REVIEW: Greater Boston Stage Company re-imagines a classic in riveting ‘Swan Lake in Blue’

Exploring love from obsession to at first sight, Greater Boston Stage Company couldn’t have chosen a more perfect time to introduce Swan Lake, one of ballet’s most popular productions of all time, with a bold and re-imagined twist the day after Valentine’s Day.

With insightful choreography and direction by Ilyse Robbins, Greater Boston Stage Company continues Jazz Ballet Swan Lake in Blue through Sunday, March 1 at Greater Boston Stage Company in Stoneham, Massachusetts.  Click here for more information and tickets.

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Jackson Jirard (center) and the cast of Swan Lake in Blue Photo by Maggie Hall Photography

Tap dancing, ballet, and classic dance just skims the surface of the sheer energy that encapsulates Swan Lake in Blue, a brilliant production that transforms Tchaikovsky’s classic fairy tale into a lively, non-stop dance spectacle with big band flair.  Swan Lake in Blue has elements of that beloved classic in swan feathers, but set in thrilling 1940’s New York City.

Costume designer Kevin Hutchins and Scenic and Prop designer Teri Oakes work together to capture the mood of 1940s New York City in bowler hats, vintage suits, and colorful casual wear right down to the cast’s 40s style Oxfords.

Steve Bass not only seamlessly composed and musically directs Swan Lake in Blue, but also performs onstage with a full big band stately dressed in black and grey vintage sophistication.  The rollicking live orchestra instantly sets the mood of this vibrant, non-stop musical journey.  Swan Lake in Blue features an array of gloriously energetic, athletic dancers that keep the pace joyous and thriving while integrating popular dance moves of its time like the Charleston and Swing.  Each dancer gets an opportunity to shine and Jackson Jirard as Ben Kelly leads this agile group of exceptional talent.

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Jackson Jirard (center) with male dance auditions. Photo by Maggie Hall Photography

Jirard is magnificent as he leaps and spins audaciously in tap shoes. Andy McLeavey as Seigfried and Jirard look like naturals dancing together, especially when Mr. Seigfried is first introduced. From Mambo to the Samba to the alluring Dance of the Swans, it is a wordless piece that invites dance to take over.

GBSC Swan Lake in Blue Sara Coombs as Odette

Sara Coombs as Odette Photo by Maggie Hall Photography

Swan Lake in Blue preserves the classic tale but gives it a Broadway spin involving a mobster, idyllic “swans” and a love struck Broadway producer set in a dance studio.  Odette, portrayed with elegance, fragility, and anguish by Sara Coombs, is a seemingly tethered soul longing for peace.  Coombs flourishes in the complex dual role which balances sass and sincerity as well as compassion and malicious glee through her carefully crafted sharp and sweeping dance moves.

Sara Coombs and Andy McLeavey as charming Seigfried share some beautiful moments.  David Visini captures a dark sophistication as Von Rothbart.  Visini’s unsettling, sharp, and menacing dance create a mysterious and powerful charisma every time he makes an appearance.

GBSC Swan Lake in Blue Sara Coombs and Andy McLeavey Photo by Maggie Hall Photography

Sara Coombs and Andy McLeavey Photo by Maggie Hall Photography

Tchaikovky’s immortalized Dance of the Swans takes on a new, alluring spin as Briana Fallon and Gillian Gordon join Coombs decked out in feathery, white fringed dresses.  It’s a daring, yet fitting departure of Tchikovsky’s original dance and like the imaginative Swan Lake in Blue,  includes a few winks to the original.

Greater Boston Stage Company continues Jazz Ballet Swan Lake in Blue through Sunday, March 1 at Greater Boston Stage Company at 395 Main Street in Stoneham, Massachusetts.  Click here for more information and tickets and here for more on Greater Boston Stage Company’s 20th season.

 

REVIEW: Celebrity Series of Boston presented John Pizzarelli Trio and Veronica Swift for Nat King Cole tribute and more on Valentine’s Day

Since Jazz and love doesn’t follow a set of rules, they came together for Valentine’s Day.

Love lit up Harvard University’s Sanders Theatre in Cambridge, Massachusetts on Valentine’s Day as Celebrity Series of Boston presented ‘For Centennial Reasons: 100 Year Salute to Nat King Cole’ on Friday, February 14 at 8 p.m.  Whether longing for love, falling in love, or losing in love, Veronica Swift and the John Pizzarelli Trio brought a jazz-infused twist to classic love songs and American Standards from Gershwin, Billie Holiday, Cole Porter, and especially Nat King Cole for one night only.

