Beehive of Boston’s 10th annual ‘Erin Go Beehive’ features Irish comfort food, live Celtic music, and more

St. Patrick’s Day is almost here, and the Beehive is encouraging revelers to start celebrating a day early with their 10th annual celebration, ‘Erin Go Beehive’ on Thursday, March 16 at the Beehive of Boston at 5 p.m.  ‘Erin Go Beehive’ will last into the early morning hours and boasts a special menu of authentic Irish comfort food by Executive Chef Gregory Torrech, holiday festivities, cocktails, live music, and much more.  Click here for further details!

Hailing from Galway and residing in Boston, the Beehive once again welcomes Celtic singer-songstress Katie McD and other special guests.  Katie McD’s soothing Celtic vocals and insightful lyrics have captivated audiences from Boston Symphony Hall to the Guinness Fleadh and she’ll perform selections from her debut album, I Know You Know and her sophomore release, Angel Baby.

The Beehive of Boston, 541 Tremont Street in Boston, Massachusetts, will offer a wide range of festive entrées by Executive Chef Gregory Torrech including traditional Corned Beef and Cabbage, Fish and Ships with tartar sauce, and Shepherd’s Pie along with their usual fare. Sponsored by the Harpoon Brewery, pair the meal with a festive cocktail.

Listed as one of the “100 Jazz Clubs in the World” by Downbeat Magazine, The Beehive boasts nightly live entertainment featuring a dynamic array of music genres throughout the year with an extensive menu. Dinner reservations are highly recommended and there is no cover charge. Call 1-617-423-0069 or click here to reserve a table! Click here for more information and follow the Beehive on Facebook.

 

South Shore Conservatory offers spring classes for young students in March

From learning music instruments to singing, dancing, exercise, theatrical play and more, South Shore Conservatory has a stellar reputation of immersing students of all ages in a wide spectrum of exciting activities as the spring warmth approaches.  Ranging from basic to more advanced skill levels, spring registration is now open for young children with Music Together and Music Sprouts programs starting on March 13. South Shore Conservatory is located at convenient locations on the South Shore of Massachusetts. Click here for a list of classes available.

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Young students enjoying Music Together class at South Shore Conservatory, image by Michelle McGrath PR

A few of the classes offered for children ages 0 through 9 are Time TrainMusic SproutsDrum and SingCreative DanceHip HopTot YogaBallet, Move and Groove Music Therapy Group, Piano FUNdamentals, Curtain Going UpPrimo Voice Class, and Let’s Put on a Show.  South Shore Conservatory also offers classes for ages 10 through 18 such as Rock BandFiddle ClassSaturday Stage ClubPop Rock Vocal Tech, and Let’s Put on a Show.  Take part in adult classes such as Adult Rock Band, Golden VoicesSSC Community VoicesAdult Jazz Workshop, and Shake Your Soul. Classes are also available for dance and musical instruments at beginner levels.

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Drum class at South Shore Conservatory Photo courtesy of Michelle McGrath and South Shore Conservatory

South Shore Conservatory has created a comfortable, inspiring, and exciting learning environment for students at all levels at their Duxbury and Hingham campuses.  Satellite classes are offered at the South Shore Community Center in Cohasset, Massachusetts. South Shore Conservatory also offers financial aid. For further details and to register, call Early Childhood Program Coordinator Jana Kahn at 781-749-7565 ext. 33 or online at sscmusic.org.

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South Shore Conservatory partners with the American Ballet Theatre. Photo Courtesy of Michelle McGrath and South Shore Conservatory

Click here to learn about all of South Shore Conservatory’s upcoming events.  Follow South Shore Conservatory on Facebook and Twitter.

VOCES8’s Barnaby Smith talks power of music, music foundation, and long-awaited Boston concert debut

Driven by a Capella inspiration such as The King’s Singers and Manhattan Transfer, dynamic, internationally-renowned vocal group, VOCES8 will make their Celebrity Series of Boston debut following Valentine’s Day on Wednesday, February 15 and Thursday, February 16 at Longy’s Pickman Hall at 8 p.m.  Mastering a variety of music genres, this multi-talented British octet has toured around the world and after the tremendous success of their previous album, Winter, they are now working on a new album.

