REVIEW: Featuring delicious food and eclectic charm, consider Boston’s ‘The Beehive’ before or after the show

After spending Sunday afternoon at the Calderwood Pavilion for the Tony award-winning musical Fun Home, I had made reservations through Open Table for The Beehive restaurant right next door at 541 Tremont Street in South Boston, Massachusetts.  It’s a charming and convenient place to enjoy after show cocktails, brunch, lunch, or dinner while featuring daily live music including jazz and tribute to famous musicians.  Decorated subtly for Halloween and featuring a lit outdoor patio, The Beehive has unique charm and Bohemian décor in the South End on the orange line off of the Back Bay T stop.

At the time I made the reservation, the live band didn’t start until 8 p.m.  The servers were friendly and asked about the performance I saw at the Calderwood.  Pricing is a bit expensive, but the food is wonderful and can easily be shared.  The artisan sour dough bread was seasoned with sea salt and topped with delicious honey butter.  Our dinner dish, the half chicken was tender, flavorful and juicy mixed with carrot puree, bok choy, rainbow carrots, and olives in a peanut aillade.  It was more than enough for two unless you prefer to take some home.

The Beehive is open seven days a week and located in the Back Bay, an area in Boston that features many theatrical options.  The Beehive offers a special menu on holidays and are open on Thanksgiving.  Take a closer look at the Beehive here for the menu, live music schedule, and much more.

REVIEW: With comic wit and vintage flair, Boston Ballet’s ‘Genius at Play’ is an exhilarating dance celebration

Honoring the centennial birthdays of legendary choreographer Jerome Robbins and composer Leonard Bernstein, The Boston Ballet opened its 55th season on a joyous, lighthearted note on Thursday, September 6 with Genius at Play continuing through Sunday, September 16 at the Boston Opera HouseGenius at Play certainly lives up to its name, a production with glimpses of Robbins and Bernstein’s signature dance moves, music, and lively banter sure to leave the audience in carefree spirits.  Click here for more information and for tickets.

Accomplished conductor Beatrice Jona Affron opened the show, leading the orchestra with Leonard Bernstein’s sparkling and triumphant masterpiece Overture to Candide, first performed in 1957.  Much of Genius at Play celebrates the very nature of dance and its playful competitiveness and Overture to Candide quite fittingly sets the tone.

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Boston Ballet in Jerome Robbin’s Interplay; photo by Rosalie O’Connor; courtesy of Boston Ballet

Interplay, with choreography by Jerome Robbins, rewinds the clock as women pile on high ponytails in casual, colorful costumes by Santo Loquasto.  As the mischievous, upbeat rhythm of Morton Gould’s American Concertette plays, dancers Maria Alvarez, Dawn Atkins, Chyrstyn Fentroy, Dalay Parrondo, Isaac Akiba, Paul Craig, Sun Woo Lee, and Lawrence Rines take part in some friendly competition.  Creativity runs wild as dancers perform lifts, spins, and high leaps while also paying subtle homage to Robbins as they rhythmically snap their fingers and playfully shake their hips.

With choreography by Jerome Robbins and jazz-infused music by Leonard Bernstein, Fancy Free is the source material for what became the hit Broadway musical and Academy award-winning film, On the Town, a tale about three sailors portrayed here by Irlan Silva, Derek Dunn, and Michael Ryan, who are on shore leave in New York City.  Taking a page from the old movies with cheerful 40s costumes by Kermit Love, these sailors realize they are in over their head when they meet three passers-by portrayed by Emily Entingh, Viktorina Kapitonova, and Dawn Atkins.  With a multi-dimensional, romantically-lit set equipped with a vivid, leaning lamp post, these sailors depict a wonderful camaraderie as they embark on an amusing night with plenty of surprises.

With music by Philip Glass and choreography by Jerome Robbins, Glass Pieces is quite the gem.  Taking place in what looks like a subway station, Glass Pieces has a palpable rhythm and urgency as dancers are unleashed into a celebration of dance in the city.  From a plain landscape into a spectrum of color, Glass Pieces transforms into a splendid piece of artistry as dancers perform in a variety of styles in silhouette, reflective, and in unison.

