imagination | The Sleepless Critic

REVIEW: Adam Theater’s whimsical ‘Library Lion’ sings and wonderfully inspires

Posted on January 23 by The Sleepless Critic

“A book’s cover is like a big door.”

As an avid bibliophile, this significant quote from Library Lion could not ring more true. Extraordinary things do happen when you read.

One of the big doors that unleash a limitless imagination is the library. Unlike streaming, movies or television, a book is a movie for your mind and Library Lion, one of Time Magazine’s top 100 Children’s books, highlights the joys of reading and what to expect at the library until someone unexpected arrives.

Wisely directed by Ran Bechor with impactful music by Yoni Rechtor and dynamic music direction by Tomer Sne, Adam Theater continues Michelle Knudsen’s Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25. This enchanting, semi-interactive, and family-friendly musical play is not limited to the stage and runs approximately one hour and 10 minutes with no intermission. Click here for more information and for tickets.

The full cast of Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

The commotion is electric among this youthful crowd anticipating what is about to take place onstage. Whether young or old, this charming musical production does not disappoint. Books and other set pieces come to life in subtle, yet charming special effects refreshingly crafted with limited use of CGI or sophisticated digital screens.

Cast members from Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Unveiling Cameron Anderson’s stunning multicolor and vibrant, multilayered rolling set, Library Lion features an exuberant cast which includes a realistic lion puppet created by Jim Hensen’s Creature Shop waltzing to Irene Wang’s mischievous and playful sound design. In striped garments, a puppetry trio which includes Sophie Kauffman, Sydney Grant and Sarah Nolen directed by Kate Brehm, operate and deliver a beautifully stylized lion portrayal from its powerful roars to its intricately blinking big blue eyes adorned with a multi-toned mane.

Puppeteers Sophie Kauffman, Sydney Grant and Sarah Nolen from Adam Theater’s production of LIBRARY LION. Photo by Nile Scott Studio

Eli Bijaoui’s clever and occasionally rhyming dialogue and simple, yet catchy songs by an intimate, three piece orchestra are well paced and mostly jovial as Jayden Declet as precocious Michelle and Aaron Mancaniello as reserved Kevin discover the wonders and virtues of the library with the help of Janis Hudson as charismatic and practical Ms. Merriweather, Robert Saoud as moody yet endearing Mr. McBee, and Clara Hevia as a lively yet frenzied storyteller.

l.-r. Janis Hudson, Jayden Declet and Ken Crossman in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Declet and Mancaniello share an easy rapport and start some minor chaos as they venture through the library’s doors as a clock is perpetually set to when the library opens at 9AM. In a distinctive velvet coat and bowtie, Saoud is wonderful as Mr. McBee in a sympathetic depiction of a librarian who sticks by the rules but longs for something more. In a flowing floral dress, a pleasant voiced Janis Hudson depicts Ms. Merriweather with a breezy practicality and in this performance, more than a passing resemblance to Laura Linney. It is amazing how Hudson slips into characters with such finesse. Hevia rounds out the cast with quirky style and unique energy as the library’s storyteller.

Janis Hudson as Mrs. Merriweather confronts the Lion in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

You don’t need to be familiar with the pop culture references or books to enjoy this production, but you may wish to revisit or read them for the first time when they are introduced into the story.

The library is a treasured sanctuary for many reasons and the Library Lion sings its well deserved praises where you can occasionally sing-along. Library Lion offers much more than life lessons, but delivers a compassionate and imaginative storyline that does not come off as preachy or condescending. It offers humor, silliness and heart that will keep children engaged and at one point, brings the audience right into the story. I say that is time well spent.

Adam Theater continues Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25. Click here for more information and for tickets.

REVIEW: NPR storyteller Kevin Kling reflects on the wonders of childhood in Merrimack Repertory Theatre’s lively and humorous ‘Best Summer Ever’

Posted on May 17, 2022 by The Sleepless Critic

How can a childhood fib possibly be part of the best summer ever?

Amid Carter Miller’s vivid and dynamic lighting against a cloud covered sky as multi-instrumentalist and sound effect aficionado Robertson Witmer stands over a grill in an apron and sunny yellow sneakers ready to serve a hot dog, Merrimack Repertory Theatre’s Best Summer Ever might give you the urge for summer to arrive a little sooner. Rowan Doyle’s breezy set design is not the alone in setting up the carefree days of summer. In a button down shirt, dark pants and striking red and white sneakers relaxed in a lawn chair, popular storyteller and NPR contributor Kevin Kling is an open book ready to share an engaging, wild, and moving account of incredible hijinks during the life changing and unforgettable summer he experienced at 9 years old.

