REVIEW:  A feast for the eyes on a grand scale with North Shore Music Theatre’s merry musical treat, ‘A Christmas Carol: A Musical Ghost Story’

Set in London 1843, A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve.  Only second to this tale are the amazing things I have heard about North Shore Music Theatre’s legendary production over the years.

Since 1989, North Shore Music Theatre has carved out a wonderful annual tradition retelling this thrilling Charles Dickens classic, A Christmas Carol: A Musical Ghost Story.   What I was unprepared for was how exhilarating the experience would be.

Absorbingly directed and whimsically choreographed by Kevin P. Hill with inventive Music Direction by Milton Granger, Bill Hanney’s North Shore Music Theatre continues A Christmas Carol: A Musical Ghost Story through Sunday, December 21 live and in person at North Shore Music Theatre in Beverly, Massachusetts.  This family-friendly theatre-in-the round musical experience is 2 hours and 20 minutes including one intermission.  Click here for more information and for tickets.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Haunting, immersive, and meaningful, A Christmas Carol: A Musical Ghost Story is a frequent holiday tradition with good reason.  So much more than the Charles Dickens classic, North Shore Music Theatre mixes Christmas Carols, storyline twists, and calls on two athletic, infinitely energetic, and mischievous spirits invisible to the real world portrayed by Amy Bransky and Risa Michina to accompany Tommy Labanaris as an enigmatic magical narrator to unveil this thought-provoking tale of charity, compassion, and redemption. Labanaris’s charismatic vocals as narrator soothes while navigating the stage like a riveting magician.

Tommy Labanaris (Narrator) and Ainsley Moulton (Tiny Tim) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Clocks glow, bookcases float, streets fog and mist, a weather woodstove smokes, windows and lampposts frost and a transparent wrought iron door and ornate chandeliers are all part of the innovative rising and descending set pieces by Howard C. Jones.  Wondrous winter landscapes including snow covered rooftops, driving downpours, and festive, timely projections enhanced by twinkling, cheerful and ominous lighting by Jack Mehler as well as heightened special effects not limited the action just onstage engulf you in the unpredictable world of Charles Dickens.

Detailed bustles, pea coats, shimmering Victorian-era dresses in an array of patterns, flowing robes, cloaks, feathered hats and top hats are just a glimpse into Rebecca Glick’s stylish period costumes which certainly helps make A Christmas Carol a feast for the eyes.  The uplifting overture, orchestrated by Milton Granger and arranged by Alby Potts and James Woodland, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production.  The floating, live orchestra which includes a harp and recorder, are carefully spread out in sections around the theatre above and below the stage.  

God Rest Ye Merry GentlemenHere we Come A-Wassailing, Ding Dong Merrily on HighWe Wish You a Merry Christmas, and We Saw Three Ships are some of the famous Christmas Carols featured in with original songs that brighten this haunting tale.

Kevin Patrick Martin (Bob Cratchit) and David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

North Shore Music Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast led by David Coffee as miserly Ebenezer Scrooge.   Coffee adds traces of sadness in Scrooge’s frank and daring boldness as a damaged soul.  Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with jubilant warmth and perpetual optimism by Henry Thrasher who delights in pushing his uncle’s buttons in a wide smile.  In spectacles and a sour huff, Coffee is best showing hints of melancholy beneath his insistent resistance to kindness.  However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly sway to music, offering as increasingly lighthearted Scrooge while observing glimpses of his complicated life.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Kevin Patrick Martin portrays humble, guarded, and sympathetic Bob Cratchit while Daniella Dalli depicts loyal, patient and occasionally exasperated Mrs. Cratchit in a moving performance.  Martin and Dalli deliver heartwarming and stirring moments with their large and lovely family including sweet Fiona Kelly as Tiny Tim as their voices lift for We Wish You a Merry Christmas.  Kelly charms Martin and Coffee instantly with We Saw Three Ships. The joyfulness in the Cratchit household, despite their circumstances, perhaps mirror the life Scrooge might have had with Caroline Siegrist as steadfast Belle and what might have been.

Caroline Siegrist (Belle) and Nathan Haltiwanger (Young Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Grandly adorned in a gorgeous lit crown, veil and glittering pristine gown and glowing porcelain features, Daniella Dalli delivers warmth and angelic soprano vocals as the Ghost of Christmas Past, especially for the soaring number, Dream within a Dream.  Serene and gentle, she brings out thawing in Scrooge’s curmudgeonly soul.

Daniella Dalli (The Ghost of Christmas Past) an David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Majestic in a crown of holly, carrying a staff with and an air of warm yet firm benevolence, Davron S. Monroe skillfully glides across the stage boasting his signature melodious timbre as charismatic, jolly and larger-than-life Ghost of Christmas Present and as half of a pair of mirthful philanthropists alongside returning Russell Garrett. Alongside Davron, Violet Black and Joseph Hobbib captivate as foreshadowing spirits. 

Davron S. Monroe as The Ghost of Christmas Present in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

As green lanterns glow, Mark Worth is remarkably ghoulish as Jacob Marley with some very impressive special effects.  A ghastly presence with gravelly vocals and chains that seem to go on for miles, Worth as Marley does a marvelous job as a tortured and distressed soul boasted by extraordinary special effects that never overwhelm Worth’s powerful performance.  The silence is deafening as Nathan Haltiwanger delivers a veiled and mesmerizing Christmas Yet to Come.  I most assuredly cannot leave out Cheryl McMahon’s marvelous return as expressive and hilarious Mrs. Dilber. 