Veronica Swift and John Pizzarelli are currently on tour.  Click here for Swift’s upcoming shows and here for John’s future tour dates.  Click here for more on Celebrity Series of Boston and their upcoming events.

Festive purple curtains embellished Sanders Theatre’s beautiful, softly-lit stage.  Dressed in an effervescent pink jumpsuit that changed shades in different lighting, jazz vocalist Veronica Swift kicked off the evening with a drum-infused rendition of Cole Porter’s breezy classic, Let’s Do It (Let’s Fall in Love).  Each musician had an opportunity to show off their stellar talent which included pianist Julius Rodriguez, bassist Phillip Norris, and drummer Aaron Kimmel.

Swift offered a casual, low key presence as she shared childhood stories of growing up touring with her jazz singer mother, Stephanie Nakasian and her father, bebop pianist Hod O’Brien.  Swift’s versatile set had its share of joyous and stirring moments which included a poignant version of Ella Fitzgerald’s Everytime We Say Goodbye dedicated to her father as her voice swelled in quiet emotion.  She skimmed the scales in an electrifying version of Billie Holiday’s Come Rain or Come Shine and an anguished Prisoner of Love.

Veronica Swift and pianist Julius Rodriguez Photo credit: Robert Torres

At just 25 years old, she is a spirited and contemplative performer.  Jazz aficionados would appreciate her natural ability for scatting showcased in a fast paced, ebullient rendition of Billie Holiday’s I Can’t Believe that You’re in Love with Me.  Though I am not a big jazz fan, it is easy to appreciate the liberties jazz takes to transform these classics into a refreshing, eclectic new sound.

With a great deal of humor, a relaxed atmosphere, and in a sharp gray suit, avid storyteller John Pizzarelli delved into the history of Nat King’s Cole music while sharing some of his own history along the way.  He revitalized a few of Nat King Cole’s hits and shared a few anecdotes in tribute to Nat King Cole’s centennial.  American Jazz singer-songwriter and musician Nat King Cole was one of the most successful artists on Capital Records’ roster and his music has inspired generations.

Pizzarelli is currently on tour for John Pizzarelli Trio’s most recent album For Centennial Reasons:  100 Year Salute to Nat King Cole.  The title seems a subtle play on Nat King Cole’s I Love You (For Sentimental Reasons) which Pizzarelli performs tenderly later in the show.  Aside from Pizzarelli who can no less shred on guitar, Pizzarelli was joined by spectacular musicians Isaiah Thompson on piano and Mike Karn on bass.  The John Pizzarelli Trio’s collective sound had the rhythm of a moving train.  Each piece came alive as the instruments seem to “chat” with each other especially during Hit That Jive, Jack and a lively rendition of Honeysuckle Rose.

Celebrity Series of Boston presented the John Pizzarelli Trio and Veronica Swift at Sanders Theatre.

Bassist Mike Karn, John Pizzarelli, and pianist Isaiah Thompson Photo credit: Robert Torres

The trio explored Lorraine as Pizzarelli shared a legendary story about how the song turned Nat King Cole from a pianist into a singer, though it is a rumored tale.  Nat King Cole was part of the Nat King Cole Trio and it was nice to see Pizzarelli reflecting that with his own John Pizzarelli Trio, each member getting their own chance to shine.

Pizzarelli’s delivered an uplifting set which included a few love songs.  His guitar hummed during a cheerful rendition of Nat King Cole’s Make Believe as lightning fast pianist Isaiah Thompson commanded the keys.  Pizzarelli showed off his side winding guitar style in his own song titled Nat King Cool and his scatting skills during Nat King Cole’s Frim Fram Sauce.  The evening’s lighthearted vibe continued with the humorous Save the Bones for Henry Jones, the vibrant I Would Do Anything for You, and one of Nat King Cole’s most popular singles, Straight Up and Fly Right.

Celebrity Series of Boston presented the John Pizzarelli Trio and Veronica Swift at Sanders Theatre.

John Pizzarelli, bassist Mike Karn, and pianist Isaish Thompson Photo credit: Robert Torres

Swift returned to the stage for a few Gershwin classics that included a wistful Someone to Watch Over Me.  She and Pizzarelli delivered a wonderful rendition of They Can’t Take That Away from Me, I Got Rhythm, and their lauded encore Route 66.

