Director Igor Golyak discusses the shocking and comical show, ‘Dead Man’s Diary: A Theatrical Novel’

Taking a rich, multidimensional look at love and the theatre, the Arlekin Players proudly presents Mikhail Bulgakov’s Dead Man’s Diary: A Theatrical Novel for two weekends from Saturday, March 17 through Sunday, April 1 at Paramount Center in Boston, Massachusetts.  Shocking and comical, Dead Man’s Diary:  A Theatrical Novel is written in Russian and performed by Russian actors with English audio translation, but was created in Needham, Massachusetts.  Click here for more information and for tickets.

Igor Golyak

Director Igor Golyak of ‘Dead Man’s Diary’ Photo courtesy of Igor Golyak Acting Studio

Dead Man’s Diary’s director and head of Igor Golyak Acting Studio, Igor Golyak, discusses this shocking and comical show’s fascinating background, developing the show’s unique style, and what it means to be successful.

Sleepless Critic:  What is it about this show that made you decide to take on this piece?

Igor Golyak:  I fell in love with the novel, a prose piece by Mikhail Bulgakov, which was not published until after his death as it was considered offensive to Stanislavsky and the Moscow Art Theatre. I wanted to adapt this unfinished novel for the stage because I saw it not only as satire on theatre, but as a vow of love to the theatre. Through this production, we wanted to express the conflicts and illusions around realizing oneself in the theatre through Bulgakov life’s work.

Arlekin Players Dead Mans Diary

‘Dead Man’s Diary: A Theatrical Novel’ Photo courtesy of the Arlekin Players

SC:  Arlekin Players is behind this production and they studied under the Igor Golyak Acting Studio.  Please tell me about your studio and teaching philosophy.  How can people join the Arlekin Players?

IG:  Right now, I mostly cast my students because we develop our own theatre vocabulary during the training period. This takes some time. It is a big advantage as I know the capabilities of the actors and how to challenge them. What’s most important in the theatre is the atmosphere of mutual respect and appreciation in the training and rehearsal process.  I aim to create this with the approach I take.  People can join the company by applying, coming to rehearsals, and possibly doing some scenes with company members.  Ultimately, if we mutually agree that the relationship can move forward, they join the company.  We have a family-type atmosphere in our theatre just like in life.  People get to know each other and some join the family.

SC:  This diary is written by a scorned lover.  How would you describe how the show depicts love or the lack thereof?

IG:  I am not sure if there is a better way to express the love for the theatre than through Bulgakov’s words.

The main character, Maksudov says:

‘I returned to the theater which had now become as necessary to me as morphine to an addict.” and “But more important was my love for the Independent Theatre; I was now pinned to it like a beetle to a piece of cork…’  

SC:  The show offers a new perspective on theatre and is at times shocking.  It also can be a bit haunting and bleak.  How did you develop the style of this show?

IG:  Each style of theatre for me is born out of the text, and the world of the author.

The main character says:

‘I started noticing that something colorful was emerging from the white pages.

The vision was not just a flat picture, but something three-dimensional.  As if peering into a little box, I could see the light gleaming and the figures from my novel moving about. Oh, what a fascinating game it was to observe these characters moving about the little room.’

Using this text, we decided to create a box that all the characters live in, and with them, Maksudov, the main character. What kind of box should it be?  Since the play depicts the Moscow Art Theatre in the 1920s, we decided that the shape of the walls of this box should depict the famous portrait foyer of the Moscow Art Theatre with portraits of the great artists of the time constantly staring at the author and characters inside the box.  We then decided that the audience members should portray these portraits, and thus, we have the audience seated around the box, in which characters come alive.  They are looking though their individual windows or portraits as if in a foyer of the legendary theatre.  Maksudov therefore, is forever stuck like Prometheus in the ‘magical box’ or the ‘portrait foyer’ that he loves more than anything in the world.

Arlekin Players Dead Man's Diary cast

A scene from Dead Man’s Diary: A Theatrical Novel Photo courtesy of Arlekin Players

SC:  This show also features its share of absurd comedy as well.

IG:  Correct.  In Maksudov’s eyes, the actors in the theatre hire him to write a play are from a different, exotic, and fascinating world.  It’s as if they are superhuman. The absurdity comes from the heightened level of passion of the characters and their incredible self-delusions, which at times are absurdly vulnerable and poetic, and at times absurdly cruel and self-absorbed. We recognize the faults of the human soul looking through Maskudov’s eyes as if though a looking glass, where the faults become exaggerated and ultimately comical.