VOCES8’s Artistic Director Barnaby Smith talks about his extensive music background, VOCES8 charitable foundation, and their first appearance in Boston, which is a destination that has been on their bucket list for a long time.  Click here for more information and for tickets to their upcoming Celebrity Series of Boston debut.

Jeanne Denizard:  You are known for your work in Choral, Baroque, Classical, and film genres.  What first attracted you to music and what led you to pursue a music career?

Barnaby Smith:  I started singing at age 3 because my parents used to run an amateur music group. We did concerts once a month up in the rural North of England. Despite crying from the beginning to end of my debut solo at just age 4, I went on to love making music.  So my parents sent me for an audition to be a Chorister at Westminster Abbey.  I passed, and left home to sing in the Abbey choir at age 8 and never looked back.  The choirboys are aged 8 to 13.  We used to sing 4 hours a day 6 days a week, and by the time you have done this for 5 years, I think singing is in your bones. It was an incredible opportunity at such a young age and instilled a sense of such great enjoyment that I never wanted to stop.

JD:  Were you always interested in those specific genres or was it another music genre that first grabbed your attention? 

BS:  There is something special about experiencing the sound of the human voice live in the room, and that is what has always grabbed me about choral music. When someone sings to you, you get a sense that you connect with them on a very deep level, like they are sharing something very personal with you.  You can really see deep into their soul. If you then consider that choral music uses multiple singers and that these singers work together to create beautiful harmony as well, then I can’t imagine ever enjoying anything else more. I feel so grateful to be able to take part in such an activity as my job.

JD:  VOCES8 tackles a number of music genres such as pop and Renaissance polyphony.

BS:  Singing lots of different music in different styles is what keeps our job so wonderfully engaging.  We get to enjoy many different styles of music, but we also have the challenge of trying to master them too.  Singing a Bach motet requires a very different skill set than scatting a jazz tune. We have eight wonderful personalities and it is exciting that everyone brings an area of expertise, so we can all always be learning from each other too.

JD:  VOCES 8 can be heard regularly on the radio and also involved with the charitable music foundation, VOCES Cantabiles Music.  Please tell me about that.

BS:  When we founded the group in 2003, we wanted to sing concerts, but we also felt so fortunate for the upbringing in music that we had been afforded, we wanted to give something back. For this reason we also formed our own charitable trust called the VCM Foundation. We made it our mission to get as many young people singing as possible. If children are encouraged to use their voices, it inspires inner confidence to be heard and communicate. Music is also a wonderful thing for young people to experience and will help them appreciate the world around them.

Since we began our work, we have spent a decade researching and writing The VOCES8 Method, a set of musical games and exercises that are designed to work the brain in a way that will help children to develop their linguistics and numeracy skills.  The method is also designed so it is broadly applicable in a class of 6 or group of 600. We preach this method everywhere we go because everyone has a voice and it is free to use your voice, so all children should be encouraged to get involved, experiencing music, and get creative. The VOCES8 Method book is published by Edition Peters and since its publication, has been experienced by over 500,000 children across three continents.

We are also now fortunate to run a centre of singing excellence in a beautiful church built by Sir Christopher Wren who also built St Paul’s Cathedral in London. Our centre is called the Gresham Centre and our Foundation is based there. It is in the heart of London and we always encourage any choirs visiting London to get in touch with us in the hope that we can extend them an invite to discover the incurable acoustic of the building and meet and sing with us.

Celebrity Series of Boston presents VOCES8 on Wednesday, February 15 and Thursday, February 16 at Longy’s Pickman Hall in Cambridge, MA at 8 p.m.  Click here for tickets and for more information on Celebrity Series of Boston.

 

From Renaissance to pop music, Barnaby Smith talks VOCES8’s exciting Celebrity Series of Boston debut

Sometimes a great sound is born out of friendship.  In the days following Valentine’s Day, Celebrity Series of Boston is proud to present British octet group, VOCES8, a renowned a cappella group that has toured all over the world and tackles a variety of genres from Renaissance to contemporary pop music.  They will make their Boston debut on Wednesday, February 15 and 16 at Longy’s Pickman Hall in Cambridge, MA at 8 p.m.