As a big Nat King Cole fan, I would have liked to have heard Nat King Cole’s Stardust and his mega-hit Unforgettable, but it simply didn’t fit into an evening consisting of mostly the brighter side of love and its boundless possibilities.

Celebrity Series of Boston is just getting 2020 started with a number of performing arts musicians that includes Bobby McFerrin, Milos, the Jason Palmer Quartet, Lyon Opera Ballet, and the return of Alvin Ailey.  Click here for the full list of upcoming events.

 

REVIEW: Seeped in silvery, eclectic rhythms, Celebrity Series of Boston presented a joyous, sold out Sergio Mendes and Bebel Gilberto concert for Bossa Nova’s 60th anniversary

Catchy, invigorating rhythms have never had a better reception than at Grammy award-winning Brazilian great Sergio Mendes and popular Brazilian singer Bebel Gilberto’s sold out concert to celebrate 60 years of Bossa Nova on Friday, October 18 at the Berklee Performance Center in Boston.  Presented by Celebrity Series of Boston, an enthusiastic crowd rejoiced in the exhilarating, eclectic rhythms that surely left them humming a tune or two long after the show was over.

Click here to find out where Sergio Mendes and Bebel Gilberto will perform next on their tour.  Click here for more about Celebrity Series of Boston and all of their upcoming events.

Dressed in a floral, black trimmed dress that delivered a certain sparkle with silver, sky high heels, Bebel Gilberto, who descends from a long line of Brazilian and jazz greats including her late father, Joao Gilberto, who wrote the Grammy award-winning tune, The Girl from Ipanena, kicked off the celebration.  Accompanied by renowned guitarist Guilherme Monteiro and drummer Leo Costa, Bebel swept onto the stage with catchy, low key rhythms.   Her smooth, slinky vocals opened with Wave written by Antonio Carlos Jobim and Frank Sinatra recorded this popular song in English in 1969.

BebelGilberto-credit Vicente de Paulo(3)

Bebel Gilberto Photo credit: Vicente de Paulo/Celebrity Series of Boston

Most of Bebel’s songs were in Portuguese, but as she engaged the crowd through song and personal reflections, she said she is Brazilian-American.  She dedicated a few songs to family members, stating family is everything.  Her set was a mix of jazz and serene rhythms as she whistled and scatted onstage.

Even if Portuguese is not a familiar language, the beats and rhythms linger in Bebel’s crisp, clear, and captivating vocals.  She invited the crowd to sing and clap along as she covered some of her father’s hit songs such as the humorous O Pato (The Duck), the upbeat rhythms of Saudade vem Correndo, and Udiu, a song that Bebel said mirrors how her father played guitar.

Warm and charismatic, Bebel delivered a lighthearted, invigorating version of her own hit, So Nice (Summer Samba) and performed a lighter, more upbeat version of Just One of those Things, dedicating the classic Cole Porter hit to her parents.  After playfully applying lipstick onstage, she ended her set with Samba Da Bencao, dedicating the mystical, romantic rhythms to Boston.

The celebration heated up as Grammy award-winning Sergio Mendes appeared onstage, greeted with a rousing applause.  Along with his vocalist wife Gracinha Leporace and Katie Hampton, Sergio promised the crowd a musical journey through 60 years of Bossa Nova music and he certainly delivered.

Referring to the renowned musicians onstage as “the best band he ever had” while simultaneously playing piano and conducting the band, Sergio was accompanied by drummer Leo Costa, guitarist Kleber Jorge Pimenta, bassist Andre De Santanna, keyboardist Scott Mayo, and percussionist Gibi.

Dressed in his signature white Cuban Hat and suit, Sergio delved into the history of Bossa Nova, opening with a rousing rendition of Magalenha as the crowd clapped wildly.  He followed it with the lighthearted and colorful tune, Waters of March, composed by Antonio Carlos Jobim as Katie Hampton and Gracinha Leporace swayed and effervescently sang, “It’s the end of the strain/It’s the joy in your heart.”

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Sergio Mendes Photo credit: Vincente De Paulo/Celebrity Series of Boston

Sergio kept the evening lively, sharing songs that ranged from romantic and stirring to breezy and joyous with drum-infused rhythms.  In a flowing sea green dress and charcoal leggings, Gracinha passionately sang O Que Sera by Chico Buarque.  Hip hop veteran and vocalist Harrell Harris (H2O) sang a lovely duet with Katie Hampton for Sergio’s 80s hit, Never Gonna Let You Go as guitarist Kleber Jorge Pimenta performed an amazing guitar solo.