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Lia Cirio and Paulo Arrais in Jerome Robbin’s Glass Pieces; photo by Rosalie O’Connor; courtesy of Boston Ballet

With comic wit, vintage flair, and renowned choreography, The Boston Ballet proudly presents Genius at Play through Sunday, September 16 at the Boston Opera House.  Click here for more information and for tickets.  For future events and more, follow Boston Ballet on Facebook and Twitter.

Tickets for 12th annual Duxbury Music Festival, featuring live seaside concert music & more, go on sale June 1

For the past twelve years, South Shore Conservatory’s Duxbury Music Festival (DMF) has welcomed summer with seaside entertainment and extraordinary live music along the South Shore of Massachusetts.  With more than a week-long concert extravaganza exploring reggae, jazz, classical, and blues, the Duxbury Music Festival kicks off their summer series at a seaside tent on Duxbury Bay at Freeman Place for Blues on the Bay Cabaret Concert on Friday, July 14.  The evening offers cocktails and appetizers featuring live music from Sugar Ray and the Blue Tones at 6:30 p.m.  Tickets go on sale to the public on Wednesday, June 1.  Call 781-934-2731, ext. 11 or click here for the full list of events and tickets.  Follow Duxbury Music Festival on Facebook for updates.

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Photo courtesy of South Shore Conservatory

Set in in several locations in Duxbury, Massachusetts, the Duxbury Music Festival will be held from Friday, July 14 through Friday, July 28.  On Sunday, July 16, the Duxbury Music Festival continues at the seaside tent at Freeman Place with Festival Overture Concert and Reception featuring works from Haydn and Hurnik at 6:30 p.m.

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Photo courtesy of Kathy Dixon

Founding Duxbury Music Festival faculty member and soloist Oxana Yablonskaya returns to the festival on Tuesday, July 18 for the All-Rachmaninoff Faculty Concert at South Shore Conservatory, Ellison Center for the Arts, 64 George Street in Duxbury, Massachusetts at 7:30 p.m.  This special concert funds scholarships for Duxbury Music Festival students.

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Photo courtesy of Kathy Dixon

Travel to Duxbury Town Green and enjoy Reggae on the Green featuring the Berklee Reggae Ensemble with opening act and South Shore Conservatory rock band, Toast on Friday, July 21 at 7 p.m.  Other events on the Duxbury Town Green include Rhythm and Blues on the Green Dinner Dance with party band In the House Saturday, July 22, Family Fest with plenty of kids entertainment and interactive activities featuring South Shore Conservatory’s ImagineArts band followed by Picnic in the Park featuring live entertainment from DMF students, lobster roll, and concessions on Sunday, July 23.  Back at South Shore Conservatory in Duxbury, take in Duxbury Music Festival’s All That Jazz featuring quintet Elan Mehler and a Duxbury Wine and Spirits tasting on Wednesday, July 26.

The Duxbury Music Festival concludes with a Winners Concert and Farewell Reception including a Duxbury Wine and Spirits Tasting on Friday, July 28. Tickets go on sale June 1, but subscriptions are now available.  Call 781-934-2731, ext. 11 or click here for tickets, see the full schedule, and all that the Duxbury Music Festival has to offer.

 

 

Beehive of Boston’s 10th annual ‘Erin Go Beehive’ features Irish comfort food, live Celtic music, and more

St. Patrick’s Day is almost here, and the Beehive is encouraging revelers to start celebrating a day early with their 10th annual celebration, ‘Erin Go Beehive’ on Thursday, March 16 at the Beehive of Boston at 5 p.m.  ‘Erin Go Beehive’ will last into the early morning hours and boasts a special menu of authentic Irish comfort food by Executive Chef Gregory Torrech, holiday festivities, cocktails, live music, and much more.  Click here for further details!