SC:  It describes not only theatre, but the writer’s journey and touches upon what it really means to be successful.  What are your views on success?

IG:  My view of success is having a group of artists, a team of sorts, which is united and inspired by each other to produce a specific piece of text.  As a result, they are able to touch the souls of people in the audience.  When this happens, I feel truly successful.

SC:  What do you like most about this show and what is the best reason someone should attend?

IG:  I think the acting, directing, set design, music composition, and collaborative imagination all work together to give this piece an unusual style. We are excited to bring what we believe is a unique contribution to the Boston Theatre Scene. Also, the piece was written in Russian and is performed by Russian actors but was adapted and created here. We are a local company making new work for the last 9 years. We have already had 20 performances of Dead Man’s Diary. For those who have seen and loved it, it has grown even more over time.  See the show and you will not leave untouched.

Click here for more information and for tickets to Dead Man’s Diary: A Theatrical Novel from Saturday, March 17 through Sunday, April 1 at the Paramount Theatre in Boston, Massachusetts.  Follow the Arlekin Players on Facebook and Twitter.

REVIEW: Festive and moving, Massasoit’s production of ‘It’s a Wonderful Life’ is time well spent

Soft, twinkling lights and vintage multi-colored bulbs frame the Buckley Performing Arts Center stage as beloved Christmas carols ring in the holiday cheer in anticipation of a beloved tale.  That familiar sign, “You are Now in Bedford Falls” rings true as Massasoit Theatre Company opened a four show, two weekend run of It’s A Wonderful Life continuing through Sunday, December 3 at Buckley Performing Arts Center, part of Massasoit Community College in Brockton, Massachusetts.  Craig O’Connor, who acts as part narrator and full-time aspiring angel, warmly recalls a beautiful and haunting tale of the value of a life well spent.  Click here for more information and for tickets.

It's a Wonderful Life Bedford Falls

Curtis J. Bellafiore as George and Elizabeth Lovley as Mary Hatch and the cast Photo courtesy of Massasoit Theatre Company

Massasoit has an affinity for festive onstage caroling during annual holiday productions and We Wish You a Merry Christmas is just one of an array of classic tunes to set the mood.  The rolling stage, designed impressively by Nathan Fogg DeSisto, hearkens not only to its vintage 1920s to 40s setting, but visually captures some of the tale’s most iconic moments from the cold, snow covered bridge to a wooden bench frequently shown in Bedford Falls, a setting inspired by Seneca Falls, New York.  Jennifer Spagone’s distinct costume design make the cast looked sharp as women wore brightly colored dresses from polka dots to paisley in signature hairstyles of the period and the men in a variety of suits, ties, and winter coats faithful to the season.

It's a wonderful life Baileys

Patricia Straight-McGrath as Mother Bailey and Curtis J. Bellafiore as George Photo courtesy of Massasoit Theatre Company

Told partly in vignettes and flashbacks, It’s a Wonderful Life focuses on a morbidly downtrodden George Bailey, portrayed with a unique charisma by Curtis J. Bellafiore, who reaches a pivotal moment in his life that makes him question the value of his existence.  Enter mild-mannered Clarence Odbody, portrayed with warmhearted sincerity by Craig O’Connor, who questions whether he can produce a Christmas miracle.

It's a wonderful life Uncle Billy

Curtis J. Bellafiore as George and Danny Hannafin as Uncle Billy Photo courtesy of Massasoit Theatre Company

Director Tony Ruscio masters the challenging task of capturing the charm of this small town through the cast’s jocular and moving camaraderie.  The children have small roles, but each engages the audience in their own distinct way.  With a winning smile and apprehensive verbal style only mildly reminiscent of Jimmy Stewart’s portrayal, Curtis J. Bellafiore, embodies endearing dreamer George Bailey with a unique charisma.  His instant chemistry with Elizabeth Lovley as jubilant, yet mysterious Mary Hatch is captivating to watch.  Lovley’s real skill as Mary is not just in the scripted word, but in the subtlety of her performance.  Lovley’s quiet serenity perfectly complements Bellafiore’s charming optimism.  Craig O’Connor harnesses such a natural presence as lovable Clarence that it is difficult to imagine the actor himself any other way.