One of the most thrilling parts of the evening was a freestyle jam session which included a berimbau and percussionist solo seeped in the rhythms of Rio de Janeiro. Many of the musicians are multi-instrumentalists and it was fascinating to watch the instruments seemingly “speak” to each other.

The concert featured unique spins on popular songs such as Gracinha and Katie’s spirited, piano-infused duet of the Beatles classic, Fool on the Hill.  Gracinha also lends her powerful vocals to an eclectic version of Dusty Springfield’s James Bond theme song, The Look of Love.

Sergio Mendes capped off the evening on a high note with two of his most popular songs.  H2O returned to the stage as the band performed Mas Que Nada, a 1966 hit song that became popular again when Sergio collaborated on the song with Will.i.am and The Black Eyed Peas.  H2O is an incredible talent, adding a boost to an already electric lineup.  Saving the best for last, Bebel returned to the stage with the entire ensemble for a sensational version of Sergio’s most popular song, Pais Tropical, enhanced with bright rhythms and Scott Mayo’s thrilling saxophone.  After 60 years, Bossa Nova still puts joy in the heart.

Click here to find out where Sergio Mendes and Bebel Gilberto are performing next.  Click here for Celebrity Series of Boston’s wonderful 2019-20 season and upcoming events.  For updates and more, follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

REVIEW: Versatile singer Joyce Didonato performed classics with a compelling twist as Celebrity Series presented ‘Songplay’

It is easy to see why mezzo soprano Joyce Didonato has such a following on social media and otherwise.  For one night only, she took the stage to share what she has learned from music and more as Celebrity Series presented Songplay on Friday, March 1 at New England Conservatory’s Jordan Hall at 8 p.m.  Click here for more information and here for where Joyce Didonato will appear next.

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Celebrity Series of Boston presented Joyce Didonato for one night only on March 1 Photo courtesy of Celebrity Series

Celebrity Series has a knack for welcoming artists that not only show off their talent, but teach the audience a thing or two about their craft, leaving the audience some material to ponder.  With a lively, charming presence and a versatile voice that defies a definitive genre, mezzo-soprano Joyce Didonato shattered a few traditions and came up with a refreshing repertoire that combined opera, jazz, baroque, and other genres making a few classic songs new again.

Emerging from backstage in a shimmering emerald evening gown, this dynamic singer was greeted by a full house.  This particular show seemed to be tailor-made for professionally-trained singers as Joyce shared details of her extensive vocal training, recalling in jest and self deprecation the tools that helped her become the professional singer she is.  She also shared some personal reflections and comical stories between songs about her life and music.

With soaring, soothing vocals and an impeccable range, Joyce’s voice is as sophisticated with an aria as it is playful with jazz and Broadway numbers.  Fans of opera and jazz would especially enjoy the show, but Joyce and her band offered enough variety and humor with each transformed song that most music fans could appreciate it as well.

Celebrity Series Joyce Didonato Robert Torres

Throughout the evening, she introduced her acclaimed band one by one with anecdotes and playful music interludes.  Each band member had their individual chance to shine.  Behind a large Steinway and Sons grand piano sat pianist and arranger Craig Terry with whom she shared more than a few lighthearted moments with.  They kicked off the evening with the Italian aria, Caro mio ben and later Craig performed a captivating rendition of Dizzy Fingers.

Hailing from Buenos Aires, Lautaro Greco introduced the bandoneon, a unique instrument which is played like a piano, shaped like an accordion, but sounds like a horn.  He joined her lively band that included revered double bassist Chuck Isreals, acclaimed percussionist Jimmy Madison, and legendary trumpet player Charlie Porter.  The band’s random, surprising music notes added a few humorous and cheeky moments to the performance, the horn chasing her soaring vocals during a jazz-infused interlude.  All in good fun.

A few of the evening’s highlights included a heartfelt, angst-ridden rendition of Will He Like Me?  from the Broadway show, She Loves Me, a tender, reflective rendition of Gene Scheer’s Lean Away dedicated to Andre Previn, Duke Ellington’s classic Solitude, and a song Joyce always dreamed of singing, Edith Piaf’s La Vie en Rose.

