courtesy of Eileen McIntyre/HCMT

Directed by Nathan Fogg and musically directed by Sandee Brayton with choreography by Tara Morrison, Hingham Civic Music Theatre offers two remaining performances of Rodgers and Hammerstein’s musical, Oklahoma! on Saturday, April 29 and a Sunday matinee on April 30 at the Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and for tickets.  Tickets are also available at the door.

Based on Lynn Riggs’ play, Green Grow the Lilacs, an interactive, colorful, and rustic set rewinds the clock to the Oklahoma Indian Territory at the turn of the century, equipped with softly flickering lanterns, vintage photos, bales of hay, colorful blossoms, lush greenery, and interactive props hanging on the walls.  In this particular production, the lighting is its own character, effectively setting the mood from a soft, rising sun to a nightmarish hue.

The splendid costumes, by Kathryn Ridder, are meticulously-detailed from gold embroidered shirts, brightly-colored satin costumes to delicate, richly-designed dresses with thick bows and petticoats.  Whether it is a cow scarf adorning an outfit or a carefully matched wicker hat, those details wonderfully capture the authenticity of the time.

Ruggedly dressed in suede chaps over khaki pants with a button down shirt and cowboy boots, Jack Cappadona portrays Curly McLain with an imaginative streak and a confident and at times, a mischievous smile.  Whether engaging C.J. Hawes as Laurey in a whimsical carriage ride during the playful song, The Surrey with the Fringe on the Top or musing about life in Oh What a Beautiful Morning, with silvery vocals, Jack slides right into the role as Curly with a natural charm.  With curly red hair and green striped overalls, C.J. Hawes portrays sassy, levelheaded Laurey with great comedic timing and sardonic wit.  Jack as Curly and C.J. as Laurey are enchanting together and their soaring vocals make beautiful harmony.

HCMT Oklahoma Laurey and Curly

Jack Cappadona as Curly and C.J. Hawes as Laurey Photo courtesy of Eileen McIntyre/HCMT

With thick curly hair, bright eyes, and a deep drawl, Rylan Vachon portrays Will as fun loving, somewhat hotheaded, and spontaneous.  Will’s rendition of the song, Kansas City, has never been more fun with lively vocals and slick choreography as The Territory Boys stomp, slide, and perform various stunts.  The entire cast captures the distinct spirit of Oklahoma! in all its stomping, sweeping joy.

HCMT Oklahoma Ado Annie and Will

Rylan Vachon as Will Parker and Jess Phaneuf as Ado Annie Photo courtesy of HCMT

Jess Phaneuf as Ado Annie brings a wild-eyed vivaciousness to the role.  She seems to know how to take command of any room she is in one way or another with a wink and a grin.  Her interaction with any cast member is fascinating and her comic timing is infallible.  Her chemistry with both Will and Michael Andre as bewildered peddler Ali Hakim, have their own distinct charm.  Michael Andre as Ali Hakim does a great job of balancing a dynamic character with comedy and cleverness.

HCMT Oklahoma Ado and Peddler

Jess Phaneuf as Ado Annie and Michael Andree as Ali Hakim Photo courtesy of Eileen McIntyre/HCMT

Athan Mantalos portrays disheveled, hired hand Jud with a slow burn and deep, compelling, operatic- sounding baritone.  Athan masters this role in the quiet moments, adding tension and making his character that much more mysterious.  His scenes with Curly are especially powerful and their vocals have seamless harmony.

HCMT Oklahoma Jud and Curly

Athan Matalos as Jud Fry and Jack Cappadona as Curly Photo Courtesy of Eileen McIntyre/HCMT

With spectacles and a high collared dress, Kate Fitzpatrick brings sensibility and a bit of sarcasm to the role of Aunt Eller, who is much wiser than she lets on.  Emily Gouillart as Gertie Cummings is a great deal of awkward fun with an unmistakable laugh.

Hingham Civic Music Theatre’s Oklahoma!  offers its share of romance, comedy, and plenty of uproarious moments, but dark moments as well.  Rodgers and Hammerstein wrote their second musical, Carousel, shortly after Oklahoma’s success and both shows share some of the same themes.  Hingham Civic Music Theatre delicately weaves in the themes of loneliness, temptation, and violence effectively, balancing this timeless tale.

Hingham Civic Music Theatre offers two remaining performances of Rodgers and Hammerstein’s musical, Oklahoma! on Saturday, April 29 and a Sunday matinee on April 30 at the Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and for tickets.  Tickets are also available at the door.  Be sure to follow Hingham Civic Music Theatre on Facebook and click here to learn how to support HCMT’s upcoming productions.