Chris DiOrio, last seen as grouchy but lovable Shrek in Hingham Civic Music Theatre’s fall production of the same name, takes a gloriously dark turn as the infamous Mr. Potter.   As he makes his demands from a sitting position, his presence casts a constant shadow, his deep, gravelly, and well spoken demeanor brimming with unflinching practicality.  His calculating exchanges with each cast member are riveting to say the least.

It's a wonderful life Potter

Chris DiOrio as Mr. Potter, Jim Gross, and Margaret O’Brien as Bank Examiner Photo courtesy of Massasoit Theatre Company

Massasoit Theatre Company’s festive and moving It’s A Wonderful Life continues through Sunday, December 3 at Buckley Performing Arts Center, One Massasoit Boulevard in Brockton, Massachusetts.  Call 508-427-1234 or click here for tickets and further details.  Follow Massasoit Theatre Company on Facebook for upcoming events and more.

Jars of Clay, TobyMac, and For King and Country part of ‘Soulfest’s’ 20th anniversary concert celebration

Soulfest Full lineup

Credit to Gunstock Mountain Resort and Soulfest

Nestled in the White Mountains is a concert experience unlike any other.  Beautiful and uplifting, Soulfest is celebrating its 20th anniversary as a haven for fellowship and the Christian music scene in the stunning mountain setting from Thursday, August 3 through Saturday, August 5 at Gunstock Mountain in Gilford, NH.  In addition, this anniversary concert weekend will also include the Soulfest Kickoff Concert as well as the late night screening of the film, Priceless on Wednesday, August 2.  Click here for an inside look at this anniversary concert experience.

Soulfest Revolution

Soulfest concert scene Photo credit to Soulfest

Co-founded by Dan Russell in 1998, Soulfest annually features an incredible repertoire on multiple stages, featuring 80 musical guests and inspirational speakers over a three day weekend in August.  With this year’s theme entitled ‘Music, Love, Action,’ the Soulfest Kickoff Concert includes performances by Grammy and Dove Award winners Jars of Clay, The Violet Burning, Rachel Taylor, and Dan Russell.  A few highlights spread out over the Inside Out, Mercy Street, and Revival stages are For King and Country, TobyMac, Crowder, Derek Minor, Moriah Peters, Lacey Sturm, Kardia, Project 86, Epic Season, The Light of Hope, as well as acoustic performances on the Mountain Top stage from Chasing the Light, Christopher Williams, Big Kettle Drum, and more.  Click here for this year’s milestone lineup and for tickets.

Soulfest Kickoff Concert

Kickoff concert lineup Photo courtesy of Soulfest

Not only is Soulfest a monumental musical event, it is also packed with exciting and informative workshops by Grammy-winning singer-songwriters, professors, New York bestselling authors, and much more.  This year, the Justice Center stage includes Morning Worship hosted by The Salvation Army and Soulfest Open Mic, the Inside Out stage features Musician’s Workshop with Paul Colman as well as Catholic Mass with Matt Maher, and the Mercy Street stage features a few performers in The Songwriters Circle.  Soulfest also offers an opportunity to meet some of the acclaimed performers in the Meet and Greet/VIP Lounge.

Soulfest performers 2

Photo credit to Soulfest

Soulfest performers

Photo credit to Soulfest

Attendees are also invited to participate in activities onsite including Zip Line, Mini Golf, Paddleboats, Hiking, Mountain Biking, Kayaking, and more.  Kids’ activities zone includes an archery tent, video game hub, and there will also be a children’s ministry in front of a campfire.  Click here for more information.

Soulfest candlelight service

Candlelight service, part of Soulfest’s 20th anniversary celebration Photo credit to Soulfest

Soulfest is always looking for volunteers and are in need of 500 in order to run this three day festival.  Benefits of volunteering include free admission, free camping in volunteer section, and one free meal a day.   To learn about requirements and to register, click here.

Click here for full three day tickets, day passes, and evening passes.  Follow Soulfest on Twitter and Facebook for more details.

REVIEW: Brimming with compelling storytelling, accomplished singer-songwriter Natalie Merchant made stirring Tanglewood debut

Always an unforgettable storyteller, award-winning singer-songwriter and musician Natalie Merchant made her Tanglewood debut, despite increasingly darkening skies at Koussevitsky Shed in Lenox, Massachusetts.  Her soulful, musical journey included stirring tales of war, deep love and love lost, musings from history, a deadly woman, and a curvaceous Ophelia,  each tale conjuring up a vivid picture in her brilliant, and at times, elegiac lyrics.  Natalie Merchant is a force onstage and her charisma lies in her engaging, soul baring presence.  Click here for Natalie Merchant’s tour dates.