Kevin Kling and Multi-instrumentalist Roberson Witmer in Merrimack Repertory Theatre’s ‘Best Summer Ever’ Photo by Megpix/Meghan Moore.jpg

With compelling direction by Steven Dietz, Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA. There will be no virtual show available and the show runs 70 minutes with no intermission. Click here for more information and for tickets.

Kevin Kling knows how to tell a great story. Full of liveliness and spontaneity, what sets Best Summer Ever apart from other productions is Kling’s unique and distinctive touch. He shares personal anecdotes with plenty of asides, quirky details, and having experienced the show on Mother Day, it is easy to tell each tailored performance is fueled by the interaction and enthusiasm in the audience. He has a great rapport with Rob who dives head first into some of the production’s sillier moments of Vikings, a purple snow cone gone awry, and chilling ghost stories. Both seem a kid at heart and they work succinctly as Rob provides the soundtrack and dynamic mood-setting sound effects at a sometimes thrilling pace.

MRT’s Best Summer Ever – Kevin Kling Photo by Megpix/Meghan Moore

Kling strikes a clever balance of adult reflection and falling right back into his childhood mindset of growing up in Minnesota. He uses the phrase, ‘unstructured time’ and equating that with ‘boredom’ or in speaking about his farming grandparents, Kling exclaims, “If Grandpa could cut it off, Grandma could pickle it.”

The show also has its share of heartwarming family moments and explores the wonder and imagination of childhood that just might take you back too.

Silly moments with Kevin Kling and Roberson Witmer in MRT’s ‘Best Summer-Ever’ Photos by Megpix/Meghan Moore

Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA. There will be no virtual show available and the show runs 70 minutes with no intermission. Thursday, May 19 will be a Q and A Ask the Artists night. Click here for more information and for tickets.

REVIEW: Isolation and reflection drives Theatre Kapow’s ‘Room’

Posted on May 2, 2021 by The Sleepless Critic

What does “Room” mean to you?

An unusual walk, a wordless journey spoken in song, a hollow room, and bittersweet scenes from the past is just a peek into ROOM, a series of three one-act plays by two Irish playwrights. It explores three people who see the world through their isolated circumstances yet share so much.

Directed by Rachael Chapin and Matt Cahoon, New Hampshire’s Theatre Kapow embarks on their final virtual show of their 13^th season themed ‘We will get through this’ with ROOM, a poignant and meaningful journey into loss, isolation, regret, and hope continuing to live stream through Sunday, May 2. Click here for more information and tickets.

Through Edna Walsh’s Room 303 and A Girl’s Bedroom as well as Ailis Ni Riain’s I Used to Feel, each actor take in their surroundings, reflect on happier and more sorrowful times, and take in what they can of the present while depicting the meaning behind their “room.”

Heidi Kranz in ‘A Girl’s Bedroom’ Photo courtesy of Matthew Lomanno Photography/Theatre Kapow

In A Girl’s Bedroom, ethereal special effects portray a rich countryside and more as Emily Karel reflects on a significant childhood memory. Karel offers a captivating portrayal as the girl as her world becomes vast in her small, colorful bedroom. Her bright inflections, enthusiasm, and surety are also tinged in sadness and loneliness as she reminisces on her young life.

Heidi Krantz embraces an emotional journey of loss and misunderstanding in I Used to Feel. In this brief musical portrait, Krantz evokes the frustration and heartache of misunderstanding due to a disability and the longing for connection again in any way possible. The visual imagery tied into a solitary clarinet makes this piece particularly poignant.

Peter Josephson in ‘Room 303’ Photo courtesy of Matthew Lomanno Photography/Theatre Kapow

Perhaps the most powerful piece is in Room 303. Peter Josephson delivers a raw and moving portrayal of a bedridden man reflecting on his past and his future in his current circumstances. His journey calls to mind those who have been sick and alone with only the comfort and betrayal of their thoughts and imagination in these uncertain times. Anxious and bitter through his steely and weakening eyes, Josephson struggles with his recollections as his world becomes smaller.

Theatre Kapow’s ROOM continues live streaming through Sunday, May 2. Click here for more information and for tickets.