Hailing from Galway and residing in Boston, the Beehive once again welcomes Celtic singer-songstress Katie McD and other special guests.  Katie McD’s soothing Celtic vocals and insightful lyrics have captivated audiences from Boston Symphony Hall to the Guinness Fleadh and she’ll perform selections from her debut album, I Know You Know and her sophomore release, Angel Baby.

The Beehive of Boston, 541 Tremont Street in Boston, Massachusetts, will offer a wide range of festive entrées by Executive Chef Gregory Torrech including traditional Corned Beef and Cabbage, Fish and Ships with tartar sauce, and Shepherd’s Pie along with their usual fare. Sponsored by the Harpoon Brewery, pair the meal with a festive cocktail.

Listed as one of the “100 Jazz Clubs in the World” by Downbeat Magazine, The Beehive boasts nightly live entertainment featuring a dynamic array of music genres throughout the year with an extensive menu. Dinner reservations are highly recommended and there is no cover charge. Call 1-617-423-0069 or click here to reserve a table! Click here for more information and follow the Beehive on Facebook.

 

South Shore Conservatory offers spring classes for young students in March

From learning music instruments to singing, dancing, exercise, theatrical play and more, South Shore Conservatory has a stellar reputation of immersing students of all ages in a wide spectrum of exciting activities as the spring warmth approaches.  Ranging from basic to more advanced skill levels, spring registration is now open for young children with Music Together and Music Sprouts programs starting on March 13. South Shore Conservatory is located at convenient locations on the South Shore of Massachusetts. Click here for a list of classes available.

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Young students enjoying Music Together class at South Shore Conservatory, image by Michelle McGrath PR

A few of the classes offered for children ages 0 through 9 are Time TrainMusic SproutsDrum and SingCreative DanceHip HopTot YogaBallet, Move and Groove Music Therapy Group, Piano FUNdamentals, Curtain Going UpPrimo Voice Class, and Let’s Put on a Show.  South Shore Conservatory also offers classes for ages 10 through 18 such as Rock BandFiddle ClassSaturday Stage ClubPop Rock Vocal Tech, and Let’s Put on a Show.  Take part in adult classes such as Adult Rock Band, Golden VoicesSSC Community VoicesAdult Jazz Workshop, and Shake Your Soul. Classes are also available for dance and musical instruments at beginner levels.

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Drum class at South Shore Conservatory Photo courtesy of Michelle McGrath and South Shore Conservatory

South Shore Conservatory has created a comfortable, inspiring, and exciting learning environment for students at all levels at their Duxbury and Hingham campuses.  Satellite classes are offered at the South Shore Community Center in Cohasset, Massachusetts. South Shore Conservatory also offers financial aid. For further details and to register, call Early Childhood Program Coordinator Jana Kahn at 781-749-7565 ext. 33 or online at sscmusic.org.

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South Shore Conservatory partners with the American Ballet Theatre. Photo Courtesy of Michelle McGrath and South Shore Conservatory

Click here to learn about all of South Shore Conservatory’s upcoming events.  Follow South Shore Conservatory on Facebook and Twitter.

VOCES8’s Barnaby Smith talks power of music, music foundation, and long-awaited Boston concert debut

Driven by a Capella inspiration such as The King’s Singers and Manhattan Transfer, dynamic, internationally-renowned vocal group, VOCES8 will make their Celebrity Series of Boston debut following Valentine’s Day on Wednesday, February 15 and Thursday, February 16 at Longy’s Pickman Hall at 8 p.m.  Mastering a variety of music genres, this multi-talented British octet has toured around the world and after the tremendous success of their previous album, Winter, they are now working on a new album.

VOCES8’s Artistic Director Barnaby Smith talks about his extensive music background, VOCES8 charitable foundation, and their first appearance in Boston, which is a destination that has been on their bucket list for a long time.  Click here for more information and for tickets to their upcoming Celebrity Series of Boston debut.

Jeanne Denizard:  You are known for your work in Choral, Baroque, Classical, and film genres.  What first attracted you to music and what led you to pursue a music career?