VOCES8’s Artistic Director Barnaby Smith talks about how the group was formed, its music roots, and what is in store for their exciting Boston debut.  Click here for more information on VOCES8 and for tickets.

Jeanne Denizard:  This is British octet group, VOCES8’s Celebrity Series of Boston debut.  Which songs are you most excited about sharing with Boston?  How do you select the songs you perform?

Barnaby Smith:  We are excited to come to Boston for the first time as a group because we know what an incredible city it is for the arts.  I am excited to sing our Renaissance Polyphony because Boston has such a wonderful tradition for early music, and I always find it thrilling to sing this specialist style of music to a knowledgeable audience.

We choose our songs in a number of different ways. Often festivals ask for specific repertoire or programme their festival on a specific theme, which guides us in uncertain directions. This is mainly true for the classical repertoire. As Artistic Director, I then listen to a lot of music and select songs I think the group will sing well or fit a theme I am working on for programming. Group members can make suggestions for all genres of music, but our pop and jazz rep is chosen a lot more by the members and arrangers of the group who might have ideas for great songs they think would work well for our voices and specific lineup. It’s always a collaborative process, and one of the exciting parts of my job as artistic director is to glue all the moving parts together into one great vehicle.

JD:  VOCES8 tackles a number of music genres such as pop and Renaissance polyphony.

BS:  Singing lots of different music in different styles is what keeps our job so wonderfully engaging.  We get to enjoy many different styles of music, but we also have the challenge of trying to master them too.  Singing a Bach motet requires a very different skill set than scatting a jazz tune. We have eight wonderful personalities and it is exciting that everyone brings an area of expertise, so we can all always be learning from each other too.

JD:  What inspired you to put this group together in 2003 and how did the group members meet?

BS:  All the original members were in the RSCM’s Millennium Youth ChoirRSCM’s Millennium Youth Choir in the UK.  When we all got a little old to be in the choir anymore, my brother Paul and I decided that we’d still like to see all our friends from choir during the school holidays, so we set up singing sleepovers. We’d all get together on Friday, rehearse on Saturday and sing a concert on Sunday. Everyone had to sleep on the floor of our parents’ house and we’d have a good party somewhere along the way too.  It all began out of friendship and our enjoyment of singing together.

We then got invited to a choral competition in Italy in 2005. The competition offered to pay our flights and accommodation to go to Italy for a week. We thought it would be a great holiday, so off we went without doing too much rehearsal or expecting much. When we arrived, it turned out to be a very serious competition. We rallied, did three days of intensive rehearsal, and somehow won the competition. The rest is history.

JD:  Is there a standout or unconventional song that was particularly challenging that you surprisingly share in your repertoire? 

BS:  In our programme in Boston, I am going to select The Luckiest.  The Luckiest is a song originally by Ben Folds who sings it solo at the piano. We have had to turn that into an eight part piece of choral music. It requires the singers to perform with perfect blend and also for us to find a very varied collection of colours to paint the wonderful text. The interesting thing about it and the reason I am proud of the group is that I hope it sounds easy when we sing it  I hope we’re a little like the Swan who is kicking furiously under the water but looks so elegant above it as he glides along. I think this is the ultimate test for a group’s technique and I am thrilled with how accomplished we have become at performing that particular song.

JD:  How did you decide on your sound?  Having toured all over Europe at some of the most prestigious venues in the world, was there one that you couldn’t believe you were onstage at?

We grew up listening to some of the great a cappella groups such as the King’s Singers, The Swingles, The Manhattan Transfer, and The Real Group which has always inspired us. We wanted to achieve the same technical perfection as these groups, but create our own sound so we chose a unique line-up with two females and six male singers. We have two countertenors who sing alto, a very British choral style. When we put the eight voices together, it creates quite a unique concoction. We work very hard without technique to be able to blend this sound.

