REVIEW: Soprano-actress Christina Pecce puts her own spin on a few famous faces in fabulous ‘Witches, Bitches, and Divas!’

In a white suit and glittering heels, soprano and actress Christina Pecce may have paid homage to Beyonce (her style reminiscent of Beyonce’s suit at the Superbowl 50 halftime show), but certainly stepped into quite a few famous shoes with ‘Witches, Bitches, and Divas,’ a one night only, one woman cabaret that took place at the American Repertory Theatre’s (A.R.T.) Oberon Theatre in Cambridge, Massachusetts on Sunday, September 8.  Click here for a closer look at ‘Witches, Bitches, and Divas!’ and here to see where Christina will perform next.

Don’t be deceived by the title.  No witches, bitches, or divas actually appear in the show unless you are referring to “every woman” Christina Pecce.  Her one woman show steps into all three categories to create a partly auto-biographical and comedic musical show covering the likes of Elphaba (Witch) from the Tony award-winning hit musical ‘Wicked,’ Miss Hannigan from the classic musical, ‘Annie‘ (Bitch, if left to interpretation), and diva Mariah Carey.  She also chooses zany selections about marriage and shows off her classically-trained vocal talents performing a soaring French opera and then a tonally-deaf singer with Flanders and Swann’s A Word to My Ear.  The bottom line is Christina Pecce can sing just about anything.

Witches Bitches and Divas Oberon Cambridge

The Oberon in Cambridge, Massachusetts Photo credit to Witches, Bitches and Divas

Accompanied by a trio of powerhouse musicians which included Music Director Steve Bass on piano, drummer George Darrah, and bassist Nick Francese, Christina brings humor and personal anecdotes while adding her own spin to various medleys.  She tackles subjects like nannies, drinking, and gravity and even sneaks in an amusing little drinking game too.

From Sondheim to Nat King Cole, Christina makes her time onstage an unpredictable, interactive treat as she occasionally wanders through the crowd, serenading a few audience members.  She also left a piece of her heart onstage in a stirring rendition of Sondheim’s ‘Being Alive.’  Pecce last appeared at the Oberon in February and from the glowing reception she received when she returned, it certainly will not be her last time.

American Repertory Theatre’s Oberon is an intimate and inviting night club without a bad seat in the house that welcomes a variety of shows throughout the year.  Located at 2 Arrow Street in Cambridge, Massachusetts, the Oberon is American Repertory Theatre’s second stage for theatre and nightlife.  Click here for upcoming events at the Oberon, here to learn more about Christina Pecce, and here for more about the American Repertory Theatre.

 

 

 

REVIEW: Hingham Civic Music Theatre’s ‘The Annulment’ makes parting sweet sorrow

First comes love.  Then comes marriage.   This new musical takes a look at what may come next.

Playwright Sheila Kelleher,  Music Director John Ferguson, and choreographer Cat Umano collaborated for a two day workshop of a world premiere musical destined to be submitted to a future New York festival.  Hingham Civic Music Theatre presented ‘The Annulment’ on Friday, August 23 and Saturday, August 24 at Hingham Town Hall in Hingham, Massachusetts.  This show contains some adult humor.  Click here for more information and more about Hingham Civic Music Theatre’s future productions.

With music accompaniment consisting of Music Director and pianist John Ferguson and percussionist John Duff, the inviting set was well suited for this production as the show travels to different eras and timeframes.

‘The Annulment’ may have been about three different couples and what happens after they said, ‘I do,’ but what truly gives this show more emotional weight are the larger questions it pursues.  What does it take for long-lasting happiness?  What stirs the soul?  What constitutes an annulment and when is it just legal jargon on a piece of paper?  Celia, portrayed with quick-witted cynicism and wistfulness by Carole Shannon, just wants some answers.

Hingham Civic Music Theatre The Annulment Celia and Nadine

Carole Shannon as Celia and Stephanie Blood as Nadine Photo courtesy of Hingham Civic Music Theatre

‘The Annulment’ could very well have developed into a drawn out court battle, but it instead explores the nature of relationships, love, loss, and everything in between.  The cast has a very natural chemistry and it is not difficult to imagine this group being longtime friends.  The show is also not without its share of wild and sometimes cynical humor.  James Swindler channeled a Vince Vaughn vibe as Dave, a playful, party-loving guy who has an uninhibited passion for his equally wild wife Nadine, a lively and comical performance by Stephanie Blood. Their uninhibited and flirtatious antics are among the most amusing parts in the production and they both clearly look like they are enjoying themselves.

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Carole Shannon shows a pensive, vulnerable side as Celia, her smooth vibrato poignant during the numbers, When I Used to Sing and What We Missed.  Charlie McKitrick impressively portrays Tony, a critical man who constantly worries more about outward appearances than anything else.  ‘The Annulment’ is skilled at building tension and there is no lack between these two.  Offering a sympathetic, non-judgmental ear is Deanna Lohnes as Celia’s supportive friend Sabrina.  ‘The Annulment’ is a funny, relatable musical comedy with heart when life doesn’t quite deliver a happily ever after.

Hingham Civic Music Theatre has been entertaining audiences for over 70 years.  This fall, ‘The Dr. Seuss Experience’ exhibit will be heading to Boston and Hingham Civic Music Theatre is also presenting ‘Seussical The Musical‘ in October.  Click here for all the details and their recently announced 2020 season.