Tanglewood’s season is in full swing, having kicked off with acclaimed BSO Music Director Andris Nelsons leading the Tanglewood Festival Chorus in Mahler’s Symphony No. 2 Resurrection on Friday, July 7.  Natalie Merchant, James Taylor, Emmylou Harris, and John Mellencamp were among Tanglewood’s Popular Artists series.  After an extraordinary season of live classical and contemporary performances throughout the summer, the Tanglewood season concludes with The Boston Pops featuring Melissa Etheridge on Sunday, September 3.  Click here for tickets and further information.

Wearing a dark blue dress and her signature long, thick flowing hair, Natalie Merchant set a deeply insightful, subdued tone before building to a lively, uplifting vibe, much to the delight of the crowd.  Surrounded by a sophisticated, intimate band composed of a cellist, guitarist, pianist, drummer, and a group of elegantly dressed violinists, Natalie started with a tune from her self-titled, 2014 album, Lulu, paying tribute to the audacious silent film star and dancer, Louise Brooks, a woman who paved her own way.

Natalie Merchant lent a patriotic spin to the song, River, a song originally dedicated to memory of River Phoenix, an actor who died too young.  This version of River is from her stripped down, latest album, Paradise is There:  The New Tigerlily Recordings, hinting at the fallen soldier, her deep, contralto voice exuding a beautiful, haunting quality.  Equally affecting is My Skin, from her album, Ophelia, a gripping song about the emptiness of betrayal and loss.

Often barefoot, Natalie was physically expressive onstage, dancing, swaying, and twirling to the rhythm, flowing like a bird to a pulsing violin.  Many devoted followers were present in the audience as sporadic whoops and hollers echoed from the crowd, often shouting her name.  Natalie Merchant has been thrilling audiences since the early 80s and her onstage presence made it easy to recognize her lasting talent.  Although the weather wasn’t always cooperating during the concert, with such a strong following, the crowd remained.  “I’m sorry you are in the rain,” Natalie acknowledged the outdoor audience as the skies opened, “But after the drought we had last year, I’m not sorry for the rain.”

Sharing her passion for social and environmental issues, Natalie briefly shared the stage with Tyler Van Kirk, National Canvass Coordinator from Food and Water Watch, based in Denver, Colorado.  It is an organization dedicated to protecting the world’s natural resources.  See what they stand for here.  She also dedicated a song to corruption in government with a tune delivered partially a cappella, Poison in the Well, dating back her days with the 10,000 Maniacs.

Her gripping storytelling continued with Nursery Rhyme of Innocence and Experience, Ophelia, and the exotic sounds of The Man in the Wilderness.  She delivered cautionary wisdom in The Worst Thing, portrayed a looming, jazz-infused rendition of a femme fatale with She Devil, and inspiration in Lady Bird.

Natalie Merchant’s music ensemble is impressive, whether during a spontaneous jam session or in the quieter moments, a perfect complement to her often heart rendering lyrics.  The tireless performer offered a more joyous and uplifting second half, sharing some her greatest hits.  From Paradise is There:  The New Tigerlily Recordings, she offered a stripped down version of her hit, Carnival, a vivid, reflective view on life.  Accompanied by just her pianist, cellist, and guitarist, she sang Wonder, which was the inspiration behind a children’s book by R.J. Palacio and an upcoming film starring Julia Roberts in November 2017.

Tender, earnest moments were strewn into the songs, Beloved Wife, Break Your Heart, and Frozen Charlotte, the latter culminated in a gorgeous violin solo.  However, she also has a unique sense of humor, sharing a story of an old cookie jar that “carries the emotional weight” of every song.

The moment of the evening was her epic encore, as the band jammed and Natalie danced furiously, the audience was brought to their feet in a spectacular version of These are Days followed by a heartfelt performance of her hit song, Kind and Generous.  Fans couldn’t have asked for better, rain or shine.

Click here to see where Natalie performs next.  Located in the Berkshires at 297 West Street in Lenox, Massachusetts, Tanglewood’s outdoor venue is a must see during the summer, whether under the tent at Koussevitsky Shed or under the stars for a lawn picnic.  Click here for more information on its Tanglewood’s Music Festival summer series and follow them on Facebook.