At one point during the show, Joyce referred to playing traditional music just one way as an emotional straight jacket.  Watching her put a creative spin on these classics with humor, grace, and gusto was a liberating experience.

Celebrity Series of Boston offers a dynamic roster featuring the annual Stave SessionsAlvin Ailey American Dance Theatre, Shawn Colvin, and much more.  Click here for more information and for tickets. Tickets can also be obtained at the Celebrity Series of Boston’s box office.  Follow Celebrity Series of Boston on FacebookTwitter, and Instagram.

 

 

 

 

 

 

 

 

 

 

 

 

 

REVIEW: WGBH’s ‘Tis the Night with Ben Folds and Friends’ holiday music special offers some impressive, lighthearted cheer

Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public TelevisionNew Hampshire PBS, and WGBH 2 this month.  Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer.  He is also known for performing with many orchestras throughout the world.  Take a closer look at Tis the Night here,  click here to find out when WGBH will broadcast this show next, or here to stream it online.

In this WGBH holiday special, Ben hosts for the most part, leaving it to renowned Boston choruses such as the Boston Children’s Chorus, Handel and Haydn Society, the Harvard- Radcliffe Collegium Musicum, and students from the New England Conservatory to bring in the good cheer.  However, in the few times he collaborated with the artists, this concert special became that much more engaging.

Ben Folds and Caleb Teicher perform on Tis the Night (Meredith Nierman - WGBH)

Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways.  Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.

Handel and Haydn orchestra and chorus perform on Tis the Night (Meredith Nierman - WGBH)2

Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH 

Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version.  It was refreshing to hear, though I prefer the classic interpretation.  However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.

Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth.  They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner.  Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.

Harvard Radcliffe Collegium Musicum performs in Tis the Night (Sam Brewer - WGBH) (1)

Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2

Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight.  Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.

New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.

vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on Tis the Night (Sam Brewer - WGBH)2

Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 

Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.

soprano Saori Erickson and pianist Bethany Pietroniro performing Ave Maria (Sam Brewer - WGBH)

Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH

Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.

REVIEW: Featuring delicious food and eclectic charm, consider Boston’s ‘The Beehive’ before or after the show

After spending Sunday afternoon at the Calderwood Pavilion for the Tony award-winning musical Fun Home, I had made reservations through Open Table for The Beehive restaurant right next door at 541 Tremont Street in South Boston, Massachusetts.  It’s a charming and convenient place to enjoy after show cocktails, brunch, lunch, or dinner while featuring daily live music including jazz and tribute to famous musicians.  Decorated subtly for Halloween and featuring a lit outdoor patio, The Beehive has unique charm and Bohemian décor in the South End on the orange line off of the Back Bay T stop.

At the time I made the reservation, the live band didn’t start until 8 p.m.  The servers were friendly and asked about the performance I saw at the Calderwood.  Pricing is a bit expensive, but the food is wonderful and can easily be shared.  The artisan sour dough bread was seasoned with sea salt and topped with delicious honey butter.  Our dinner dish, the half chicken was tender, flavorful and juicy mixed with carrot puree, bok choy, rainbow carrots, and olives in a peanut aillade.  It was more than enough for two unless you prefer to take some home.

The Beehive is open seven days a week and located in the Back Bay, an area in Boston that features many theatrical options.  The Beehive offers a special menu on holidays and are open on Thanksgiving.  Take a closer look at the Beehive here for the menu, live music schedule, and much more.

REVIEW: With comic wit and vintage flair, Boston Ballet’s ‘Genius at Play’ is an exhilarating dance celebration

Honoring the centennial birthdays of legendary choreographer Jerome Robbins and composer Leonard Bernstein, The Boston Ballet opened its 55th season on a joyous, lighthearted note on Thursday, September 6 with Genius at Play continuing through Sunday, September 16 at the Boston Opera HouseGenius at Play certainly lives up to its name, a production with glimpses of Robbins and Bernstein’s signature dance moves, music, and lively banter sure to leave the audience in carefree spirits.  Click here for more information and for tickets.

Accomplished conductor Beatrice Jona Affron opened the show, leading the orchestra with Leonard Bernstein’s sparkling and triumphant masterpiece Overture to Candide, first performed in 1957.  Much of Genius at Play celebrates the very nature of dance and its playful competitiveness and Overture to Candide quite fittingly sets the tone.