We have been very fortunate to sing in many incredible venues across the world. Often I have to pinch myself!  Perhaps most recently would be our Christmas concert in Tokyo Opera City. It is a concert hall with a wooden ceiling as tall as a cathedral. It’s an incredible space.  Sometimes I think we take for granted the wonderful spaces we get to sing in. One of my New Year’s resolutions this year is to take a photo documentary of every hall so that I can remember them in years to come.

See VOCES8 on Wednesday, February 15 and Thursday, February 16 at 8 p.m.  Click here for the full list of performances and for tickets. Subscriptions and gift cards are also available.  Celebrity Series of Boston thrives on support from the community. Click here for a variety of ways to support Celebrity Series of Boston.

The Boston Pops perform at Boston Marathon film premiere ‘Boston’ on One Boston Day

Conquering distance with each stride is easier said than done.  Hailed as one of the most demanding and beloved marathons since its inception in 1897, for many, The Boston Marathon encapsulates a lifelong goal.  It takes the utmost endurance, agility, stamina, and determination for some the fastest runners in the world to conquer and suffer during the awe-inspiring journey from Hopkinton to Boston.

In its 120th year, the Boston Marathon is getting its first feature-length documentary film, Boston.  It will explore the extensive history and the building momentum of the Boston Marathon over the years, the stories of its runners, and the devastating events of 2013.  Jazz instrumentalist and Emmy award-winning composer Jeff Beal, best known for creating the haunting score of the Netflix’s drama series, House of Cards, is composing Boston’s extraordinary soundtrack.  On Monday, February 13, Beal will conduct the BSO and record the soundtrack at Boston Symphony Hall.  He will then lead the Boston Pops for a live performance on One Boston Day on Saturday, April 15.

Hosted by WBZ-TV and anchors Lisa Hughes and David Wade, the Boston Pops orchestra performs Beal’s original Boston score live at the world premiere screening of Boston on Saturday, April 15 at the Boch Center Wang Theatre in Boston.  Sponsored by John Hancock, a portion of each ticket sold to this special performance will support Martin’s Park, which is being built on Fort Point Channel.  The Martin Richard Foundation was founded to commemorate Martin Richard, the eight year-old boy who was killed five years ago during the Boston Marathon bombings in 2013.  The park is named after him, the youngest of the victims.  Click here to make additional donations to Martin’s Park.

Take a closer look at the upcoming film, Boston here.  Click here for ticket information or call 800-982-2787.  Follow the Boston Symphony Orchestra on Twitter, and like them on Facebook.

Celebrity Series of Boston’s 78th season boasts big shows and return of Stave Sessions concert series

Having kicked off another sensational season with the return of Pianos in Boston, Celebrity Series of Boston’s 78th season has been offering a broad spectrum of captivating performances in their 41 show lineup including the debut of the Vertigo Dance Company, the Berliner Philharmoniker led by conductor Sam Rattle, as well as Argentine cello star, Sol Gabetta with French pianist Bertrand Chamayou.  Celebrity Series of Boston is taking audiences through the winter and spring with mesmerizing performances by Yo-Yo Ma, The Art of Elegance with Kristin Chenoweth, KODO’s 35th anniversary, and the return of the concert series, Stave Sessions.  Click here for more information and the full calendar.

Presented on the Berklee College of Music campus and sponsored by Susan and Michael Sonis, Margaret Eagle, and Eli Rapoport, Celebrity Series of Boston offers five consecutive nights of dynamic, live music in jazz, classical, indie, Moroccan, and contemporary flavors.  Each night has its own unique feel and takes place from Tuesday, March 21 through Saturday, March 25 at 8:30 p.m.

On Tuesday, March 21, the music festival kicks off with YMusic, a group that combines pop and classical styles followed by award-winning tenor sax player Melissa Aldana on Wednesday, March 22.  Electrifying, 18-piece big band orchestra Darcy James Argue’s Secret Society takes the stage by storm on Thursday, March 23 and Tigue and Innov Gnawa combine Moroccan gnawa music with a contemporary percussion trio on Friday, March 24.  The final night features indie music group, Blond Redhead featuring Acme on Saturday, March 25.  A festival pass gains access to all five shows.

Click here for the full list of performances and for tickets. Subscriptions and gift cards are also available.  Celebrity Series of Boston thrives on support from the community. Click here for a variety of ways to support Celebrity Series of Boston.