Hingham Civic Music Theatre presents Rodgers and Hammerstein’s ‘Oklahoma!’ on beloved musical’s 75th anniversary

Hingham Civic Music Theatre, a theatre group whose most recent productions included The Wizard of Oz, Young Frankenstein, Once Upon a Mattress, and their most ambitious musical to date, Disney’s Beauty and the Beast, is going country.   This spring, Hingham Civic Music Theatre presents the Rodgers and Hammerstein’s Pulitzer Prize-winning musical, Oklahoma! in recognition of the show’s 75th anniversary.  Click here for a sneak peek.

HCMT's 'Oklahoma' cast

Frank Mellen as Ike Skidmore, Roy J. Harris as Andrew Carnes, and Erin Thomas as Ellen in ‘Oklahoma!’

A sweeping musical with suspense, comedy, romance, and some of Broadway’s most memorable numbers,  Hingham Civic Music Theatre proudly presents Oklahoma! for two weekends only from Saturday, April 22 through Sunday, April 30 at the Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and for tickets.

HCMT's 'Oklahoma!' costume

Photo courtesy of Hingham Civic Music Theatre

Directed by Nathan Fogg and musically directed by Sandee Brayton with choreography by Tara Morrison, Oklahoma! is based on Green Grow the Lilacs, a 1931 play by Lynn Riggs.  Set in the Oklahoma territory at the turn of the century, settlers explore the beauty and dangers of life on the range where some may be facing their biggest challenge yet: love.  Oklahoma! includes an exciting array of popular musical numbers including People Will Say We’re In Love, Oh, What a Beautiful Morning, I Cain’t Say No, and the title track, Oklahoma.

HCMT's 'Oklahoma!' cast

Cowboy from ‘Oklahoma!’ Photo courtesy of Hingham Civic Music Theatre

Help support Hingham Civic Music Theatre as they raise money to upgrade their sound and lighting equipment for this production, their fall musical, Shrek, and for the quality of future shows.  Click here to be a part of this fundraising campaign.

For tickets and further details, click here or email hcmttickets@gmail.com.  Group and discount tickets are available.  All performances will be held at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts and follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

REVIEW: Cohasset Dramatic Club proves life is too short to miss the insightful musical, ‘If/Then’

Mix in a dash of the Tony award-winning musical, Rent, a hint of HBO’s hit show, Sex and the City, and stir in the thought-provoking film, Sliding Doors, and what emerges is a real treat in Cohasset Dramatic Club’s musical drama, If/Then.  Set in New York City and based on a book by Tom Kitt, If/Then is an unpredictable, immersive tale that explores destiny, love, happiness, and the complexity of navigating through life’s surprises.

cdc-if-then-pic

Cohasset Dramatic Club is thrilled to debut “If/Then” through Saturday, March 25 Photo courtesy of Cohasset Dramatic Club

 

Cohasset Dramatic Club is thrilled to be the first in the US to present this stirring, humorous musical after its professional Broadway run and national tour.  Directed by Lisa Pratt and technically directed by Mark Bono, If/Then continues at Cohasset Town Hall in Cohasset, Massachusetts through Saturday, March 25.  Click here for more information and tickets.

Is the path to happiness completely random or is destiny derived from the right choices?  Elizabeth Vaughn, portrayed masterfully by Ann McCoy, is a successful urban planner who decides to make a fresh start in New York City.  Everyone seems to think they know what is best for her, which helps lead Elizabeth onto two, unexpected paths.

Featuring a vibrant cast with realistic conflicts and fleshed out characters, Ann McCoy as conflicted, soulful Elizabeth Vaughn is the heart of the show, a meaty role originated by Idina Menzel on Broadway.  Dressed in a sharp black pants suit, McCoy is more than up to the challenge, portraying a woman who was once certain of life’s direction, but lately, her confidence has waned.  McCoy impressively depicts Elizabeth’s cautiousness through a shift in her eyes and yet, also brings out the character’s lively impulsiveness.  She heeds other people’s advice, but ultimately follows her heart.  A soprano, Ann McCoy’s vocals dip and soar, hitting challenging notes with ease.  This is especially evident in the numbers, You Learn to Live Without and Always Starting Over.

One of McCoy’s greatest strengths is the natural, unique chemistry she shares with each cast member.  Elizabeth is single, but not lonely.  Michelle Margulies portrays Kate’s incredibly charming and outspoken friend.  Margulies as Kate is engaging, fun-loving, and a bit of a scene stealer.  She is Elizabeth’s biggest fan and only has her best interests at heart.  Perpetually optimistic, Margulies offers a soulful and comical rendition of the number, It’s a Sign, playfully engaging the crowd.