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Boston Ballet in Jerome Robbin’s Interplay; photo by Rosalie O’Connor; courtesy of Boston Ballet

Interplay, with choreography by Jerome Robbins, rewinds the clock as women pile on high ponytails in casual, colorful costumes by Santo Loquasto.  As the mischievous, upbeat rhythm of Morton Gould’s American Concertette plays, dancers Maria Alvarez, Dawn Atkins, Chyrstyn Fentroy, Dalay Parrondo, Isaac Akiba, Paul Craig, Sun Woo Lee, and Lawrence Rines take part in some friendly competition.  Creativity runs wild as dancers perform lifts, spins, and high leaps while also paying subtle homage to Robbins as they rhythmically snap their fingers and playfully shake their hips.

With choreography by Jerome Robbins and jazz-infused music by Leonard Bernstein, Fancy Free is the source material for what became the hit Broadway musical and Academy award-winning film, On the Town, a tale about three sailors portrayed here by Irlan Silva, Derek Dunn, and Michael Ryan, who are on shore leave in New York City.  Taking a page from the old movies with cheerful 40s costumes by Kermit Love, these sailors realize they are in over their head when they meet three passers-by portrayed by Emily Entingh, Viktorina Kapitonova, and Dawn Atkins.  With a multi-dimensional, romantically-lit set equipped with a vivid, leaning lamp post, these sailors depict a wonderful camaraderie as they embark on an amusing night with plenty of surprises.

With music by Philip Glass and choreography by Jerome Robbins, Glass Pieces is quite the gem.  Taking place in what looks like a subway station, Glass Pieces has a palpable rhythm and urgency as dancers are unleashed into a celebration of dance in the city.  From a plain landscape into a spectrum of color, Glass Pieces transforms into a splendid piece of artistry as dancers perform in a variety of styles in silhouette, reflective, and in unison.

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Lia Cirio and Paulo Arrais in Jerome Robbin’s Glass Pieces; photo by Rosalie O’Connor; courtesy of Boston Ballet

With comic wit, vintage flair, and renowned choreography, The Boston Ballet proudly presents Genius at Play through Sunday, September 16 at the Boston Opera House.  Click here for more information and for tickets.  For future events and more, follow Boston Ballet on Facebook and Twitter.

Tickets for 12th annual Duxbury Music Festival, featuring live seaside concert music & more, go on sale June 1

For the past twelve years, South Shore Conservatory’s Duxbury Music Festival (DMF) has welcomed summer with seaside entertainment and extraordinary live music along the South Shore of Massachusetts.  With more than a week-long concert extravaganza exploring reggae, jazz, classical, and blues, the Duxbury Music Festival kicks off their summer series at a seaside tent on Duxbury Bay at Freeman Place for Blues on the Bay Cabaret Concert on Friday, July 14.  The evening offers cocktails and appetizers featuring live music from Sugar Ray and the Blue Tones at 6:30 p.m.  Tickets go on sale to the public on Wednesday, June 1.  Call 781-934-2731, ext. 11 or click here for the full list of events and tickets.  Follow Duxbury Music Festival on Facebook for updates.

Duxbury Music Festival Logo

Photo courtesy of South Shore Conservatory

Set in in several locations in Duxbury, Massachusetts, the Duxbury Music Festival will be held from Friday, July 14 through Friday, July 28.  On Sunday, July 16, the Duxbury Music Festival continues at the seaside tent at Freeman Place with Festival Overture Concert and Reception featuring works from Haydn and Hurnik at 6:30 p.m.

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Photo courtesy of Kathy Dixon

Founding Duxbury Music Festival faculty member and soloist Oxana Yablonskaya returns to the festival on Tuesday, July 18 for the All-Rachmaninoff Faculty Concert at South Shore Conservatory, Ellison Center for the Arts, 64 George Street in Duxbury, Massachusetts at 7:30 p.m.  This special concert funds scholarships for Duxbury Music Festival students.

Duxbury Music Festival - Tent crowd shot

Photo courtesy of Kathy Dixon

Travel to Duxbury Town Green and enjoy Reggae on the Green featuring the Berklee Reggae Ensemble with opening act and South Shore Conservatory rock band, Toast on Friday, July 21 at 7 p.m.  Other events on the Duxbury Town Green include Rhythm and Blues on the Green Dinner Dance with party band In the House Saturday, July 22, Family Fest with plenty of kids entertainment and interactive activities featuring South Shore Conservatory’s ImagineArts band followed by Picnic in the Park featuring live entertainment from DMF students, lobster roll, and concessions on Sunday, July 23.  Back at South Shore Conservatory in Duxbury, take in Duxbury Music Festival’s All That Jazz featuring quintet Elan Mehler and a Duxbury Wine and Spirits tasting on Wednesday, July 26.