David Coffee (Ebenezer Scrooge) and Mark Worth (Jacob Marley) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Even those most familiar with this classic tale will encounter some welcome twists and surprises. If the holiday season is not spreading the merriment that is should be this year, North Shore Music Theatre’s A Christmas Carol will certainly restore that heartwarming feeling, indeed.

Cheryl McMahon (Mrs. Dilber) and David Coffee (Ebenezer Scrooge), both will be celebrating their 31st production of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

A Christmas Carol:  A Musical Ghost Story continues at North Shore Music Theatre live and in person in Beverly, Massachusetts through Sunday, December 21.  Click here for more information and for tickets.

REVIEW:  Boasting a heartwarming and zippy soundtrack, a marvelous ‘Dr. Seuss’ How the Grinch Stole Christmas!  The Musical’ revels in the wonders of the beloved book

Whether you like the Grinch or not, be sure to witness this remarkable version of Dr. Seuss’ How the Grinch Stole Christmas!  The Musical.  It is a humorous and dazzling way to spend 85 minutes taking in the holiday spirit with the family.

By sticking to Dr Seuss’ imaginative vision, the beloved book springs to life onstage in a vibrant and thrilling way.  Past film adaptations have been overdone and bogged down with side stories and imagined history, but not this musical.  As an avid fan of the book and the famous 1966 animated TV special, I was thrilled to see this musical firmly faithful to Seuss’ literary vision.  Dr. Seuss’ How the Grinch Stole Christmas!  The Musical expands parts of Seuss’ vision that already exists in the book for a heartwarming and interactive experience about the value of love and camaraderie.

James Schultz as THE GRINCH and the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

With steadfast direction by co-directors Matt August and Bob Richard while Richard also navigates the musical’s energetic choreography, Dr. Seuss’ How the Grinch Stole Christmas! The Musical continues live and in person at Boch Center Wang Theatre in Boston, Massachusetts through Monday, December 23.  Click here for more information and for tickets.

From the reflective perspective of Evan Blackwell as Old Max and Chamberlin Little as Young Max who both play their parts to perfection as Narrator and character respectively, Dr. Seuss’ How the Grinch Stole Christmas The Musical is a musical comedy about a Grinch who claims to hate Christmas and feels he must stop Christmas from coming…but how?

W. Scott Stewart as Old Max and Xavier McKnight as Young Max in the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

Greeting the audience with a white wreath on a red Who populated backdrop, this cheerful and interactive musical is the perfect length at 85 minutes with no intermission and brings to life the book in a way the padded film adaptations never did.  Featuring a number of catchy and heartfelt numbers weaved through its rhyming dialogue, enhancing this tale into a musical is hardly a stretch because the Whos love to sing.

Boasting three dimensional illustrated moving set pieces directly from the book, John Lee Beatty’s innovative set design include an enchanting illustrated three dimensional tree lit with glowing white and red bulbs, the Grinch’s illustrated snow covered cave and the drawn fireplace mantel with colored stockings.  It also offers glimpses of the animated classic in red and gold bulbs hanging across the ceiling adding bursts of color. 

Craig Stelzenmuller’s playful lighting often follows the action and brings sparkle to an already bright and cheerful set design.  Blue and green lights flash, glitter and move along like its own character in this wonderful tale as it also creates brief and foreboding shadows as the Grinch makes his grand entrance. 

The Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

Boasting piled high hairdos, Sarah Smith’s festive, textured and Seuss-centric costumes in red, pink, white and green form wild shapes accessorized with oversized bows, bowties and elf shoes.  However, the Grinch’s vivid green and furry costume with exacting makeup is ideal right down to his long and slender fingers. 

James Schultz as THE GRINCH in the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

Occasionally frightful but more often comical with his deep and versatile baritone voice, Matt Forbes is excellent as the cool and temperamental Grinch sharing gripping and amusing scenes with Little as Max as well as endearing ones with Trinity Vittoria De Vito as angelic Cindy Lou Who.  De Vito’s chiming vocals and captivating demeanor impressively deliver the gentle and touching ballad, Santa for a Day as she interacts with Forbes with blind adoration.  Little as Young Max is devoted and lovable with an expectant grin to the Grinch’s perturbed scowl and dastardly smirk as they join together for I Hate Christmas Eve with the Whos and in a playful rendition of This Time of Year with Blackwell as Old Max.

James Schultz as THE GRINCH, Sofie Nesanelis as Cindy-Lou Who and the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel.

Delivering the famous tunes you already know like Blackwell’s amazing rendition of You’re a Mean One Mr. Grinch and Welcome Christmas, Mel Marvin also builds on famous excerpts from the book for original songs such as the warm Who Likes Christmas, thunderous I Hate Christmas Eve, and wild Whatamawho where the Grinch famously exclaims, ‘Oh, the noise, noise noise noise!’ 

James Schultz as THE GRINCH and the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

With sing-along opportunities and thrilling special effects as Blackwell shares this classic children’s tale, Dr. Seuss’ How the Grinch Stole Christmas!  The Musical holds its own to the book and the famous 1966 animated TV special live onstage reflecting on all the themes of the book such as materialism, bullying, and greed with a beautiful message and holiday treat fitting for the entire family.

James Schultz as THE GRINCH and the Touring Company of Dr. Seuss’ HOW THE GRINCH STOLE CHRISTMAS! The Musical. Credit_ Jeremy Daniel

Dr. Seuss’ How the Grinch Stole Christmas! The Musical continues live and in person at Boch Center Wang Theatre in Boston, Massachusetts through Monday, December 23.  Click here for more information and for tickets.