CDC If Then Ann McCoy and Michael Warner

Ann McCoy as Elizabeth and Michael Warner as Josh depict great chemistry in ‘If/Then’ Photo courtesy of Cohasset Dramatic Club

Ann McCoy and Michael Warner are local community talents known for various productions on the South Shore, shine in their roles.  Michael Warner is compelling as caring, forthright, and unassuming army surgeon Josh, a man also clearly torn between two life choices.  He delivers a touching rendition of the song, Hey Kid.  Elizabeth and Josh’s chemistry is hopeful and passionate.  They create great harmony together, especially during the song, Here I Go.

While Josh is practical, Ricky DeSisto is a natural as impulsive and endearing Lucas.  With his earnest, idealistic nature and fair share of cynicism, one cannot help but root for him through life.  Through lighthearted teasing and sweet glances, Elizabeth and Lucas have a warm, playful chemistry.    Their song together, Some Other Me is moving.  Rob Buckel-Gillis portrays hopeful, supportive David, a surgeon.  He is hopeful, likable, and optimistic.  Lucas and David share a tender duet, The Best Worst Mistake You Ever Made.

CDC If Then Michelle Margulies Ann McCoy and Ricky DeSisto

Michelle Marguies as Kate, Ann McCoy as Elizabeth and Ricky DeSisto as Lucas in ‘If/Then’ Photo courtesy of Cohasset Dramatic Club

Elegantly dressed in a suit and tie, Mike Nakashima portrays Stephen, a complex character with mysterious intentions.  Determined and serious, Stephen and Elizabeth share a career-minded camaraderie as he encourages her to follow her dreams, seeing her boundless potential.

With music and lyrics by Brian Yorkey,  an intimate band including Music Director Sarah Troxler on piano, guitarist Jack Byrne, percussionist Michael Hobbs, bassist Jon Lay, Clarinet/Flute/Saxophone Glenn Silvia, and Cassie Sulbaran on Viola bring to life this upbeat, contemporary musical with a libretto.  Clever blocking brings part of the band onstage.

Costume and props designer Irene Vifides lend to New York City’s urban vibe and signature style through big, designer purses, fashionable shoes, and impressive, colorful costumes that vary from sophisticated, city attire to a casual night in.  Scenic artist Denise Feeney and Scenic projection designers Erin and Patrick Dzierzak and Dramatic Sounds create urban ambiance with recreated city sounds, black and white city skylines, and a wealth of broad, colorful landscapes depicting a few of New York City’s most famous landmarks.  One of this show’s many highlights is the humorous depiction of NYC’s tiny apartments.  Cohasset Dramatic Club brings to life a captivating musical depicting how complicated life can be and proving it’s also too short to miss If/Then.

Directed by Lisa Pratt, musically directed by Sarah Troxler, and choreographed by Tara Morrison, Cohasset Dramatic Club presents If/Then through March 25 at 7:30.  All performances will be held at Cohasset Town Hall 41 Highland Ave in Cohasset, Massachusetts.   Click here for more information and for tickets.

Other ways to support Cohasset Dramatic Club is to become a volunteer and make a donation.  Sign up for their email list to learn about upcoming events and more.  Click here for more about the Cohasset Dramatic Club and follow them on Facebook.

Cohasset Dramatic Club presents the local premiere of the romantic musical, ‘If/Then’

It’s a story about love and the single woman in the Big City with a twist.  For Elizabeth, portrayed by Ann McCoy, a newly-single woman about to make a fresh start in New York City, life has become a world of daunting, yet wonderful possibilities.  From the producers of the Pulitzer prize-winning team behind the show, Next to Normal Cohasset Dramatic Club is proud to present the first non-professional production of If/Then, an insightful, contemporary musical about a recently divorced woman caught between choice and chance.

Originally starring Idina Menzel and based on a book by Tom Kitt with music and lyrics by Brian Yorkey, If/Then contains moving musical numbers such as A Map of New York, You Never Know, and Surprise.  Directed by Lisa Pratt, musically directed by Sarah Troxler, and choreographed by Tara Morrison, Cohasset Dramatic Club presents If/Then for two weekends only on March 17, 18, 23, 24, and 25 at 7:30.  One matinee performance takes place on March 19 at 2 p.m.  All performances will be held at Cohasset Town Hall at 41 Highland Ave in Cohasset, Massachusetts.   Click here for more information and for tickets.