The Duxbury Music Festival concludes with a Winners Concert and Farewell Reception including a Duxbury Wine and Spirits Tasting on Friday, July 28. Tickets go on sale June 1, but subscriptions are now available.  Call 781-934-2731, ext. 11 or click here for tickets, see the full schedule, and all that the Duxbury Music Festival has to offer.

 

 

Beehive of Boston’s 10th annual ‘Erin Go Beehive’ features Irish comfort food, live Celtic music, and more

St. Patrick’s Day is almost here, and the Beehive is encouraging revelers to start celebrating a day early with their 10th annual celebration, ‘Erin Go Beehive’ on Thursday, March 16 at the Beehive of Boston at 5 p.m.  ‘Erin Go Beehive’ will last into the early morning hours and boasts a special menu of authentic Irish comfort food by Executive Chef Gregory Torrech, holiday festivities, cocktails, live music, and much more.  Click here for further details!

Hailing from Galway and residing in Boston, the Beehive once again welcomes Celtic singer-songstress Katie McD and other special guests.  Katie McD’s soothing Celtic vocals and insightful lyrics have captivated audiences from Boston Symphony Hall to the Guinness Fleadh and she’ll perform selections from her debut album, I Know You Know and her sophomore release, Angel Baby.

The Beehive of Boston, 541 Tremont Street in Boston, Massachusetts, will offer a wide range of festive entrées by Executive Chef Gregory Torrech including traditional Corned Beef and Cabbage, Fish and Ships with tartar sauce, and Shepherd’s Pie along with their usual fare. Sponsored by the Harpoon Brewery, pair the meal with a festive cocktail.

Listed as one of the “100 Jazz Clubs in the World” by Downbeat Magazine, The Beehive boasts nightly live entertainment featuring a dynamic array of music genres throughout the year with an extensive menu. Dinner reservations are highly recommended and there is no cover charge. Call 1-617-423-0069 or click here to reserve a table! Click here for more information and follow the Beehive on Facebook.

 

South Shore Conservatory offers spring classes for young students in March

From learning music instruments to singing, dancing, exercise, theatrical play and more, South Shore Conservatory has a stellar reputation of immersing students of all ages in a wide spectrum of exciting activities as the spring warmth approaches.  Ranging from basic to more advanced skill levels, spring registration is now open for young children with Music Together and Music Sprouts programs starting on March 13. South Shore Conservatory is located at convenient locations on the South Shore of Massachusetts. Click here for a list of classes available.

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Young students enjoying Music Together class at South Shore Conservatory, image by Michelle McGrath PR

A few of the classes offered for children ages 0 through 9 are Time TrainMusic SproutsDrum and SingCreative DanceHip HopTot YogaBallet, Move and Groove Music Therapy Group, Piano FUNdamentals, Curtain Going UpPrimo Voice Class, and Let’s Put on a Show.  South Shore Conservatory also offers classes for ages 10 through 18 such as Rock BandFiddle ClassSaturday Stage ClubPop Rock Vocal Tech, and Let’s Put on a Show.  Take part in adult classes such as Adult Rock Band, Golden VoicesSSC Community VoicesAdult Jazz Workshop, and Shake Your Soul. Classes are also available for dance and musical instruments at beginner levels.

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Drum class at South Shore Conservatory Photo courtesy of Michelle McGrath and South Shore Conservatory

South Shore Conservatory has created a comfortable, inspiring, and exciting learning environment for students at all levels at their Duxbury and Hingham campuses.  Satellite classes are offered at the South Shore Community Center in Cohasset, Massachusetts. South Shore Conservatory also offers financial aid. For further details and to register, call Early Childhood Program Coordinator Jana Kahn at 781-749-7565 ext. 33 or online at sscmusic.org.

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South Shore Conservatory partners with the American Ballet Theatre. Photo Courtesy of Michelle McGrath and South Shore Conservatory

Click here to learn about all of South Shore Conservatory’s upcoming events.  Follow South Shore Conservatory on Facebook and Twitter.