REVIEW: Hingham Civic Music Theatre’s ‘Seussical the Musical’ is groovy, dazzling, and endlessly imaginative

Posted on October 24, 2019 by The Sleepless Critic

What a time to know Dr. Seuss. Not only was Dr. Seuss’s new book, Horse Museum, recently released from some of Seuss’s old manuscripts, but this month marked the Canadian debut of an immersive, interactive touring exhibition based on his legacy. “Dr. Seuss Experience” is expected to arrive in Boston later this year. After all this time, we are still celebrating Theodor Seuss Geisel who would have been 115 years old this year.

Hingham Civic Music Theatre (HCMT) found many reasons to celebrate Dr. Seuss with their family-friendly, brightly imaginative, and insightful Seussical the Musical continuing through Sunday, October 27 at Hingham Town Hall in Hingham, Massachusetts. Click here for more information and tickets.

The cast of Seussical Photo courtesy of Kerry Tondorf/Hingham Civic Music Theatre

From the introspective yearnings of Solla Sollew to the wise, multi-tiered significance of the number, How Lucky You Are, Seussical runs the gamut of silly, sorrowful, and thoughtful musical moments. The catchy, distinct, and clever soundtrack resonated through the live orchestra, newly situated onstage above all the action.

Directed by Victoria Kirichok-Pratt, Seussical is a musical adventure that strings together a few of Dr. Seuss’s most popular works while cleverly weaving in valuable life lessons along the way. What makes it such a wonderful musical is beneath its comical, brightly-lit fun lie universal truths for the young and old. Zany, imaginative tales unveil insights about vanity, war, sticking to one’s convictions, and just plain coping with life’s inevitable difficulties. Even the darker topics remain family-friendly as audiences delve deeper into Dr. Seuss’s vast and unique universe.

Paul Antico as Mayor, Jean Lyon as Mrs. Mayor and Marcus Myers as JoJo Photo courtesy of Kerry Tondorf/Hingham Civic Music Theatre

At the center of this universe is adorable, inquisitive, and charming JoJo Who, portrayed by Marcus Myers. With wide eyes and a sweet smile, JoJo is starting to learn that life is much more complicated and unpredictable than he ever thought possible.

Much like Dr. Seuss, this wildly dynamic cast is much more than meets the eye and with award-winning costume designer Kathryn Ridder, each character’s outward appearance certainly shines. The catchy opening number, Oh The Things You Can Think, reveals the brilliant and beautiful costumes which include some that look like they walked right off Seuss’s innovative books. Bursting with color, mismatched, madcap patterns and edgy, impossible hemlines deliver that peculiar Seuss quality. One character was even decked out as a Christmas tree. Bird girls shimmer, Wickershams strut in sunshades and fringe, and the Whos revel in vintage flair. There’s fine detail in each costume, like a hint of red glimmering under the tails of the Cat in the Hat’s black jacket.

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Wearing his signature top hat and “tails,” Michael Warner mischievously portrays The Cat and the Hat as part Master of Ceremonies, adviser, narrator, and occasional troublemaker. Warner bounces and glides along the stage, popping in to depict a variety of characters and reveling in the occasional chaos such as Egg, Nest and Tree and It’s Possible.

Justin Grankewicz delivers a sweet and sympathetic performance as ceaselessly faithful and compassionate Horton, who hears a mysterious sound from a speck of dust. Grankewicz’s earnest face and charming demeanor with JoJo, Gertrude, and the community make him easy to root for. Myers and JoJo deliver a heartfelt rendition of Alone in the Universe and Jessica DePalo brings unassuming, awkward charm to Gertrude who shines as an avid, amusing storyteller in All for You and Notice Me Horton.

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With a Cheshire grin, Carole Shannon struts and shimmers as self-involved Mayzie, showing great comic timing and chemistry among her girl birds and Gertrude. Sour Kangaroo, portrayed with a wealth of sass and quite the set of pipes by Katia Green, has plenty to say accompanied by her equally streetwise young sidekick Natalia Tsourides. They make quite the charismatic pair. In a robe and festive pajamas, Bruno Barbudo’s bearded Grinch is a creature of few words, but his priceless morose scowl makes a statement all its own.

Hingham Civic Music Theatre continues Seussical the Musical through Sunday, October 27 at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts. Click here for more information and tickets and follow HCMT on Facebook for upcoming events and more.