Other ways to support Cohasset Dramatic Club is to become a volunteer, become a subscriber, and make a donation.  Sign up for their email list to learn about upcoming events and more.  Click here for more about the Cohasset Dramatic Club and follow them on Facebook.

From Renaissance to pop music, Barnaby Smith talks VOCES8’s exciting Celebrity Series of Boston debut

Sometimes a great sound is born out of friendship.  In the days following Valentine’s Day, Celebrity Series of Boston is proud to present British octet group, VOCES8, a renowned a cappella group that has toured all over the world and tackles a variety of genres from Renaissance to contemporary pop music.  They will make their Boston debut on Wednesday, February 15 and 16 at Longy’s Pickman Hall in Cambridge, MA at 8 p.m.

VOCES8’s Artistic Director Barnaby Smith talks about how the group was formed, its music roots, and what is in store for their exciting Boston debut.  Click here for more information on VOCES8 and for tickets.

Jeanne Denizard:  This is British octet group, VOCES8’s Celebrity Series of Boston debut.  Which songs are you most excited about sharing with Boston?  How do you select the songs you perform?

Barnaby Smith:  We are excited to come to Boston for the first time as a group because we know what an incredible city it is for the arts.  I am excited to sing our Renaissance Polyphony because Boston has such a wonderful tradition for early music, and I always find it thrilling to sing this specialist style of music to a knowledgeable audience.

We choose our songs in a number of different ways. Often festivals ask for specific repertoire or programme their festival on a specific theme, which guides us in uncertain directions. This is mainly true for the classical repertoire. As Artistic Director, I then listen to a lot of music and select songs I think the group will sing well or fit a theme I am working on for programming. Group members can make suggestions for all genres of music, but our pop and jazz rep is chosen a lot more by the members and arrangers of the group who might have ideas for great songs they think would work well for our voices and specific lineup. It’s always a collaborative process, and one of the exciting parts of my job as artistic director is to glue all the moving parts together into one great vehicle.

JD:  VOCES8 tackles a number of music genres such as pop and Renaissance polyphony.

BS:  Singing lots of different music in different styles is what keeps our job so wonderfully engaging.  We get to enjoy many different styles of music, but we also have the challenge of trying to master them too.  Singing a Bach motet requires a very different skill set than scatting a jazz tune. We have eight wonderful personalities and it is exciting that everyone brings an area of expertise, so we can all always be learning from each other too.

JD:  What inspired you to put this group together in 2003 and how did the group members meet?

BS:  All the original members were in the RSCM’s Millennium Youth ChoirRSCM’s Millennium Youth Choir in the UK.  When we all got a little old to be in the choir anymore, my brother Paul and I decided that we’d still like to see all our friends from choir during the school holidays, so we set up singing sleepovers. We’d all get together on Friday, rehearse on Saturday and sing a concert on Sunday. Everyone had to sleep on the floor of our parents’ house and we’d have a good party somewhere along the way too.  It all began out of friendship and our enjoyment of singing together.

We then got invited to a choral competition in Italy in 2005. The competition offered to pay our flights and accommodation to go to Italy for a week. We thought it would be a great holiday, so off we went without doing too much rehearsal or expecting much. When we arrived, it turned out to be a very serious competition. We rallied, did three days of intensive rehearsal, and somehow won the competition. The rest is history.

JD:  Is there a standout or unconventional song that was particularly challenging that you surprisingly share in your repertoire? 

BS:  In our programme in Boston, I am going to select The Luckiest.  The Luckiest is a song originally by Ben Folds who sings it solo at the piano. We have had to turn that into an eight part piece of choral music. It requires the singers to perform with perfect blend and also for us to find a very varied collection of colours to paint the wonderful text. The interesting thing about it and the reason I am proud of the group is that I hope it sounds easy when we sing it  I hope we’re a little like the Swan who is kicking furiously under the water but looks so elegant above it as he glides along. I think this is the ultimate test for a group’s technique and I am thrilled with how accomplished we have become at performing that particular song.

JD:  How did you decide on your sound?  Having toured all over Europe at some of the most prestigious venues in the world, was there one that you couldn’t believe you were onstage at?