Barnaby Smith:  I started singing at age 3 because my parents used to run an amateur music group. We did concerts once a month up in the rural North of England. Despite crying from the beginning to end of my debut solo at just age 4, I went on to love making music.  So my parents sent me for an audition to be a Chorister at Westminster Abbey.  I passed, and left home to sing in the Abbey choir at age 8 and never looked back.  The choirboys are aged 8 to 13.  We used to sing 4 hours a day 6 days a week, and by the time you have done this for 5 years, I think singing is in your bones. It was an incredible opportunity at such a young age and instilled a sense of such great enjoyment that I never wanted to stop.

JD:  Were you always interested in those specific genres or was it another music genre that first grabbed your attention? 

BS:  There is something special about experiencing the sound of the human voice live in the room, and that is what has always grabbed me about choral music. When someone sings to you, you get a sense that you connect with them on a very deep level, like they are sharing something very personal with you.  You can really see deep into their soul. If you then consider that choral music uses multiple singers and that these singers work together to create beautiful harmony as well, then I can’t imagine ever enjoying anything else more. I feel so grateful to be able to take part in such an activity as my job.

JD:  VOCES8 tackles a number of music genres such as pop and Renaissance polyphony.

BS:  Singing lots of different music in different styles is what keeps our job so wonderfully engaging.  We get to enjoy many different styles of music, but we also have the challenge of trying to master them too.  Singing a Bach motet requires a very different skill set than scatting a jazz tune. We have eight wonderful personalities and it is exciting that everyone brings an area of expertise, so we can all always be learning from each other too.

JD:  VOCES 8 can be heard regularly on the radio and also involved with the charitable music foundation, VOCES Cantabiles Music.  Please tell me about that.

BS:  When we founded the group in 2003, we wanted to sing concerts, but we also felt so fortunate for the upbringing in music that we had been afforded, we wanted to give something back. For this reason we also formed our own charitable trust called the VCM Foundation. We made it our mission to get as many young people singing as possible. If children are encouraged to use their voices, it inspires inner confidence to be heard and communicate. Music is also a wonderful thing for young people to experience and will help them appreciate the world around them.

Since we began our work, we have spent a decade researching and writing The VOCES8 Method, a set of musical games and exercises that are designed to work the brain in a way that will help children to develop their linguistics and numeracy skills.  The method is also designed so it is broadly applicable in a class of 6 or group of 600. We preach this method everywhere we go because everyone has a voice and it is free to use your voice, so all children should be encouraged to get involved, experiencing music, and get creative. The VOCES8 Method book is published by Edition Peters and since its publication, has been experienced by over 500,000 children across three continents.

We are also now fortunate to run a centre of singing excellence in a beautiful church built by Sir Christopher Wren who also built St Paul’s Cathedral in London. Our centre is called the Gresham Centre and our Foundation is based there. It is in the heart of London and we always encourage any choirs visiting London to get in touch with us in the hope that we can extend them an invite to discover the incurable acoustic of the building and meet and sing with us.

Celebrity Series of Boston presents VOCES8 on Wednesday, February 15 and Thursday, February 16 at Longy’s Pickman Hall in Cambridge, MA at 8 p.m.  Click here for tickets and for more information on Celebrity Series of Boston.

 

From Renaissance to pop music, Barnaby Smith talks VOCES8’s exciting Celebrity Series of Boston debut

Sometimes a great sound is born out of friendship.  In the days following Valentine’s Day, Celebrity Series of Boston is proud to present British octet group, VOCES8, a renowned a cappella group that has toured all over the world and tackles a variety of genres from Renaissance to contemporary pop music.  They will make their Boston debut on Wednesday, February 15 and 16 at Longy’s Pickman Hall in Cambridge, MA at 8 p.m.

VOCES8’s Artistic Director Barnaby Smith talks about how the group was formed, its music roots, and what is in store for their exciting Boston debut.  Click here for more information on VOCES8 and for tickets.

Jeanne Denizard:  This is British octet group, VOCES8’s Celebrity Series of Boston debut.  Which songs are you most excited about sharing with Boston?  How do you select the songs you perform?

