REVIEW:  An exhilarating journey awaits as American Repertory Theater presents ‘The 7 Fingers: Passengers’

Some moments will bring joy to your heart and others will launch your heart in your throat.  Prepare to be amazed by the 7 Fingers.

The Montreal-based 7 Fingers contemporary circus troupe was founded in 2002, but this is the first time I witnessed their distinctive artistry as they trace a cohesive connection about travel to life and time within the perpetual motion of a train.  We are all passengers on this transformative journey as tales, rhythms, and creativity unites onstage.

Members of the Passengers company in performance. Credit: Grace Gershenfeld

Eloquently written, directed and choreographed by Shana CarrollAmerican Repertory Theater (A.R.T.) continues The 7 Fingers:  Passengers live and in person at the Loeb Drama Center in Cambridge, Massachusetts through Friday, September 26.  This thrilling production runs 90 minutes with no intermission.  Click here for more information and for tickets.

Amanda Orozco, of the Passengers company, in performance. Credit: Grace Gershenfeld.

Whether it’s to escape, to return home, to make a new start or to navigate back to a familiar place, everyone travels with hope and expectation for what the future holds.  However, this production is about the motivation and journey and not necessarily the destination.  Through leaps, bounds, acrobatics, and always with creative and audacious flair, the 7 Fingers depict a group of agile and graceful travelers that maneuver to compelling original music from piano-infused lullabies to soulful beats to guitar-infused tango and echoing fiddle folk rhythms memorably composed by Colin Gagné with lyrics by Shana Carroll.  Far from a silent performance, Passengers unveils this insightful journey in poetry, song and the spoken word through storytelling while sharing reflections, dreams, and aspirations as Johnny Ranger’s dynamic projection, Colin Gagné with Jérôme Guilleaume’s absorbing sound design and Éric Champoux’s vivid lighting are as animated and lively as the performers onstage. 

Members of the Passengers company in performance. Credit: Grace Gershenfeld.

Suitcases, textured chairs, gliding luggage carts and a split flap departure board are just a portion of Ana Cappelluto’s rolling scenic design enhanced by Johnny Ranger’s surreal projections ranging from lush watercolor illustrations to layered cinematic landscapes that enhance the production’s consistent motion while allowing the dazzling feats to take center stage.

Members of the Passengers company in performance. Credit: Grace Gershenfeld.

Composed of Victor Crépin, Eduardo De Azevedo Grillo, Isabella Diaz, Marie-Christine Fournier, Téo Le Baut, Amanda Orozeco, Michael Patterson, Basile Pucek, Santiago Rivera and Méliejade Tremblay-Bouchard, the 7 Fingers show off their various talents with agility, power and ease demonstrating feats that range from playful, elegant, and mischievous to daring, intense and suspenseful.  In Camille Thibault-Bédard’s loose, freeing and flowing casual and classic outdoor apparel, they also bring to light the amount of sheer trust, connection, and chemistry involved in every carry, leap, toss, and intimate climb with no net between the members of this international circus troupe.  The athletic beauty, the durability, grace and precision in each movement and stroke is spellbinding whether dangling in mid-air in aerial silk, flying across the stage or grounded within a comedic piece.  While I preferred the more daring stunts, each piece brought a dynamic range of emotions within its gripping 90 minutes including heartbreak, longing, loss and liberating joy.  Within all its thrilling components, playfulness and wonder, the 7 Fingers also offers resonating depth and thought- provoking nuances about life and the magnitude of time in each inquisitive lyric, comic scenario, and precise step.

Members of the Passengers company in performance. Credit: Grace Gershenfeld.

Grab a ticket to this amusing and exhilarating journey you won’t soon forget.

Passengers Production Photo Members of the cast of Passengers in performance. Photo: Lucille Audoineau-Maire

American Repertory Theater (A.R.T.) continues The 7 Fingers:  Passengers live and in person at the Loeb Drama Center in Cambridge, Massachusetts through Friday, September 26.   Click here for more information and for tickets.

REVIEW:  Wishing upon a ‘Soft Star’ at Boston Playwrights Theatre

Somewhere in Minnesota, two best friends with a complex history each wish on what is deemed a soft star in the sky.  What develops over time will test the limits of their friendship and much more.

Contemplatively directed by Bridget Kathleen O’Leary, Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  This absorbing production runs 85 minutes with no intermission.  Click here for more information and for tickets.

The cast of Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

Boston Playwrights Theatre’s Fall Rep Festival features two new productions from living authors taking place on one stage and scenic designer Maggie Shivers continues to make distinctive use of the space for these two vastly different productions.  With fold out compartments that pose as couches, a barbecue grill and shelves, cast members transform the set and props between scenes from a beachside setting to a completely new landscape.  Zachary Connell’s starlit and warm lighting adds an ethereal quality to the production featuring lanterns and luminous creatures boosted by Kai Bolman’s mystical sound design.  Set within the span of the 70’s and 80s, E. Rosser’s colorful costumes depicts fashion trends of the time such as baby doll dresses, keds sneakers, and Henley shirts.

Annika Bolton and Mairéad O’Neill in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

A complex drama of jealousy, isolation, insecurity, secrets and longing, Soft Star is poignant and wistful as Jane and Belle search for a sense of belonging as they contemplate about the direction their lives have taken.  There is a real sense of uncertainty from these individuals as the show progresses. Annika Bolton as Jane, Jesse Kodama as Dick, Mairéad O’Neill as Belle and Kamran Bina as Mitch make up a tightly woven group that also share building tension and passive aggressiveness, especially among Dick and Mitch who are best friends working together as well as a palpable chemistry between Mitch and Jane.

What is wonderfully fascinating about Soft Star is how best friends Annika Bolton as Jane and Mairéad O’Neill as Belle’s connection and priorities mature and evolve over time.  From two coming of age girls to established women, Esper’s script explores the transforming interests of these individuals and at the same time, depicts how some reflections on their lives never change. 

Annika Bolton in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

With an elements of magic and mysticism, Soft Star is an intriguing and imaginative drama fueled by Esper’s layered script which unfolds from a straightforward narrative to how life becomes immensely complicated through circumstances and when other emotions take hold.  Emotions that linger and ripen even as people mature exasperated by a wish. 

Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  The show runs 85 minutes with no intermission.  Click here for more information and for tickets.