We grew up listening to some of the great a cappella groups such as the King’s Singers, The Swingles, The Manhattan Transfer, and The Real Group which has always inspired us. We wanted to achieve the same technical perfection as these groups, but create our own sound so we chose a unique line-up with two females and six male singers. We have two countertenors who sing alto, a very British choral style. When we put the eight voices together, it creates quite a unique concoction. We work very hard without technique to be able to blend this sound.

We have been very fortunate to sing in many incredible venues across the world. Often I have to pinch myself!  Perhaps most recently would be our Christmas concert in Tokyo Opera City. It is a concert hall with a wooden ceiling as tall as a cathedral. It’s an incredible space.  Sometimes I think we take for granted the wonderful spaces we get to sing in. One of my New Year’s resolutions this year is to take a photo documentary of every hall so that I can remember them in years to come.

See VOCES8 on Wednesday, February 15 and Thursday, February 16 at 8 p.m.  Click here for the full list of performances and for tickets. Subscriptions and gift cards are also available.  Celebrity Series of Boston thrives on support from the community. Click here for a variety of ways to support Celebrity Series of Boston.

Bay Players of Duxbury presents romantic comedy, ‘Lovers and other Strangers’

Sometimes laughter is the best medicine, even around Valentine’s Day.  Bay Players of Duxbury is proud to present a collection of comedic and romantic stories with Lovers and Other Strangers by Renee Taylor and Joseph Bologna.  A hit on Broadway and adapted into a film starring Bea Arthur, Lovers and Other Strangers is five tickling tales of love, sex and marriage set in the 1970s.  Among its many topics, it takes a lighthearted look at sexual freedom, gender roles, and women’s lib as relationships evolve over time.  Lovers and Other Strangers is a perfect show with a Valentine, a friend, or with a group.

Lovers and Other Strangers will be held for two weekends only.  Performances take place on Fridays February 10 and 17 and on Saturdays February 11 and 18 at First Parish Church at 842 Tremont Street (Rte 3A) in Duxbury, Massachusetts at 8 p.m.  Directed by Michael Pevzner and showcasing an intimate cast of ten local actors, click here to get more information or tickets to Lovers and Other Strangers, call 781-269-9885, or email Bay Players at tickets@bayplayers.org.  Tickets are also available at the door.  Group, student, and senior rates available.  Follow Bay Players of Duxbury on Facebook for updates, upcoming auditions, and more.

Milton Players present comedy, ‘Vanya and Sonia and Masha and Spike’ as well as upcoming auditions

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‘Vanya and Sonia and Masha and Spike’ cast Courtesy of Elizabeth Bean

Taking a zany, comedic look at a dysfunctional family’s bickering and grudges, Milton Players proudly present the Tony award-winning play, Vanya and Sonia and Masha and Spike through Sunday, February 5 in Canton, Massachusetts.  The original, off-Broadway cast included Emmy and Tony award-winner David Hyde Pierce and Golden Globe-winner Sigourney Weaver.  Click here for more information and tickets.

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Liz Echmen as Cassandra and Kevin Lowney as Vanya Courtesy of Elizabeth Bean

Written by Christopher Durang and directed by Wendy Stuart, Milton Players’ 84th season offers a show about middle-aged siblings and their wild circumstances, culminating in a fight over their ancestral home.  With sharp dialogue derived from Anton Chekhov, ‘Vanya and Sonia and Masha and Spike’ feature local cast members Kevin Lowney as Vanya, Barbara Schapiro as Sonia, Claire Lukazcyn as Masha, Chris Cartier as Spike, Liz Eacmen as Cassandra, and Jana Urban-Geyer as Nina.

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Jana Urban-Geyer as Nina and Chris Cartier as Spike Courtesy of Elizabeth Bean

Remaining performances take place on Friday, February 3 and Saturday, February 4 at 8 p.m.  One matinee show will be held on Sunday, February 5 at 2 p.m.  All shows are held at Brayton School Auditorium in Canton, Massachusetts. Click here for tickets, here for directions, call 617-698-7469, or email them at email@miltonplayers.org for further information.

Milton Players changes gears with their spring production, Frederick Knott’s ‘Dial M for Murder’ directed by Eric Stulb.  Adapted into a thrilling film by Alfred Hitchcock, auditions will be held on Tuesday, February 7 and Wednesday, February 8 at 7 p.m.  The show kicks off in April.  Click here for more information on auditions and more.  Follow Milton Players on Facebook for further updates.