 

Accomplished bandleader Bo Winiker talks his return to Symphony Hall for thrilling New Year’s Eve concert

Swing into 2017 once again at Symphony Hall! Brimming with spectacular live entertainment and a full menu of scrumptious cuisine led by returning bandleader Bo Winiker, the New Year looks bright with an elegant evening with Boston Pops New Year’s Eve December 31 at 10 p.m. The doors open at 8:30 p.m. Click here for tickets to this exciting evening and more information.

Accomplished bandleader Bo Winiker talks about preparing to join the Boston Pops for a monumental sixth time, his future plans, and his biggest wish for 2017. Click here for a closer look at Bo’s jazz band, Winiker Music.

Jeanne Denizard: How does it feel to be invited back to Symphony Hall on one of the biggest nights of the year? It must have been a wonderful surprise.

Bo Winiker: In one of his last and greatest speeches, the late Martin Luther King Jr. spoke of having ‘been to the mountaintop.’ To me, standing on stage at Symphony Hall and performing with the finest musicians in the world is making it to the top of that mountain. It was the fulfillment of a lifelong dream. I remember the feeling of walking out on stage for the very first time and being completely overwhelmed with emotion. It is a feeling I will never forget, and I can hardly believe that I was asked back once, let alone for a sixth time. It is an incredible honor.

JD: New Year’s Eve is quickly approaching. Do you feel ready for it? How do you prepare for such a high-profile performance? I know your band is consistently updating your music repertoire.

BW: My son Kim, when asked a similar question, once answered that he was born ready. In a sense, I feel this way now. I have been a professional musician for more than 50 years so I have been preparing for this assignment my entire life. All the hours of practice, rehearsals, and the thousands of performances have given me the confidence to stand on one of the most important musical stages in the world with one of the world’s finest orchestras and still feel as relaxed as if I were playing alone in my own living room. That being said, I do spend a considerable amount of time studying the scores and practicing my solos.

JD: How do you usually spend New Year’s Eve?

BW: Since I was ten years old I have always performed on New Year’s Eve. In fact, I have performed on just about every major holiday my whole life. The idea of staying home on a holiday is impossible to imagine!

JD: How has Winiker Music been this year? What new projects or events coming up?

BW: This has been one of our best years ever. My brother Bill and I measure our success by how many people we make happy. Based on that fact, this has been one of our most successful years yet. We have performed at multiple weddings, quite a few corporate events and fundraisers, and keep up a regular weekly performance at a local Brookline restaurant called ‘Brothers’ in Brookline. This December has been especially busy with holiday parties!

JD: What are your future plans and your biggest wish for 2017?

BW: My plan for the future is to keep swinging on the bandstand and on the golf course for as long as the good Lord will let me!

As for my biggest wishes for 2017, I hope that this year brings me the opportunity to keep making people happy with my music. I try to do good deeds that build up the people around me and make them feel good about themselves. There are so many people in this world who do not think about the impact their actions have on others. I wish more people walked the earth with love in their hearts.

I hope 2017 will allow me to continue learning new music every week, something I have strived to do throughout my entire career. I am always excited by new music, from the Great American Songbook classics to the newest hits from America’s Top 40. I love to follow new artists who are constantly bringing innovation to the industry with unique melodies and rhythms and I listen to everything I hear very closely. Learning and performing this music is the best way for me to connect with younger generations and I love surprising people from the bandstand when I switch from Louis Armstrong to Taylor Swift. It keeps me on my toes and young at heart! I may have been performing for over 50 years, but there is always something new to learn. My work is not done yet!

The Boston Symphony Orchestra has an incredible lineup of live performances coming up including a thrilling presentation of Back to the Future with live music from the Boston Pops on Friday, December 30 and Saturday, December 31. New Year’s Eve with the Boston Pops featuring vocalist Cyndy Gayle and special guest Landau Eugene Murphy Jr. will take place on Saturday, Dec. 31 at Symphony Hall, 301 Massachusetts Avenue in Boston, Massachusetts at 10 p.m. Click here for more information and for tickets.