Barnaby Smith:  We are excited to come to Boston for the first time as a group because we know what an incredible city it is for the arts.  I am excited to sing our Renaissance Polyphony because Boston has such a wonderful tradition for early music, and I always find it thrilling to sing this specialist style of music to a knowledgeable audience.

We choose our songs in a number of different ways. Often festivals ask for specific repertoire or programme their festival on a specific theme, which guides us in uncertain directions. This is mainly true for the classical repertoire. As Artistic Director, I then listen to a lot of music and select songs I think the group will sing well or fit a theme I am working on for programming. Group members can make suggestions for all genres of music, but our pop and jazz rep is chosen a lot more by the members and arrangers of the group who might have ideas for great songs they think would work well for our voices and specific lineup. It’s always a collaborative process, and one of the exciting parts of my job as artistic director is to glue all the moving parts together into one great vehicle.

JD:  VOCES8 tackles a number of music genres such as pop and Renaissance polyphony.

BS:  Singing lots of different music in different styles is what keeps our job so wonderfully engaging.  We get to enjoy many different styles of music, but we also have the challenge of trying to master them too.  Singing a Bach motet requires a very different skill set than scatting a jazz tune. We have eight wonderful personalities and it is exciting that everyone brings an area of expertise, so we can all always be learning from each other too.

JD:  What inspired you to put this group together in 2003 and how did the group members meet?

BS:  All the original members were in the RSCM’s Millennium Youth ChoirRSCM’s Millennium Youth Choir in the UK.  When we all got a little old to be in the choir anymore, my brother Paul and I decided that we’d still like to see all our friends from choir during the school holidays, so we set up singing sleepovers. We’d all get together on Friday, rehearse on Saturday and sing a concert on Sunday. Everyone had to sleep on the floor of our parents’ house and we’d have a good party somewhere along the way too.  It all began out of friendship and our enjoyment of singing together.

We then got invited to a choral competition in Italy in 2005. The competition offered to pay our flights and accommodation to go to Italy for a week. We thought it would be a great holiday, so off we went without doing too much rehearsal or expecting much. When we arrived, it turned out to be a very serious competition. We rallied, did three days of intensive rehearsal, and somehow won the competition. The rest is history.

JD:  Is there a standout or unconventional song that was particularly challenging that you surprisingly share in your repertoire? 

BS:  In our programme in Boston, I am going to select The Luckiest.  The Luckiest is a song originally by Ben Folds who sings it solo at the piano. We have had to turn that into an eight part piece of choral music. It requires the singers to perform with perfect blend and also for us to find a very varied collection of colours to paint the wonderful text. The interesting thing about it and the reason I am proud of the group is that I hope it sounds easy when we sing it  I hope we’re a little like the Swan who is kicking furiously under the water but looks so elegant above it as he glides along. I think this is the ultimate test for a group’s technique and I am thrilled with how accomplished we have become at performing that particular song.

JD:  How did you decide on your sound?  Having toured all over Europe at some of the most prestigious venues in the world, was there one that you couldn’t believe you were onstage at?

We grew up listening to some of the great a cappella groups such as the King’s Singers, The Swingles, The Manhattan Transfer, and The Real Group which has always inspired us. We wanted to achieve the same technical perfection as these groups, but create our own sound so we chose a unique line-up with two females and six male singers. We have two countertenors who sing alto, a very British choral style. When we put the eight voices together, it creates quite a unique concoction. We work very hard without technique to be able to blend this sound.

We have been very fortunate to sing in many incredible venues across the world. Often I have to pinch myself!  Perhaps most recently would be our Christmas concert in Tokyo Opera City. It is a concert hall with a wooden ceiling as tall as a cathedral. It’s an incredible space.  Sometimes I think we take for granted the wonderful spaces we get to sing in. One of my New Year’s resolutions this year is to take a photo documentary of every hall so that I can remember them in years to come.

See VOCES8 on Wednesday, February 15 and Thursday, February 16 at 8 p.m.  Click here for the full list of performances and for tickets. Subscriptions and gift cards are also available.  Celebrity Series of Boston thrives on support from the community. Click here for a variety of ways to support Celebrity Series of Boston.